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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 . F( T9 X. v! k4 B5 Z6 M5 A
c9 `8 Q2 j) n; u* O2 EBBC评出100大英国文学名著
) `0 t7 n6 Q A% ohttp://www.bbc.com/culture/story ... test-british-novels
' Q g; s* p0 X4 ^" d惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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- o7 U- g+ |5 ]) {# k; ^100. The Code of the Woosters (PG Wodehouse, 1938)
0 l' r# _6 Z/ V" b: q6 ~4 b! j99. There but for the (Ali Smith, 2011)4 w( D0 l, ]- z) l
98. Under the Volcano (Malcolm Lowry,1947)
& S. a+ E$ d0 q p7 x" h97. The Chronicles of Narnia (CS Lewis, 1949-1954)
; p) o5 u9 V3 T8 r- l$ D$ Z0 g96. Memoirs of a Survivor (Doris Lessing, 1974)
2 S# e' e. }& C95. The Buddha of Suburbia (Hanif Kureishi, 1990)
+ ]; Z: k: q- J& o$ a# N94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
2 t2 z9 b, s! \$ {' `$ O5 I5 ]93. Lord of the Flies (William Golding, 1954)
8 v' Y; u0 [, e( J; q7 I92. Cold Comfort Farm (Stella Gibbons, 1932)
$ v0 a! Y( @: D ?9 J4 q91. The Forsyte Saga (John Galsworthy, 1922) |8 c4 |6 u/ [0 P, g4 [5 i9 r
90. The Woman in White (Wilkie Collins, 1859)
' W+ X" { ]" B89. The Horse’s Mouth (Joyce Cary, 1944)# U. q$ [* s. s/ ^2 W1 ~
88. The Death of the Heart (Elizabeth Bowen, 1938), S0 V/ B6 f( l( H7 U4 x+ k
87. The Old Wives’ Tale (Arnold Bennett,1908)
9 G$ g5 V4 n0 d0 q4 L; v, s! I+ k86. A Legacy (Sybille Bedford, 1956)) w2 F9 y0 w% B
85. Regeneration Trilogy (Pat Barker, 1991-1995)
( B6 u4 B/ C9 y7 T* e/ x84. Scoop (Evelyn Waugh, 1938)
: E' @9 D# O$ [: R83. Barchester Towers (Anthony Trollope, 1857) e" \7 q3 f6 c1 ] h8 Q, ]
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)8 B a0 z! ]# K$ ^) W% U
81. The Jewel in the Crown (Paul Scott, 1966)
( M) {$ B& ^/ W2 f6 v8 |# R7 M80. Excellent Women (Barbara Pym, 1952)
' l& d4 C& U7 p! I79. His Dark Materials (Philip Pullman, 1995-2000)
9 S0 y0 b6 n& U* C/ G4 Z' W78. A House for Mr Biswas (VS Naipaul, 1961)
$ k! h* [- H/ q% [( X( J77. Of Human Bondage (W Somerset Maugham, 1915)$ M" K6 G) W5 f! l
76. Small Island (Andrea Levy, 2004)
' h9 ~0 n: U/ R H+ E' D2 {75. Women in Love (DH Lawrence, 1920)7 n* \% k) O! A
74. The Mayor of Casterbridge (Thomas Hardy, 1886)) C/ i& K# A* r
73. The Blue Flower (Penelope Fitzgerald, 1995), [' U3 W# ^9 N" f% {6 f4 J
72. The Heart of the Matter (Graham Greene, 1948)
% O0 ?, b' K/ S* O, \- `71. Old Filth (Jane Gardam, 2004)
0 z% G9 j& x* e: o7 }7 X P70. Daniel Deronda (George Eliot, 1876)
7 @" E1 W X1 P, m# @: g! I69. Nostromo (Joseph Conrad, 1904)
$ y3 _" r" _/ S& g$ e68. A Clockwork Orange (Anthony Burgess, 1962); _" Y$ x$ V2 K4 U7 J8 H- M
67. Crash (JG Ballard 1973) x$ ]% b; i2 s* ^2 C0 c
66. Sense and Sensibility (Jane Austen, 1811)
4 Q: v6 B: \6 H8 x65. Orlando (Virginia Woolf, 1928)" l7 B4 Z6 o0 o. G* u/ _: [2 @
64. The Way We Live Now (Anthony Trollope, 1875); x' P3 e- q0 c6 C9 t
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)3 T" j" U2 R8 \! K" M# {" t6 p- l
62. Animal Farm (George Orwell, 1945)0 z- N9 P: C+ A9 d6 d% u1 `
61. The Sea, The Sea (Iris Murdoch, 1978)1 O' U% U' i! [( S( Y& x/ X8 t
60. Sons and Lovers (DH Lawrence, 1913)1 i- t+ I; t7 i% N
59. The Line of Beauty (Alan Hollinghurst, 2004)
' [$ w: M, p, U, g$ I0 s58. Loving (Henry Green, 1945)
) x8 @9 P: D" ]* ?57. Parade’s End (Ford Madox Ford, 1924-1928): s1 l" C) W; y0 o3 h
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)- v/ F( s2 ]/ q* ~6 B) {
55. Gulliver’s Travels (Jonathan Swift, 1726)
' d% I; q' r/ b54. NW (Zadie Smith, 2012)
7 g$ v1 N- z" y/ w6 |53. Wide Sargasso Sea (Jean Rhys, 1966)9 i3 @" `: z- t6 n$ P% U
52. New Grub Street (George Gissing, 1891)
, T& s8 N5 U% S4 z) g! i* ]51. Tess of the d’Urbervilles (Thomas Hardy, 1891)* y0 e- y6 C' [- a/ v+ J
50. A Passage to India (EM Forster, 1924)
( _+ s- W3 b F7 Y1 u49. Possession (AS Byatt, 1990)
9 s, ]- H' ?. Q48. Lucky Jim (Kingsley Amis, 1954)
& \! L5 t* T& J) u% J4 P47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)+ k( @3 Y" E9 C* k1 P
46. Midnight’s Children (Salman Rushdie, 1981)
9 \% g4 }, [: d3 N' v% _9 H45. The Little Stranger (Sarah Waters, 2009)
' q1 I" h9 `* d9 f# v' d44. Wolf Hall (Hilary Mantel, 2009)
" E. R1 C A- W2 Q3 K43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* U0 f! n- g& S/ `42. Brighton Rock (Graham Greene, 1938)% R T g7 ~% e% V6 R
41. Dombey and Son (Charles Dickens, 1848)4 T' I* ^; j- I2 f
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)+ ^/ a f: D4 t- X2 A
39. The Sense of an Ending (Julian Barnes, 2011), F* d0 Z4 m; d9 z2 w
38. The Passion (Jeanette Winterson, 1987)( Y' l* [* s' ?( p0 u: I
37. Decline and Fall (Evelyn Waugh, 1928)
6 ~2 s' f3 S9 T( \36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
+ W( l* [* w: ?; D! d! h35. Remainder (Tom McCarthy, 2005)4 k L; K- v: C9 t; v, Q; x
34. Never Let Me Go (Kazuo Ishiguro, 2005)1 t0 ~0 f) t. X% t" w+ J0 r" g
33. The Wind in the Willows (Kenneth Grahame, 1908)
6 V5 L, X2 r. N: @; a! o( H32. A Room with a View (EM Forster, 1908)& h- e, s- n# _4 d
31. The End of the Affair (Graham Greene, 1951)& P" U5 c, `- x: U: b
30. Moll Flanders (Daniel Defoe, 1722)
7 d- U* [+ N% W- B: S29. Brick Lane (Monica Ali, 2003)/ n! L/ s# }, t: x, z" x
28. Villette (Charlotte Brontë, 1853)
' E* {% e8 p$ j) Y5 l p, Q27. Robinson Crusoe (Daniel Defoe, 1719)
. ~5 ^3 r" a* F4 n9 U! X26. The Lord of the Rings (JRR Tolkien, 1954)
" u: M3 S$ Q/ o# r$ V: U25. White Teeth (Zadie Smith, 2000)
" f* U0 l2 x0 [% Y0 G$ N* r24. The Golden Notebook (Doris Lessing, 1962)4 `4 \5 [0 R. Y/ F5 |8 c* ^0 U
23. Jude the Obscure (Thomas Hardy, 1895)
3 q1 N. S9 E! W1 g22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)/ N, j9 x, }1 i7 ]/ _7 a
21. Heart of Darkness (Joseph Conrad, 1899)
& S+ R3 m8 u- k+ e20. Persuasion (Jane Austen, 1817)2 w* O" ]) D: i, ~
19. Emma (Jane Austen, 1815)* i. B& U+ X8 x* X! v( S. Q
18. Remains of the Day (Kazuo Ishiguro, 1989)% r/ p& V: b3 ]# N* }, m" A7 `
17. Howards End (EM Forster, 1910)0 W& K$ `7 n8 H( {2 H+ q
16. The Waves (Virginia Woolf, 1931)
& L+ [& n8 d0 k$ |8 S15. Atonement (Ian McEwan, 2001)
' y2 f5 B U5 ^/ e9 f9 w- i14. Clarissa (Samuel Richardson,1748) |& N7 x9 c6 ]0 j; i- @
13. The Good Soldier (Ford Madox Ford, 1915)$ X/ w3 x9 C" z' g/ y
12. Nineteen Eighty-Four (George Orwell, 1949)
0 g5 e4 I: w7 W11. Pride and Prejudice (Jane Austen, 1813)
' _- n3 M" d7 }; K& ]10. Vanity Fair (William Makepeace Thackeray, 1848)
/ b: m: t* L* v- j& w2 H2 t T2 F$ [$ [9. Frankenstein (Mary Shelley, 1818) E. \$ L: W/ t x8 O/ ~
8. David Copperfield (Charles Dickens, 1850), J& i$ a0 R: F" }
7. Wuthering Heights (Emily Brontë, 1847)
/ f/ W$ g: U8 a2 ]/ c5 ?) k6. Bleak House (Charles Dickens, 1853)
7 m' c" o8 p# i( `* U+ a {8 o k5. Jane Eyre (Charlotte Brontë, 1847)6 P. U$ O: a# n* \$ R$ d
4. Great Expectations (Charles Dickens, 1861)- ?, U" U5 @) d( ?/ F l
3. Mrs. Dalloway (Virginia Woolf, 1925)
+ P& c3 B7 j8 ?2. To the Lighthouse (Virginia Woolf, 1927)
$ r" p- c6 d9 l( R" w1. Middlemarch (George Eliot, 1874)' j# g' {7 O1 V: A$ v: _# q- S
+ N/ A; r; H! I: W. R# F前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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