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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 / q# e) Q2 v1 I: r& v& q
" T9 k- P* }' f5 S# `9 R0 g7 ^) mBBC评出100大英国文学名著; c! d* t7 h0 Q. S
http://www.bbc.com/culture/story ... test-british-novels
* Z6 G x: U$ K! M( w惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)( U4 Y! ]* m5 L
99. There but for the (Ali Smith, 2011)
& H8 ^3 h5 y& O, h+ k: x# }98. Under the Volcano (Malcolm Lowry,1947)
u6 a4 y: b- N9 h3 j2 J97. The Chronicles of Narnia (CS Lewis, 1949-1954)
% i0 a. m G- y: g) \) B1 I7 X6 @96. Memoirs of a Survivor (Doris Lessing, 1974)
% {, q1 ]' E( V) x: D0 |/ P95. The Buddha of Suburbia (Hanif Kureishi, 1990)
# G* V5 G a2 a2 n: k V94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)! p- Z$ H( P; L5 R8 @8 b+ d
93. Lord of the Flies (William Golding, 1954): C" c1 q1 u3 s% G5 r# J# Z
92. Cold Comfort Farm (Stella Gibbons, 1932)
9 b0 Y, G# X* \; l, K7 E6 ]6 Y91. The Forsyte Saga (John Galsworthy, 1922)7 h! t0 _; k. A5 r: u7 \$ W. @
90. The Woman in White (Wilkie Collins, 1859)
3 G* z. b$ ?! L2 |3 W I+ n89. The Horse’s Mouth (Joyce Cary, 1944)' |6 R% a( Z' n
88. The Death of the Heart (Elizabeth Bowen, 1938)
" X# {: d/ I8 @) e4 g( X87. The Old Wives’ Tale (Arnold Bennett,1908)/ d0 [( G, C% p+ i7 r+ ?$ Q
86. A Legacy (Sybille Bedford, 1956)! \% p J) _- T
85. Regeneration Trilogy (Pat Barker, 1991-1995)2 d' h# z6 _; L4 j3 E
84. Scoop (Evelyn Waugh, 1938)4 k- j/ n \: Z( ~$ {
83. Barchester Towers (Anthony Trollope, 1857)
) C& }+ U( V2 v! m3 [82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
" B( S+ |$ y9 z1 b" C* z$ [2 H81. The Jewel in the Crown (Paul Scott, 1966)
! q# _, b! {! I80. Excellent Women (Barbara Pym, 1952)
6 f) A2 k" s! ?/ }, O8 w! L* d79. His Dark Materials (Philip Pullman, 1995-2000)
h4 F2 N5 \3 d5 W/ b5 H78. A House for Mr Biswas (VS Naipaul, 1961)
0 ?/ g) w# j! O. S: h77. Of Human Bondage (W Somerset Maugham, 1915)
% n! {) \1 }+ s4 \5 Q6 z+ e76. Small Island (Andrea Levy, 2004)
9 e/ @7 { \# f75. Women in Love (DH Lawrence, 1920)
- p/ P/ u7 M) Y8 m: x74. The Mayor of Casterbridge (Thomas Hardy, 1886)- C. n" ~5 Z5 s/ D) e7 C
73. The Blue Flower (Penelope Fitzgerald, 1995)" P5 u* a7 ^$ I- {% k
72. The Heart of the Matter (Graham Greene, 1948)
1 W& [) |3 S) y+ i71. Old Filth (Jane Gardam, 2004)
; r& v4 }, x0 O, Y! K* [# K70. Daniel Deronda (George Eliot, 1876)% _8 W2 ?- l+ L4 T- _$ j
69. Nostromo (Joseph Conrad, 1904)! |* `7 z7 Y) z Y6 c0 \) f: b
68. A Clockwork Orange (Anthony Burgess, 1962). T" W% m: F" |& c. b' i/ \9 g
67. Crash (JG Ballard 1973)& o1 d3 p$ Q: z% x; w& {
66. Sense and Sensibility (Jane Austen, 1811)
! r( \/ ]1 @7 s( _5 _65. Orlando (Virginia Woolf, 1928)
% A) J4 q9 F" P8 p1 i7 _ K64. The Way We Live Now (Anthony Trollope, 1875)+ {' n- m) \& t1 r
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)2 X3 r7 a5 q ^% p* w
62. Animal Farm (George Orwell, 1945)! C( i" O* Z$ C+ o
61. The Sea, The Sea (Iris Murdoch, 1978)
$ z% k6 `1 F" V: @0 F9 ]4 F) {% v2 c60. Sons and Lovers (DH Lawrence, 1913)+ V* q* H1 K: G9 r( k
59. The Line of Beauty (Alan Hollinghurst, 2004)
: i* F3 [5 q9 U58. Loving (Henry Green, 1945)- ~8 E/ E- _+ `6 t+ K4 _; N4 e
57. Parade’s End (Ford Madox Ford, 1924-1928)" T6 p8 l) Y& `% Y& w
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
2 `. _! x6 ]0 D55. Gulliver’s Travels (Jonathan Swift, 1726)( h: B9 p; b6 O# d
54. NW (Zadie Smith, 2012)
) L5 V: E0 g/ z: v& T" a* k53. Wide Sargasso Sea (Jean Rhys, 1966)
! p9 Z9 e' Q$ J5 r8 X* o: g6 ~; r9 @52. New Grub Street (George Gissing, 1891)
" T9 o! T; @# X+ b# x51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
( u8 |8 n6 K8 R b6 t50. A Passage to India (EM Forster, 1924)6 `. P2 F1 j; m' p
49. Possession (AS Byatt, 1990)5 V2 S+ q6 }# c$ L) n/ W4 D1 T
48. Lucky Jim (Kingsley Amis, 1954)
0 u3 d. f; t% R# v/ C47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)# X) j- S) i. l
46. Midnight’s Children (Salman Rushdie, 1981)$ K$ J9 _0 f d$ P! K# ^1 o/ O
45. The Little Stranger (Sarah Waters, 2009)
% x0 m4 C% a3 S5 i44. Wolf Hall (Hilary Mantel, 2009)0 s8 C" I" Q3 j9 [8 A1 @
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
% c* L9 x% h. @4 e/ V42. Brighton Rock (Graham Greene, 1938)
/ G! L1 n& s. s) m0 i m K! J41. Dombey and Son (Charles Dickens, 1848), b! w* Y/ e0 m! g7 n7 y
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
( m; L: S8 S$ }: k* a/ Z# f39. The Sense of an Ending (Julian Barnes, 2011)
6 _" a' v! ^7 X38. The Passion (Jeanette Winterson, 1987); N$ z/ r" w }- J# U6 U
37. Decline and Fall (Evelyn Waugh, 1928)% U( B$ c |6 g* ~! Z
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)! Z2 v. Y! b" r* n. { ]% I
35. Remainder (Tom McCarthy, 2005)
$ q/ o. Y5 Y5 _2 M34. Never Let Me Go (Kazuo Ishiguro, 2005)& m6 f. l9 t' L2 s) S2 a' V
33. The Wind in the Willows (Kenneth Grahame, 1908)
8 O1 j$ ? B; r1 l+ Z32. A Room with a View (EM Forster, 1908)& N: [# S. c6 Z! ^7 z
31. The End of the Affair (Graham Greene, 1951)% D0 t9 U% @# | f9 g4 S
30. Moll Flanders (Daniel Defoe, 1722)
( z4 c' Y7 D9 `" I) g29. Brick Lane (Monica Ali, 2003)- s+ C6 e/ F/ k5 z" z
28. Villette (Charlotte Brontë, 1853)
) A! L( y! n5 n& e27. Robinson Crusoe (Daniel Defoe, 1719)
9 @ B$ }$ H0 |26. The Lord of the Rings (JRR Tolkien, 1954). j, i# m0 O% q y
25. White Teeth (Zadie Smith, 2000); `1 k$ o6 O2 ~) c5 c; w
24. The Golden Notebook (Doris Lessing, 1962), W# ^7 \$ f& X8 j3 i
23. Jude the Obscure (Thomas Hardy, 1895)
3 u f s$ ^% J22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)' ?. g+ [* }% E) w# w. d9 }. U
21. Heart of Darkness (Joseph Conrad, 1899)
) Y& U0 W l& Y+ L8 H$ I20. Persuasion (Jane Austen, 1817)
; _' E* `) j4 t$ T- O* h19. Emma (Jane Austen, 1815)
" H1 a- ~! w& H1 @18. Remains of the Day (Kazuo Ishiguro, 1989)2 {8 S4 E E: I" W, Q3 A2 m
17. Howards End (EM Forster, 1910)
6 B: R5 X, l: [1 ~0 ^8 |16. The Waves (Virginia Woolf, 1931); G- v2 a- X0 T# \$ Q
15. Atonement (Ian McEwan, 2001)
" O3 {7 X$ D0 i9 X14. Clarissa (Samuel Richardson,1748)
/ ~% U' q& R3 G) a+ a" t13. The Good Soldier (Ford Madox Ford, 1915)* I" b: s# g$ M. m. s1 B$ A
12. Nineteen Eighty-Four (George Orwell, 1949)
2 s* M$ m6 G$ D11. Pride and Prejudice (Jane Austen, 1813): v) z8 a! m6 Q) ?/ H! J0 ]) E7 E& }! x
10. Vanity Fair (William Makepeace Thackeray, 1848)3 }. F) e2 u7 @% e5 }8 v% K
9. Frankenstein (Mary Shelley, 1818)1 H1 v, `. C; I3 f( x
8. David Copperfield (Charles Dickens, 1850)* t: y$ T7 g! e" B+ p# l( ?) N
7. Wuthering Heights (Emily Brontë, 1847)
" z0 P' y) `8 g& d- F& N. O( {1 E6. Bleak House (Charles Dickens, 1853). j0 g. |9 k" S" q* l
5. Jane Eyre (Charlotte Brontë, 1847)' Y2 C# M) H% Z/ g- O$ Q Z8 x8 q/ o
4. Great Expectations (Charles Dickens, 1861)! i+ M4 u5 f$ T6 R
3. Mrs. Dalloway (Virginia Woolf, 1925)/ |- i" J' `7 _; f
2. To the Lighthouse (Virginia Woolf, 1927)
! v7 g: X; @7 \5 }, A3 `1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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