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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ! q& M7 i" ~3 Y" ~# [1 Y
" p' H: |. O2 N. SBBC评出100大英国文学名著
& v& V( @8 r$ o! P& ]http://www.bbc.com/culture/story ... test-british-novels
: J `7 Z8 f. Y9 [2 Y惭愧得很,听说过一小半名字,读过听说过的一小半,最惭愧的是,前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938); j6 ]/ T+ {: Q5 @+ L
99. There but for the (Ali Smith, 2011)" ?: o4 V" b: A, r q
98. Under the Volcano (Malcolm Lowry,1947)9 c9 U1 H! q: ^
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
8 u! k' h6 G3 I$ u* k96. Memoirs of a Survivor (Doris Lessing, 1974)
. V7 D+ O' D2 m2 E8 A; l8 H95. The Buddha of Suburbia (Hanif Kureishi, 1990)7 q2 t) N9 h% h% u
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
: o! K4 S0 V t9 e0 C3 c93. Lord of the Flies (William Golding, 1954)! K6 ^: V7 Y9 i2 P6 Q
92. Cold Comfort Farm (Stella Gibbons, 1932)
; ~! B# D% w; l7 m. e( U' w/ O91. The Forsyte Saga (John Galsworthy, 1922)2 U" D$ w# g- k
90. The Woman in White (Wilkie Collins, 1859)1 P* e# g4 N; T1 o) n' P5 t
89. The Horse’s Mouth (Joyce Cary, 1944)
9 L) d$ ?# \6 {& \! H5 s* a. M; y+ N88. The Death of the Heart (Elizabeth Bowen, 1938)5 f7 I! `, A; N( Z' m; r0 `. j1 r
87. The Old Wives’ Tale (Arnold Bennett,1908)+ Y( q' W& v6 Q$ k! Y
86. A Legacy (Sybille Bedford, 1956)4 g7 Y/ I: S8 [: a6 |! p
85. Regeneration Trilogy (Pat Barker, 1991-1995)3 i7 V7 j) a" r2 Z
84. Scoop (Evelyn Waugh, 1938)4 }% ~* d6 U! l, T' q# |
83. Barchester Towers (Anthony Trollope, 1857) W; V3 M& B5 G! k, J
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
' h4 |+ e9 d U; J81. The Jewel in the Crown (Paul Scott, 1966)2 h8 ~2 Q1 z+ P: o% _
80. Excellent Women (Barbara Pym, 1952)7 Y1 M6 D; K6 h, A" `$ S" e3 L
79. His Dark Materials (Philip Pullman, 1995-2000)- D* a2 w: }" F% ?" o+ W0 q% f
78. A House for Mr Biswas (VS Naipaul, 1961) L! f! s; A/ V4 B& d; F
77. Of Human Bondage (W Somerset Maugham, 1915)
; g8 E) k! A* b/ N. V) X76. Small Island (Andrea Levy, 2004)
" S- {$ S5 T4 h* F$ E) B75. Women in Love (DH Lawrence, 1920)8 c* M# }9 P j1 \* i
74. The Mayor of Casterbridge (Thomas Hardy, 1886)) F: u/ I. C, Q4 n
73. The Blue Flower (Penelope Fitzgerald, 1995), z T; ]5 _9 Z3 _
72. The Heart of the Matter (Graham Greene, 1948)7 R6 V# n$ ^5 f/ M
71. Old Filth (Jane Gardam, 2004)
& D: m6 F+ O$ D' J! U, {4 G+ ?3 t70. Daniel Deronda (George Eliot, 1876)
5 ]5 l g0 H+ }8 D" k# N5 ^# k69. Nostromo (Joseph Conrad, 1904)
# O0 \3 O; Z3 @5 ?6 [" H6 u# k; Z6 m68. A Clockwork Orange (Anthony Burgess, 1962)0 o; w5 ~8 H: @' E8 \; J9 `
67. Crash (JG Ballard 1973)
$ M2 R& P2 m! j- ^9 Z1 u' G) ?+ t1 a66. Sense and Sensibility (Jane Austen, 1811); p- Y4 u; A3 M; C" j. ^
65. Orlando (Virginia Woolf, 1928)6 n: Z" E" a- G. W$ i2 ]3 i
64. The Way We Live Now (Anthony Trollope, 1875)
0 W1 r$ l0 ` h! w: w63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)& G; t# Z k) q; H$ _6 w$ _ n4 P
62. Animal Farm (George Orwell, 1945)' q0 `! r9 N2 z) i
61. The Sea, The Sea (Iris Murdoch, 1978); T. j9 `; q3 h; B0 s5 V
60. Sons and Lovers (DH Lawrence, 1913)! Z% i3 ^5 f$ _" J
59. The Line of Beauty (Alan Hollinghurst, 2004) L; V& T1 Q( h/ s( k6 @+ }6 Q
58. Loving (Henry Green, 1945): g* g9 @: X X5 M2 P7 \0 }
57. Parade’s End (Ford Madox Ford, 1924-1928)
4 ?* e$ u& A' L9 d7 V56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
# x+ {1 |- Y) o. l! C: ^55. Gulliver’s Travels (Jonathan Swift, 1726)
; e. ^: |1 J! H, u* B( h& m54. NW (Zadie Smith, 2012)2 q5 d' o' n1 n1 t' N' Q, x
53. Wide Sargasso Sea (Jean Rhys, 1966)
1 w1 o8 O6 F" f; ]" V* M52. New Grub Street (George Gissing, 1891)2 V& o5 x" i. Q+ I. c% W
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
, j! L) H; {. L7 ^- @/ A* u8 C50. A Passage to India (EM Forster, 1924)8 O6 O9 n2 {) ~3 a# Z7 C
49. Possession (AS Byatt, 1990)# ~5 D7 u) L( d* H2 k9 x
48. Lucky Jim (Kingsley Amis, 1954)
1 d+ [3 H+ K M0 J$ T% o47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
/ B' D, \) r* {& n. Y2 V46. Midnight’s Children (Salman Rushdie, 1981)
/ k; M) j2 L- l, [* f' U7 Q i45. The Little Stranger (Sarah Waters, 2009)4 v! c9 \. K. |3 [
44. Wolf Hall (Hilary Mantel, 2009)
3 v* }9 [/ W) G43. The Swimming Pool Library (Alan Hollinghurst, 1988)" r6 A) ^+ {0 ^
42. Brighton Rock (Graham Greene, 1938); _) d* j: b- E7 v Q
41. Dombey and Son (Charles Dickens, 1848)
! r4 V' |* _3 k. q+ H5 ^% e1 h. ^40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
3 N1 @4 W- _( P# f8 [8 t5 D% D39. The Sense of an Ending (Julian Barnes, 2011)& P9 q) W2 E( N# h, c+ ]% w! {
38. The Passion (Jeanette Winterson, 1987)" m1 n& f1 H+ ]8 c. X+ N" R
37. Decline and Fall (Evelyn Waugh, 1928)$ z6 s0 @1 q, q7 p& D# M) c8 V
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
2 D \; J' v j; j4 P3 \35. Remainder (Tom McCarthy, 2005)+ {& S$ p0 U7 A! M5 L6 Q5 g. T* w" R
34. Never Let Me Go (Kazuo Ishiguro, 2005)5 l: p* _6 u. b. K( d
33. The Wind in the Willows (Kenneth Grahame, 1908)
: A" Z) @9 l; S, m7 d0 o1 f# T32. A Room with a View (EM Forster, 1908)
8 Y9 T8 c8 w+ I4 y; z, H( T0 w5 K31. The End of the Affair (Graham Greene, 1951)5 h9 v$ b; R2 n2 R% U# x& I5 m
30. Moll Flanders (Daniel Defoe, 1722)
5 g- a2 k% R6 | }6 ~29. Brick Lane (Monica Ali, 2003)7 k, S/ ^! S n$ }# @# H
28. Villette (Charlotte Brontë, 1853)! v$ v4 x' b! `/ y: P
27. Robinson Crusoe (Daniel Defoe, 1719): W0 {6 |" }3 w6 R# g7 d T# `
26. The Lord of the Rings (JRR Tolkien, 1954) G3 C: W- e5 n: u" i
25. White Teeth (Zadie Smith, 2000)1 w4 z4 X! ?- F2 i2 u% j% ]# h* T
24. The Golden Notebook (Doris Lessing, 1962)3 U2 Q# k u. u/ v8 ~: n8 j
23. Jude the Obscure (Thomas Hardy, 1895)9 k/ Y2 J$ b* [) |4 E9 i5 F: ?
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
6 R7 F1 r- r7 V$ b21. Heart of Darkness (Joseph Conrad, 1899)7 _# F: l/ M+ Y: H
20. Persuasion (Jane Austen, 1817); D7 [ `7 ?9 [5 z" l/ r# r, L
19. Emma (Jane Austen, 1815), F7 c$ ^2 t8 u: n/ X# s
18. Remains of the Day (Kazuo Ishiguro, 1989) Q5 ~ b- N: f# s" s
17. Howards End (EM Forster, 1910)
% x q: E! Q: I0 X16. The Waves (Virginia Woolf, 1931)
0 ?# Z, E: B- {* @$ P3 o8 c- L15. Atonement (Ian McEwan, 2001)' X/ c6 }9 X1 P+ l# [2 n7 z) L; {0 f
14. Clarissa (Samuel Richardson,1748)
6 @" A" C& h; N8 H d" w- z# u13. The Good Soldier (Ford Madox Ford, 1915)
5 ]. }, V0 Q- L+ M I' y. g) [) J12. Nineteen Eighty-Four (George Orwell, 1949)
$ E. c N* P7 j11. Pride and Prejudice (Jane Austen, 1813)) D, h! f( S2 r7 R
10. Vanity Fair (William Makepeace Thackeray, 1848)/ S# t9 z2 s! d4 e7 N9 V! y4 z
9. Frankenstein (Mary Shelley, 1818): r7 ]( l; g- e
8. David Copperfield (Charles Dickens, 1850)( T& V( _- W7 b' s( |! o ~
7. Wuthering Heights (Emily Brontë, 1847) [' i' `" @2 L
6. Bleak House (Charles Dickens, 1853)
) O _$ @% [( M7 K7 _5. Jane Eyre (Charlotte Brontë, 1847)
/ |+ ~8 {, ~: X% U5 z4. Great Expectations (Charles Dickens, 1861)7 ]) k. F: A$ a) P1 ~: j9 }2 r
3. Mrs. Dalloway (Virginia Woolf, 1925)
0 w" ]% A) u' N' }! K& \# Q2. To the Lighthouse (Virginia Woolf, 1927)
f* u k k' F4 s1 W/ C. n1. Middlemarch (George Eliot, 1874)! ~$ X0 |4 L& H% ?; u: m
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前10里只有狄更斯(远大前程、Bleak House(中文译名是什么?)、大卫·科波菲尔)和萨克雷(名利场)是男作家,其他都是女的:乔治·艾略特(本名Mary Ann Evans,用男性化的笔名)、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话,也有一半是女作家的作品,加上简·奥斯汀。全部100部作品中,也有40%是女作家的作品。只有狄更斯(远大前程、Bleak House)、大卫·科波菲尔、Dombey and Son)、奥斯汀(傲慢与偏见、爱玛、Persuasion、感觉与情感)、沃尔芙(To The Lighthouse、Mrs Dalloway、The Waves、Orlando)有四部作品入选,又是两个女作家。这是相当高的女作家比例。
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呃,这里全部是英国作家的作品,而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的,其中没有英国人,纯粹是从外国人(美国、加拿大、澳大利亚、丹麦、印度)的角度来评的。很有意思的评比法。 |
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