|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
! l( X* `: c3 b) v- C) C. A4 y5 X& n) i, _# p/ T7 {+ D+ E
BBC评出100大英国文学名著
* b/ n9 Q" v* khttp://www.bbc.com/culture/story ... test-british-novels
! S& O4 V) ~1 M1 o惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。; x/ ]) o8 z5 [
& w3 ^( M- P/ z, b100. The Code of the Woosters (PG Wodehouse, 1938)
1 O9 h9 a% O6 i$ _/ a99. There but for the (Ali Smith, 2011)) ]1 y* C) g- g: `! R6 }
98. Under the Volcano (Malcolm Lowry,1947)
. s7 X$ \' l: V2 v& [97. The Chronicles of Narnia (CS Lewis, 1949-1954)( |- ?8 I+ w7 V; I
96. Memoirs of a Survivor (Doris Lessing, 1974). [/ D& g. C7 v5 ^# R" [3 m) B8 t
95. The Buddha of Suburbia (Hanif Kureishi, 1990)# h. h. C; ^. Y. R
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)1 |. ]) {& U0 i# |) S' X
93. Lord of the Flies (William Golding, 1954), D9 D. E1 ~/ m1 N% w
92. Cold Comfort Farm (Stella Gibbons, 1932)$ z* W! |% V7 J3 W0 z7 D1 ~
91. The Forsyte Saga (John Galsworthy, 1922)
3 |) @7 D5 \" j3 m/ D2 [6 }90. The Woman in White (Wilkie Collins, 1859)
) ]- g: f1 \' L" _- v$ S' z89. The Horse’s Mouth (Joyce Cary, 1944)
1 Z% i" n& i$ u: a88. The Death of the Heart (Elizabeth Bowen, 1938)( d! X3 D* l" b3 W# s
87. The Old Wives’ Tale (Arnold Bennett,1908)
; ?4 B( a+ y& S0 b8 o# a86. A Legacy (Sybille Bedford, 1956)
* k. T* R5 ]7 h, {. d. s85. Regeneration Trilogy (Pat Barker, 1991-1995)
$ ^+ F# r2 n) D. h( e2 b84. Scoop (Evelyn Waugh, 1938). ?7 E" f# `! @' S9 y" @, D3 S& W
83. Barchester Towers (Anthony Trollope, 1857)- }& Z n2 m# L& T4 p
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)) v& x+ q1 b+ v% ~6 t/ f( L
81. The Jewel in the Crown (Paul Scott, 1966)
& k$ D! o# t4 K1 ~80. Excellent Women (Barbara Pym, 1952)
) a* E" r, A$ k* K% ^79. His Dark Materials (Philip Pullman, 1995-2000)) D$ X- A- S/ S# C. {9 d+ J
78. A House for Mr Biswas (VS Naipaul, 1961)
( E; p! I9 H- _# J77. Of Human Bondage (W Somerset Maugham, 1915)
8 @9 r, l2 o" D% u, K0 w76. Small Island (Andrea Levy, 2004)& O2 O: S% Y+ F! Z* ]+ g9 b
75. Women in Love (DH Lawrence, 1920)
! O; A% n0 e* w O' e1 c0 U74. The Mayor of Casterbridge (Thomas Hardy, 1886)
% j/ K1 R( G$ C, I5 w. B5 ?73. The Blue Flower (Penelope Fitzgerald, 1995)( J' n! z1 N( z5 w
72. The Heart of the Matter (Graham Greene, 1948)
8 x& b" ~/ C& G! }& N; `8 t' e8 c0 ^71. Old Filth (Jane Gardam, 2004)
: [) n+ w- P/ v) \3 D70. Daniel Deronda (George Eliot, 1876)0 A. }- S1 y1 L
69. Nostromo (Joseph Conrad, 1904); H* m& \' z9 }4 q
68. A Clockwork Orange (Anthony Burgess, 1962)/ u$ v* ~) A" P; E$ @& m; H% I4 [
67. Crash (JG Ballard 1973)
2 g, Q9 M* N2 _3 d- [: [: W66. Sense and Sensibility (Jane Austen, 1811)
' f/ r, @3 I; t! ^, G2 r3 M65. Orlando (Virginia Woolf, 1928)6 F4 p" J: Y" S
64. The Way We Live Now (Anthony Trollope, 1875)
+ s B9 \% l- N. ]: ~& c* o- I63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
. O8 A `1 g6 d9 a. _$ u62. Animal Farm (George Orwell, 1945)
( ?4 F1 |& [& w Y- D9 p61. The Sea, The Sea (Iris Murdoch, 1978)4 q4 G& i% n2 O7 @0 N: D% {
60. Sons and Lovers (DH Lawrence, 1913)
! p. X6 f6 s; E# A0 H. o" `! W" L59. The Line of Beauty (Alan Hollinghurst, 2004)
+ z' k# x V7 n/ u2 I8 o58. Loving (Henry Green, 1945)
0 r% W2 H* M2 P57. Parade’s End (Ford Madox Ford, 1924-1928)
0 U$ ^. T6 Z; e56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)' ?& B* |7 _/ r; |7 n9 e
55. Gulliver’s Travels (Jonathan Swift, 1726)
, p4 Q& P7 k5 x9 [+ u: K! b54. NW (Zadie Smith, 2012)
; T- M: W( d- z' w0 C53. Wide Sargasso Sea (Jean Rhys, 1966)
9 s1 o3 K& q; {# Q1 E52. New Grub Street (George Gissing, 1891), T5 l2 e$ w5 y& }' x9 G' B
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
: d6 N+ c# }, B; Q6 U+ |50. A Passage to India (EM Forster, 1924)
0 B( F0 Z0 d- m9 l! l49. Possession (AS Byatt, 1990)1 z" Z& s/ u; n$ r! a
48. Lucky Jim (Kingsley Amis, 1954)
" N* A+ B7 W x; a; F! a47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
0 O) p" p& {$ x46. Midnight’s Children (Salman Rushdie, 1981)
$ I. k2 h! v5 d, W1 V8 T8 O45. The Little Stranger (Sarah Waters, 2009)
0 G% l; `- t& B9 u5 X6 T0 |) i- R44. Wolf Hall (Hilary Mantel, 2009)
5 `' {. c* f" _: f+ H: x43. The Swimming Pool Library (Alan Hollinghurst, 1988)
1 }: {! J1 B" W" ^( j42. Brighton Rock (Graham Greene, 1938)
6 x& _9 E! x* [9 A41. Dombey and Son (Charles Dickens, 1848)3 b2 O4 b) t$ e- `3 k
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)2 ?+ K; a1 A3 `+ K9 \2 t% \
39. The Sense of an Ending (Julian Barnes, 2011)' j! S4 e3 O" E
38. The Passion (Jeanette Winterson, 1987)
; h; y; E0 P: A37. Decline and Fall (Evelyn Waugh, 1928)
9 V. H0 R! q7 m, R6 i8 _; l36. A Dance to the Music of Time (Anthony Powell, 1951-1975), @" w8 L. h3 [: R( J* v6 k
35. Remainder (Tom McCarthy, 2005)- U; J) g8 y8 Q5 K
34. Never Let Me Go (Kazuo Ishiguro, 2005)
}; r# x+ M" d33. The Wind in the Willows (Kenneth Grahame, 1908)
1 k& W: ~0 @( S/ F0 F. k S32. A Room with a View (EM Forster, 1908)
+ `- c0 T0 k2 q$ q31. The End of the Affair (Graham Greene, 1951)
& P, @ h$ n2 T* M5 x: V30. Moll Flanders (Daniel Defoe, 1722)
$ B( b( w+ d$ L29. Brick Lane (Monica Ali, 2003)+ s% `" o% d1 a! h: Q
28. Villette (Charlotte Brontë, 1853)
# ]: m3 j: ~3 f( x" R# K3 _9 X27. Robinson Crusoe (Daniel Defoe, 1719)1 i3 ^; W1 i$ C6 ]# _3 ^5 O( D: Q0 f
26. The Lord of the Rings (JRR Tolkien, 1954)& ^0 _# S# y n; _' w) V" }# T
25. White Teeth (Zadie Smith, 2000)
5 ?/ P1 V6 C8 V w0 Z+ U24. The Golden Notebook (Doris Lessing, 1962)
' Z/ {" u! ?: w, \23. Jude the Obscure (Thomas Hardy, 1895), p3 f, I+ W& b
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
; }/ Y" a) J6 g/ ^) Y$ @; H4 \ Y21. Heart of Darkness (Joseph Conrad, 1899)
# S( k5 a2 q4 a* D20. Persuasion (Jane Austen, 1817)8 F7 t9 N+ R# H- b8 I b5 @
19. Emma (Jane Austen, 1815)0 i: z7 S& Q4 T1 w" R! E
18. Remains of the Day (Kazuo Ishiguro, 1989)
3 X% z3 c% v$ M4 V' C9 u( j17. Howards End (EM Forster, 1910)
: @1 U% {' b) y2 t16. The Waves (Virginia Woolf, 1931)
2 L3 F7 k/ v# ^' z! b+ z15. Atonement (Ian McEwan, 2001)4 C O7 N3 p* M& M
14. Clarissa (Samuel Richardson,1748)1 F* ~, N. J' q9 \+ S+ B U$ D/ z; p
13. The Good Soldier (Ford Madox Ford, 1915)
O- c7 ^5 n* V( i% Y& m12. Nineteen Eighty-Four (George Orwell, 1949)
! y. G6 y$ X, f( v3 L; Q4 u) S11. Pride and Prejudice (Jane Austen, 1813)
1 K& l2 d% ^0 ^$ l& j10. Vanity Fair (William Makepeace Thackeray, 1848)- u! A) n" q! q7 f' z
9. Frankenstein (Mary Shelley, 1818)9 ], Y; @( v- |: Z, @
8. David Copperfield (Charles Dickens, 1850)5 i+ T7 L1 k2 M N
7. Wuthering Heights (Emily Brontë, 1847)
/ U: x/ q0 y: F. W6. Bleak House (Charles Dickens, 1853); J' w/ F' N' p7 k( L
5. Jane Eyre (Charlotte Brontë, 1847)
. R3 A) K4 j/ G# u9 V5 U4. Great Expectations (Charles Dickens, 1861)
8 {* J$ h, _6 v8 m+ x3 H$ \3. Mrs. Dalloway (Virginia Woolf, 1925)% u+ B o% F+ g6 k. _
2. To the Lighthouse (Virginia Woolf, 1927)
# d% T9 u* r6 c( Q, Y1. Middlemarch (George Eliot, 1874)& Y8 Y+ o4 ?2 U6 y' C, [
" I$ c: q; @5 U$ G3 e6 H6 Y
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
# ^2 B1 f7 `/ x: A6 D3 H$ F/ v% e
" t! R/ }, @2 I7 r3 w* H' }呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
& x0 q( \3 D; H) }: [
