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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 & }3 u& h; J0 h4 V/ k
4 T% ]- D" A. b y% q. sBBC评出100大英国文学名著 r H8 a' n# p0 C
http://www.bbc.com/culture/story ... test-british-novels
3 g) i D3 I5 _惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)7 u) _# E3 u5 r2 K3 \7 A0 m4 C
99. There but for the (Ali Smith, 2011)
' u `" g2 h% @; W2 ]+ e98. Under the Volcano (Malcolm Lowry,1947)0 i# T3 b# t" k' [% ^
97. The Chronicles of Narnia (CS Lewis, 1949-1954)4 B) H( u+ n$ [: |0 O! J
96. Memoirs of a Survivor (Doris Lessing, 1974)3 u0 ~# l; a% @8 D+ y' L4 V0 O
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
; ]) |2 Y# p J) c. l$ m, s94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)7 Q6 z9 q& D1 [* o6 {
93. Lord of the Flies (William Golding, 1954)3 N. B! z( m( X o& U( ~" c4 M1 j
92. Cold Comfort Farm (Stella Gibbons, 1932) ?8 N4 j9 _* e) O) l4 r- k
91. The Forsyte Saga (John Galsworthy, 1922)
2 k0 K/ o: P1 `: M- m90. The Woman in White (Wilkie Collins, 1859): _; x2 \8 ]) d. Z% i! u) i
89. The Horse’s Mouth (Joyce Cary, 1944)
; h. }8 l# F Y' D, c88. The Death of the Heart (Elizabeth Bowen, 1938)
k* C1 T! O$ k$ r) w) f87. The Old Wives’ Tale (Arnold Bennett,1908)
) \* o: Z, w4 p86. A Legacy (Sybille Bedford, 1956)
+ s5 {) t: D7 m* k C- `85. Regeneration Trilogy (Pat Barker, 1991-1995)
; N, v y# a/ F) i' {+ h8 c( i84. Scoop (Evelyn Waugh, 1938)) F/ o; v: _2 u
83. Barchester Towers (Anthony Trollope, 1857)
9 O# b! R/ U1 f# Y7 ^2 q* F' f82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
/ _0 p; {% Q# U6 G' Y81. The Jewel in the Crown (Paul Scott, 1966)
; J2 F1 G9 e* _% ?5 s5 F% w5 X80. Excellent Women (Barbara Pym, 1952)
( M5 v/ W+ g: G0 l79. His Dark Materials (Philip Pullman, 1995-2000)
8 h6 G- c/ F8 @" n# d8 R- _& [; `78. A House for Mr Biswas (VS Naipaul, 1961)" B( {6 L; [, E# v
77. Of Human Bondage (W Somerset Maugham, 1915)+ k! p6 b. S8 G7 U
76. Small Island (Andrea Levy, 2004)
, O/ k5 J ~# i& i# C, O5 D2 k75. Women in Love (DH Lawrence, 1920)3 r2 H1 L/ t Y1 y5 q- a
74. The Mayor of Casterbridge (Thomas Hardy, 1886)1 u7 O+ p9 L; h N$ k6 e( t
73. The Blue Flower (Penelope Fitzgerald, 1995)- r- d2 k; e5 P% u) V0 d6 r* E
72. The Heart of the Matter (Graham Greene, 1948)6 j O! o6 \0 ~, a
71. Old Filth (Jane Gardam, 2004)7 b/ n1 D3 U' l5 e. F) l! N
70. Daniel Deronda (George Eliot, 1876)
, h9 J8 m. @9 R: X% [ M69. Nostromo (Joseph Conrad, 1904); ~8 b) m3 [" R
68. A Clockwork Orange (Anthony Burgess, 1962)
2 P: @) p! I% P/ I67. Crash (JG Ballard 1973)) M& ?4 T& i0 a( z0 A3 v8 ]8 i
66. Sense and Sensibility (Jane Austen, 1811)* r8 x8 k- C: Y$ o5 R4 w) ^1 G
65. Orlando (Virginia Woolf, 1928)
2 z( g$ i5 T' l* V+ Z: d6 N64. The Way We Live Now (Anthony Trollope, 1875), I6 Z* W) R% D# ~
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)6 @2 G) H, x8 S0 a0 b9 r% g
62. Animal Farm (George Orwell, 1945)
" P0 F. Q3 ^5 q" U6 Z* `0 T' q61. The Sea, The Sea (Iris Murdoch, 1978)6 V2 ?* Q: y6 ^$ T6 P
60. Sons and Lovers (DH Lawrence, 1913)
5 R4 B$ l( i0 g' N6 b59. The Line of Beauty (Alan Hollinghurst, 2004)
3 n! D5 v# y3 u2 R- v& U" O58. Loving (Henry Green, 1945)& p' P: @, v! I# ]' L5 p$ w
57. Parade’s End (Ford Madox Ford, 1924-1928). V- f9 `& a" X
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)7 [: F! E0 V% P, R \
55. Gulliver’s Travels (Jonathan Swift, 1726)
! J% ?. S5 `5 c+ a, l0 N) o54. NW (Zadie Smith, 2012); D7 A) W) ?+ U/ r7 _+ R3 e a* S+ S
53. Wide Sargasso Sea (Jean Rhys, 1966): C( |8 t5 y% i/ i
52. New Grub Street (George Gissing, 1891)
. D) z: H, z7 V% A& y A51. Tess of the d’Urbervilles (Thomas Hardy, 1891)% z2 |4 t* ]6 N+ I; ]0 ^* f [
50. A Passage to India (EM Forster, 1924)1 Y6 T& c% b" q s" ?. J; s
49. Possession (AS Byatt, 1990)
* `( b, {- H9 d( I48. Lucky Jim (Kingsley Amis, 1954)2 [5 P: @' v; y+ t6 M/ _
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)+ ^* J. V1 F" u/ A
46. Midnight’s Children (Salman Rushdie, 1981)
) v- I9 b* r2 x5 b+ { y7 U, J45. The Little Stranger (Sarah Waters, 2009) v5 Q8 A0 {8 z/ U) R* q% Y$ h( e% n
44. Wolf Hall (Hilary Mantel, 2009)& ^, j( q7 m# E2 Y
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* {! S2 F' X2 E+ @! ]( P0 H! c5 j4 ?42. Brighton Rock (Graham Greene, 1938)$ q3 e. X- W) F6 }6 [ _( ~( I$ O
41. Dombey and Son (Charles Dickens, 1848)& ^- C" X0 J& l) T9 A( [' l; H2 S
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)4 Y$ d( r: K3 d8 v1 I
39. The Sense of an Ending (Julian Barnes, 2011)
! r1 [( Z* f- |2 g( R38. The Passion (Jeanette Winterson, 1987). e9 G8 |2 s% D. G! p! {
37. Decline and Fall (Evelyn Waugh, 1928)
5 N2 h& [: N0 s1 x" m2 |: b2 \36. A Dance to the Music of Time (Anthony Powell, 1951-1975)$ `) @$ S4 j& t' H
35. Remainder (Tom McCarthy, 2005)
; }# ?1 y3 r c" r7 h* N8 R34. Never Let Me Go (Kazuo Ishiguro, 2005); [; O. U. s" N' j
33. The Wind in the Willows (Kenneth Grahame, 1908)
9 J0 B1 s/ m, a3 t/ v32. A Room with a View (EM Forster, 1908)1 Q) i( [; M/ e3 d; _
31. The End of the Affair (Graham Greene, 1951)
+ L& O" x }6 x6 g3 `- g/ ]30. Moll Flanders (Daniel Defoe, 1722)
3 l2 @" {6 Z- ~* X3 ~( ^29. Brick Lane (Monica Ali, 2003)
5 F( S' c& z$ U* |9 j28. Villette (Charlotte Brontë, 1853)
0 a0 L; S: x( i6 t7 C7 z$ s+ P6 o27. Robinson Crusoe (Daniel Defoe, 1719)
. N( ^) Y. Z _26. The Lord of the Rings (JRR Tolkien, 1954)$ e5 a7 m& u9 [. @! w! M8 u
25. White Teeth (Zadie Smith, 2000)
* c: P4 A- m' j( e& s24. The Golden Notebook (Doris Lessing, 1962)
+ V8 S9 I) J5 u @& I! e$ h, ~23. Jude the Obscure (Thomas Hardy, 1895)
( L7 Z0 _ V, {* b7 n* u22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
3 L! V/ }6 B5 Z) O5 [: K- |21. Heart of Darkness (Joseph Conrad, 1899)
: B/ V4 B3 `: O20. Persuasion (Jane Austen, 1817)( z% R0 w5 G1 x T3 I8 R
19. Emma (Jane Austen, 1815)
0 h( k9 T$ |0 O( s5 i18. Remains of the Day (Kazuo Ishiguro, 1989)6 U' D! f4 l# l6 Y0 W
17. Howards End (EM Forster, 1910)1 `. j4 d; h. p6 T3 F
16. The Waves (Virginia Woolf, 1931)6 O( P" w9 q4 f! P
15. Atonement (Ian McEwan, 2001)# @9 X3 A$ k. a1 n+ y: h6 T
14. Clarissa (Samuel Richardson,1748)
$ S G' V/ {6 x13. The Good Soldier (Ford Madox Ford, 1915), Y; H n$ ^! c2 x7 U' t: N
12. Nineteen Eighty-Four (George Orwell, 1949)
1 t' Z* ~* R9 T' W- p11. Pride and Prejudice (Jane Austen, 1813)
0 _% u: o1 s2 i+ Q |; q8 B. M10. Vanity Fair (William Makepeace Thackeray, 1848)) h* r) e/ j" j* O; e+ C
9. Frankenstein (Mary Shelley, 1818)
! I" k$ i1 P& D: u8. David Copperfield (Charles Dickens, 1850)
% E1 F7 k. ^: t4 |4 |7. Wuthering Heights (Emily Brontë, 1847)/ {: ]& i5 S; c8 @3 Q
6. Bleak House (Charles Dickens, 1853)
% Q2 L2 |3 ?9 Y5 N8 X$ i4 b5. Jane Eyre (Charlotte Brontë, 1847)0 }) u9 A9 o, A% H* j6 o; J9 x
4. Great Expectations (Charles Dickens, 1861)
+ Z v( o! f# g3 [* k3. Mrs. Dalloway (Virginia Woolf, 1925)
, P1 [9 m. b# p9 a2. To the Lighthouse (Virginia Woolf, 1927)4 m1 I0 b7 E% H, Q6 E
1. Middlemarch (George Eliot, 1874)
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" }/ S3 `) s2 w4 G* Y前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。6 b2 }6 d7 `- e2 E, N5 q8 m& V& h
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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