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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ( f. X! y, q' C, e1 j
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BBC评出100大英国文学名著: o/ U; f1 g. ?" V
http://www.bbc.com/culture/story ... test-british-novels& }/ I2 c8 _; Y0 d* h. O* T
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
9 U- K$ }0 B. i8 A! T- A! y
- Q6 m! |4 z* j Z' ?100. The Code of the Woosters (PG Wodehouse, 1938)
8 t- C6 y0 q( G% x& O9 C99. There but for the (Ali Smith, 2011) Z, i0 k" M5 |& g! i# H
98. Under the Volcano (Malcolm Lowry,1947)& @$ \! I8 L# _3 j h1 x9 l
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
4 R% H3 U$ G! |; v. @ N* M. v96. Memoirs of a Survivor (Doris Lessing, 1974)
7 ]# \( a1 @( P/ E95. The Buddha of Suburbia (Hanif Kureishi, 1990)) T/ n! k% F7 o f( x& |5 e
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)# S7 S1 P% F6 h# G* Z! \
93. Lord of the Flies (William Golding, 1954)
2 ?' ^; t/ Q- O' J5 T3 q92. Cold Comfort Farm (Stella Gibbons, 1932)- i( d; W% I5 M, m1 G
91. The Forsyte Saga (John Galsworthy, 1922)) c1 T) V! F1 `" Y7 [
90. The Woman in White (Wilkie Collins, 1859)
; Z/ O3 D$ }. b. O89. The Horse’s Mouth (Joyce Cary, 1944)5 y0 O2 |1 y6 g, B
88. The Death of the Heart (Elizabeth Bowen, 1938)8 V/ T: `7 }; U7 a$ X" N
87. The Old Wives’ Tale (Arnold Bennett,1908)% ~! a% @1 V' o
86. A Legacy (Sybille Bedford, 1956)
8 ^- R+ b* m" ~( c" h85. Regeneration Trilogy (Pat Barker, 1991-1995)$ k% i6 b' n+ k) P
84. Scoop (Evelyn Waugh, 1938)( k, }! M9 F! D1 ?
83. Barchester Towers (Anthony Trollope, 1857)
# f" d5 u/ [7 ~8 G82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
, \! ]+ g3 G* Y81. The Jewel in the Crown (Paul Scott, 1966)* h2 E) m+ F) w
80. Excellent Women (Barbara Pym, 1952)* \" v9 y: L( T% D$ p( M' C
79. His Dark Materials (Philip Pullman, 1995-2000), q$ E' N9 b. @& j: P/ n1 I& y
78. A House for Mr Biswas (VS Naipaul, 1961)6 I) y, b, z$ n s2 v. v
77. Of Human Bondage (W Somerset Maugham, 1915)- q+ X2 b& l/ e; s# B! H. r3 t1 O
76. Small Island (Andrea Levy, 2004)
0 g/ {/ R, y% `1 d7 z75. Women in Love (DH Lawrence, 1920)
w( }7 |) ~( x: p' v74. The Mayor of Casterbridge (Thomas Hardy, 1886), M2 Z3 \* i) \+ Q
73. The Blue Flower (Penelope Fitzgerald, 1995)
: M0 l R0 V: } _7 }72. The Heart of the Matter (Graham Greene, 1948)
# q! X7 |: f, \. h" N71. Old Filth (Jane Gardam, 2004)
% H. w& X$ r5 u0 J1 |& k70. Daniel Deronda (George Eliot, 1876)+ I4 c8 s* e. C( q* k- I5 Q
69. Nostromo (Joseph Conrad, 1904)* l) {" s8 P* e6 N
68. A Clockwork Orange (Anthony Burgess, 1962)8 l7 J9 p# I' i# p3 Z
67. Crash (JG Ballard 1973)6 L. H/ w& s' b4 j+ x" C
66. Sense and Sensibility (Jane Austen, 1811)* j$ c+ S* p; \; V2 _; h
65. Orlando (Virginia Woolf, 1928)8 B4 L/ g2 d+ o7 o. n# P3 R5 w9 K
64. The Way We Live Now (Anthony Trollope, 1875)1 o1 ~1 j! d" t1 V+ S* \9 z+ Q" S7 e
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)* z9 O t0 \2 b3 _
62. Animal Farm (George Orwell, 1945)
9 i4 S/ t7 k$ Z1 {61. The Sea, The Sea (Iris Murdoch, 1978)
) t9 E8 X. ^3 X8 C: }1 Z; r* w" p60. Sons and Lovers (DH Lawrence, 1913)
( ]- b9 X& W% r& b6 s! ?59. The Line of Beauty (Alan Hollinghurst, 2004)' n* x( [) O5 ]/ H6 d4 r% r
58. Loving (Henry Green, 1945)" u( h2 {, f1 t# w3 X* _; z
57. Parade’s End (Ford Madox Ford, 1924-1928)
6 }% x6 \0 L8 ^' ]0 x9 S56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
7 g: M: M+ Y1 T% I- u- u9 S55. Gulliver’s Travels (Jonathan Swift, 1726)
* f9 \) Y2 F: U5 W54. NW (Zadie Smith, 2012)" g0 [* j1 f- Q* q
53. Wide Sargasso Sea (Jean Rhys, 1966)
6 Q: k! X: }, {5 ~9 G w7 q$ G$ g$ |52. New Grub Street (George Gissing, 1891)9 p. M# m/ o( Z" |0 Q( W6 F+ H
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)% _1 e+ X1 O9 k5 l) i5 P* T4 H
50. A Passage to India (EM Forster, 1924)
( `+ t0 W- S9 q3 B$ A49. Possession (AS Byatt, 1990)
+ s8 w0 x6 ?) {4 H48. Lucky Jim (Kingsley Amis, 1954)- j! S6 l" H7 {1 m
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
! c* I1 G2 G2 t, K0 K. h46. Midnight’s Children (Salman Rushdie, 1981)1 K& ]) B$ g- y1 ?" }. q
45. The Little Stranger (Sarah Waters, 2009)
0 u% k4 z+ a1 C8 s4 J1 `& \. B44. Wolf Hall (Hilary Mantel, 2009)
' G8 w; u: E# y# b43. The Swimming Pool Library (Alan Hollinghurst, 1988)4 e! Z. L. G: I0 L+ V0 S+ m3 t
42. Brighton Rock (Graham Greene, 1938)2 ^4 S( [9 d$ H6 b. U E1 V7 n
41. Dombey and Son (Charles Dickens, 1848)
. X8 n3 `8 u+ w) g+ Z5 a' ~: ~40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
/ p8 f( e- }& [" h2 [7 g' s; I1 @39. The Sense of an Ending (Julian Barnes, 2011)% `7 d$ J F4 U
38. The Passion (Jeanette Winterson, 1987)
5 R. U% R5 F" W" q7 x37. Decline and Fall (Evelyn Waugh, 1928), e& h1 U( S, `3 z" z- J. z6 C7 p
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
( ~- x, [' N( ^* }9 m" X35. Remainder (Tom McCarthy, 2005). e) p3 K; j6 x/ J! U1 |$ n
34. Never Let Me Go (Kazuo Ishiguro, 2005)
7 }2 L/ g) U3 S4 V: A33. The Wind in the Willows (Kenneth Grahame, 1908)+ o' M3 u- M4 Q/ J" f
32. A Room with a View (EM Forster, 1908)
* u8 T! w& T7 A0 ~- |31. The End of the Affair (Graham Greene, 1951)
* m; C/ b& f6 }30. Moll Flanders (Daniel Defoe, 1722)
' F/ x; B, Q: Z29. Brick Lane (Monica Ali, 2003)
& r* p% I6 W% B; K( P28. Villette (Charlotte Brontë, 1853)
' Q: K/ W' d6 M/ o9 y27. Robinson Crusoe (Daniel Defoe, 1719)* O3 ^9 r" T7 K8 Z0 q+ Z
26. The Lord of the Rings (JRR Tolkien, 1954)7 c& v+ |; m+ K- A" p, o2 \/ P
25. White Teeth (Zadie Smith, 2000)$ ~' o9 y! S4 l0 u1 {9 e% D
24. The Golden Notebook (Doris Lessing, 1962). M. I" {7 ~# P* w
23. Jude the Obscure (Thomas Hardy, 1895)
3 L' Y. j- M% R( [ E% M" q22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)/ f. H" Q+ m% b
21. Heart of Darkness (Joseph Conrad, 1899)8 Q h8 Z) V! s( t$ t& G! ]" K6 w: j
20. Persuasion (Jane Austen, 1817)1 _! N( V* ]- ^* K
19. Emma (Jane Austen, 1815)) [' t. M# f% A
18. Remains of the Day (Kazuo Ishiguro, 1989)
2 k0 o+ q) t9 t# r$ R- P, x2 p1 u17. Howards End (EM Forster, 1910)) l! e X9 N, a
16. The Waves (Virginia Woolf, 1931)$ t9 W' Z5 R0 ?% b' @ Y7 ?( P
15. Atonement (Ian McEwan, 2001) b$ u e0 o% |& }$ d3 a, r% l
14. Clarissa (Samuel Richardson,1748)
/ u* F1 k/ @' o, d3 e( o2 }, C3 `13. The Good Soldier (Ford Madox Ford, 1915)
* {6 c: W2 J2 X% p9 y) y9 t12. Nineteen Eighty-Four (George Orwell, 1949)
0 J9 s, c. _, A3 G6 v( v% J11. Pride and Prejudice (Jane Austen, 1813)
: P6 h$ @8 ]# K! Q7 I7 ^10. Vanity Fair (William Makepeace Thackeray, 1848)8 y0 s9 ?5 ^: u% ]' ~& U" [) X
9. Frankenstein (Mary Shelley, 1818)
/ l+ ]: V8 F, [8. David Copperfield (Charles Dickens, 1850)+ i g. R0 C1 s4 y
7. Wuthering Heights (Emily Brontë, 1847)
+ p5 \; e* o, W' n6. Bleak House (Charles Dickens, 1853)
2 ?1 G7 ~2 m* d* G) {# o5. Jane Eyre (Charlotte Brontë, 1847)
; D( w8 H( \ H8 A2 `4. Great Expectations (Charles Dickens, 1861)
# r# k" z2 K7 ?1 ~ b! C3. Mrs. Dalloway (Virginia Woolf, 1925)
! b! N, ?" E$ L1 v% ^$ Y: {2. To the Lighthouse (Virginia Woolf, 1927)
1 b- [# K7 {0 i, N1. Middlemarch (George Eliot, 1874)
$ h4 ?. V& w. J7 v, E) t% x; {" v" l$ i* W
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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. {# k+ P( `5 V p* q呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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