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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 : J+ E% u: ~9 Y w
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BBC评出100大英国文学名著
0 q A. S8 N% `& u. a2 ~ mhttp://www.bbc.com/culture/story ... test-british-novels6 p" N6 W) X C1 i& X) ?4 E. u) z
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。( C; G- f" r( Y3 n- z( o' n4 P
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100. The Code of the Woosters (PG Wodehouse, 1938)
! T* s8 S4 M( H' p J0 w99. There but for the (Ali Smith, 2011)
* x- h& s% d6 t/ S3 d; H98. Under the Volcano (Malcolm Lowry,1947)2 S: z/ A! ]" W
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
4 C0 W6 n0 p4 n' E/ X96. Memoirs of a Survivor (Doris Lessing, 1974)
; B% Z9 K% u, k- ~3 h95. The Buddha of Suburbia (Hanif Kureishi, 1990), O) F4 q" J& H4 P/ B# k, A
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)0 n5 W$ b1 D) m
93. Lord of the Flies (William Golding, 1954)6 b {9 ~' a* U
92. Cold Comfort Farm (Stella Gibbons, 1932)- i6 L- ~' l; o8 D$ O3 P
91. The Forsyte Saga (John Galsworthy, 1922)! h4 K4 Z5 \: {1 [) V$ B
90. The Woman in White (Wilkie Collins, 1859)9 h+ V! k) ^* Y
89. The Horse’s Mouth (Joyce Cary, 1944)
6 Y. V+ \3 ~8 f& @* B, y A/ j88. The Death of the Heart (Elizabeth Bowen, 1938)0 B2 q. O6 F: \* o
87. The Old Wives’ Tale (Arnold Bennett,1908)
; o6 w5 N" r5 ?) T" E6 C86. A Legacy (Sybille Bedford, 1956)
4 Y: D) e- {- Z! V85. Regeneration Trilogy (Pat Barker, 1991-1995)
: `& G5 V6 R: ]; t6 N- K6 \9 ?: J' l84. Scoop (Evelyn Waugh, 1938)
" M5 W6 P4 h* J; ]& ?6 v83. Barchester Towers (Anthony Trollope, 1857)1 n$ t! v5 o$ H0 i. r8 E
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
: g9 v9 f2 P% J: e( l* ~% O' i81. The Jewel in the Crown (Paul Scott, 1966)
2 u# U) i7 R" K; w1 C80. Excellent Women (Barbara Pym, 1952)
5 j. E$ n' U' @ J8 |79. His Dark Materials (Philip Pullman, 1995-2000)
$ j3 e; L" s8 r78. A House for Mr Biswas (VS Naipaul, 1961)
( q. h; @. `/ n! n' a% G77. Of Human Bondage (W Somerset Maugham, 1915)- Z0 \: r& V0 S& O0 J7 U
76. Small Island (Andrea Levy, 2004)
: W1 Y9 ^$ t \. e: [0 d" S75. Women in Love (DH Lawrence, 1920)
* Z9 ?0 {# [% Q2 y7 r" i& ?6 [1 x74. The Mayor of Casterbridge (Thomas Hardy, 1886)3 {* ^0 F8 |" U x, u9 c
73. The Blue Flower (Penelope Fitzgerald, 1995)% Z# o" d3 r1 v6 m q* A
72. The Heart of the Matter (Graham Greene, 1948)4 x; R/ c2 _; S9 U# X# L7 V
71. Old Filth (Jane Gardam, 2004)
' N) T' W+ T7 e3 z( L% s70. Daniel Deronda (George Eliot, 1876)! e6 _! @- K2 a3 t9 t' l4 }
69. Nostromo (Joseph Conrad, 1904)
& v. X3 }* b, B68. A Clockwork Orange (Anthony Burgess, 1962); B1 x2 i. Q6 _
67. Crash (JG Ballard 1973)# }- ^% x6 R" u3 ?" q
66. Sense and Sensibility (Jane Austen, 1811)
9 G- A& T5 u8 q) U2 C( U3 x65. Orlando (Virginia Woolf, 1928)) j6 u' K# U) ]" ~( N
64. The Way We Live Now (Anthony Trollope, 1875)
, s6 d' X8 W3 ]* [8 m: b63. The Prime of Miss Jean Brodie (Muriel Spark, 1961), q( o0 u# r# V/ E* g7 I
62. Animal Farm (George Orwell, 1945)
4 {+ D; d1 f; g5 {* s61. The Sea, The Sea (Iris Murdoch, 1978)
0 F( d9 m% K; n( G" h60. Sons and Lovers (DH Lawrence, 1913), B: i- Y6 l# D! l( g6 [
59. The Line of Beauty (Alan Hollinghurst, 2004)
4 H! H2 v! L" p8 a. e1 n: O7 a% t58. Loving (Henry Green, 1945)# ~; Y/ u E9 U8 q/ Z5 ]4 s9 n
57. Parade’s End (Ford Madox Ford, 1924-1928)
5 e9 u P6 \- [, \56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
% [3 r- n) s/ `, k$ b. E R4 a* I55. Gulliver’s Travels (Jonathan Swift, 1726)
3 c/ [* h. `( y' u# v54. NW (Zadie Smith, 2012)0 y. A6 q D- ^* q9 R
53. Wide Sargasso Sea (Jean Rhys, 1966)( Q, T" x/ z0 C3 R8 _
52. New Grub Street (George Gissing, 1891)' e8 u! e, {. U( x4 a% m: E
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)7 q6 {1 u1 P2 q* z5 Z
50. A Passage to India (EM Forster, 1924)+ G: Y5 R+ z9 U" P, P0 w
49. Possession (AS Byatt, 1990)
/ c2 Z+ h& f/ R. ~4 }48. Lucky Jim (Kingsley Amis, 1954)0 I) l4 a1 N D' c& p
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)' I' I; k$ v9 t, ~# v
46. Midnight’s Children (Salman Rushdie, 1981)) e9 P3 b7 t r! h& m
45. The Little Stranger (Sarah Waters, 2009)
9 H* E* n# v7 z" z44. Wolf Hall (Hilary Mantel, 2009)3 o2 e. C- W+ I6 Z. A9 I& p8 }
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
: x% e7 s) N3 s42. Brighton Rock (Graham Greene, 1938)
6 r# S# I# A& n, J41. Dombey and Son (Charles Dickens, 1848)
) u9 R5 D! J' d0 Q# A40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
. f: Q4 r! S7 P( ^* Y5 U* ^39. The Sense of an Ending (Julian Barnes, 2011) _# B7 q, d* {
38. The Passion (Jeanette Winterson, 1987)
: f2 S5 w7 j: U1 O" V: B H37. Decline and Fall (Evelyn Waugh, 1928)
0 u: f# @+ ?8 n2 W- j36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
/ E- l5 f$ {! y35. Remainder (Tom McCarthy, 2005)& b$ o3 ~3 A* @ f* [! {" ?. Z
34. Never Let Me Go (Kazuo Ishiguro, 2005)
- j0 h' V+ C# ~/ D: J33. The Wind in the Willows (Kenneth Grahame, 1908)
" @* H- f6 ?: P32. A Room with a View (EM Forster, 1908)0 r" K9 z9 N. Z5 |
31. The End of the Affair (Graham Greene, 1951)
9 K3 U7 i- x! J: G+ i/ w30. Moll Flanders (Daniel Defoe, 1722)
, w v3 z5 E Y, [" W) T: x29. Brick Lane (Monica Ali, 2003)& N. o' |5 \ n+ Y6 v; S
28. Villette (Charlotte Brontë, 1853)% b. A( L' V/ X. I+ X
27. Robinson Crusoe (Daniel Defoe, 1719)
+ D% A/ x; J7 T% Q26. The Lord of the Rings (JRR Tolkien, 1954)
2 m* S* O& l9 S25. White Teeth (Zadie Smith, 2000)4 o5 G7 X p5 ?/ ~
24. The Golden Notebook (Doris Lessing, 1962), _2 [4 L8 `; s- Z6 N5 i
23. Jude the Obscure (Thomas Hardy, 1895)8 O' f$ v& T5 }& F) p- k1 p
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)& W1 z6 e- i$ i1 F" D
21. Heart of Darkness (Joseph Conrad, 1899)% k6 b' G$ g, H- ]5 a
20. Persuasion (Jane Austen, 1817)
/ l/ W+ d1 l3 m3 J/ n) i8 _19. Emma (Jane Austen, 1815)4 D. [& i; p6 I6 \- w2 s
18. Remains of the Day (Kazuo Ishiguro, 1989)
, \6 C% X% o, @) _1 K17. Howards End (EM Forster, 1910)6 P, o5 e0 C* j/ P
16. The Waves (Virginia Woolf, 1931); ^5 z2 q1 u4 K% r' n
15. Atonement (Ian McEwan, 2001)# V- C& |# W, e D4 k' I2 ?$ L* w
14. Clarissa (Samuel Richardson,1748)
. ^5 k( s- E1 c" V+ S. @7 e" V13. The Good Soldier (Ford Madox Ford, 1915)$ W1 n* W' L$ [9 M$ J1 y8 }. I
12. Nineteen Eighty-Four (George Orwell, 1949)
- X6 P0 ^# ^" s% X: \( i, [+ x11. Pride and Prejudice (Jane Austen, 1813)
0 ~; I$ ]5 L( z: S10. Vanity Fair (William Makepeace Thackeray, 1848)
8 N4 [% u" t7 s7 _9. Frankenstein (Mary Shelley, 1818)
- J7 U! V, l) f8 X2 L4 D6 ^8. David Copperfield (Charles Dickens, 1850)5 p! a$ `" O( F p1 @8 i* U/ x
7. Wuthering Heights (Emily Brontë, 1847)
4 K) J2 J8 H" K: f. ~$ n& R: J6. Bleak House (Charles Dickens, 1853)" J" X4 Z* M( Q# ^, E3 J
5. Jane Eyre (Charlotte Brontë, 1847)
5 c4 n# p8 V9 G! D* R8 R0 c4. Great Expectations (Charles Dickens, 1861)
9 N9 P/ | d, O: ~/ b$ q9 a1 z6 ^3. Mrs. Dalloway (Virginia Woolf, 1925)1 p0 ~- _/ Z M( A& B0 ]; Q
2. To the Lighthouse (Virginia Woolf, 1927), j: x# {# `- c
1. Middlemarch (George Eliot, 1874)2 A* W# }9 v. `$ g
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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7 e& Q8 \: ]! ^4 g. K0 M/ \呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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