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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 2 G) L& x! P" I4 o' N0 T! @
, H& H3 @6 m/ t+ b. A6 T* @! Q9 {6 C% JBBC评出100大英国文学名著
2 F+ X/ q* ]; F4 B, f8 ^5 rhttp://www.bbc.com/culture/story ... test-british-novels- c, j" h9 [9 f4 b
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。: r( s/ K& A; U8 k9 b
3 `* ]) _4 t z- K/ w& ^: ~100. The Code of the Woosters (PG Wodehouse, 1938)
7 `3 o( F5 `2 a# `8 n6 G4 Z8 F99. There but for the (Ali Smith, 2011), M' t. G& L2 A7 ]3 I0 f
98. Under the Volcano (Malcolm Lowry,1947): ^: r, F8 ^ N
97. The Chronicles of Narnia (CS Lewis, 1949-1954)! { R2 a% O. C& ~! H
96. Memoirs of a Survivor (Doris Lessing, 1974)+ {$ c$ C+ [% ?; Z# [
95. The Buddha of Suburbia (Hanif Kureishi, 1990)4 e5 x% n6 w" X( F: ?7 {9 G
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
7 e7 J* c- J4 G# m93. Lord of the Flies (William Golding, 1954)
$ s3 t2 q {' X! Y1 v0 N, N1 H92. Cold Comfort Farm (Stella Gibbons, 1932), M( h) u/ `) o! F3 W* E
91. The Forsyte Saga (John Galsworthy, 1922)0 l# l# N3 J/ n0 S% U# W1 h( D8 o5 J1 C
90. The Woman in White (Wilkie Collins, 1859)
- F T$ M' o3 o7 n$ W7 i% }3 a89. The Horse’s Mouth (Joyce Cary, 1944) L% {& ^# v& ^; ^
88. The Death of the Heart (Elizabeth Bowen, 1938)3 z1 f( F# F" a
87. The Old Wives’ Tale (Arnold Bennett,1908)$ }& X( F8 [3 A& T/ z7 L
86. A Legacy (Sybille Bedford, 1956)5 q; U( [) B. g( G D
85. Regeneration Trilogy (Pat Barker, 1991-1995)
8 E0 [4 |! k* t$ c0 m8 |9 H) k84. Scoop (Evelyn Waugh, 1938)
" a8 y5 B+ e0 I% H6 Q; r4 ]83. Barchester Towers (Anthony Trollope, 1857)
: |- J8 ]" v' u! @5 g: ~82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)* j" N( w1 g# o1 V4 t
81. The Jewel in the Crown (Paul Scott, 1966)
9 y& F j2 a$ f7 u* ^& t" ]) _80. Excellent Women (Barbara Pym, 1952)1 @5 n5 }3 H5 R
79. His Dark Materials (Philip Pullman, 1995-2000)
, x* ?8 Z, E# t, B/ b, {4 z* h+ v78. A House for Mr Biswas (VS Naipaul, 1961)
1 V# ]1 R% U8 \# h% [' {! f' f77. Of Human Bondage (W Somerset Maugham, 1915)
4 Z; m6 `) \8 ?- z [! e' }76. Small Island (Andrea Levy, 2004)% R* ]4 U7 C. l" J. N6 f, k( T
75. Women in Love (DH Lawrence, 1920)
. t' o- u' S M1 W1 t4 m/ u1 t74. The Mayor of Casterbridge (Thomas Hardy, 1886)1 V, K1 d6 t( j) K+ m9 N
73. The Blue Flower (Penelope Fitzgerald, 1995)9 A% r0 O$ [% r, D! d
72. The Heart of the Matter (Graham Greene, 1948)
& L* J5 h0 L h8 _5 T6 I71. Old Filth (Jane Gardam, 2004)' _- R9 A+ C( f9 v5 h& ^
70. Daniel Deronda (George Eliot, 1876)+ ~( N" t# L: [# o, P2 ?
69. Nostromo (Joseph Conrad, 1904); ]% A* R j; _: b3 A
68. A Clockwork Orange (Anthony Burgess, 1962)( C( T, o% o' y. N& t
67. Crash (JG Ballard 1973)1 [% F! Z+ H- z; [8 K1 L* D# t& z
66. Sense and Sensibility (Jane Austen, 1811)
) s; a& t) h: ?2 }% V% s65. Orlando (Virginia Woolf, 1928)
- @" p9 x: b% v( A$ h6 U64. The Way We Live Now (Anthony Trollope, 1875)5 r) ?' x' k1 l& ^, l2 ?; `: R5 i
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
* v3 s9 E2 m- b1 T3 ]4 v62. Animal Farm (George Orwell, 1945), e) Z5 Q6 T6 O5 |# o2 E E' T
61. The Sea, The Sea (Iris Murdoch, 1978)
7 e. C: k6 E! ~! Y( D60. Sons and Lovers (DH Lawrence, 1913)
: o& N- E/ y; \4 n9 P59. The Line of Beauty (Alan Hollinghurst, 2004)
" K6 ^$ d8 i* \8 b w( v58. Loving (Henry Green, 1945)% [5 Q J! z- k8 s* {- R, ~( F7 v
57. Parade’s End (Ford Madox Ford, 1924-1928)/ o" [2 w' D# Q( M7 o) u2 ^6 F3 |
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
/ ~6 F* Y2 X9 [, y& v55. Gulliver’s Travels (Jonathan Swift, 1726)
3 w6 z" o. E+ R4 v5 c& s* [) z54. NW (Zadie Smith, 2012)$ b2 `8 {* |7 N) d# d5 S9 P
53. Wide Sargasso Sea (Jean Rhys, 1966)
% ~2 G* K! U3 h, o6 W5 J# C52. New Grub Street (George Gissing, 1891)
) I1 K# D. t9 G: N51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
" }# M, q- X7 l- ^* ~. N, p9 C50. A Passage to India (EM Forster, 1924)1 i7 N. p) a+ q7 c `) E3 w/ Y) b
49. Possession (AS Byatt, 1990)
2 _2 G* E' d, R7 e5 N$ m48. Lucky Jim (Kingsley Amis, 1954)- f; E( _7 F y- q. o
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)+ i! \2 E& _+ K$ E) h
46. Midnight’s Children (Salman Rushdie, 1981)
2 U1 w. H6 R0 ~/ r5 K1 g m' u( P45. The Little Stranger (Sarah Waters, 2009)
- _9 n' ^5 V% P6 x9 `0 B8 O/ \7 Y% e44. Wolf Hall (Hilary Mantel, 2009)
6 q) p: F g+ n. `/ b. E/ n43. The Swimming Pool Library (Alan Hollinghurst, 1988)
8 [3 T3 |5 K0 {42. Brighton Rock (Graham Greene, 1938)
; S0 ]8 k) c' ^9 T7 f4 y41. Dombey and Son (Charles Dickens, 1848)$ y; m5 r' R5 A
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
) U/ d/ E) |$ A. O" i39. The Sense of an Ending (Julian Barnes, 2011)6 j4 d3 y* C2 {& M: K. P- P
38. The Passion (Jeanette Winterson, 1987)+ W3 i/ [3 C6 m$ ^! q* d) z
37. Decline and Fall (Evelyn Waugh, 1928)5 @- c7 i6 m0 Z/ d4 J- O1 I
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)! H& D3 z- H# I$ b+ H$ A
35. Remainder (Tom McCarthy, 2005)# P* p6 W9 I. e/ s1 k
34. Never Let Me Go (Kazuo Ishiguro, 2005)
$ g# K& Q$ v! y: T) e. z+ F9 O33. The Wind in the Willows (Kenneth Grahame, 1908)
. ~& z) k6 t" Q ~32. A Room with a View (EM Forster, 1908)1 u5 ], A( z2 J; m
31. The End of the Affair (Graham Greene, 1951)
l# J% b z4 l! n# J30. Moll Flanders (Daniel Defoe, 1722)6 c) W% j$ H" p2 g& d2 D
29. Brick Lane (Monica Ali, 2003)0 J0 L' H0 G8 G
28. Villette (Charlotte Brontë, 1853)
& C3 j/ ]- i& B" v6 o27. Robinson Crusoe (Daniel Defoe, 1719)* ^4 y& {) ~: p# e9 t0 }
26. The Lord of the Rings (JRR Tolkien, 1954)5 _4 o3 W z+ o1 _1 x1 d
25. White Teeth (Zadie Smith, 2000)1 u# [) m% ]7 C
24. The Golden Notebook (Doris Lessing, 1962)0 F" G# x& `1 ?- _9 z( i: s
23. Jude the Obscure (Thomas Hardy, 1895)
2 k. @: S$ m( N6 ~$ L: ^22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
! f+ }9 z# E* C; F; }0 i$ Z3 y! c) @21. Heart of Darkness (Joseph Conrad, 1899)% M# `8 w) \1 T; Y" z3 o3 G
20. Persuasion (Jane Austen, 1817). H$ }; o+ `% E
19. Emma (Jane Austen, 1815)4 G# }6 _5 [7 b3 ^# N# X
18. Remains of the Day (Kazuo Ishiguro, 1989)0 i0 Q/ x1 l. P. k/ H
17. Howards End (EM Forster, 1910)' a' @; M: u" w1 \, v3 w' X2 |
16. The Waves (Virginia Woolf, 1931)% O# L( O! C3 U/ r7 y# m; _
15. Atonement (Ian McEwan, 2001)
4 E* e: F3 h( ~- R14. Clarissa (Samuel Richardson,1748)( a* m6 g# m2 |6 |; b
13. The Good Soldier (Ford Madox Ford, 1915)' N7 b3 m- u) o2 f
12. Nineteen Eighty-Four (George Orwell, 1949)
, m8 }% I- T/ p7 ~1 z2 S a6 C+ Q: a11. Pride and Prejudice (Jane Austen, 1813) E; Z8 j: x* [3 w
10. Vanity Fair (William Makepeace Thackeray, 1848); {( _/ K. z+ I) o
9. Frankenstein (Mary Shelley, 1818)
1 b) }4 C- r& v" r W8. David Copperfield (Charles Dickens, 1850)/ a; m2 v* y: K* Y3 q" j; r
7. Wuthering Heights (Emily Brontë, 1847)
6 a+ V6 K' d: K1 E2 l& T6. Bleak House (Charles Dickens, 1853)9 G! w: y0 ~0 @. n$ T
5. Jane Eyre (Charlotte Brontë, 1847)
$ _# g! F1 l. w: K4. Great Expectations (Charles Dickens, 1861)+ L$ K( o" o \, i% j; U1 z' C
3. Mrs. Dalloway (Virginia Woolf, 1925)
4 C# n2 f! m# ]- r4 x1 N2. To the Lighthouse (Virginia Woolf, 1927)5 t8 w$ ~3 X! M( y. e) B
1. Middlemarch (George Eliot, 1874)) |. t7 o: a4 V7 G0 b+ o
; w t" c$ t+ K2 v& Y
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。- F y( M0 ~9 ?% O. z) D. v
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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