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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 8 U# w5 q7 n1 b3 C C& ?
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BBC评出100大英国文学名著
. f( w. @. h% Ehttp://www.bbc.com/culture/story ... test-british-novels
& R" ^' }: I+ @# N. @惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
# y( X: a" l" u" z99. There but for the (Ali Smith, 2011), v2 u! G9 ]) r# A
98. Under the Volcano (Malcolm Lowry,1947)1 S( a8 Z7 ]5 q
97. The Chronicles of Narnia (CS Lewis, 1949-1954)& _" Z3 b, S* n; I0 s) X1 p
96. Memoirs of a Survivor (Doris Lessing, 1974)
, C% S' U" |" u" `7 T95. The Buddha of Suburbia (Hanif Kureishi, 1990)
" D/ V4 t+ c6 U# V' u94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
8 ]' s4 R' V2 h# Y93. Lord of the Flies (William Golding, 1954)$ ?8 f, |; H8 j7 v( `5 o
92. Cold Comfort Farm (Stella Gibbons, 1932)
( l7 G* r1 F! `' G( f91. The Forsyte Saga (John Galsworthy, 1922)& D8 \- e5 n9 G/ M6 A* S" h
90. The Woman in White (Wilkie Collins, 1859)
' A& l6 f( {7 P/ N. u89. The Horse’s Mouth (Joyce Cary, 1944)
" }# P9 U6 r4 l2 G1 Y88. The Death of the Heart (Elizabeth Bowen, 1938) m) n1 S. ?6 C$ {
87. The Old Wives’ Tale (Arnold Bennett,1908)
, D4 \- e6 L8 _86. A Legacy (Sybille Bedford, 1956)* ?3 z$ r) J$ C1 ], L6 v/ v
85. Regeneration Trilogy (Pat Barker, 1991-1995)
: n$ N: G* T8 l+ B/ v" }. ]84. Scoop (Evelyn Waugh, 1938)
/ v s9 \4 J% y83. Barchester Towers (Anthony Trollope, 1857)
3 |0 S5 i8 r8 P/ ?' b3 e$ y82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
( P$ [0 M/ c6 s0 I( U* s8 \81. The Jewel in the Crown (Paul Scott, 1966)
+ K! |' m% a4 \5 b8 W) [ u80. Excellent Women (Barbara Pym, 1952)2 d- M, M% B+ s X( k
79. His Dark Materials (Philip Pullman, 1995-2000)
, X* ~& i3 w! j1 X9 V78. A House for Mr Biswas (VS Naipaul, 1961)
. p) u6 o+ h. T1 w2 G77. Of Human Bondage (W Somerset Maugham, 1915)
. K# {. v: J' J$ b4 D; @, f5 @76. Small Island (Andrea Levy, 2004)# [6 j6 [ x3 ?( q) _- p3 u5 {
75. Women in Love (DH Lawrence, 1920); U% z9 C3 B* i4 c2 a g: Z
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
# p4 ~( k) p$ Q5 u+ {$ g73. The Blue Flower (Penelope Fitzgerald, 1995)
% H$ ]2 p" Y% k' H2 n72. The Heart of the Matter (Graham Greene, 1948)# t4 [& N' U' N4 v+ a
71. Old Filth (Jane Gardam, 2004)0 H0 G9 d5 V2 K j- u
70. Daniel Deronda (George Eliot, 1876)) }0 g3 s5 U* _+ g
69. Nostromo (Joseph Conrad, 1904)
- H7 M8 L0 D8 Y4 I ]: i68. A Clockwork Orange (Anthony Burgess, 1962)
6 F/ ?3 F2 Y5 Q8 Z. A; s67. Crash (JG Ballard 1973)
' d, K: v: P( h6 @- e5 s66. Sense and Sensibility (Jane Austen, 1811)
' A. h/ {( s3 ]- T/ d0 L65. Orlando (Virginia Woolf, 1928)
5 c) n# `( d+ j6 ^2 X% N64. The Way We Live Now (Anthony Trollope, 1875)
2 |& L; L: W( C" ^' _63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)9 p) x; D* b' D( {' c
62. Animal Farm (George Orwell, 1945)& c6 E. e- _- y% u! S% O% C7 [
61. The Sea, The Sea (Iris Murdoch, 1978)
6 Z! @' ]' A2 x- V60. Sons and Lovers (DH Lawrence, 1913)9 [% L2 S* m% C& C) E* I9 j8 H
59. The Line of Beauty (Alan Hollinghurst, 2004)
; M4 ]! e& `! i9 ?: F. Y3 t4 P58. Loving (Henry Green, 1945), w( J4 m3 d# r2 ^1 Z2 _
57. Parade’s End (Ford Madox Ford, 1924-1928)" a/ }3 V, N- u! q* L
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
' I; O% k \6 ]9 q55. Gulliver’s Travels (Jonathan Swift, 1726)' p) B' T) r9 S6 F0 R! y2 q9 K: P
54. NW (Zadie Smith, 2012)& Q5 ~3 a% ]9 X' ?/ U
53. Wide Sargasso Sea (Jean Rhys, 1966)
6 p" K# B* J$ l8 N0 x* L% `52. New Grub Street (George Gissing, 1891)
! _( {( S+ w% @3 B, N: h51. Tess of the d’Urbervilles (Thomas Hardy, 1891)& K) K- f( A) ?/ w, m6 ^
50. A Passage to India (EM Forster, 1924)' p& @; G. P, w1 K7 F
49. Possession (AS Byatt, 1990)
4 z; Q" T7 B0 J+ I48. Lucky Jim (Kingsley Amis, 1954)
3 c! J( E( [4 b) P, e4 U `( Z47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
4 Y! I& l9 j6 o8 f46. Midnight’s Children (Salman Rushdie, 1981)' h y; X, T) R/ g
45. The Little Stranger (Sarah Waters, 2009)1 o7 V9 a7 B: z1 t% @- F
44. Wolf Hall (Hilary Mantel, 2009)
& y9 w5 m# e: {: Y, G( {43. The Swimming Pool Library (Alan Hollinghurst, 1988)( E# m$ p3 I. ^! f& L: h! Q+ w
42. Brighton Rock (Graham Greene, 1938)
: I' D/ p5 `1 n4 _! L41. Dombey and Son (Charles Dickens, 1848)8 ^$ {" ?4 H& }. I7 D
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
, a% L+ z _- m e4 z39. The Sense of an Ending (Julian Barnes, 2011)
3 V: J9 p6 u9 E8 n38. The Passion (Jeanette Winterson, 1987)
( ? L7 t( z, f2 z9 {7 S37. Decline and Fall (Evelyn Waugh, 1928)
# s- S1 _# j# L5 J36. A Dance to the Music of Time (Anthony Powell, 1951-1975)8 |6 c; `+ {5 n8 a0 X
35. Remainder (Tom McCarthy, 2005)6 F2 o1 w- I! q3 `" k
34. Never Let Me Go (Kazuo Ishiguro, 2005)5 {- e4 a y; l) x, m
33. The Wind in the Willows (Kenneth Grahame, 1908): b: G* B! ^( j$ b
32. A Room with a View (EM Forster, 1908)8 h6 Y- U. T: D8 i! d9 C8 F
31. The End of the Affair (Graham Greene, 1951)
) f- ~& y$ B1 U( c! L. Q2 ?) r" W30. Moll Flanders (Daniel Defoe, 1722)
1 k: l% R9 _4 m N% c, [29. Brick Lane (Monica Ali, 2003)
4 c- z+ q( Z' `. N/ }28. Villette (Charlotte Brontë, 1853)
. q+ Z4 m5 L N B' i27. Robinson Crusoe (Daniel Defoe, 1719)
5 h0 |. l1 @6 P) x# B+ _; h0 k26. The Lord of the Rings (JRR Tolkien, 1954)$ G7 B1 y; m2 Z3 P% |$ \1 Y2 }" |
25. White Teeth (Zadie Smith, 2000)
' c. g" A. I7 f8 Q8 X$ H8 n24. The Golden Notebook (Doris Lessing, 1962)! g ]' I- H7 j' A
23. Jude the Obscure (Thomas Hardy, 1895)1 b2 R& E7 t% @3 E
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
, }; g1 N) O9 A' J21. Heart of Darkness (Joseph Conrad, 1899)! y2 U" u1 M) s$ L7 O
20. Persuasion (Jane Austen, 1817)
5 c" v& U; J9 r/ J- s( Q! B19. Emma (Jane Austen, 1815)
" B2 O2 m) W, i) w2 u5 r- D18. Remains of the Day (Kazuo Ishiguro, 1989)
x- z- M2 M3 ~" T. ~17. Howards End (EM Forster, 1910), W, [8 Y! X/ Q0 \9 e `
16. The Waves (Virginia Woolf, 1931)
4 o+ F6 U/ }; S+ {; p) ~6 F: Y15. Atonement (Ian McEwan, 2001)
' Z. `- C& b( _: {14. Clarissa (Samuel Richardson,1748)+ E9 D: T' j" W& X, ]& w0 N
13. The Good Soldier (Ford Madox Ford, 1915)9 K j4 ~- @! o4 b8 ~* {' J
12. Nineteen Eighty-Four (George Orwell, 1949)# U6 p# I/ o/ J6 p/ r' n* X
11. Pride and Prejudice (Jane Austen, 1813)
6 {( e% I* V- W/ m4 N10. Vanity Fair (William Makepeace Thackeray, 1848)9 O( v* I. r; {( u& s3 ?2 u' m
9. Frankenstein (Mary Shelley, 1818)
- q' R8 ~/ D+ D. I: r8 x+ Q4 ^+ }8. David Copperfield (Charles Dickens, 1850)
% K: E: M# e2 P0 T" Z. D7. Wuthering Heights (Emily Brontë, 1847)5 C; S9 m3 \6 s; ^: M' m
6. Bleak House (Charles Dickens, 1853)' V. z6 e5 z' K3 G
5. Jane Eyre (Charlotte Brontë, 1847)8 M) x7 x4 F) C' \% X
4. Great Expectations (Charles Dickens, 1861); R8 S+ x! y. F( y! C. k3 K! _
3. Mrs. Dalloway (Virginia Woolf, 1925)
# M3 z6 j2 E/ K+ O% b9 N2 `8 i2. To the Lighthouse (Virginia Woolf, 1927)
8 K# h6 y: X# w1. Middlemarch (George Eliot, 1874)
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5 ^4 I7 r8 l! I/ w4 v. F0 m% S前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。. J7 w" B* @! X3 b( z7 A
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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