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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 / t2 |8 b4 @- V
" u: x8 |2 t1 R) f8 K. KBBC评出100大英国文学名著
+ |1 b9 A8 g4 V2 D$ I+ M$ phttp://www.bbc.com/culture/story ... test-british-novels0 u, X0 U$ w( h' _: t! b7 o7 z" {
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。4 [" E1 X# d( G: G6 A* [2 b- o
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100. The Code of the Woosters (PG Wodehouse, 1938)
8 `8 n" h4 @' S, N9 `. `99. There but for the (Ali Smith, 2011)
5 T W* U3 f. b8 W98. Under the Volcano (Malcolm Lowry,1947)
$ C# Y% z1 [5 n8 I: U97. The Chronicles of Narnia (CS Lewis, 1949-1954)4 c# O) p8 d; X& b/ l
96. Memoirs of a Survivor (Doris Lessing, 1974)
3 G# a1 B9 y4 _ O3 I! x. `! B95. The Buddha of Suburbia (Hanif Kureishi, 1990)
6 O' T `7 |2 n. U' T4 e. |1 e. w% D( S94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
" ~- e6 X6 {4 n, Y& G93. Lord of the Flies (William Golding, 1954)
" o- X4 E+ i' l x92. Cold Comfort Farm (Stella Gibbons, 1932)
6 x2 C- M0 ]* z0 H4 V! G. r91. The Forsyte Saga (John Galsworthy, 1922)* m" F/ g1 W3 W+ {4 v
90. The Woman in White (Wilkie Collins, 1859)" ^1 @" Z8 r4 R& `: p7 _0 u* A
89. The Horse’s Mouth (Joyce Cary, 1944)
* M, C V S$ n/ v4 R5 o% y( u88. The Death of the Heart (Elizabeth Bowen, 1938)+ k% H% E6 i" p+ g9 Q0 i3 ]
87. The Old Wives’ Tale (Arnold Bennett,1908)
% M/ E" C! Q( Y' z7 b' }; B) Y86. A Legacy (Sybille Bedford, 1956)) c+ }& z+ v2 V2 s" U6 @ s9 u9 @0 F/ b
85. Regeneration Trilogy (Pat Barker, 1991-1995)* s, B# B. H0 B* j8 c T
84. Scoop (Evelyn Waugh, 1938): r) K# ?$ B& S4 K, X
83. Barchester Towers (Anthony Trollope, 1857)% c4 W: I7 c$ B6 y" Z" y
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012), X3 H3 S. Y6 o+ ^- H& D+ m
81. The Jewel in the Crown (Paul Scott, 1966)
; g: t8 O1 _2 W, j' \80. Excellent Women (Barbara Pym, 1952)
0 ?1 T8 `! l+ G( r4 s3 i3 k79. His Dark Materials (Philip Pullman, 1995-2000)0 C8 N& ]' A& e: w0 P; d
78. A House for Mr Biswas (VS Naipaul, 1961)
- [% C& y* c6 H8 j! Y- M77. Of Human Bondage (W Somerset Maugham, 1915)
/ R0 u" Y; ]$ r6 P$ W3 K76. Small Island (Andrea Levy, 2004)
& }7 n0 ^9 J( `# [- v- R" Q75. Women in Love (DH Lawrence, 1920)) C, B8 r" U5 d& N% F
74. The Mayor of Casterbridge (Thomas Hardy, 1886)' H- q7 r/ N% n
73. The Blue Flower (Penelope Fitzgerald, 1995). U K m. C" L5 o
72. The Heart of the Matter (Graham Greene, 1948)
7 G# n$ B8 G6 w. t1 `6 ^; |! E71. Old Filth (Jane Gardam, 2004)
, T; h* g. z' J; ?. w1 B70. Daniel Deronda (George Eliot, 1876)( t% s+ ^5 @& Z% N; o& m# s/ a
69. Nostromo (Joseph Conrad, 1904)) E( D+ e2 o: P- [
68. A Clockwork Orange (Anthony Burgess, 1962)- d! ^ t+ j7 m
67. Crash (JG Ballard 1973)
! I) y7 t0 y+ J' t) J- v6 g66. Sense and Sensibility (Jane Austen, 1811)
3 x+ |7 S; k* o65. Orlando (Virginia Woolf, 1928)
; S& U, Q. P; U4 W5 }8 @64. The Way We Live Now (Anthony Trollope, 1875)8 y- T; H) ^9 A/ l8 _) Y
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)4 T$ L3 R. \: T- X
62. Animal Farm (George Orwell, 1945)" a( Z9 ?$ V! A' K
61. The Sea, The Sea (Iris Murdoch, 1978)9 B7 C2 M5 y1 U3 _
60. Sons and Lovers (DH Lawrence, 1913)
; i- v8 J% P' f" o9 b3 O! `5 z59. The Line of Beauty (Alan Hollinghurst, 2004)
0 s0 U. t U/ ^0 a1 M6 n; V58. Loving (Henry Green, 1945)
. W& m+ f8 o2 m4 X7 L57. Parade’s End (Ford Madox Ford, 1924-1928)
# p7 E2 Q% T- K4 x7 r0 a* z9 N56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
/ q5 O# O3 e; }5 Z d) w55. Gulliver’s Travels (Jonathan Swift, 1726)7 |- x! E2 M/ @) \+ u
54. NW (Zadie Smith, 2012)
+ V/ `& g4 j7 N& L4 z53. Wide Sargasso Sea (Jean Rhys, 1966); c. c3 ?% {3 _4 O8 R! E
52. New Grub Street (George Gissing, 1891)
* {- [) `# e' S- g8 B3 G- n51. Tess of the d’Urbervilles (Thomas Hardy, 1891)! I; {7 }/ d/ U
50. A Passage to India (EM Forster, 1924)# l5 O8 R% c& z; [2 m0 `
49. Possession (AS Byatt, 1990)0 q$ H+ j9 T* i7 @( ]7 Y4 I
48. Lucky Jim (Kingsley Amis, 1954)1 X% @; I$ D! @8 X3 r2 G
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)6 [6 {, o+ _6 U; f! q7 Z: ^/ S( |
46. Midnight’s Children (Salman Rushdie, 1981)+ [! F2 ?* h; h8 w8 Z z* e9 y
45. The Little Stranger (Sarah Waters, 2009)0 \) a/ C: ?8 z. A) g( _. }/ L
44. Wolf Hall (Hilary Mantel, 2009)
5 R: ]: f3 ^+ e3 Q5 O2 ?43. The Swimming Pool Library (Alan Hollinghurst, 1988)( ? I3 ?8 ^* T/ }$ Y
42. Brighton Rock (Graham Greene, 1938). H V& s# {2 }. K
41. Dombey and Son (Charles Dickens, 1848)0 `; o) u2 l& P; k5 b) a
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
! P& H7 g1 M, f5 Z39. The Sense of an Ending (Julian Barnes, 2011)3 G% K7 Q! N2 b9 P& A$ }
38. The Passion (Jeanette Winterson, 1987); ^* F* p! t" B, R) G
37. Decline and Fall (Evelyn Waugh, 1928)
# W' M7 [* h9 ~5 }6 E0 ]4 |36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
* e; o1 L( k$ |35. Remainder (Tom McCarthy, 2005)
2 ~/ |) `% ~( [7 t9 w \! \: X34. Never Let Me Go (Kazuo Ishiguro, 2005)
" [3 W0 ?7 W$ a1 O33. The Wind in the Willows (Kenneth Grahame, 1908)7 J( G, M% | s; _; e6 v8 K1 M0 Y
32. A Room with a View (EM Forster, 1908)
+ e5 G9 P$ \8 [( e31. The End of the Affair (Graham Greene, 1951)
+ C+ _! y" I' p! [30. Moll Flanders (Daniel Defoe, 1722); V6 f9 `5 ]" F2 a; G# y1 t
29. Brick Lane (Monica Ali, 2003)
# v2 d: K3 ?- r+ k5 G28. Villette (Charlotte Brontë, 1853)$ h& ?1 n# |3 G% b. E" D8 z
27. Robinson Crusoe (Daniel Defoe, 1719)
- \" D' o2 m. @9 n26. The Lord of the Rings (JRR Tolkien, 1954)
1 ~& N9 J m; |6 j% s8 c* ^ W6 k4 |25. White Teeth (Zadie Smith, 2000)3 l8 m# v% Z: r' r& c5 _0 z
24. The Golden Notebook (Doris Lessing, 1962)
/ G2 ~; n) M, [" o! M7 O23. Jude the Obscure (Thomas Hardy, 1895), [% d: B7 w% ]
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)8 ]9 z& d3 i1 W6 c! [
21. Heart of Darkness (Joseph Conrad, 1899)
& M4 o$ ? T4 y7 J) {5 u8 a20. Persuasion (Jane Austen, 1817)
& Y/ S3 O. z# U/ E7 f8 S6 q19. Emma (Jane Austen, 1815)
: e1 h. w; f/ L2 t9 l% u18. Remains of the Day (Kazuo Ishiguro, 1989)/ x- N1 k/ z1 R6 q
17. Howards End (EM Forster, 1910)
+ M3 D$ W! ^0 c! f* J. F3 G% ^, R16. The Waves (Virginia Woolf, 1931)
2 }! _8 @- [7 r+ {* E15. Atonement (Ian McEwan, 2001)
9 f6 U0 ?+ l4 j( o6 J14. Clarissa (Samuel Richardson,1748)( P) N9 Z3 b+ R; f5 q) w
13. The Good Soldier (Ford Madox Ford, 1915)
! ^; m: V2 L: j; `3 ~- l+ d12. Nineteen Eighty-Four (George Orwell, 1949)1 h' E7 a x x ]) r ?2 J
11. Pride and Prejudice (Jane Austen, 1813)
: o# W0 v2 _ j! Y8 Z1 {10. Vanity Fair (William Makepeace Thackeray, 1848)
( z0 p8 [! ?% l0 |0 e! n9 B8 D9. Frankenstein (Mary Shelley, 1818)
+ _$ `* k6 y ^( Z5 Q- Z5 S8. David Copperfield (Charles Dickens, 1850)
# C9 ^* t, R- E6 N) u8 @1 K% C7. Wuthering Heights (Emily Brontë, 1847)* x g0 R6 Z$ u2 a& q
6. Bleak House (Charles Dickens, 1853)+ @0 y5 x4 `+ n
5. Jane Eyre (Charlotte Brontë, 1847)
+ q$ H; s- W' B0 _4. Great Expectations (Charles Dickens, 1861)
( h' {2 N! W% k; o' g3. Mrs. Dalloway (Virginia Woolf, 1925)' b' L2 _. C: h9 g8 p+ n- _" H7 H
2. To the Lighthouse (Virginia Woolf, 1927)
- n6 X3 D# M' C) i' D- B; [, V! z5 o1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。7 U k3 I6 [- R
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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