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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
5 g6 W+ `! ]+ H* ]& ?' ?http://www.bbc.com/culture/story ... test-british-novels
4 G5 u" ~( o- G惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。1 n; G' f: ^# v( T6 h8 k
5 H- I# Y& F8 \8 g) @100. The Code of the Woosters (PG Wodehouse, 1938)6 ^" o! ~% U/ f/ J6 k0 R
99. There but for the (Ali Smith, 2011)/ e# M. M0 q& q
98. Under the Volcano (Malcolm Lowry,1947); V( G3 r+ }" X4 f4 V1 _$ v. O
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
: g9 g3 ^0 L9 O96. Memoirs of a Survivor (Doris Lessing, 1974)% f: p% }. W5 n/ T' ~
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
/ l/ q- [3 o0 Y9 I94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)3 V. b: r, P9 t( J7 q1 m$ \
93. Lord of the Flies (William Golding, 1954)( ~2 U% p' z0 l* J7 ?
92. Cold Comfort Farm (Stella Gibbons, 1932)
9 T% a3 J3 Q- x& A91. The Forsyte Saga (John Galsworthy, 1922)
- r2 q' A5 ?: v90. The Woman in White (Wilkie Collins, 1859)
4 W( N; o! \7 x# P! k89. The Horse’s Mouth (Joyce Cary, 1944)5 N1 G' Y& c# _8 [8 l
88. The Death of the Heart (Elizabeth Bowen, 1938)$ n" R) j* j9 C: H, c
87. The Old Wives’ Tale (Arnold Bennett,1908)! S, e( Z* U* {) e, W, n
86. A Legacy (Sybille Bedford, 1956)
9 a1 g! h3 y) ?" o85. Regeneration Trilogy (Pat Barker, 1991-1995)
4 K# w d3 ^( _& G' y7 B84. Scoop (Evelyn Waugh, 1938)
; g% x1 r/ _( e, g7 X: K83. Barchester Towers (Anthony Trollope, 1857)
6 I- Y( ~9 s8 u, K82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
1 ` ^9 Z) A9 y) x( c& c81. The Jewel in the Crown (Paul Scott, 1966)
9 O' Y" L, E+ ?# i- n1 p80. Excellent Women (Barbara Pym, 1952)
3 u: K* ` ~6 X. I1 y8 W79. His Dark Materials (Philip Pullman, 1995-2000)0 F* F9 p4 _2 S P7 ]; ]3 c
78. A House for Mr Biswas (VS Naipaul, 1961)
0 T6 O" C- L! L77. Of Human Bondage (W Somerset Maugham, 1915)! @4 V* M! g+ R8 I+ ]
76. Small Island (Andrea Levy, 2004)
& N; A9 D; e/ R75. Women in Love (DH Lawrence, 1920)4 X# I( e$ t! U5 h8 U
74. The Mayor of Casterbridge (Thomas Hardy, 1886), O& R9 d/ H g& A! M, Z" a
73. The Blue Flower (Penelope Fitzgerald, 1995)' S& I$ b q& X. i
72. The Heart of the Matter (Graham Greene, 1948)
9 v: X' R# y6 ~ z2 d' `7 b71. Old Filth (Jane Gardam, 2004)
$ X3 D2 ^0 ~- F( o9 T70. Daniel Deronda (George Eliot, 1876)9 e# X6 ^: @+ L8 i! x
69. Nostromo (Joseph Conrad, 1904)* R; f/ {- o& y1 M
68. A Clockwork Orange (Anthony Burgess, 1962)
; ]: n9 R, H$ S67. Crash (JG Ballard 1973)
3 {# y1 r4 f4 X3 G# W66. Sense and Sensibility (Jane Austen, 1811): U U' x, M- H% `" j! q K
65. Orlando (Virginia Woolf, 1928)% z$ L+ w, p4 z, B/ w
64. The Way We Live Now (Anthony Trollope, 1875)
- A [! T7 ]3 i/ ]; O" ~: M63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
" ~6 t/ ]$ b+ V+ o62. Animal Farm (George Orwell, 1945)
' D) W7 ~8 W, q' K; g61. The Sea, The Sea (Iris Murdoch, 1978): W+ D/ W( m4 B) }; T" ]) _8 N! q3 |
60. Sons and Lovers (DH Lawrence, 1913)
3 T$ j0 x. ^3 V59. The Line of Beauty (Alan Hollinghurst, 2004)
1 l, J4 W9 L) P; O58. Loving (Henry Green, 1945)
6 `3 A: u8 `. q57. Parade’s End (Ford Madox Ford, 1924-1928)
: q7 h- f3 Q) }3 [/ \4 N$ c56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)/ X) O6 e4 A% D; N, H3 c
55. Gulliver’s Travels (Jonathan Swift, 1726)$ z% V; j+ A$ y6 g1 [4 s
54. NW (Zadie Smith, 2012)! o1 _7 r; q& I
53. Wide Sargasso Sea (Jean Rhys, 1966)
( j: a$ E$ J8 b: X- x52. New Grub Street (George Gissing, 1891)
% T2 }5 @4 X* h51. Tess of the d’Urbervilles (Thomas Hardy, 1891) p' Q" }" N- k+ p' a9 k/ e
50. A Passage to India (EM Forster, 1924)
+ t& X5 F% y9 D49. Possession (AS Byatt, 1990)
' @: P3 M5 e9 O48. Lucky Jim (Kingsley Amis, 1954)7 P5 ^. B0 L) a, q. H Q
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)9 K) f3 y: H7 O
46. Midnight’s Children (Salman Rushdie, 1981)
6 S- a1 S$ C, e+ q9 Z D! G45. The Little Stranger (Sarah Waters, 2009)
5 F* u9 P* H- K. t4 V& j+ _+ Z44. Wolf Hall (Hilary Mantel, 2009)
: F0 J' M9 T; |+ k43. The Swimming Pool Library (Alan Hollinghurst, 1988)
& G# H8 Y0 p# b f42. Brighton Rock (Graham Greene, 1938)
^' u' u1 A- Y41. Dombey and Son (Charles Dickens, 1848)
) T! |! K* h# D* a9 P40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)5 j4 E3 q$ e$ g' n* y& J
39. The Sense of an Ending (Julian Barnes, 2011)
v# P0 h3 z! p9 o8 ^" W38. The Passion (Jeanette Winterson, 1987)2 T. x0 V+ y) T; M. L* K& z6 |
37. Decline and Fall (Evelyn Waugh, 1928)/ O6 K' H7 p6 D8 D# v) n
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
$ s7 C$ ^. k9 ^ k& C35. Remainder (Tom McCarthy, 2005)
# }. c4 n* X5 X# U' x, x2 f5 L: X. B34. Never Let Me Go (Kazuo Ishiguro, 2005)
5 O9 {& s' _! v; l+ h" ~33. The Wind in the Willows (Kenneth Grahame, 1908)0 M% h& S( K& K0 ~
32. A Room with a View (EM Forster, 1908)$ O# Z# t) a$ c
31. The End of the Affair (Graham Greene, 1951)3 p u9 V, u X, X, X
30. Moll Flanders (Daniel Defoe, 1722)9 n3 y( y3 E6 \ y: ^6 b
29. Brick Lane (Monica Ali, 2003)! N, _6 @# q2 C1 G4 }
28. Villette (Charlotte Brontë, 1853)
$ L8 h- p2 t+ I3 g' x27. Robinson Crusoe (Daniel Defoe, 1719)
1 E8 {+ d6 P+ r* u/ c, C26. The Lord of the Rings (JRR Tolkien, 1954)
9 Z# ]( e" r) j, m! e3 ~25. White Teeth (Zadie Smith, 2000)6 x$ G2 I7 ^5 `, Q; ? ]
24. The Golden Notebook (Doris Lessing, 1962)" P; K; l8 L+ X: c9 y: }9 ^# u9 m2 [2 |1 }
23. Jude the Obscure (Thomas Hardy, 1895)
) | }4 H/ A* o8 }1 R) M22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
% X( Q) m- b8 t. G21. Heart of Darkness (Joseph Conrad, 1899)5 w9 y" \ |& }* f
20. Persuasion (Jane Austen, 1817)
2 V) j t5 O& e8 t' H; t. Y19. Emma (Jane Austen, 1815)
! o" h. ^% J+ e* \ N, m1 v18. Remains of the Day (Kazuo Ishiguro, 1989)
3 C/ G: K, m. ^( |17. Howards End (EM Forster, 1910)% f% P$ L, K4 P4 |
16. The Waves (Virginia Woolf, 1931)
% \- @( i4 b7 n# h15. Atonement (Ian McEwan, 2001)
& `' M1 o4 d% R/ X8 O9 ^14. Clarissa (Samuel Richardson,1748)8 Z5 G& k4 q. I$ ]: j
13. The Good Soldier (Ford Madox Ford, 1915)
% B- S( t7 W; {8 @12. Nineteen Eighty-Four (George Orwell, 1949)7 J- c2 b/ A& K7 B# y
11. Pride and Prejudice (Jane Austen, 1813)4 z X0 I0 Y9 n0 S" G8 U+ |2 Z+ S
10. Vanity Fair (William Makepeace Thackeray, 1848)( h s0 M8 j# L: f
9. Frankenstein (Mary Shelley, 1818)# Z' W. H" A$ f4 M0 y
8. David Copperfield (Charles Dickens, 1850)0 e: O& o+ ~* i/ C8 t+ a8 I
7. Wuthering Heights (Emily Brontë, 1847)/ z1 E2 N z S8 X* d5 \
6. Bleak House (Charles Dickens, 1853)
2 a8 g2 E5 C* A% ^5. Jane Eyre (Charlotte Brontë, 1847)0 _- _$ z4 ~- w* y/ R8 P0 F; ~7 w
4. Great Expectations (Charles Dickens, 1861)
8 k# i- Z- y B+ C3. Mrs. Dalloway (Virginia Woolf, 1925)0 e- s" N4 G4 H
2. To the Lighthouse (Virginia Woolf, 1927)
6 M, u ~: o& c4 o" F0 a8 Q1. Middlemarch (George Eliot, 1874)- c) H/ o7 T' [6 P
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。; Y, z0 _& y' U7 Q& v/ c
4 D' l, J; n7 R) r呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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