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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 0 g$ U; y9 g7 M- E9 p1 ~8 s
* B1 b6 x9 u, X8 dBBC评出100大英国文学名著/ ~$ t( }# b/ Z* _
http://www.bbc.com/culture/story ... test-british-novels- t2 a3 w/ l; Z8 }8 I7 ^+ I
惭愧得很,听说过一小半名字,读过听说过的一小半,最惭愧的是,前三都是闻所未闻。
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2 D) q- }: G2 k1 ~100. The Code of the Woosters (PG Wodehouse, 1938)! d$ }* i+ @' v" F" ], u) i
99. There but for the (Ali Smith, 2011)2 ^3 h( \) L8 K; S; q
98. Under the Volcano (Malcolm Lowry,1947)
# D( \- G1 X0 {) Q7 w$ f97. The Chronicles of Narnia (CS Lewis, 1949-1954)9 j# B" [6 @0 |9 a7 G9 k/ u; ~
96. Memoirs of a Survivor (Doris Lessing, 1974)0 l+ ?4 ~% d3 n; ]) D. Z
95. The Buddha of Suburbia (Hanif Kureishi, 1990)1 H1 f1 n/ G) w3 V' ^- i: p, K
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
) o$ V: [. i1 e93. Lord of the Flies (William Golding, 1954)
$ V+ K$ W7 S, r1 T4 }92. Cold Comfort Farm (Stella Gibbons, 1932)
, W" W9 y T8 V& E } `! H& x* d91. The Forsyte Saga (John Galsworthy, 1922)3 x( S9 _9 S5 P2 e6 l
90. The Woman in White (Wilkie Collins, 1859)- \8 X( c/ F& {9 a1 Z
89. The Horse’s Mouth (Joyce Cary, 1944)
; N/ I( t7 k( [* ^88. The Death of the Heart (Elizabeth Bowen, 1938)
7 L" w; y0 D9 u- u& y87. The Old Wives’ Tale (Arnold Bennett,1908)) ~, ]% ], k( b3 v% p
86. A Legacy (Sybille Bedford, 1956)7 D2 n3 |9 u, V0 z2 g
85. Regeneration Trilogy (Pat Barker, 1991-1995) S+ l/ J% g! J# |& R% h) E
84. Scoop (Evelyn Waugh, 1938)
2 l, } Q, x) J- H8 \83. Barchester Towers (Anthony Trollope, 1857)
( i% x1 t8 B, E; X( m! x. l82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
/ K- J% Y9 ]5 c6 X" ?81. The Jewel in the Crown (Paul Scott, 1966)
0 I: r$ g6 I+ V7 A80. Excellent Women (Barbara Pym, 1952): b+ o" e3 Q: N. v* ]! h
79. His Dark Materials (Philip Pullman, 1995-2000)
) Z/ ]0 s' }/ }: T; A8 i7 c, A78. A House for Mr Biswas (VS Naipaul, 1961)0 L4 | ` n7 y1 h1 A! W4 P
77. Of Human Bondage (W Somerset Maugham, 1915)$ C% y4 _5 t- I1 O
76. Small Island (Andrea Levy, 2004)4 q5 u$ J9 f; R8 P1 o4 y( ]
75. Women in Love (DH Lawrence, 1920)
7 i6 [3 \7 H2 D: r; O% N, o3 L* Y2 ?74. The Mayor of Casterbridge (Thomas Hardy, 1886)
$ d- j9 Y' S; ]( @9 v73. The Blue Flower (Penelope Fitzgerald, 1995)
/ q& ?4 z8 q. v% C+ X' _72. The Heart of the Matter (Graham Greene, 1948)9 g3 \ s# ]7 y4 Y% v3 J) _
71. Old Filth (Jane Gardam, 2004)2 G3 o9 o; U u' Z& Y
70. Daniel Deronda (George Eliot, 1876)
8 l* H' V8 P, B4 o69. Nostromo (Joseph Conrad, 1904)8 T/ Y; x* F# y X
68. A Clockwork Orange (Anthony Burgess, 1962)
' b* A6 R9 R, F, D/ y67. Crash (JG Ballard 1973)
% P; S9 S! O( F66. Sense and Sensibility (Jane Austen, 1811)
4 }, Z! G, I) @8 P8 o5 t O65. Orlando (Virginia Woolf, 1928)2 ^& O! k! F* Y' c7 X/ x3 e
64. The Way We Live Now (Anthony Trollope, 1875)
8 l3 u5 X* {( z7 P2 D N63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)" _" j$ l& k$ s
62. Animal Farm (George Orwell, 1945)
1 z( [7 y2 l) E* K1 z7 v4 ]( c( N61. The Sea, The Sea (Iris Murdoch, 1978)$ e, a: F9 l, @0 l4 g
60. Sons and Lovers (DH Lawrence, 1913)
& A+ c8 l \2 J [$ }4 G59. The Line of Beauty (Alan Hollinghurst, 2004)
& t- b5 f) ~/ H58. Loving (Henry Green, 1945)
8 O6 x3 p2 E* N2 o T2 Z57. Parade’s End (Ford Madox Ford, 1924-1928)
( O# [8 h* p( m, ~; W0 [, X56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
$ E' C/ q8 ^" a& p' g- \) x55. Gulliver’s Travels (Jonathan Swift, 1726)
) n3 W6 J. W) }6 {54. NW (Zadie Smith, 2012)2 w$ E1 }5 S, A7 d
53. Wide Sargasso Sea (Jean Rhys, 1966): s$ J2 ^( X9 b& y; V- T
52. New Grub Street (George Gissing, 1891)6 O% c M3 y7 t+ }; A
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)' i; \2 {& K; K$ p$ r( Z
50. A Passage to India (EM Forster, 1924)0 S* M, [& U: t
49. Possession (AS Byatt, 1990)
# d# u" K7 A0 q$ d6 D( I: Q% v# H48. Lucky Jim (Kingsley Amis, 1954)' q0 e% b) [0 H3 g# E N
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)7 n" v' t+ y' _# a5 u. [
46. Midnight’s Children (Salman Rushdie, 1981); V( Z+ P1 D3 j# T# v
45. The Little Stranger (Sarah Waters, 2009)
% P$ N. b$ q6 S2 k; z' y5 g44. Wolf Hall (Hilary Mantel, 2009)$ v/ m- g; A% F' \; M% Z
43. The Swimming Pool Library (Alan Hollinghurst, 1988)2 x1 Y, Y1 ?! e) l; @' b
42. Brighton Rock (Graham Greene, 1938)
: Z- q! d- F# @+ D, F) K- C5 i% M41. Dombey and Son (Charles Dickens, 1848)5 m1 D/ C7 @1 D1 D$ F0 @
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
# ~! i; p$ e. D3 `1 J) K& }4 y39. The Sense of an Ending (Julian Barnes, 2011)$ t1 `4 i" M1 q6 N1 b( b
38. The Passion (Jeanette Winterson, 1987)
& ]3 A0 O$ G' `5 f! ^7 P* M37. Decline and Fall (Evelyn Waugh, 1928)
. p8 Q, j9 \! U, B8 {6 s1 n; f36. A Dance to the Music of Time (Anthony Powell, 1951-1975)% z: P* J0 G( f/ e) `
35. Remainder (Tom McCarthy, 2005)
- I0 A5 ?7 Z1 C% u2 E; m0 A* ?: S34. Never Let Me Go (Kazuo Ishiguro, 2005)
, q. d# U& _7 i33. The Wind in the Willows (Kenneth Grahame, 1908)! E9 C3 ~! T d- J s' \4 U
32. A Room with a View (EM Forster, 1908); l* l) ?- K0 s
31. The End of the Affair (Graham Greene, 1951)+ o/ O. @1 `. `8 ^ A! t; g9 P
30. Moll Flanders (Daniel Defoe, 1722)8 N4 g4 Y& ^, g
29. Brick Lane (Monica Ali, 2003)
O* ]! M0 t+ A28. Villette (Charlotte Brontë, 1853)
. ~6 F9 Y0 t2 O' W: b) _8 a27. Robinson Crusoe (Daniel Defoe, 1719)
! y- z( t! m5 {' u, E" J' V1 y7 Z26. The Lord of the Rings (JRR Tolkien, 1954)
, l4 P! j# G. Y0 p) F$ b2 i0 P5 F25. White Teeth (Zadie Smith, 2000)
# Z: w9 M1 m9 d4 m+ C ^8 \24. The Golden Notebook (Doris Lessing, 1962), e4 V5 M4 Q* S) x3 K& |- }7 K
23. Jude the Obscure (Thomas Hardy, 1895)
8 A0 O) ^5 Z* k2 K( x6 n" b1 J- a22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
d3 R+ n8 \: W( v5 ^% [; n21. Heart of Darkness (Joseph Conrad, 1899)% m% | `9 E+ A1 b1 o0 X! c+ \
20. Persuasion (Jane Austen, 1817)
( Y' Y, m! C5 L0 ~( i8 B8 N+ A19. Emma (Jane Austen, 1815): H$ y7 x+ M# R4 u5 h
18. Remains of the Day (Kazuo Ishiguro, 1989), \& w3 N. H M3 X' {& D+ g" E
17. Howards End (EM Forster, 1910)
" @* T; L+ u U7 M- G16. The Waves (Virginia Woolf, 1931)
1 |1 J1 g* k- n3 A5 X0 d _15. Atonement (Ian McEwan, 2001)
, p7 B; z/ i, @' |3 r) l; C14. Clarissa (Samuel Richardson,1748); E, ]; t6 s- `1 ~
13. The Good Soldier (Ford Madox Ford, 1915)) `" p, W' S3 `' ~1 }4 D, d4 c
12. Nineteen Eighty-Four (George Orwell, 1949)$ X" M7 e D, |
11. Pride and Prejudice (Jane Austen, 1813)5 E! K. i% z3 Y1 L. p
10. Vanity Fair (William Makepeace Thackeray, 1848)
" A$ U. m, F: T1 Z! v/ g9. Frankenstein (Mary Shelley, 1818)$ a( \5 x0 `8 A- N, K9 l R3 f1 G6 f
8. David Copperfield (Charles Dickens, 1850)
9 l5 Q2 G: ~- j7. Wuthering Heights (Emily Brontë, 1847)9 U/ H, Z& ]) e+ B
6. Bleak House (Charles Dickens, 1853)* o/ M6 t. Q |
5. Jane Eyre (Charlotte Brontë, 1847)4 |: @8 _5 g1 h# a( u7 D# D; S
4. Great Expectations (Charles Dickens, 1861)
- @, Z, [( e% s9 K A7 Y, y3. Mrs. Dalloway (Virginia Woolf, 1925)8 n" x6 p1 }( y9 e+ L9 z
2. To the Lighthouse (Virginia Woolf, 1927)# ?; c' G( s1 X% K& l
1. Middlemarch (George Eliot, 1874)5 D% z: H3 `) u% L
* x1 R v2 E) d. N9 a# ?% F: x# ]4 T前10里只有狄更斯(远大前程、Bleak House(中文译名是什么?)、大卫·科波菲尔)和萨克雷(名利场)是男作家,其他都是女的:乔治·艾略特(本名Mary Ann Evans,用男性化的笔名)、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话,也有一半是女作家的作品,加上简·奥斯汀。全部100部作品中,也有40%是女作家的作品。只有狄更斯(远大前程、Bleak House)、大卫·科波菲尔、Dombey and Son)、奥斯汀(傲慢与偏见、爱玛、Persuasion、感觉与情感)、沃尔芙(To The Lighthouse、Mrs Dalloway、The Waves、Orlando)有四部作品入选,又是两个女作家。这是相当高的女作家比例。
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$ h: U; C8 c+ c呃,这里全部是英国作家的作品,而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的,其中没有英国人,纯粹是从外国人(美国、加拿大、澳大利亚、丹麦、印度)的角度来评的。很有意思的评比法。 |
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