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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 / d$ Z$ Y& q$ c. Z
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BBC评出100大英国文学名著
! r) a- ?; R6 t! nhttp://www.bbc.com/culture/story ... test-british-novels
( P: d* Q4 _" K- e- R9 z惭愧得很,听说过一小半名字,读过听说过的一小半,最惭愧的是,前三都是闻所未闻。
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* T) t/ G+ I' T1 i' R100. The Code of the Woosters (PG Wodehouse, 1938)
. q1 O( Z, Q) |" D& u" d8 H" {99. There but for the (Ali Smith, 2011)6 C2 L' s1 L: Y% {/ l
98. Under the Volcano (Malcolm Lowry,1947)
/ g* u5 l; f; R" S( `: r; I5 d; R97. The Chronicles of Narnia (CS Lewis, 1949-1954)
: ?% z5 _* a9 I% \1 \. [' O96. Memoirs of a Survivor (Doris Lessing, 1974)7 T+ ^1 P3 ^" }+ }+ R# j% A
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
. o; y. a/ o b* H8 n7 q/ b8 d; O94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824); v; n4 s" u4 ]# ~
93. Lord of the Flies (William Golding, 1954)4 t8 @ Z+ R( s( r- O/ V
92. Cold Comfort Farm (Stella Gibbons, 1932)
8 W. K; k a+ `/ R; p91. The Forsyte Saga (John Galsworthy, 1922)/ j' Z: h/ x5 z! M0 G4 g! a5 j* F c
90. The Woman in White (Wilkie Collins, 1859)
4 V1 n( z9 b |2 c0 p6 W* {89. The Horse’s Mouth (Joyce Cary, 1944)
$ ], k2 q% A* T' J$ B) q/ f: m3 U4 {88. The Death of the Heart (Elizabeth Bowen, 1938)
) O1 a$ _9 ?, b+ @2 Y87. The Old Wives’ Tale (Arnold Bennett,1908)# L! t1 Y: s4 l4 t) D Q
86. A Legacy (Sybille Bedford, 1956), u3 h' I5 H$ v; U E- }( `0 j- ^
85. Regeneration Trilogy (Pat Barker, 1991-1995)7 u% C& o* q: ]3 ]* t7 m1 p9 S
84. Scoop (Evelyn Waugh, 1938)" h8 M# J/ B, X0 z8 I
83. Barchester Towers (Anthony Trollope, 1857)
8 j3 d% X# g; r& N+ H3 k2 Y. C9 G82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)3 d; X% V) p( b6 w6 q5 Q# B/ n
81. The Jewel in the Crown (Paul Scott, 1966)
' F9 p- Q- l2 x* a, f80. Excellent Women (Barbara Pym, 1952) ~% M% M9 h9 A: }. q9 W
79. His Dark Materials (Philip Pullman, 1995-2000)# B9 J( j# M0 j" P: m. d4 k; }# b5 p1 [
78. A House for Mr Biswas (VS Naipaul, 1961); a- S7 |3 T9 y7 U* o e, h
77. Of Human Bondage (W Somerset Maugham, 1915). e2 e3 ~5 S7 S- ?( Y0 {5 I8 I' f
76. Small Island (Andrea Levy, 2004)
- t6 C0 L8 W# s" g8 @0 K75. Women in Love (DH Lawrence, 1920)4 e1 ?0 Z: p0 H1 B+ P+ P
74. The Mayor of Casterbridge (Thomas Hardy, 1886)9 Y# v' p6 Y4 Y" i/ c: H
73. The Blue Flower (Penelope Fitzgerald, 1995)
/ J) g3 [% x" K M0 r72. The Heart of the Matter (Graham Greene, 1948)
* w6 A' G. Y' H$ Y2 x5 T o' [71. Old Filth (Jane Gardam, 2004). k7 A, a5 c' R- Z
70. Daniel Deronda (George Eliot, 1876)
4 `. T5 D) M+ v F69. Nostromo (Joseph Conrad, 1904); R, F6 t) s+ Y8 F3 [6 K' u
68. A Clockwork Orange (Anthony Burgess, 1962)
- _4 c% A* S* \' p/ o; x1 H$ y67. Crash (JG Ballard 1973)6 `5 O3 n. K' I) o4 a. N. M3 K
66. Sense and Sensibility (Jane Austen, 1811)
0 h( \9 j; \! W$ K7 o3 |% @% }; _65. Orlando (Virginia Woolf, 1928)! T% q% J- F/ t/ {* E
64. The Way We Live Now (Anthony Trollope, 1875)
( } B4 T( y% R4 p8 h63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
( @; m; y0 ?! s& C2 e" ^62. Animal Farm (George Orwell, 1945)
7 i1 q& G! \& f1 h y61. The Sea, The Sea (Iris Murdoch, 1978)+ O- M" f# @$ P' [* x( x6 w) o
60. Sons and Lovers (DH Lawrence, 1913) f8 e; d- f2 g& l7 ^
59. The Line of Beauty (Alan Hollinghurst, 2004)1 X8 |+ U( z1 S4 q
58. Loving (Henry Green, 1945)
4 ^" U; Y2 `" t; O+ L57. Parade’s End (Ford Madox Ford, 1924-1928)6 A" M# O7 a9 Q8 F+ N
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)/ g1 N' Y+ R9 Y: F% T, U% n
55. Gulliver’s Travels (Jonathan Swift, 1726)
* [- s8 b- m4 q( b7 R2 J54. NW (Zadie Smith, 2012)$ d3 S. I b" [' j( e; o& H
53. Wide Sargasso Sea (Jean Rhys, 1966) y! B1 \9 u# p# N s4 d
52. New Grub Street (George Gissing, 1891)
% d, `' x1 D. F3 H: V( j51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
8 b7 s5 Q6 G- B50. A Passage to India (EM Forster, 1924)
! R( X# L7 E) o49. Possession (AS Byatt, 1990)
% B, k1 K2 Y" }8 P) W c" H2 |( e48. Lucky Jim (Kingsley Amis, 1954)
/ @$ V0 T: L/ S+ n47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
+ Q! k2 S( l4 [8 w% f! M6 S1 p46. Midnight’s Children (Salman Rushdie, 1981)7 U5 m3 C# D& o2 x( ~
45. The Little Stranger (Sarah Waters, 2009)
' @/ c) @9 l8 F) }44. Wolf Hall (Hilary Mantel, 2009)
- j8 L3 @* N8 A) L# l$ `6 G; |& o43. The Swimming Pool Library (Alan Hollinghurst, 1988)2 o* F2 d- d6 }3 O; P R
42. Brighton Rock (Graham Greene, 1938)* D; A# N$ v" \% K# U
41. Dombey and Son (Charles Dickens, 1848)$ a5 F# h/ B) R, n, H
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)& y( \; _( j/ F- i: W
39. The Sense of an Ending (Julian Barnes, 2011)
) A9 ^- `; [+ Y9 Q1 p" P2 A& A' B# v: V38. The Passion (Jeanette Winterson, 1987)
3 _! `4 `2 u1 P; V, J& D37. Decline and Fall (Evelyn Waugh, 1928)9 g. l5 R% ?( M8 [" W0 s: v, }0 d
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)7 `) G3 B. d, t
35. Remainder (Tom McCarthy, 2005)7 ?0 r& X0 O" S9 T7 w
34. Never Let Me Go (Kazuo Ishiguro, 2005)
2 _; Z1 q% Z/ |! U) Z33. The Wind in the Willows (Kenneth Grahame, 1908); G E) p7 P7 _
32. A Room with a View (EM Forster, 1908). ^, B5 i7 S, Q/ \, S
31. The End of the Affair (Graham Greene, 1951)
: \) w# K3 s, q% ]30. Moll Flanders (Daniel Defoe, 1722). c U1 K6 f. L6 y* Z5 M
29. Brick Lane (Monica Ali, 2003)9 S( K1 @3 L" J1 f; ^5 P' I8 u
28. Villette (Charlotte Brontë, 1853)0 h1 Y r2 f( L0 S0 X
27. Robinson Crusoe (Daniel Defoe, 1719)1 I& a; V8 k4 C+ l J. i
26. The Lord of the Rings (JRR Tolkien, 1954)$ D9 S0 F+ ?" C& c7 Z1 `0 C# O) F
25. White Teeth (Zadie Smith, 2000)
~ Q. |2 j( h$ `5 k4 l24. The Golden Notebook (Doris Lessing, 1962)3 G1 h% _# K" y8 l2 c
23. Jude the Obscure (Thomas Hardy, 1895)
9 m" v' S7 I( l$ q0 A3 n" y22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
+ _( f. z: z0 m' |$ |/ Z21. Heart of Darkness (Joseph Conrad, 1899)
$ q) S$ N' H7 z- T2 D! \20. Persuasion (Jane Austen, 1817) b+ [( ]0 f8 S" S1 P
19. Emma (Jane Austen, 1815)
# V! O4 G* p: y- L' C18. Remains of the Day (Kazuo Ishiguro, 1989)
" k* b" ?# {* a17. Howards End (EM Forster, 1910)5 [' o8 V* ~7 v* l1 A& o0 [
16. The Waves (Virginia Woolf, 1931)
5 W' c2 f4 P# {( N4 X; `5 a+ _15. Atonement (Ian McEwan, 2001)" {- h2 E; u2 @9 @% C: [* a* f
14. Clarissa (Samuel Richardson,1748)
, i& L( ?3 A( i9 C8 q' n. o13. The Good Soldier (Ford Madox Ford, 1915) H) z$ l% s: }, H/ e5 _5 P: G: U
12. Nineteen Eighty-Four (George Orwell, 1949)! `* y. U' h6 f7 n
11. Pride and Prejudice (Jane Austen, 1813)1 |" k9 v/ k2 O- V' d
10. Vanity Fair (William Makepeace Thackeray, 1848)9 y( E+ C8 P+ u0 ~6 [
9. Frankenstein (Mary Shelley, 1818)4 c6 y/ t+ z& H% {( L
8. David Copperfield (Charles Dickens, 1850)
0 \# b) ? }' ~) o' \ O; H0 t7. Wuthering Heights (Emily Brontë, 1847)8 }* @6 p) e5 p0 M- ~% c
6. Bleak House (Charles Dickens, 1853)
9 ]& Z" n+ W; y5 O, P$ ]5. Jane Eyre (Charlotte Brontë, 1847)
/ n" M9 F5 t# e4. Great Expectations (Charles Dickens, 1861)5 g8 W1 J7 B% G: M
3. Mrs. Dalloway (Virginia Woolf, 1925)
. B2 X4 c3 K) \2 n2. To the Lighthouse (Virginia Woolf, 1927)9 i- K4 q- P5 S+ ^( [9 J4 |
1. Middlemarch (George Eliot, 1874)
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+ d3 r, x; u; u; x前10里只有狄更斯(远大前程、Bleak House(中文译名是什么?)、大卫·科波菲尔)和萨克雷(名利场)是男作家,其他都是女的:乔治·艾略特(本名Mary Ann Evans,用男性化的笔名)、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话,也有一半是女作家的作品,加上简·奥斯汀。全部100部作品中,也有40%是女作家的作品。只有狄更斯(远大前程、Bleak House)、大卫·科波菲尔、Dombey and Son)、奥斯汀(傲慢与偏见、爱玛、Persuasion、感觉与情感)、沃尔芙(To The Lighthouse、Mrs Dalloway、The Waves、Orlando)有四部作品入选,又是两个女作家。这是相当高的女作家比例。" l8 Q- E. c" }+ d8 b
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呃,这里全部是英国作家的作品,而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的,其中没有英国人,纯粹是从外国人(美国、加拿大、澳大利亚、丹麦、印度)的角度来评的。很有意思的评比法。 |
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