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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
2 W# v$ Y9 ~3 mhttp://www.bbc.com/culture/story ... test-british-novels2 K; }% }9 J/ k: i
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
; r: Q% a/ N$ m2 I4 _' o1 k99. There but for the (Ali Smith, 2011)
" U7 i- y2 j- X* h! Q0 h4 P5 Y7 F4 ~- N* E98. Under the Volcano (Malcolm Lowry,1947)4 N N T' {0 t: [% J5 K f
97. The Chronicles of Narnia (CS Lewis, 1949-1954)6 G' Y" u4 C6 d" t
96. Memoirs of a Survivor (Doris Lessing, 1974)
+ [# W1 `- M2 z7 O D95. The Buddha of Suburbia (Hanif Kureishi, 1990)
* g' _( K* t4 F2 ~8 i5 ?; a94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)6 `0 [+ ^3 B+ [3 R! S+ H1 U9 Q& o
93. Lord of the Flies (William Golding, 1954)6 E+ H4 o4 R5 o1 ^! Q2 r$ n7 f
92. Cold Comfort Farm (Stella Gibbons, 1932)
& D% S8 |& A0 y W% Z0 {91. The Forsyte Saga (John Galsworthy, 1922)# G* x; z& r, ?; ~/ J) q
90. The Woman in White (Wilkie Collins, 1859)- P; B$ r# R- P$ Q
89. The Horse’s Mouth (Joyce Cary, 1944). Z1 x& E6 p7 _) Q2 `$ G5 V" f! I; U! _
88. The Death of the Heart (Elizabeth Bowen, 1938)! R, l5 Q# M% W# v3 r
87. The Old Wives’ Tale (Arnold Bennett,1908)
+ @0 t! H9 ?& s/ S% ?86. A Legacy (Sybille Bedford, 1956)
! P9 L0 |9 q' ]8 }7 A85. Regeneration Trilogy (Pat Barker, 1991-1995) u. U8 v3 _# S) D$ G8 e
84. Scoop (Evelyn Waugh, 1938)* l1 N& h2 m' A& E W; k% Z
83. Barchester Towers (Anthony Trollope, 1857)
7 p$ I& s- Y% W# M) r% ^82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)/ q. S2 x7 Z7 l, T5 U- \7 F
81. The Jewel in the Crown (Paul Scott, 1966)+ ~1 F3 @$ Q6 O9 c& z" K
80. Excellent Women (Barbara Pym, 1952); \- e- r! u9 L) ~) H4 {! r
79. His Dark Materials (Philip Pullman, 1995-2000)* @7 N7 u1 y; |8 l* w" T! r% l
78. A House for Mr Biswas (VS Naipaul, 1961)' v9 F) |$ w: K( V& K
77. Of Human Bondage (W Somerset Maugham, 1915)# w$ h1 [7 @* h* G: [1 b, I+ D
76. Small Island (Andrea Levy, 2004)
/ m+ [, ^1 P! e# O0 u9 o: P75. Women in Love (DH Lawrence, 1920)
- f6 o0 H% h' d, A& c* L% |74. The Mayor of Casterbridge (Thomas Hardy, 1886)3 ^6 o* a1 ]$ l$ c* h, m4 f
73. The Blue Flower (Penelope Fitzgerald, 1995)
* u4 K3 J" S t5 Y72. The Heart of the Matter (Graham Greene, 1948)
z& E& r1 v' _. {! p; W% _% E71. Old Filth (Jane Gardam, 2004)0 \ |+ _. y* ]: a/ i) G
70. Daniel Deronda (George Eliot, 1876)4 K& ? W0 @6 Q6 k( ]
69. Nostromo (Joseph Conrad, 1904); L* w! f3 T: \& B5 v0 n3 H) M. M
68. A Clockwork Orange (Anthony Burgess, 1962): P, n3 l% D- w5 R( H
67. Crash (JG Ballard 1973). B' p/ y7 T% L8 |; I$ j/ I, C' b5 B. N
66. Sense and Sensibility (Jane Austen, 1811)
( q2 g u% q7 w3 x4 }. u: I6 E1 T+ ~/ P65. Orlando (Virginia Woolf, 1928)7 `7 R# {2 D# n3 u3 a7 r r7 [
64. The Way We Live Now (Anthony Trollope, 1875)
4 W8 @5 S7 |! ?7 ^* Y# ~- M% X63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
0 V1 J! O, U* [/ [) b+ l f4 B% w62. Animal Farm (George Orwell, 1945)4 Y q" N5 w7 |- n! r: Y
61. The Sea, The Sea (Iris Murdoch, 1978)
9 p. M- G0 B% x0 f+ E5 D- g$ k60. Sons and Lovers (DH Lawrence, 1913)
$ H" o. p' c a3 P0 M# Y4 Y59. The Line of Beauty (Alan Hollinghurst, 2004)
/ J1 G* v# x1 s7 T1 H- ^58. Loving (Henry Green, 1945)( s0 }1 z5 L3 ~0 w( x. a# T
57. Parade’s End (Ford Madox Ford, 1924-1928)
7 _1 } p$ F* _56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)- z% g( \- E+ |/ Z; A% o0 Y. h9 R' E
55. Gulliver’s Travels (Jonathan Swift, 1726)6 l8 G3 O8 H& w( B/ ?( Y
54. NW (Zadie Smith, 2012)) s3 c( d% _5 a# H8 D u! B
53. Wide Sargasso Sea (Jean Rhys, 1966)
2 E ]: R; V& U+ n$ p: w% z52. New Grub Street (George Gissing, 1891)0 r4 G$ c- ]4 C, j2 w6 ?( X
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)! _5 I8 j$ w; a) m
50. A Passage to India (EM Forster, 1924)+ D$ y( n9 I2 a/ H$ Y% R
49. Possession (AS Byatt, 1990)) [: a8 ]5 z; e: q+ X. M4 m
48. Lucky Jim (Kingsley Amis, 1954)
+ r( S. }, J& Z3 M- x! w/ u- D4 a47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
0 j1 h) _) @! n4 [' L" N6 ]46. Midnight’s Children (Salman Rushdie, 1981)" M) @7 ? J/ Q
45. The Little Stranger (Sarah Waters, 2009)
, Y4 {% g6 v3 U. {- P& ?* l D9 O& N44. Wolf Hall (Hilary Mantel, 2009)
3 d' S, n. o* L4 e43. The Swimming Pool Library (Alan Hollinghurst, 1988)
" m. q( Q; s) h& ]$ a- G) m42. Brighton Rock (Graham Greene, 1938)
( [/ w) u, Q/ d2 g3 K5 J+ P# X41. Dombey and Son (Charles Dickens, 1848)
$ |4 L1 O, y9 C" M: U8 ~40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
; t/ Q% W. v; ^6 ]9 R3 \; f39. The Sense of an Ending (Julian Barnes, 2011)
" ]7 J; D: T0 Y2 E! N" J& I38. The Passion (Jeanette Winterson, 1987)
1 g1 a' s( r9 Y& a6 `37. Decline and Fall (Evelyn Waugh, 1928)
- x) H+ Z: T2 T% g/ T4 H! l' m, u36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
4 a5 D4 k( R! X# x$ f; d( p3 @4 i& f35. Remainder (Tom McCarthy, 2005)" O; [% U" c ?$ J
34. Never Let Me Go (Kazuo Ishiguro, 2005), N6 V, i& _, S* h& T6 P
33. The Wind in the Willows (Kenneth Grahame, 1908)8 X3 t0 `) D8 Y$ }, o7 Z
32. A Room with a View (EM Forster, 1908)+ m6 i5 ~" Z. Y0 j: `
31. The End of the Affair (Graham Greene, 1951)
+ ^$ l& ]9 p" Q30. Moll Flanders (Daniel Defoe, 1722)0 z% n. }* m9 X6 ~ D) w
29. Brick Lane (Monica Ali, 2003), _; ? ^4 k z: r! _ o! Q
28. Villette (Charlotte Brontë, 1853)
5 p% f4 T2 M( b2 i( F! I: D27. Robinson Crusoe (Daniel Defoe, 1719)
) V; j: T2 I. r! t! U& ~8 r26. The Lord of the Rings (JRR Tolkien, 1954)
; k: f+ t5 o& n) L1 K, g25. White Teeth (Zadie Smith, 2000)
( t4 a, N: v+ E g) _! t24. The Golden Notebook (Doris Lessing, 1962)$ \( c b$ k2 w
23. Jude the Obscure (Thomas Hardy, 1895)
4 {, t( ~' L v22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)8 }8 h% F9 f+ d; R" j/ J6 l6 S
21. Heart of Darkness (Joseph Conrad, 1899)
) k& Q+ z" t! k: M3 y, v20. Persuasion (Jane Austen, 1817)) d; y: q: R+ }1 m9 ^4 B7 g
19. Emma (Jane Austen, 1815)
# Q$ ?" V/ H( c18. Remains of the Day (Kazuo Ishiguro, 1989)
1 A! A4 @6 j8 |, E17. Howards End (EM Forster, 1910)- x9 {$ U# g7 m6 Y; y" ^* |
16. The Waves (Virginia Woolf, 1931)2 D* O# }! |8 [' c: r3 Z
15. Atonement (Ian McEwan, 2001)
/ e4 m* K- x# I6 B3 M& I+ n14. Clarissa (Samuel Richardson,1748)
" r2 e. k- E6 A/ r$ E13. The Good Soldier (Ford Madox Ford, 1915)
9 M5 {! R3 |7 Q9 d; m0 J! Z" `; ]12. Nineteen Eighty-Four (George Orwell, 1949)
8 Y$ g4 s! l# N4 |) o( R) [2 [11. Pride and Prejudice (Jane Austen, 1813). _* k7 V( p2 ]7 F
10. Vanity Fair (William Makepeace Thackeray, 1848)
4 L( p- E8 L& z. s9 q& t3 ^+ Y9. Frankenstein (Mary Shelley, 1818)% R& `; w! ^5 ^9 M
8. David Copperfield (Charles Dickens, 1850)
! n9 b8 k& D$ h" Z1 G4 Z1 V7. Wuthering Heights (Emily Brontë, 1847)1 l K, O$ p R8 \. q% I6 M
6. Bleak House (Charles Dickens, 1853)
8 r. s7 @/ Y3 V" ?$ V5. Jane Eyre (Charlotte Brontë, 1847)
- q/ ~- o! f# Q( b4. Great Expectations (Charles Dickens, 1861)
9 A2 x" M" C! |1 n3. Mrs. Dalloway (Virginia Woolf, 1925)6 X V Y" u! t% h
2. To the Lighthouse (Virginia Woolf, 1927)
# ~: U, I4 D6 [1 w1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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6 I2 }9 `6 {6 P+ m& w3 L呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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