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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
( }! X6 p& @8 c' Qhttp://www.bbc.com/culture/story ... test-british-novels' m/ x: r* D% ?
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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# H5 G- j, G0 ^- w) D$ h `- |100. The Code of the Woosters (PG Wodehouse, 1938)5 }: g" @1 U* v" k2 O6 T. B
99. There but for the (Ali Smith, 2011)
$ Y. L' |8 N# Z0 j8 U; L/ I+ |5 @98. Under the Volcano (Malcolm Lowry,1947)3 a" K, _; q" T- ~# j# m. q0 i- I7 [5 c
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
5 V) {# M8 i6 o; U96. Memoirs of a Survivor (Doris Lessing, 1974)% f( d) P: z6 M
95. The Buddha of Suburbia (Hanif Kureishi, 1990), y2 a8 e% z; _1 E: e4 h
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)3 Q6 n- A1 I( [. p
93. Lord of the Flies (William Golding, 1954)
- B- }' g9 x9 j& `1 \92. Cold Comfort Farm (Stella Gibbons, 1932)
+ _; T8 T+ q) }6 A( r91. The Forsyte Saga (John Galsworthy, 1922)
) N1 r. I0 ~9 [# P4 |90. The Woman in White (Wilkie Collins, 1859)
( {: q0 ?8 u7 ]: _+ v, _" _4 @89. The Horse’s Mouth (Joyce Cary, 1944)" D4 q) j& ~- T
88. The Death of the Heart (Elizabeth Bowen, 1938)+ v' e9 T: }6 O+ O+ [& s
87. The Old Wives’ Tale (Arnold Bennett,1908)
, n# O$ u* ~; O$ Q86. A Legacy (Sybille Bedford, 1956)
; ^( f! H, b1 ?! w85. Regeneration Trilogy (Pat Barker, 1991-1995)
% ?# @( a- T/ g/ R) \- ]+ B' `84. Scoop (Evelyn Waugh, 1938)
& p( j) F& M# f& a4 K& k( w) w& ]83. Barchester Towers (Anthony Trollope, 1857)& A& c/ K2 G; r; b& Y( l, m
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
* L: [ P; m: B' G# e u/ S81. The Jewel in the Crown (Paul Scott, 1966)
4 Y- Y: `8 e1 F x80. Excellent Women (Barbara Pym, 1952)3 S" \6 K. ?6 z7 i" b$ T' {
79. His Dark Materials (Philip Pullman, 1995-2000)
% L% l( g: v# C( C) C$ z78. A House for Mr Biswas (VS Naipaul, 1961)- M% Y1 v1 Q% D9 s; g, l, y7 M
77. Of Human Bondage (W Somerset Maugham, 1915)
* W9 T _ G- [" D76. Small Island (Andrea Levy, 2004)% d- ?, [+ z0 ]$ K. {, U
75. Women in Love (DH Lawrence, 1920)
! e9 S/ G; `3 M, n# n0 J0 y' o, C+ X74. The Mayor of Casterbridge (Thomas Hardy, 1886)" b( i. a& @* Z! H J6 ^
73. The Blue Flower (Penelope Fitzgerald, 1995)- s7 s+ Z- b: a4 a& {9 d
72. The Heart of the Matter (Graham Greene, 1948)1 r* f6 o- P9 Y$ |/ b) B
71. Old Filth (Jane Gardam, 2004)& S1 ?( M; J$ G# Q- c( d5 n
70. Daniel Deronda (George Eliot, 1876)
5 `2 ~# R# U6 R, t, c69. Nostromo (Joseph Conrad, 1904)
+ u3 ^, m) Y" c2 G2 y68. A Clockwork Orange (Anthony Burgess, 1962)9 d1 O7 L' h/ j/ S: x' T" {) e
67. Crash (JG Ballard 1973)
) f: v' \8 ~/ h: O- ? a# P9 `66. Sense and Sensibility (Jane Austen, 1811)! ^5 j" f; [! X7 C) R p
65. Orlando (Virginia Woolf, 1928)
/ Q+ O n8 G6 U* d/ f) A64. The Way We Live Now (Anthony Trollope, 1875)
9 `3 F5 L2 C5 p0 h8 W) z( c63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)) I9 [8 ?4 U4 C) k+ ?
62. Animal Farm (George Orwell, 1945)
0 B# r6 ^2 _: E# y61. The Sea, The Sea (Iris Murdoch, 1978)3 w. N g, O2 c) [
60. Sons and Lovers (DH Lawrence, 1913)
- v! [4 t4 I1 g/ Z, Z0 e1 O59. The Line of Beauty (Alan Hollinghurst, 2004)
5 d% I/ O1 U2 a. a58. Loving (Henry Green, 1945)5 w ?' l2 o7 g
57. Parade’s End (Ford Madox Ford, 1924-1928)
) O" J [: a1 w7 Z1 Y- w" |+ w. ^56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)! U' c8 z# q) d+ E
55. Gulliver’s Travels (Jonathan Swift, 1726)( e; e# K# p( E i5 w& H/ k
54. NW (Zadie Smith, 2012)$ P9 F2 h K; V3 U' B* d; R
53. Wide Sargasso Sea (Jean Rhys, 1966); H0 q& _0 l9 |
52. New Grub Street (George Gissing, 1891)% j; T$ }; t; U0 Q# f, P
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)) |. l6 O; ]6 I; r5 F5 S+ D
50. A Passage to India (EM Forster, 1924)' n* D# T+ k( o" i4 ]
49. Possession (AS Byatt, 1990)! ]$ y" y, \; L* j5 e. l
48. Lucky Jim (Kingsley Amis, 1954)2 k" q- y9 ~1 p% A
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
$ A' c. j5 ~8 ^/ m46. Midnight’s Children (Salman Rushdie, 1981)
. t( B6 t; \) u& ?9 L) z+ i: ~9 L45. The Little Stranger (Sarah Waters, 2009)
1 W' Z# F% v$ v& k% ?2 i44. Wolf Hall (Hilary Mantel, 2009) u* {# L s% R0 f) s
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
0 \) P' M6 t8 Q2 d* Y2 ^2 R' V42. Brighton Rock (Graham Greene, 1938)
4 v* Y* I( z+ {) U' m* V4 }41. Dombey and Son (Charles Dickens, 1848); R- o8 N8 O8 A8 C. j8 W
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)/ y; x; G3 N! l6 j x
39. The Sense of an Ending (Julian Barnes, 2011)# L6 B$ z- F4 F- K- b+ `, _
38. The Passion (Jeanette Winterson, 1987)
$ d3 G; C, C& r. @$ G37. Decline and Fall (Evelyn Waugh, 1928)5 s- Y" z$ |/ j& [
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
R% y4 B4 g0 F5 q. V% N @" f35. Remainder (Tom McCarthy, 2005)0 q4 W5 s& V( Q* o8 _+ z) N/ ]! w8 T
34. Never Let Me Go (Kazuo Ishiguro, 2005)
9 X+ H* L: {9 Z0 ~. c9 c33. The Wind in the Willows (Kenneth Grahame, 1908)
K3 Z5 @) J4 S6 T1 q; P32. A Room with a View (EM Forster, 1908)2 }3 p' @7 ]7 x
31. The End of the Affair (Graham Greene, 1951)
0 x: E( a) w, c& w30. Moll Flanders (Daniel Defoe, 1722)
' ]! ], d$ B. z+ l( N# r29. Brick Lane (Monica Ali, 2003)
: o, F5 P" f5 \3 T0 h( I28. Villette (Charlotte Brontë, 1853)
2 I$ }: |6 b1 K+ Q* F5 O2 z# a27. Robinson Crusoe (Daniel Defoe, 1719)
" @+ J) |. t q/ }! G* V/ r26. The Lord of the Rings (JRR Tolkien, 1954). [( Z; ~4 W# o8 v+ Y* u% d
25. White Teeth (Zadie Smith, 2000)
: o, q1 m! X: j24. The Golden Notebook (Doris Lessing, 1962)
[" [. ]! y' _6 @2 _/ D" ]23. Jude the Obscure (Thomas Hardy, 1895)* v- T$ |: D9 Q: ~7 F8 V& X
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)* B3 `* q6 p( r8 ?
21. Heart of Darkness (Joseph Conrad, 1899)$ \8 Q7 `. `( G% v% |0 f( A
20. Persuasion (Jane Austen, 1817)- D: i/ |& c5 ]9 r
19. Emma (Jane Austen, 1815)* ~2 V0 q+ A* _1 ~" O5 E4 C
18. Remains of the Day (Kazuo Ishiguro, 1989)
! a' W0 p: z0 D1 v17. Howards End (EM Forster, 1910)
& O- M( W' E" C: v& Y, k7 S% H16. The Waves (Virginia Woolf, 1931)+ [. ^( t$ D0 l' Q3 J
15. Atonement (Ian McEwan, 2001): R0 u, \, x$ u1 j: O, q$ I0 t' V
14. Clarissa (Samuel Richardson,1748), I0 D$ i2 ~& d* ^: c( B
13. The Good Soldier (Ford Madox Ford, 1915). c' I# `& ?% W
12. Nineteen Eighty-Four (George Orwell, 1949)
3 v8 j' M! D- u) I. d! o }11. Pride and Prejudice (Jane Austen, 1813)
8 e- C) c7 b9 k( v) e/ m10. Vanity Fair (William Makepeace Thackeray, 1848)
' F# Q p$ }, T: c- y! u9. Frankenstein (Mary Shelley, 1818)( \. C3 l- ?1 u: }8 {% `: N! _+ x3 O
8. David Copperfield (Charles Dickens, 1850)
) Y/ E0 X( ~/ z* K7. Wuthering Heights (Emily Brontë, 1847)
& P' O8 E$ ?% i5 f% A! ^( o' V6. Bleak House (Charles Dickens, 1853)
5 M+ h& c" \4 ], n0 }5. Jane Eyre (Charlotte Brontë, 1847)
( B! p [7 i- `* t/ p! V4. Great Expectations (Charles Dickens, 1861)
& P2 B: I6 K4 v3. Mrs. Dalloway (Virginia Woolf, 1925)
' C5 @8 a0 H. J+ G; d6 g2. To the Lighthouse (Virginia Woolf, 1927)
: O, T2 C N( o# s- `3 H/ `1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。 p6 \$ y4 O$ |" f
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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