|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
7 C3 Y5 g3 E/ L, U" v
+ N s* J& H/ A3 TBBC评出100大英国文学名著7 A/ R# v: _1 {: n+ m5 Y& W
http://www.bbc.com/culture/story ... test-british-novels/ w0 T4 g) P9 v: S; K! ^7 N. y
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。; u l, n' p, ] O- f
: `- R: o2 A; f" V. j
100. The Code of the Woosters (PG Wodehouse, 1938)) L% L/ ~, B) v) A& v1 _1 n
99. There but for the (Ali Smith, 2011)
+ W+ ?' R1 ^5 N7 P+ C! F98. Under the Volcano (Malcolm Lowry,1947)
( ]3 k! b7 N/ F6 x/ C* I97. The Chronicles of Narnia (CS Lewis, 1949-1954)
5 L7 v/ Z0 d9 e# E& h96. Memoirs of a Survivor (Doris Lessing, 1974)9 y7 }9 a8 O: q0 u9 Y2 m/ u& d
95. The Buddha of Suburbia (Hanif Kureishi, 1990)) z: [' y6 g: B0 C {
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)8 I5 ?; q: _% s, `/ Q( W% {+ _% E
93. Lord of the Flies (William Golding, 1954), }: r i' H" D. p9 M# v6 A! q/ y
92. Cold Comfort Farm (Stella Gibbons, 1932)
% k" M4 N9 O4 j9 o& Y( j91. The Forsyte Saga (John Galsworthy, 1922)
i) O% e) R3 W c2 Q0 t8 G90. The Woman in White (Wilkie Collins, 1859)
6 @4 H+ o9 _* z; R% C0 e) }89. The Horse’s Mouth (Joyce Cary, 1944)
8 _. L' U1 }9 S3 ^+ |' u88. The Death of the Heart (Elizabeth Bowen, 1938)
# S& ?7 h7 t7 f7 |8 o3 H87. The Old Wives’ Tale (Arnold Bennett,1908)" O5 A- _1 {- u0 A; h. j s. M& F
86. A Legacy (Sybille Bedford, 1956)
% u5 _# a6 i5 B* f+ ?4 L: A85. Regeneration Trilogy (Pat Barker, 1991-1995)
& S5 W& x" M) A84. Scoop (Evelyn Waugh, 1938)
6 u, ? z9 D) ^83. Barchester Towers (Anthony Trollope, 1857)
+ A4 E( [/ M; V82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)5 R5 a# u( T$ Z9 |$ S( g) C
81. The Jewel in the Crown (Paul Scott, 1966)
# h- u/ P; x! U" ?, ?0 |) j' o80. Excellent Women (Barbara Pym, 1952)
6 D! Z& G! \" _+ A& i79. His Dark Materials (Philip Pullman, 1995-2000)
: H) e R! @8 m; l78. A House for Mr Biswas (VS Naipaul, 1961)% M* Q! Z! G. x# X, R s5 A
77. Of Human Bondage (W Somerset Maugham, 1915)
9 c; g- r" _7 R76. Small Island (Andrea Levy, 2004)
( C6 {: _% o7 l+ u1 h% T75. Women in Love (DH Lawrence, 1920)1 x6 ^5 {1 c' d/ C6 u
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
" u% U- b) n' a8 U: Q73. The Blue Flower (Penelope Fitzgerald, 1995)
2 U/ I8 w/ J$ M) a72. The Heart of the Matter (Graham Greene, 1948)( {! c: Y% n* q5 Z( b/ p+ T9 {
71. Old Filth (Jane Gardam, 2004)
! Q0 @3 j T" u! y- m) [70. Daniel Deronda (George Eliot, 1876)
0 O- R4 f" |% N( Z9 H! L) A* X' l2 _69. Nostromo (Joseph Conrad, 1904)
, ] \# N7 u% _8 j9 s3 Y/ @2 g+ y' W68. A Clockwork Orange (Anthony Burgess, 1962)8 Q: E; E: ~4 }& G# }2 u
67. Crash (JG Ballard 1973)
3 j% A( w0 _% R1 v5 N" K66. Sense and Sensibility (Jane Austen, 1811)5 w% k E( b7 e4 X: ^. c, Q
65. Orlando (Virginia Woolf, 1928)
; O9 B% m% V6 H3 y5 k( _' {" W64. The Way We Live Now (Anthony Trollope, 1875)2 s7 \- p9 y( }& l' h/ w
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
1 w0 F1 `# |7 v# q1 F/ h! a' {62. Animal Farm (George Orwell, 1945)
; y# K5 y. |' D# c+ G1 K# ?8 S61. The Sea, The Sea (Iris Murdoch, 1978)6 F z8 `6 g0 x
60. Sons and Lovers (DH Lawrence, 1913)
2 V4 B' |6 r4 c& T. z59. The Line of Beauty (Alan Hollinghurst, 2004)7 V/ F. Y' \0 J9 U" }& y
58. Loving (Henry Green, 1945)
* z: K* r! }& v+ |* G5 I57. Parade’s End (Ford Madox Ford, 1924-1928)
) F) _" h/ e: p" r# c56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
. R+ M6 z2 J! z6 @55. Gulliver’s Travels (Jonathan Swift, 1726)
' U# L" J3 Z: I$ y+ }54. NW (Zadie Smith, 2012). P! u0 c( ?: y8 ], U- w
53. Wide Sargasso Sea (Jean Rhys, 1966)
/ ^% d9 X6 m- Y/ I, O, L52. New Grub Street (George Gissing, 1891)
# a0 ]. i2 B) r; E9 @% z/ {+ B51. Tess of the d’Urbervilles (Thomas Hardy, 1891)' J) v- O$ Y; D7 ~' D
50. A Passage to India (EM Forster, 1924)
$ F; Z/ ^2 a" \4 T% T2 F# p ]49. Possession (AS Byatt, 1990)# ?+ B9 f# L* y+ p$ ?1 T+ {6 w# S
48. Lucky Jim (Kingsley Amis, 1954)' S4 G+ H8 V; |" B
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
5 |5 Z. R+ K! v46. Midnight’s Children (Salman Rushdie, 1981)& m" Y! y3 W2 C n
45. The Little Stranger (Sarah Waters, 2009)
5 p) l# g" Z: ~44. Wolf Hall (Hilary Mantel, 2009)
; n. V& ]/ o2 p& i; j43. The Swimming Pool Library (Alan Hollinghurst, 1988), N. s, _/ u" I
42. Brighton Rock (Graham Greene, 1938)
1 O, |6 l) W8 Z3 `5 n% {, L) |1 D' A41. Dombey and Son (Charles Dickens, 1848)
7 n* r8 w" q7 P$ W5 F40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
* K0 _ I1 `: B3 ?- v7 w$ Z2 x39. The Sense of an Ending (Julian Barnes, 2011)
* Q# z. F! P! j* s( {38. The Passion (Jeanette Winterson, 1987)
* u" z2 { b5 Y5 {3 ~' T37. Decline and Fall (Evelyn Waugh, 1928)% L+ N- j. \* Z8 F6 `
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)% q4 h: v) `) Y3 Q, v7 I* _
35. Remainder (Tom McCarthy, 2005): y; Q, T8 Q& E5 L [, {2 n9 v H
34. Never Let Me Go (Kazuo Ishiguro, 2005)6 b+ R1 L+ p( B. w
33. The Wind in the Willows (Kenneth Grahame, 1908)
/ t4 f3 X" t/ r32. A Room with a View (EM Forster, 1908)
5 @9 P! Q+ a4 r- R' B2 }+ P31. The End of the Affair (Graham Greene, 1951)
" K9 G3 V3 [/ q l% n9 G/ J$ o, z30. Moll Flanders (Daniel Defoe, 1722)
# C6 g' x& S1 p3 i: z* W29. Brick Lane (Monica Ali, 2003)1 V3 I1 m5 t+ ~, U0 _8 V5 a, y
28. Villette (Charlotte Brontë, 1853)& K1 V' ^% _1 v
27. Robinson Crusoe (Daniel Defoe, 1719)$ |; C m" B& s4 o
26. The Lord of the Rings (JRR Tolkien, 1954)$ F; q1 ]# t& n& I+ s
25. White Teeth (Zadie Smith, 2000)
4 X* H( W7 T& S% s/ z6 d) H24. The Golden Notebook (Doris Lessing, 1962)8 R( w+ {* _6 M @% L- c& [
23. Jude the Obscure (Thomas Hardy, 1895)) C1 ]9 J) Z" m- a
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
3 J) _6 A- V# G21. Heart of Darkness (Joseph Conrad, 1899)
; F* P |9 N z) l4 H5 o20. Persuasion (Jane Austen, 1817)+ g6 A- ?3 i6 K" p
19. Emma (Jane Austen, 1815)- R3 L1 ?) H! ]0 a" E
18. Remains of the Day (Kazuo Ishiguro, 1989)$ E0 p: ~+ q( |: `! z( }; X
17. Howards End (EM Forster, 1910)
7 t3 A2 D! u" k8 d% {2 j16. The Waves (Virginia Woolf, 1931)
- d/ \# I% Y- h9 E0 \3 }# j* k# n15. Atonement (Ian McEwan, 2001), o- ]: d( Y! ^5 Z) O8 A
14. Clarissa (Samuel Richardson,1748)9 x& x/ j% R6 a
13. The Good Soldier (Ford Madox Ford, 1915)/ K$ F# E# Z6 v! J/ ]
12. Nineteen Eighty-Four (George Orwell, 1949)0 M4 u- k" ~. f0 L
11. Pride and Prejudice (Jane Austen, 1813)# v4 I2 I: R" S( ?- P( V
10. Vanity Fair (William Makepeace Thackeray, 1848)
7 a4 s2 v1 ~( H- Q% u9. Frankenstein (Mary Shelley, 1818)" r5 \9 W1 }- K( s
8. David Copperfield (Charles Dickens, 1850)
3 [1 _' N; m: P/ \9 O: J% l7. Wuthering Heights (Emily Brontë, 1847)
3 u2 I& e4 [1 e' j2 y6. Bleak House (Charles Dickens, 1853)
' c( O, |% {5 B* s* U6 d% X5. Jane Eyre (Charlotte Brontë, 1847). @8 p3 A6 r( |) p2 e
4. Great Expectations (Charles Dickens, 1861)
3 C9 l) `6 D* P; }7 R3. Mrs. Dalloway (Virginia Woolf, 1925)0 V$ Q7 i! }5 E8 r* y
2. To the Lighthouse (Virginia Woolf, 1927)
; D7 V" d5 p7 N) c6 g: O1. Middlemarch (George Eliot, 1874)/ {; M$ o1 f* s( s: y% c1 T
' L A0 |1 w0 p$ A: p" o/ r
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
: `, O! B& F. Z5 b' Q- N" n/ `5 D( ^& M# v5 i
呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
