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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 , N4 t5 @: }) W' T2 i7 j0 L; t
9 q$ G# i% K. w: F8 k7 o) x' j& n/ zBBC评出100大英国文学名著% I( o& d j: n: R; I
http://www.bbc.com/culture/story ... test-british-novels
* \ c8 y; a3 w惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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5 e/ ]5 S3 |( g* B( C0 j- S100. The Code of the Woosters (PG Wodehouse, 1938)
+ O' N* E$ u+ u7 l7 }" D8 ?99. There but for the (Ali Smith, 2011)2 [8 S& y# V. u
98. Under the Volcano (Malcolm Lowry,1947)! C+ X' l- M# Z5 g" {, _2 X) m8 p
97. The Chronicles of Narnia (CS Lewis, 1949-1954)" g7 b) b- ?) A2 Q
96. Memoirs of a Survivor (Doris Lessing, 1974)
. S9 O7 p. \1 s7 a& k* I5 a% Z95. The Buddha of Suburbia (Hanif Kureishi, 1990)
& h' G! x- H$ k94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
" m4 `& g1 B1 ~93. Lord of the Flies (William Golding, 1954)
6 ~* o i' P) |92. Cold Comfort Farm (Stella Gibbons, 1932)( s0 I. _/ c2 ]( `( F
91. The Forsyte Saga (John Galsworthy, 1922)
5 g) S! x) o( q: g90. The Woman in White (Wilkie Collins, 1859)
: E2 x; K* a, I; U89. The Horse’s Mouth (Joyce Cary, 1944). N$ {' J* b' V1 g/ e6 ]4 ^
88. The Death of the Heart (Elizabeth Bowen, 1938)
' b, H4 g: X8 Z' y. t5 q87. The Old Wives’ Tale (Arnold Bennett,1908)$ s1 U$ r! z- a" p! x9 k. F
86. A Legacy (Sybille Bedford, 1956)
# ?4 ]% ?3 h6 u1 Z: q* q85. Regeneration Trilogy (Pat Barker, 1991-1995)
0 v+ l! c- p" U( X1 v: ~84. Scoop (Evelyn Waugh, 1938)
9 l3 p8 V: R/ p% T, f$ S- S83. Barchester Towers (Anthony Trollope, 1857)
5 }9 ^3 k' \1 x" O2 D! U6 w& E82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
. L6 n" F9 c# Z( n n( z81. The Jewel in the Crown (Paul Scott, 1966)/ f# E* z0 X, j2 e, x- n8 B
80. Excellent Women (Barbara Pym, 1952)
/ e) \6 G4 l* r3 Y79. His Dark Materials (Philip Pullman, 1995-2000)
- ~! L; L; w7 }3 j; ?1 |: U- A5 G78. A House for Mr Biswas (VS Naipaul, 1961)
( s9 U0 v6 R0 @4 I' U$ t0 E/ H( M* [77. Of Human Bondage (W Somerset Maugham, 1915)
6 ]! {/ i: J6 ?4 t76. Small Island (Andrea Levy, 2004)
9 t2 ~- X0 J2 E* c6 \( V. m8 o$ ^9 s75. Women in Love (DH Lawrence, 1920)
6 S8 o* M' k, u8 U( Q/ K5 [ E6 Y74. The Mayor of Casterbridge (Thomas Hardy, 1886)) ~ k0 B3 T. M- ?; r# X9 a4 ~
73. The Blue Flower (Penelope Fitzgerald, 1995)1 G* [3 r. k& R" l8 B+ T5 t/ U8 X
72. The Heart of the Matter (Graham Greene, 1948)
( P" B. x, L5 j$ j' s. U71. Old Filth (Jane Gardam, 2004)
6 t7 @2 _5 \- a H1 O( x70. Daniel Deronda (George Eliot, 1876)
* p! E5 z) T! V% n2 ?% ~) k69. Nostromo (Joseph Conrad, 1904)
6 d1 Q( y+ \$ g. [3 X/ T+ ^68. A Clockwork Orange (Anthony Burgess, 1962)
+ y& [ q$ o) P2 C6 [67. Crash (JG Ballard 1973)
+ ^( ?5 {, u. K9 \" ~- e66. Sense and Sensibility (Jane Austen, 1811)- w' X: Z2 Y/ a
65. Orlando (Virginia Woolf, 1928)
/ v/ D# y+ h9 \0 w ?. n: Z64. The Way We Live Now (Anthony Trollope, 1875)8 j: q2 m o. s2 \) [
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)8 y6 N, k# I2 m6 W+ U2 a- y
62. Animal Farm (George Orwell, 1945)
% W0 q: E1 R+ J61. The Sea, The Sea (Iris Murdoch, 1978)- v9 P, J+ o; D4 ^
60. Sons and Lovers (DH Lawrence, 1913)
! {# F$ ^9 @- I' L0 k, |5 J59. The Line of Beauty (Alan Hollinghurst, 2004)
" @+ Y5 |+ |) {2 N5 m" N8 N58. Loving (Henry Green, 1945)
4 J* s$ M5 Q% s: X4 ?8 J57. Parade’s End (Ford Madox Ford, 1924-1928)$ x! w4 | r& Y: y+ s' p3 E
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
& \+ J/ Q, a. G# u% ?2 |55. Gulliver’s Travels (Jonathan Swift, 1726), `! c5 a1 t# [/ c
54. NW (Zadie Smith, 2012)' C& i) }& O8 k" H) c8 G
53. Wide Sargasso Sea (Jean Rhys, 1966)
4 i! U% s9 J1 F0 L8 J0 q52. New Grub Street (George Gissing, 1891)
" z. ^- J# _2 E ~2 t51. Tess of the d’Urbervilles (Thomas Hardy, 1891)8 Y; Q' y1 |9 a# h: y* L
50. A Passage to India (EM Forster, 1924)
# i# K+ O3 e- W/ |49. Possession (AS Byatt, 1990)
' d( w. _# U: i# R5 v: G5 [48. Lucky Jim (Kingsley Amis, 1954)2 T- c# \" o) l: \7 c# j% C0 Q( o
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)9 F }; C9 j$ U4 s. I& B
46. Midnight’s Children (Salman Rushdie, 1981)
9 t4 P. L- C; U2 \7 `) _4 ? W! o45. The Little Stranger (Sarah Waters, 2009)
. z) ]& O; u) D q) _1 V44. Wolf Hall (Hilary Mantel, 2009)
$ C4 ?- C: x6 A43. The Swimming Pool Library (Alan Hollinghurst, 1988)
6 M; r. j$ D' w42. Brighton Rock (Graham Greene, 1938)5 T3 _+ O/ [& @# J, B
41. Dombey and Son (Charles Dickens, 1848)
" u6 i2 ^" o0 F9 Y40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)+ |, a4 ~* j2 z: x
39. The Sense of an Ending (Julian Barnes, 2011)
( S' i: t# |, w1 i38. The Passion (Jeanette Winterson, 1987)( S4 N+ V* F( i0 ]$ X, s( q
37. Decline and Fall (Evelyn Waugh, 1928)2 N4 l5 G: O" |$ r: P
36. A Dance to the Music of Time (Anthony Powell, 1951-1975): v2 w. l8 b6 k4 E
35. Remainder (Tom McCarthy, 2005)- A' B; C; U4 n3 Q4 l' t
34. Never Let Me Go (Kazuo Ishiguro, 2005)
4 | `+ K+ ^2 x" ` y33. The Wind in the Willows (Kenneth Grahame, 1908)
4 o- t2 B' L7 c9 O32. A Room with a View (EM Forster, 1908)
) G) X2 h0 x# Q% S2 V31. The End of the Affair (Graham Greene, 1951): i+ H, t- d$ O4 [8 y! ?/ m
30. Moll Flanders (Daniel Defoe, 1722)/ f! C* j4 `, ^
29. Brick Lane (Monica Ali, 2003)0 L) b0 a: v% |0 k( y' F+ C# P5 M9 e
28. Villette (Charlotte Brontë, 1853)
& k# w: e! V) I' y8 ^( K27. Robinson Crusoe (Daniel Defoe, 1719)% f" x0 p8 R$ M+ c
26. The Lord of the Rings (JRR Tolkien, 1954)
+ h' B% L1 _9 |* B* V7 Y1 S z; q25. White Teeth (Zadie Smith, 2000)
0 ] C( G- x6 `24. The Golden Notebook (Doris Lessing, 1962)
- p9 L1 F3 H$ V; R2 d# I! Y23. Jude the Obscure (Thomas Hardy, 1895), W: s( }/ k: S$ t J: e
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)6 i, y* t5 [$ Z: t# X$ B2 U& b6 {
21. Heart of Darkness (Joseph Conrad, 1899) R0 K6 ^9 b/ f" k0 N- d% g
20. Persuasion (Jane Austen, 1817)9 Q: c! ^: S# G% a. s
19. Emma (Jane Austen, 1815)" ^ ]: V. C$ V, c
18. Remains of the Day (Kazuo Ishiguro, 1989)
+ \# x8 J6 _) } T# ^4 k/ f17. Howards End (EM Forster, 1910)8 I7 e7 m/ F4 i6 O$ q6 k3 E' T; C9 I
16. The Waves (Virginia Woolf, 1931); }; A }3 e5 y% q
15. Atonement (Ian McEwan, 2001)+ B/ U' c: ~$ N3 r1 P
14. Clarissa (Samuel Richardson,1748)
) ]' f8 X2 v' n: s% G* i$ Y13. The Good Soldier (Ford Madox Ford, 1915)
% J3 @- J- D. t3 J# a( o12. Nineteen Eighty-Four (George Orwell, 1949)
9 }( p" G" K ^4 l- H2 Q; L$ u11. Pride and Prejudice (Jane Austen, 1813)1 n4 } N; p+ @" I; g
10. Vanity Fair (William Makepeace Thackeray, 1848)" k) x% j- L$ E8 ` E0 F
9. Frankenstein (Mary Shelley, 1818)
1 G7 z$ _# W/ l# U/ ?8. David Copperfield (Charles Dickens, 1850)" a6 M$ W3 ]$ r% {5 n
7. Wuthering Heights (Emily Brontë, 1847)7 K9 V: d6 S$ r: M
6. Bleak House (Charles Dickens, 1853) Q1 X P" O# T- d5 ^+ Q
5. Jane Eyre (Charlotte Brontë, 1847)
( n. z: V" @& T7 w w4. Great Expectations (Charles Dickens, 1861)
& S) v7 x/ y7 d3. Mrs. Dalloway (Virginia Woolf, 1925)* n9 Q% {) e2 e% Q: w7 R
2. To the Lighthouse (Virginia Woolf, 1927)
1 [. f* D! b9 x/ G- w! t1. Middlemarch (George Eliot, 1874)* W- @7 |9 h# w2 L' F# {
. U" Q+ M( L: L7 ~, e" {0 L2 D前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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& u& i1 l9 L! J) _/ J J呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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