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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 / L5 x' T- P8 J" V y: e
* u3 r0 A; Z ?" a h4 `0 N- YBBC评出100大英国文学名著& m3 P7 {7 \+ y
http://www.bbc.com/culture/story ... test-british-novels
; v4 ^, f! r# K: Q3 w' @ L惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。* f9 X U. N/ b$ d7 P+ k
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100. The Code of the Woosters (PG Wodehouse, 1938)
/ N# G- a/ x& L+ n% e99. There but for the (Ali Smith, 2011)
' l! T/ |# i; ?- [; e98. Under the Volcano (Malcolm Lowry,1947)$ p9 P1 u) n5 q) ~) w
97. The Chronicles of Narnia (CS Lewis, 1949-1954)& e1 D5 j5 Q: X* M1 U" d
96. Memoirs of a Survivor (Doris Lessing, 1974)2 ~5 \$ V$ \8 w$ J9 o9 Z
95. The Buddha of Suburbia (Hanif Kureishi, 1990)% E! E0 E4 ^' t, J1 ~6 Z4 A1 H6 X
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824), l. R- y% \/ k k" P/ |+ e6 H: f
93. Lord of the Flies (William Golding, 1954)$ |9 O- v ^; o! V" U N1 u. p( w# y! K
92. Cold Comfort Farm (Stella Gibbons, 1932)% W% {' s) b4 J/ R
91. The Forsyte Saga (John Galsworthy, 1922)
0 b3 U7 k4 t1 y0 ?1 v90. The Woman in White (Wilkie Collins, 1859)
1 C, _' |4 G% ~89. The Horse’s Mouth (Joyce Cary, 1944)
( N( w! D& n- b& V& J- w88. The Death of the Heart (Elizabeth Bowen, 1938)
" E: z" A7 X5 s# t3 D4 d3 O87. The Old Wives’ Tale (Arnold Bennett,1908)9 ~' n; K/ N2 |7 u+ L3 Q8 o
86. A Legacy (Sybille Bedford, 1956)6 W Y9 r+ _3 o0 f( ^1 e: E8 n: i
85. Regeneration Trilogy (Pat Barker, 1991-1995)
6 B. l' S9 R. b3 g84. Scoop (Evelyn Waugh, 1938)$ C A+ [: x4 A I9 K2 h n6 \' @
83. Barchester Towers (Anthony Trollope, 1857)
# T/ y! q1 S6 o' Z# @82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
; i+ {% D( Z, g1 b" M81. The Jewel in the Crown (Paul Scott, 1966)
) b! P4 \" Y, W9 _* M- O+ V80. Excellent Women (Barbara Pym, 1952)# \/ F5 b% ?! \- ~1 g+ k# l% N: M
79. His Dark Materials (Philip Pullman, 1995-2000)
/ A8 o) [3 T$ s& z+ B1 Q8 q& L78. A House for Mr Biswas (VS Naipaul, 1961)& i) Z! E ?& j
77. Of Human Bondage (W Somerset Maugham, 1915)/ Z) y9 J3 N& }* O8 U$ x
76. Small Island (Andrea Levy, 2004)
% b9 M9 @8 N& r75. Women in Love (DH Lawrence, 1920)( O3 ^) O2 @ l7 K
74. The Mayor of Casterbridge (Thomas Hardy, 1886). F5 ?: |7 F% I
73. The Blue Flower (Penelope Fitzgerald, 1995)
7 Q/ {- }* ]3 G N* ?1 F( G/ Z; w7 f72. The Heart of the Matter (Graham Greene, 1948)
+ l* d- ^( {: d7 n- c, p71. Old Filth (Jane Gardam, 2004)5 V. {, C0 t9 I/ W1 H7 p
70. Daniel Deronda (George Eliot, 1876)
& j$ Q4 r6 Y% D69. Nostromo (Joseph Conrad, 1904)0 V% s1 r! X3 G
68. A Clockwork Orange (Anthony Burgess, 1962)1 d' s& y. \. z0 f+ M% _
67. Crash (JG Ballard 1973)5 P q1 F9 y# g1 a9 C5 d
66. Sense and Sensibility (Jane Austen, 1811)
; S4 @% X, a& h$ l- B7 U p+ b: m65. Orlando (Virginia Woolf, 1928)
: |0 I* l2 D5 ]' B64. The Way We Live Now (Anthony Trollope, 1875)
0 s& i( C' ?0 G- K3 w( A63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
' m2 h! L1 ^/ [62. Animal Farm (George Orwell, 1945)
$ d8 _9 x9 X" S) K% f61. The Sea, The Sea (Iris Murdoch, 1978)* W4 ]7 X; m' }
60. Sons and Lovers (DH Lawrence, 1913)- x& Q7 G: W" k, X/ ?4 C* q8 z c
59. The Line of Beauty (Alan Hollinghurst, 2004)5 s) j' V- u4 i
58. Loving (Henry Green, 1945)" L! O* Z" K s9 X" r1 j, W
57. Parade’s End (Ford Madox Ford, 1924-1928)/ Y4 I- S2 X% N$ {! u Z' [; }
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
6 ]4 N5 U ^+ F4 D55. Gulliver’s Travels (Jonathan Swift, 1726)0 M+ ~3 ]7 ^% |8 L$ c2 A/ r
54. NW (Zadie Smith, 2012)
" R- t3 T" d, t+ c$ o53. Wide Sargasso Sea (Jean Rhys, 1966)
* e) d1 P" p3 ?9 G" J52. New Grub Street (George Gissing, 1891); u6 @; @" b1 B! `- a/ Q8 O3 A% @
51. Tess of the d’Urbervilles (Thomas Hardy, 1891): N' A5 {# o# ]( ^$ |
50. A Passage to India (EM Forster, 1924)
( n0 O& D; o& P! r49. Possession (AS Byatt, 1990)+ Q) p' M- d7 E3 W8 b1 b t3 T4 x
48. Lucky Jim (Kingsley Amis, 1954)
0 V1 R, _" q) f0 t47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)3 j0 H0 O& p `6 d6 ]
46. Midnight’s Children (Salman Rushdie, 1981)
" |8 k4 L' E; F9 c/ Z45. The Little Stranger (Sarah Waters, 2009)1 L2 w3 a# k! W. N1 f
44. Wolf Hall (Hilary Mantel, 2009)( N, r( k, g; B; o( t8 g p
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
1 l: \" M$ y) P6 r; N8 n42. Brighton Rock (Graham Greene, 1938)# f; w- }7 e8 u) }0 v
41. Dombey and Son (Charles Dickens, 1848)3 N7 m) p1 ?" g6 }1 Q0 _5 _( Y
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
6 z; z5 [; @- Y3 F39. The Sense of an Ending (Julian Barnes, 2011)
{/ w% C% w6 f3 }38. The Passion (Jeanette Winterson, 1987): I6 z( G/ E, N0 `: ]
37. Decline and Fall (Evelyn Waugh, 1928). z: l) P1 s# k6 P
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
' \/ U2 [6 S( r/ s9 K; u" t* L6 J35. Remainder (Tom McCarthy, 2005)
9 F8 O& \; {* C# M p8 z34. Never Let Me Go (Kazuo Ishiguro, 2005)
; r+ _5 M! k. M6 y, E* ^. V33. The Wind in the Willows (Kenneth Grahame, 1908)2 ?8 d! Y/ \: \ E
32. A Room with a View (EM Forster, 1908)3 p8 K. K* X8 i0 x6 g% C
31. The End of the Affair (Graham Greene, 1951)5 u! K, H: r, T0 g/ c' a
30. Moll Flanders (Daniel Defoe, 1722)3 O! \" Q7 c& F1 ^( t
29. Brick Lane (Monica Ali, 2003)
2 h$ y( R5 g6 m1 ? X# D) E* m28. Villette (Charlotte Brontë, 1853)
5 e6 ]/ y& h4 ]" ^5 Z27. Robinson Crusoe (Daniel Defoe, 1719)
5 P; p, J, e' o6 L' j26. The Lord of the Rings (JRR Tolkien, 1954)9 b9 r# x4 X: ?* M6 p0 `" u
25. White Teeth (Zadie Smith, 2000)
/ i I2 Y! F5 V! U8 ~( U( o24. The Golden Notebook (Doris Lessing, 1962)5 Z. Q* O# W5 Z& h- s
23. Jude the Obscure (Thomas Hardy, 1895)
7 \( O1 D3 v% i2 B22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
, o: T, C# ~ u+ D5 E/ p21. Heart of Darkness (Joseph Conrad, 1899)
( w* a5 v" h) B20. Persuasion (Jane Austen, 1817)& h5 h0 c8 E9 Q. f- @
19. Emma (Jane Austen, 1815)7 w' ?0 W- N) l$ |) r; b" k8 d
18. Remains of the Day (Kazuo Ishiguro, 1989)2 G2 W9 N. B) M1 j f6 |( L
17. Howards End (EM Forster, 1910)! M5 D# i$ H. U1 {
16. The Waves (Virginia Woolf, 1931): @# L& X F: `- |
15. Atonement (Ian McEwan, 2001)' J: ~' G1 r: I F- c
14. Clarissa (Samuel Richardson,1748)
/ q6 r+ L2 }# ^4 m% ^13. The Good Soldier (Ford Madox Ford, 1915)1 @/ H" }# o1 c4 i/ V
12. Nineteen Eighty-Four (George Orwell, 1949)
. m q4 u6 r5 t. d, v11. Pride and Prejudice (Jane Austen, 1813); a B' x. z/ e4 X) P E
10. Vanity Fair (William Makepeace Thackeray, 1848)
* u @4 R2 w3 s z+ K$ z+ C1 F5 W9. Frankenstein (Mary Shelley, 1818)- g8 o* Q9 S2 Y9 b
8. David Copperfield (Charles Dickens, 1850)
2 ~% j8 ^* ], S) G. K5 N( g4 M7. Wuthering Heights (Emily Brontë, 1847)
7 P8 ]& e9 F: e" N9 Y6. Bleak House (Charles Dickens, 1853)9 T' I* D4 x; c) X1 ^; U
5. Jane Eyre (Charlotte Brontë, 1847)
+ \* N3 l9 U/ P% l5 \! I/ g2 p4. Great Expectations (Charles Dickens, 1861)
# T& b; u+ j( x" f8 q M3. Mrs. Dalloway (Virginia Woolf, 1925)
8 M1 B8 R/ X/ s d6 y5 `; _2. To the Lighthouse (Virginia Woolf, 1927)
8 J8 A# P& G% l9 b3 N* [: d1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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% Q: ~/ d5 O: Q4 J呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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