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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 & z7 X( V5 J0 ?- Z
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BBC评出100大英国文学名著
4 B6 T9 Y( u3 Hhttp://www.bbc.com/culture/story ... test-british-novels
) o* g" V" p6 k. Z, X惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。5 B$ w$ R" ]3 i" J
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100. The Code of the Woosters (PG Wodehouse, 1938)
! C0 p5 ~' H* k. p, F99. There but for the (Ali Smith, 2011)* _ j; A+ H9 a9 f2 ?5 Y- p
98. Under the Volcano (Malcolm Lowry,1947)& y" ~3 x* `% ]
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
& X6 m) v! ]% o/ k2 p96. Memoirs of a Survivor (Doris Lessing, 1974)
9 F) R, Q7 V( p6 H95. The Buddha of Suburbia (Hanif Kureishi, 1990)
- g5 v. y9 X* @1 [6 T) P. x94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)3 i/ k, Y' A% }; S- T. X
93. Lord of the Flies (William Golding, 1954)
' l0 o" A0 X; ]5 a0 R5 i92. Cold Comfort Farm (Stella Gibbons, 1932)
0 Q6 L# H; O3 e8 z91. The Forsyte Saga (John Galsworthy, 1922)/ ~- \ H I$ r7 L$ I# g
90. The Woman in White (Wilkie Collins, 1859)4 I# g: O/ [3 o
89. The Horse’s Mouth (Joyce Cary, 1944)$ G2 l1 J" l8 f( h
88. The Death of the Heart (Elizabeth Bowen, 1938)! h+ V/ G; P9 c9 S3 W s+ A
87. The Old Wives’ Tale (Arnold Bennett,1908)0 }* X. _# G. y1 i: k0 Z6 S
86. A Legacy (Sybille Bedford, 1956)- K& _ d7 L* t# W5 ^
85. Regeneration Trilogy (Pat Barker, 1991-1995)3 s4 O* Z b& I+ B
84. Scoop (Evelyn Waugh, 1938)/ M; t* t9 M6 _- D: Z
83. Barchester Towers (Anthony Trollope, 1857)
) H! k2 P7 H& Y$ }3 n0 x/ S4 ?& m82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
F2 Y4 q( J5 A# F# @0 G. {$ E2 f81. The Jewel in the Crown (Paul Scott, 1966)0 j' t' V* i( K2 O( L
80. Excellent Women (Barbara Pym, 1952)# {% I% g9 D: m1 p! m' w
79. His Dark Materials (Philip Pullman, 1995-2000)
8 o- o1 G) f2 K78. A House for Mr Biswas (VS Naipaul, 1961)
: o& v e& k' Q# k$ @2 ~" x1 k77. Of Human Bondage (W Somerset Maugham, 1915)9 F( W6 I& ?9 z, J
76. Small Island (Andrea Levy, 2004)" ]3 B/ S& k8 {. S. `
75. Women in Love (DH Lawrence, 1920)3 T9 x# S3 z7 k3 W' G
74. The Mayor of Casterbridge (Thomas Hardy, 1886)" l+ Y& B, d! q& [- |" ~
73. The Blue Flower (Penelope Fitzgerald, 1995)
; D- \8 e7 |* i/ Z$ v2 `72. The Heart of the Matter (Graham Greene, 1948)
! H( S8 p) K' q% E3 w+ _+ F/ ?71. Old Filth (Jane Gardam, 2004)8 G$ I* q/ l7 |2 a1 E
70. Daniel Deronda (George Eliot, 1876)7 Y2 I2 e6 {/ S: A6 Y; S0 q. m
69. Nostromo (Joseph Conrad, 1904)& F4 y. B5 i, v/ X; q2 L
68. A Clockwork Orange (Anthony Burgess, 1962)
2 b1 n9 p7 Q4 T8 ]+ T. z3 T67. Crash (JG Ballard 1973)* G0 s- Y7 o H
66. Sense and Sensibility (Jane Austen, 1811)' d4 g6 _$ s- w& v; n( Q
65. Orlando (Virginia Woolf, 1928)
* i. R0 R+ L& w3 V! l+ ?! Z: o& J64. The Way We Live Now (Anthony Trollope, 1875)+ @. g% |# ]" @: Y% p
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
6 s. J) d0 F, B9 E- H1 ^4 S& @, }. ~62. Animal Farm (George Orwell, 1945)
% U9 D) l9 t' d; G61. The Sea, The Sea (Iris Murdoch, 1978)
/ D1 j$ Z) M" J' \! f2 O60. Sons and Lovers (DH Lawrence, 1913)
9 H' Y% n2 A8 Z7 u2 t59. The Line of Beauty (Alan Hollinghurst, 2004)9 y# I+ ?6 K! f, I0 s& n
58. Loving (Henry Green, 1945)/ u' p) n: k" x# G k
57. Parade’s End (Ford Madox Ford, 1924-1928)4 ?7 s+ k s& y1 R5 k
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
. P- ^, R, H- r- O* t55. Gulliver’s Travels (Jonathan Swift, 1726)
1 l) }5 n; g8 g. q0 C6 X7 \54. NW (Zadie Smith, 2012)
- F/ U$ B* e* ?/ r; d; g7 s53. Wide Sargasso Sea (Jean Rhys, 1966)" e( G. q; |) d6 @" |, X1 c7 M
52. New Grub Street (George Gissing, 1891). O( D8 R" o$ L0 B7 V+ D9 \% K, D7 P
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
Z6 X Q, r5 P8 M: U50. A Passage to India (EM Forster, 1924)
8 r' s' n8 `5 L1 p& i) g; ?; E49. Possession (AS Byatt, 1990)2 e+ K; Q4 C0 }. g0 ]& u0 P! R- C% d
48. Lucky Jim (Kingsley Amis, 1954). X9 [- H& O/ Z/ e+ `' o
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
- a+ N! d6 D5 ]8 P' E5 Z46. Midnight’s Children (Salman Rushdie, 1981)
' T1 _' P6 g+ v* Y' M( k45. The Little Stranger (Sarah Waters, 2009)/ `6 `7 `3 K- W, Z( H2 ~0 a; g* d0 _
44. Wolf Hall (Hilary Mantel, 2009)
, X- q! x4 U4 N0 f% K$ A43. The Swimming Pool Library (Alan Hollinghurst, 1988)# L9 q8 z# u! ?6 N" }$ S$ N
42. Brighton Rock (Graham Greene, 1938)$ I6 a2 R$ K: B9 L7 o T" B
41. Dombey and Son (Charles Dickens, 1848)
3 C# X" D5 \5 G40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)* b0 x# ]/ s) j7 e" a: H
39. The Sense of an Ending (Julian Barnes, 2011)
4 x! W, g0 ?0 ^5 T$ D38. The Passion (Jeanette Winterson, 1987)# M" T& l; Z7 f& F; |% g# g6 T
37. Decline and Fall (Evelyn Waugh, 1928); N1 K3 \/ U# H% P, j8 j
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)+ g2 N1 c1 E7 x6 E
35. Remainder (Tom McCarthy, 2005)' J+ N! ^7 Y* V9 r/ a
34. Never Let Me Go (Kazuo Ishiguro, 2005)" {9 D9 P! X; j% L+ _
33. The Wind in the Willows (Kenneth Grahame, 1908)
3 r7 n' C5 ~# w& L \32. A Room with a View (EM Forster, 1908)
: V& E& b6 t: M2 [31. The End of the Affair (Graham Greene, 1951)- ]! k* ~+ X. J6 L4 R
30. Moll Flanders (Daniel Defoe, 1722)) A3 [/ T' R# f7 o
29. Brick Lane (Monica Ali, 2003)
0 t" J0 E: A% u3 O1 J28. Villette (Charlotte Brontë, 1853)
4 H0 `0 R8 o4 y' E: |4 {) o" }9 O27. Robinson Crusoe (Daniel Defoe, 1719)+ Z" d! c; Z. `: J8 f! M
26. The Lord of the Rings (JRR Tolkien, 1954); b. L# C$ |- C, `
25. White Teeth (Zadie Smith, 2000)
0 C- N- c' z+ s! p24. The Golden Notebook (Doris Lessing, 1962)4 {2 {* u& {+ Y- M
23. Jude the Obscure (Thomas Hardy, 1895)
: [4 I; q* @- a7 D% _# i22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
6 [1 { T: }! }21. Heart of Darkness (Joseph Conrad, 1899)' h1 q, r, ]% }
20. Persuasion (Jane Austen, 1817)
# l$ @! F" E9 k. h: m( F19. Emma (Jane Austen, 1815). A" i& A+ k2 e' k/ B& s R
18. Remains of the Day (Kazuo Ishiguro, 1989)
6 h& X( _$ D2 A6 i% c: }17. Howards End (EM Forster, 1910)4 \3 l3 Q7 M* e' T+ I
16. The Waves (Virginia Woolf, 1931)" `9 ~; a# m( t3 C) }% P# H
15. Atonement (Ian McEwan, 2001)
! X2 L4 d) c* i& h; t14. Clarissa (Samuel Richardson,1748)
. {$ z" _* E6 k' G& r13. The Good Soldier (Ford Madox Ford, 1915)
, B% V9 u% j, S! c" \) l12. Nineteen Eighty-Four (George Orwell, 1949)+ D; s3 a; }: t C. {
11. Pride and Prejudice (Jane Austen, 1813)
2 V% n& O. X) d2 u/ c8 r10. Vanity Fair (William Makepeace Thackeray, 1848)
* }; o6 \/ _; s+ d' ?0 r9. Frankenstein (Mary Shelley, 1818)
$ E3 @7 b* Q- _" \- s6 P8. David Copperfield (Charles Dickens, 1850)8 p/ w6 Z* D1 x" h+ Q! Q
7. Wuthering Heights (Emily Brontë, 1847)
5 V2 h% e0 J7 ?6. Bleak House (Charles Dickens, 1853)3 i( V( `! q8 N) H5 i
5. Jane Eyre (Charlotte Brontë, 1847)& m4 p6 ^0 [' e0 w3 K4 I
4. Great Expectations (Charles Dickens, 1861)
6 f* M! c5 F: w5 X+ ~3. Mrs. Dalloway (Virginia Woolf, 1925)' `: m5 a1 L; K' ~# P
2. To the Lighthouse (Virginia Woolf, 1927)& W* ]' M7 K! {; H7 g* [ k
1. Middlemarch (George Eliot, 1874)
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& ^+ `5 F/ Z6 I! R( m- R前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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