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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
i7 ` e# s" O: j1 shttp://www.bbc.com/culture/story ... test-british-novels4 E; K8 F) a2 F0 L
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。) G3 J5 _3 @+ a: k$ m: y
4 L5 s9 F$ q% ?1 G, Q$ i" P100. The Code of the Woosters (PG Wodehouse, 1938)
0 @" ~, ~" K& U: z! S! a1 w99. There but for the (Ali Smith, 2011)9 g3 C# h. T$ N6 ^
98. Under the Volcano (Malcolm Lowry,1947)
( B4 ?' a* F# s$ z97. The Chronicles of Narnia (CS Lewis, 1949-1954) G8 ?+ }* ]+ k. `( _* n& r
96. Memoirs of a Survivor (Doris Lessing, 1974)
; A( H+ ~; X, M# h95. The Buddha of Suburbia (Hanif Kureishi, 1990)9 n" B% `( b! S' f" P8 B1 b
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824); Z! Y1 K3 a- j5 |- `$ [
93. Lord of the Flies (William Golding, 1954)
4 }! z' d% W! \, w$ u92. Cold Comfort Farm (Stella Gibbons, 1932)
2 Z) ?$ R) a0 K8 P7 x% k9 S6 t) q91. The Forsyte Saga (John Galsworthy, 1922)
* f8 j) j8 [$ i# b% w4 l90. The Woman in White (Wilkie Collins, 1859)
. ~% q/ @) w/ n" Q89. The Horse’s Mouth (Joyce Cary, 1944). i/ T9 S' h( A& y! A+ C
88. The Death of the Heart (Elizabeth Bowen, 1938)
/ u5 w$ ~) I# Y" S3 S4 F# G' ?87. The Old Wives’ Tale (Arnold Bennett,1908)
$ S# l) a9 i' |% ^) L' D86. A Legacy (Sybille Bedford, 1956)
) H& c9 H' c) z" t+ d5 b85. Regeneration Trilogy (Pat Barker, 1991-1995)
+ @, q g& }- R84. Scoop (Evelyn Waugh, 1938)) \ i: n" L- s. I) ?
83. Barchester Towers (Anthony Trollope, 1857)$ f7 D. w. H* J( F2 p. A
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
" ^, e" ~' N: c5 X5 G* P, L81. The Jewel in the Crown (Paul Scott, 1966)
/ S! _7 Y$ B4 z. A3 q: _80. Excellent Women (Barbara Pym, 1952)
0 X- O; ~- e1 T( Q79. His Dark Materials (Philip Pullman, 1995-2000)
h: z7 F3 ]9 O, {. D78. A House for Mr Biswas (VS Naipaul, 1961)
' a" t! J3 u& e77. Of Human Bondage (W Somerset Maugham, 1915)
2 i6 N8 m; M; R; k7 {76. Small Island (Andrea Levy, 2004)
/ [2 _; J9 D) p$ g5 K75. Women in Love (DH Lawrence, 1920): s( t u" L6 `9 h+ ]: z
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
# v" M9 b; L. J, Z5 S7 M73. The Blue Flower (Penelope Fitzgerald, 1995)9 T+ w+ G d+ d8 r' t0 T
72. The Heart of the Matter (Graham Greene, 1948)8 X; N. h8 y3 b$ Q
71. Old Filth (Jane Gardam, 2004)
2 g8 X3 M Q% W% b/ W70. Daniel Deronda (George Eliot, 1876)
[* F* R3 F$ U0 C% `69. Nostromo (Joseph Conrad, 1904)
& p8 t u4 j( \3 |2 Q) L68. A Clockwork Orange (Anthony Burgess, 1962)
/ o- M) T) d' N4 E N2 M7 g3 P67. Crash (JG Ballard 1973)3 W, V. h/ M; j7 j6 [
66. Sense and Sensibility (Jane Austen, 1811)
* h4 `+ s0 \0 m- G7 I: |65. Orlando (Virginia Woolf, 1928)
- L: r' _$ A9 D( `5 P64. The Way We Live Now (Anthony Trollope, 1875)
: q/ ` a' p d, G3 L63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)0 P6 k# P. p9 ]% M& V) `! R% B
62. Animal Farm (George Orwell, 1945)
* v* K6 g6 B0 f2 \. \8 z61. The Sea, The Sea (Iris Murdoch, 1978)* K+ S; |* c/ s4 ?6 o& j! N! I
60. Sons and Lovers (DH Lawrence, 1913)4 e7 J |0 a: g8 L
59. The Line of Beauty (Alan Hollinghurst, 2004)
( d$ O3 K- P( X! Q8 i0 `# W58. Loving (Henry Green, 1945)8 h A4 F" S% x( c% `
57. Parade’s End (Ford Madox Ford, 1924-1928)& V% ~) ?5 i, c% \
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
, o( ~; m& u$ G! }. Y( b p2 J55. Gulliver’s Travels (Jonathan Swift, 1726)
S# @, i" C" m2 _3 v54. NW (Zadie Smith, 2012)2 i: z4 K1 ~' }' N+ y6 ?, c/ c
53. Wide Sargasso Sea (Jean Rhys, 1966)
3 k1 N3 \5 X; H2 s: g4 u52. New Grub Street (George Gissing, 1891)% o" `, m" m$ B" }/ t4 `( O
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
. ]) {; Q) g; C50. A Passage to India (EM Forster, 1924)
7 [$ y) O/ [% K49. Possession (AS Byatt, 1990)" Z3 U3 u% f- P6 i5 }( @! O+ L
48. Lucky Jim (Kingsley Amis, 1954)6 g' u% m: v1 Z$ u, B5 B. {
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
& F; Z# k* E) Q6 u0 i9 u; i46. Midnight’s Children (Salman Rushdie, 1981)$ Y1 m; p4 [1 i
45. The Little Stranger (Sarah Waters, 2009)
8 [2 c, S) H7 B% b- E4 \; c: M44. Wolf Hall (Hilary Mantel, 2009). k) m S- F' D1 N: Q
43. The Swimming Pool Library (Alan Hollinghurst, 1988)/ L2 b$ H, Z/ s
42. Brighton Rock (Graham Greene, 1938)
' n, J* b( W+ u' y$ Y9 t, W3 L1 u41. Dombey and Son (Charles Dickens, 1848)
' _' H- W8 s9 T. X) _* ]* d# r40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)! q# M0 D* b: f' k: t J1 T
39. The Sense of an Ending (Julian Barnes, 2011)$ q& E& B7 x! w5 P- O) s. R
38. The Passion (Jeanette Winterson, 1987)
) u3 q. C @9 M8 j- r37. Decline and Fall (Evelyn Waugh, 1928)6 |# m; H& c e; w8 }) j7 [- A+ ?
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)% H! E6 r r6 g7 N8 ]# z
35. Remainder (Tom McCarthy, 2005)6 `% D- |$ @7 L
34. Never Let Me Go (Kazuo Ishiguro, 2005)5 ~& Y5 s& [/ l# A
33. The Wind in the Willows (Kenneth Grahame, 1908)3 P1 {" `( W8 y- a2 o
32. A Room with a View (EM Forster, 1908)
5 A: f. |" L! ~31. The End of the Affair (Graham Greene, 1951)
- V( w* K1 C. ]% [# J$ e8 E C0 V, p30. Moll Flanders (Daniel Defoe, 1722)
* v9 w- d/ S" S( Z/ C" t% [29. Brick Lane (Monica Ali, 2003)! q$ V( P6 I, ~( W! X
28. Villette (Charlotte Brontë, 1853)5 b1 S' E8 {# m2 ]
27. Robinson Crusoe (Daniel Defoe, 1719)
6 z+ p' z C5 P. D- c7 T# {26. The Lord of the Rings (JRR Tolkien, 1954)
/ q( |9 V8 J3 U4 [9 U) W( ]25. White Teeth (Zadie Smith, 2000)
) c G6 b- M( O$ L- ~4 Z3 n24. The Golden Notebook (Doris Lessing, 1962)7 z9 I# m* Y; o* D8 j( `; {9 r( \+ w
23. Jude the Obscure (Thomas Hardy, 1895)
3 E7 t! ]) [0 Q22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)6 c; M( o" c6 L) `) g% Z
21. Heart of Darkness (Joseph Conrad, 1899)- T$ q, m. W0 t9 A1 ?/ S, L
20. Persuasion (Jane Austen, 1817)9 h6 ~9 z) j1 t
19. Emma (Jane Austen, 1815)
9 p& |5 l) q2 ^, i! \18. Remains of the Day (Kazuo Ishiguro, 1989)
8 q0 \$ Z; V5 J, Y9 }. k( c17. Howards End (EM Forster, 1910)
! r! K* u' h: @( i16. The Waves (Virginia Woolf, 1931)
; f) X Y( Q* Y$ j9 \, x$ s5 D; `15. Atonement (Ian McEwan, 2001)
6 D7 ^% |% ~' g: Q4 h3 J1 T14. Clarissa (Samuel Richardson,1748)
( Y, L' g3 V! @8 K3 B: l13. The Good Soldier (Ford Madox Ford, 1915)
, h+ r' \; h' F3 U! @* R12. Nineteen Eighty-Four (George Orwell, 1949). [. h! J; w) M# A" d
11. Pride and Prejudice (Jane Austen, 1813)
+ h, Y7 H% `0 [- S2 K; M! P10. Vanity Fair (William Makepeace Thackeray, 1848)
. d8 A) G H2 _# y4 O! @1 D' I9. Frankenstein (Mary Shelley, 1818)
7 k& K7 U1 [/ C0 O" ]9 z$ Z8. David Copperfield (Charles Dickens, 1850)
. _3 u2 u, r* n9 o$ r* q7. Wuthering Heights (Emily Brontë, 1847)- G8 L. @: @7 l' M
6. Bleak House (Charles Dickens, 1853)- {: S( d0 J# s* h( J- V7 t
5. Jane Eyre (Charlotte Brontë, 1847)
1 t! R) ?5 G- h- ^0 O4. Great Expectations (Charles Dickens, 1861)
5 b2 l( a; k& }' E5 M' U3. Mrs. Dalloway (Virginia Woolf, 1925)
3 I" A/ C$ E- I, q3 Q2. To the Lighthouse (Virginia Woolf, 1927)9 d! `3 G9 t- s& `. L/ X% ~- [
1. Middlemarch (George Eliot, 1874)4 P/ j F ^* t
4 K, s6 U9 O2 ]2 | t- [前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。. t% `2 ^3 A2 r2 Y! w
; T" |5 J) {6 q呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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