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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 , w H2 m4 M f
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BBC评出100大英国文学名著$ v* ]( ~ c) T- k( v
http://www.bbc.com/culture/story ... test-british-novels
9 ?$ V- g9 ^8 n8 c6 O9 R& S惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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; y. G2 B% Z8 M4 V+ I3 C* B2 d2 _% D100. The Code of the Woosters (PG Wodehouse, 1938)/ q G0 v% o7 z0 `: }: K8 a
99. There but for the (Ali Smith, 2011)
! ]4 C+ F5 `# k3 z, O7 ]' t) Z7 V) a98. Under the Volcano (Malcolm Lowry,1947)
6 d+ J6 c2 ^' }5 C2 w97. The Chronicles of Narnia (CS Lewis, 1949-1954)( y# b! R5 k8 N- B2 D
96. Memoirs of a Survivor (Doris Lessing, 1974)
4 Q$ D" N) X5 Y( H9 I$ V95. The Buddha of Suburbia (Hanif Kureishi, 1990)
9 a: w/ C* M0 C, I94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
- y* q* w1 Q: m& j$ X93. Lord of the Flies (William Golding, 1954)* o5 r8 |+ a1 R: O$ _
92. Cold Comfort Farm (Stella Gibbons, 1932)5 k1 w# i# F+ m. r
91. The Forsyte Saga (John Galsworthy, 1922) [# {; J2 G$ x4 n% A9 u* X# b
90. The Woman in White (Wilkie Collins, 1859)3 o' u2 B% }5 C
89. The Horse’s Mouth (Joyce Cary, 1944)
' k( n& @2 p; m5 g( Q$ ?8 ~88. The Death of the Heart (Elizabeth Bowen, 1938)2 h0 U9 r3 V# I! C( _# c; d. B9 G
87. The Old Wives’ Tale (Arnold Bennett,1908)/ C* H5 } T: `, s
86. A Legacy (Sybille Bedford, 1956)0 v1 u S. ~- G0 K
85. Regeneration Trilogy (Pat Barker, 1991-1995)' Q2 l( [2 \3 Y' l+ G
84. Scoop (Evelyn Waugh, 1938)
7 z- u" [0 h) J( t- @. y2 e83. Barchester Towers (Anthony Trollope, 1857)
* v% ^" e" U2 h7 {8 Q6 @" f R" }82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
$ c$ r! I2 R7 I) Z) f4 X! P% ]7 F81. The Jewel in the Crown (Paul Scott, 1966); n6 [5 d7 D5 o6 k B
80. Excellent Women (Barbara Pym, 1952)) F% U+ {: ~$ n* h( O
79. His Dark Materials (Philip Pullman, 1995-2000)
5 t( M: v$ Y8 [' l2 L5 i78. A House for Mr Biswas (VS Naipaul, 1961)
! h! X; F: p( J77. Of Human Bondage (W Somerset Maugham, 1915)
2 n3 G8 Q! C, N# ~ T5 o76. Small Island (Andrea Levy, 2004)6 ~7 X. e0 |1 ?* l$ p
75. Women in Love (DH Lawrence, 1920)
0 u; N% a% l; p, ^. `1 v74. The Mayor of Casterbridge (Thomas Hardy, 1886)
; `6 K' A9 n/ z9 ?73. The Blue Flower (Penelope Fitzgerald, 1995)
3 }& I4 w; ] M1 C3 T72. The Heart of the Matter (Graham Greene, 1948)
# q1 }/ E3 o* ] [71. Old Filth (Jane Gardam, 2004)
' H# K) ?# w5 e* u% U70. Daniel Deronda (George Eliot, 1876)
6 U/ O' r& `- J" W9 k69. Nostromo (Joseph Conrad, 1904)/ d1 z# l6 r# e% l' v& ] o2 n% Y
68. A Clockwork Orange (Anthony Burgess, 1962)
3 Z9 x0 Y8 f$ F* l67. Crash (JG Ballard 1973)% p$ [4 ~0 q) j: q# u X
66. Sense and Sensibility (Jane Austen, 1811)% @8 K( d1 ?4 ]
65. Orlando (Virginia Woolf, 1928)1 L" f. `* }% M6 ^
64. The Way We Live Now (Anthony Trollope, 1875)5 S% c5 B. D+ B9 w# A7 I. x
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)& N w" X2 g& v6 X: Q4 Q& [1 ]6 {' I! G
62. Animal Farm (George Orwell, 1945)
- f A& a8 V5 J0 z# w. b+ N- ?) K61. The Sea, The Sea (Iris Murdoch, 1978)
2 ?/ G1 c3 R& N" w r* E60. Sons and Lovers (DH Lawrence, 1913)' q9 w* l( v U% O; k
59. The Line of Beauty (Alan Hollinghurst, 2004)8 J; v, b+ ^; P+ w, Z
58. Loving (Henry Green, 1945)% y, t! {3 x4 R2 |& ?4 N
57. Parade’s End (Ford Madox Ford, 1924-1928)
8 u( Q. ~" r9 E! b3 K4 D56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)# x8 e$ l! p3 O. H3 B
55. Gulliver’s Travels (Jonathan Swift, 1726)
* s5 ]) h( ~/ G) a6 I& j54. NW (Zadie Smith, 2012)8 k7 [& z$ e4 w) F3 z2 t
53. Wide Sargasso Sea (Jean Rhys, 1966)
' ^- f& g. _% c; l8 R52. New Grub Street (George Gissing, 1891)2 Q. {# |" e2 Q& D) W8 E) L
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
4 ^& P0 i, x$ \/ I# I* M0 }* X50. A Passage to India (EM Forster, 1924)
2 m2 w* T! `; |" n" L49. Possession (AS Byatt, 1990)7 o" F8 d) j. Z" H6 n
48. Lucky Jim (Kingsley Amis, 1954)5 C2 Z. s8 J/ [: {( |- r% c5 T# R9 T' T
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
. @) i! n* a/ O5 D+ S# f46. Midnight’s Children (Salman Rushdie, 1981)7 P; ?( A5 \% U* Z; J
45. The Little Stranger (Sarah Waters, 2009)
( [, l6 O9 Y( i4 w44. Wolf Hall (Hilary Mantel, 2009)& G& y1 f2 T! \: u" X* [
43. The Swimming Pool Library (Alan Hollinghurst, 1988); S& x' _' O; q+ Z
42. Brighton Rock (Graham Greene, 1938)# F7 T/ K) b% ]* [ `* R/ f
41. Dombey and Son (Charles Dickens, 1848)0 W; b6 v \# ^: ~1 ] Y
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)- L! P7 Y. N; o$ n! s
39. The Sense of an Ending (Julian Barnes, 2011)
2 N/ h- x0 u' ]- j38. The Passion (Jeanette Winterson, 1987)
' k6 n% b5 O+ g) R( ^5 v37. Decline and Fall (Evelyn Waugh, 1928)+ R' s( {* L2 J# y
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)( F8 I. x( B# |0 z' G
35. Remainder (Tom McCarthy, 2005)
# i* a' ?2 U2 P6 T# n34. Never Let Me Go (Kazuo Ishiguro, 2005). B" a1 a# v$ Q3 }5 Y
33. The Wind in the Willows (Kenneth Grahame, 1908)
- C/ B8 v' L* ^( [3 E7 `+ v32. A Room with a View (EM Forster, 1908)& P6 i- h& ^5 o. l9 A8 z9 k
31. The End of the Affair (Graham Greene, 1951)
- V2 x/ c9 G* v7 h; M30. Moll Flanders (Daniel Defoe, 1722), H, d# B2 M& l. o
29. Brick Lane (Monica Ali, 2003)+ x6 d0 e9 `8 g9 I5 R! W
28. Villette (Charlotte Brontë, 1853)1 Y6 b H0 z1 x8 k7 L
27. Robinson Crusoe (Daniel Defoe, 1719)
, G9 M/ j1 \) t% Y$ M* i- Q$ p26. The Lord of the Rings (JRR Tolkien, 1954)
- H) K+ W. O# K4 ?& W4 ?( O1 X" ?& w25. White Teeth (Zadie Smith, 2000)
( q5 [3 F$ P. C& v& l24. The Golden Notebook (Doris Lessing, 1962)+ [- I( u1 o5 B# G% k( x
23. Jude the Obscure (Thomas Hardy, 1895)
# j1 Z1 h" J* o/ ?' ~22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)# j& ?- S$ F* T$ F& a
21. Heart of Darkness (Joseph Conrad, 1899)
6 @4 k) S3 c# O% }) S20. Persuasion (Jane Austen, 1817)+ D; T4 i# b4 {: N9 k; o- Z ~ l$ ^9 F
19. Emma (Jane Austen, 1815)0 ^' T5 d! E; o
18. Remains of the Day (Kazuo Ishiguro, 1989)# u( @" n4 J2 T ~& o
17. Howards End (EM Forster, 1910)
6 o" W) X: U. y1 R6 t |' ]16. The Waves (Virginia Woolf, 1931)" p$ w6 M! F# W
15. Atonement (Ian McEwan, 2001); c3 ?" A$ l5 z% P" D
14. Clarissa (Samuel Richardson,1748)
, x* [. [3 M$ p0 W" `' ~13. The Good Soldier (Ford Madox Ford, 1915)% B3 ]: H2 O3 w( z2 I% r' o
12. Nineteen Eighty-Four (George Orwell, 1949)# l1 t' o! m6 s
11. Pride and Prejudice (Jane Austen, 1813)
9 U+ t! [+ P# ]! n6 a4 g2 C( G10. Vanity Fair (William Makepeace Thackeray, 1848)% X2 r6 p% X0 B. @" e2 d- h9 t
9. Frankenstein (Mary Shelley, 1818)
. r' x' G4 k* ~& [- f, o Z8. David Copperfield (Charles Dickens, 1850)6 S y$ V7 s2 V( S# Y/ n
7. Wuthering Heights (Emily Brontë, 1847)9 `* D; L! f* y% q: \
6. Bleak House (Charles Dickens, 1853)9 y* ~) Q. g" o" [2 u$ S* q1 C
5. Jane Eyre (Charlotte Brontë, 1847)
' d$ @5 `8 R0 U# [8 P t1 y4. Great Expectations (Charles Dickens, 1861)* r& G; V# z- F2 j' V
3. Mrs. Dalloway (Virginia Woolf, 1925)
* V* p6 W1 m4 P2. To the Lighthouse (Virginia Woolf, 1927)# ~5 `9 K9 D/ M! O0 o5 ?
1. Middlemarch (George Eliot, 1874)2 n& S, W; m- p0 y" ?, B
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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