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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 3 X/ S& a; j* P5 E% W
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BBC评出100大英国文学名著' a7 V1 O" z1 o0 K
http://www.bbc.com/culture/story ... test-british-novels# \) y n/ \6 v9 O/ K$ I! Z
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。 o( @% d. R L! J2 ]$ _1 {
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100. The Code of the Woosters (PG Wodehouse, 1938), V9 m; g) A) s4 i7 B$ I
99. There but for the (Ali Smith, 2011)1 D p; x3 [/ U
98. Under the Volcano (Malcolm Lowry,1947)$ i& {+ R0 r4 h
97. The Chronicles of Narnia (CS Lewis, 1949-1954). J4 G9 T! O. w( `
96. Memoirs of a Survivor (Doris Lessing, 1974)
" [4 a# b/ T! u# f95. The Buddha of Suburbia (Hanif Kureishi, 1990)% F& c3 E+ o+ U
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824), P, B9 i- w) U9 ]9 |1 @7 L
93. Lord of the Flies (William Golding, 1954)
- D2 f4 l' Z3 A4 n" ?6 T92. Cold Comfort Farm (Stella Gibbons, 1932)
( {, Z. O# p) z* \3 m; f$ N7 O91. The Forsyte Saga (John Galsworthy, 1922)+ c7 H' e' o+ J# \) C# t& B* }
90. The Woman in White (Wilkie Collins, 1859)
" m' V9 g3 ^, x% _5 e89. The Horse’s Mouth (Joyce Cary, 1944)
& y* L' z5 O' Z1 o88. The Death of the Heart (Elizabeth Bowen, 1938): g R. e# t$ B% ~) c% C9 y
87. The Old Wives’ Tale (Arnold Bennett,1908)
) j# I! K3 s. g D, @, i86. A Legacy (Sybille Bedford, 1956)0 g2 A8 Z) r6 J. O2 f
85. Regeneration Trilogy (Pat Barker, 1991-1995), w: e, D- K* k+ d7 p6 ~
84. Scoop (Evelyn Waugh, 1938)
: i: A4 ~! i$ c% x83. Barchester Towers (Anthony Trollope, 1857)
+ B8 N& D5 E# \( B, H4 K, Y82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)- r/ a1 ^$ {/ A+ t2 c
81. The Jewel in the Crown (Paul Scott, 1966)
L; o. x7 y. o80. Excellent Women (Barbara Pym, 1952)8 K( C3 K) \* `5 b2 T2 {' w& U
79. His Dark Materials (Philip Pullman, 1995-2000)
- x9 r/ ^8 X$ }5 i4 l78. A House for Mr Biswas (VS Naipaul, 1961)! n2 B- L, A& t$ U! X9 Z5 O
77. Of Human Bondage (W Somerset Maugham, 1915)
( Z, K7 h0 Z- R76. Small Island (Andrea Levy, 2004)( S" r4 [7 U9 }! D( Q
75. Women in Love (DH Lawrence, 1920)
/ [% l2 p6 i. [: j* ~% Q, Q74. The Mayor of Casterbridge (Thomas Hardy, 1886)
) d5 B0 D/ \7 b- ]73. The Blue Flower (Penelope Fitzgerald, 1995)
4 g; k9 G( } i5 Q- D2 C72. The Heart of the Matter (Graham Greene, 1948)
7 w+ |0 U' M B0 U) q71. Old Filth (Jane Gardam, 2004)# Z {9 n, Z- e- E0 @
70. Daniel Deronda (George Eliot, 1876)
- m+ j- O/ e; ^; |2 \/ _69. Nostromo (Joseph Conrad, 1904)
s" Z7 c( Z- \68. A Clockwork Orange (Anthony Burgess, 1962)" O" c7 k7 L. M' a6 {7 `
67. Crash (JG Ballard 1973)
' N& h7 S' d0 s8 c+ s66. Sense and Sensibility (Jane Austen, 1811)' I7 E; h0 _0 v* f/ s' h- C* P
65. Orlando (Virginia Woolf, 1928)6 b1 O8 h: T# Z' k# E
64. The Way We Live Now (Anthony Trollope, 1875)
3 I7 Q" z- d8 c; ^: w63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)# ^- \3 s& q- g0 g
62. Animal Farm (George Orwell, 1945)
9 g* @( s$ c/ ~: c$ M% _" i61. The Sea, The Sea (Iris Murdoch, 1978)
2 x+ C7 \/ k* T/ n* X* F4 ?2 h" g60. Sons and Lovers (DH Lawrence, 1913)
. A8 i5 C! R* C5 b* G59. The Line of Beauty (Alan Hollinghurst, 2004)+ s- Q8 W- _( F( V1 O* ^) d4 x
58. Loving (Henry Green, 1945)0 _' y7 H5 E0 \! h
57. Parade’s End (Ford Madox Ford, 1924-1928) U! |8 z- Z+ \/ m7 q8 _9 }9 X
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)5 j6 S" S. u( @
55. Gulliver’s Travels (Jonathan Swift, 1726)
5 Y* ?, ~9 y+ N54. NW (Zadie Smith, 2012)/ {5 \5 H" y% N- H, R* ?
53. Wide Sargasso Sea (Jean Rhys, 1966)
3 y( ?) D) H- o0 S T52. New Grub Street (George Gissing, 1891)2 X: w0 C* ^9 O9 t a4 s" D* z% |
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)0 ], B+ i- w; l" k) f a* g
50. A Passage to India (EM Forster, 1924)
4 z" T& v! t2 ~- O }49. Possession (AS Byatt, 1990)3 K4 \" @! c( Y4 [) s
48. Lucky Jim (Kingsley Amis, 1954)& W8 I5 S# ?- p' J, G
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
1 r! i" v% H& V( g1 j; s46. Midnight’s Children (Salman Rushdie, 1981)
+ n& H, I; I* T. K: o: G( L45. The Little Stranger (Sarah Waters, 2009)
! d5 O; y5 |; v) C* F& t1 j, H44. Wolf Hall (Hilary Mantel, 2009): Y1 {/ S& f: V1 C6 K3 i
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
7 {7 y! K( _0 D* U! x% G42. Brighton Rock (Graham Greene, 1938)+ ?3 X1 f0 R4 Y0 o0 o; r* w) [0 D+ ?
41. Dombey and Son (Charles Dickens, 1848)' K9 i; U; @7 L; Y. Q% c7 S1 ~
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865), P+ H u8 d5 z% i3 T1 D$ B* M
39. The Sense of an Ending (Julian Barnes, 2011)
7 x7 U4 f; D+ F/ ]" m38. The Passion (Jeanette Winterson, 1987)
+ [- \ ^# I( K37. Decline and Fall (Evelyn Waugh, 1928)
5 H- k E7 G7 D: ]( `36. A Dance to the Music of Time (Anthony Powell, 1951-1975)$ ?( X: W; U0 a4 V7 o/ y7 F! j
35. Remainder (Tom McCarthy, 2005)
; z7 j7 w# K: X3 F. I# ?7 u34. Never Let Me Go (Kazuo Ishiguro, 2005)
/ W$ S, ^) x3 M33. The Wind in the Willows (Kenneth Grahame, 1908)
/ l/ z! V; Q: R) j/ l! v/ t32. A Room with a View (EM Forster, 1908)
+ H1 D+ |( \! ^31. The End of the Affair (Graham Greene, 1951)% I6 \" Q- `+ S/ t9 |( c
30. Moll Flanders (Daniel Defoe, 1722)
3 b8 |% }# P1 W2 x. O29. Brick Lane (Monica Ali, 2003)
8 r$ j7 d! ~' @2 ]3 X% q m28. Villette (Charlotte Brontë, 1853)
5 X$ ~7 F5 T( g+ Q# {27. Robinson Crusoe (Daniel Defoe, 1719)
3 H' n3 B! q7 F4 N$ j j/ F26. The Lord of the Rings (JRR Tolkien, 1954)! }& {- f' p% e
25. White Teeth (Zadie Smith, 2000)
2 L# p8 v9 Q) [5 ?5 Q) R E F x24. The Golden Notebook (Doris Lessing, 1962)" u3 B \/ c' | b7 T
23. Jude the Obscure (Thomas Hardy, 1895)
# s$ u$ R }& f22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
3 o1 i' @6 D6 a21. Heart of Darkness (Joseph Conrad, 1899)( e7 U4 `1 K3 p
20. Persuasion (Jane Austen, 1817)3 E4 z; `# x$ T3 G1 Q) ] T
19. Emma (Jane Austen, 1815)
5 a: l9 l9 S- o: }: y0 N* Q18. Remains of the Day (Kazuo Ishiguro, 1989)# e/ D* g, J, p1 o% V: e" A& r
17. Howards End (EM Forster, 1910)$ [# S N2 M0 q5 n% L, S
16. The Waves (Virginia Woolf, 1931)
+ [. D1 {, A" i" R& Q/ x9 H2 ^15. Atonement (Ian McEwan, 2001)' Q4 n0 c1 w5 {; |
14. Clarissa (Samuel Richardson,1748)
4 S0 L' o* o+ n* m, S7 B13. The Good Soldier (Ford Madox Ford, 1915)- D" F' V U# U0 F
12. Nineteen Eighty-Four (George Orwell, 1949)
h6 P5 ^) u a2 Y2 G! l4 R* F11. Pride and Prejudice (Jane Austen, 1813)
t# E* u' E" Z3 W- }10. Vanity Fair (William Makepeace Thackeray, 1848)
5 j1 e; G- z/ m) ]9. Frankenstein (Mary Shelley, 1818)
0 w) J- W& R' f% C, e7 w8. David Copperfield (Charles Dickens, 1850)/ d {$ D* L, R
7. Wuthering Heights (Emily Brontë, 1847)2 i. Q8 h- b# A0 B2 m- i& y% `
6. Bleak House (Charles Dickens, 1853)5 B( \! J N Z! v; x/ H; U9 O
5. Jane Eyre (Charlotte Brontë, 1847)
! e5 [" F' \$ n2 c$ N) j6 Y4. Great Expectations (Charles Dickens, 1861)
3 n& d( \: m7 P3 [, K+ @3. Mrs. Dalloway (Virginia Woolf, 1925)! U8 g8 D3 b3 Z/ x' L6 D( W: X; P
2. To the Lighthouse (Virginia Woolf, 1927)( X; a! f, t+ G! T1 [4 O
1. Middlemarch (George Eliot, 1874)
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4 B5 J1 u* j3 ^! @前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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2 j; [+ z C7 j8 x9 j$ D3 |呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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