|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
1 b( X4 x) z9 ]
+ {2 O8 t6 o/ mBBC评出100大英国文学名著
+ ^" Q4 |+ ]1 @" x7 k0 xhttp://www.bbc.com/culture/story ... test-british-novels* l* A7 w$ t, I" ]& g
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。9 }6 E$ \+ g3 e( w/ X
S+ u/ K% @, R! q
100. The Code of the Woosters (PG Wodehouse, 1938)
# N3 s# ^* X( ?! |99. There but for the (Ali Smith, 2011)
' L+ h. I8 g2 j' u( q2 L" K7 H98. Under the Volcano (Malcolm Lowry,1947)
. b \; w$ _" W9 _& |; o, F97. The Chronicles of Narnia (CS Lewis, 1949-1954) _0 J0 ]4 l, C- M9 `: H7 Z
96. Memoirs of a Survivor (Doris Lessing, 1974)
$ T' W, ^" n' a# j N% a4 j/ U: d95. The Buddha of Suburbia (Hanif Kureishi, 1990)
# Y5 v& P# \0 k94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
/ d' Z* w1 t3 g/ w6 o93. Lord of the Flies (William Golding, 1954)1 c) p9 T& n) \' g1 H K& K9 [
92. Cold Comfort Farm (Stella Gibbons, 1932)9 l$ f6 `- q+ L! Q7 Q9 d' ?
91. The Forsyte Saga (John Galsworthy, 1922)
: v, f7 B' g2 p* i% G90. The Woman in White (Wilkie Collins, 1859)7 I3 R* c$ R( k$ B7 x1 ^ k
89. The Horse’s Mouth (Joyce Cary, 1944)
2 O' L) V1 g3 B; b- p5 U8 k88. The Death of the Heart (Elizabeth Bowen, 1938)/ J. j& h" w: A
87. The Old Wives’ Tale (Arnold Bennett,1908)
* J+ `& R6 R c A$ G4 T86. A Legacy (Sybille Bedford, 1956)! G* d& c+ O Q2 H& ^9 K+ s8 ~
85. Regeneration Trilogy (Pat Barker, 1991-1995)
1 G+ w! Y- k* r( R84. Scoop (Evelyn Waugh, 1938)
: D$ D3 \# i* B) f3 f- k83. Barchester Towers (Anthony Trollope, 1857)8 j; g, I3 \/ Z( s# h
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)8 C3 S& i7 G! d7 V
81. The Jewel in the Crown (Paul Scott, 1966)) [/ t( h: Z4 d
80. Excellent Women (Barbara Pym, 1952)3 @2 I0 d1 ]( I5 u+ J+ _7 J% h
79. His Dark Materials (Philip Pullman, 1995-2000)
8 l5 _8 S4 q/ A; v" i5 F5 |78. A House for Mr Biswas (VS Naipaul, 1961); b- F* r4 y$ h/ ^9 c
77. Of Human Bondage (W Somerset Maugham, 1915)- r G" K6 c; M, W4 I. W& r
76. Small Island (Andrea Levy, 2004): A0 ?4 B6 P1 `: D
75. Women in Love (DH Lawrence, 1920)
- [' T$ _3 ] \! E9 m( Z6 F: z9 e* j3 K74. The Mayor of Casterbridge (Thomas Hardy, 1886)
1 r: S! j0 n+ ]2 C2 l73. The Blue Flower (Penelope Fitzgerald, 1995); l0 }1 z+ _3 ^
72. The Heart of the Matter (Graham Greene, 1948)
+ l! R* G+ T+ e+ b71. Old Filth (Jane Gardam, 2004)! w6 z4 `9 k% L
70. Daniel Deronda (George Eliot, 1876)
- F8 l- I+ B, x, W- n. r69. Nostromo (Joseph Conrad, 1904)- l% U' T$ ]0 L
68. A Clockwork Orange (Anthony Burgess, 1962)
! L8 e: C) t h6 E! Z/ L67. Crash (JG Ballard 1973)
0 z$ x& V& s5 U' O% I66. Sense and Sensibility (Jane Austen, 1811)' e$ |* O- a0 d( @
65. Orlando (Virginia Woolf, 1928)
! C2 I0 {( \, E" Q3 x64. The Way We Live Now (Anthony Trollope, 1875)! S7 N/ g+ Z0 C8 {
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961), u! b2 B0 A# B
62. Animal Farm (George Orwell, 1945)
5 i3 K( Q. A, n8 E4 o! w) B; s! h61. The Sea, The Sea (Iris Murdoch, 1978)
8 c7 m- ^8 D2 E7 b; {8 v: C! {60. Sons and Lovers (DH Lawrence, 1913)( m% a% W8 ?) Q, V' ^' g+ m
59. The Line of Beauty (Alan Hollinghurst, 2004)& e! H$ d- E- [! [# v. [! B
58. Loving (Henry Green, 1945)
0 K. j3 ?4 ]# g57. Parade’s End (Ford Madox Ford, 1924-1928)
5 G% k: a" X0 x56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
4 w! I* m& @2 g- r0 S2 P55. Gulliver’s Travels (Jonathan Swift, 1726)$ s, q( U* R% C4 ?: U: F9 R
54. NW (Zadie Smith, 2012)3 I Q# E( l# E. i, w
53. Wide Sargasso Sea (Jean Rhys, 1966)
8 m1 z4 ~+ z8 m/ ~4 g0 c0 N% O5 [+ d52. New Grub Street (George Gissing, 1891)3 A5 B; |8 L$ s# q* ~. Z
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)6 `! ?7 w2 a: w
50. A Passage to India (EM Forster, 1924)
5 N) n5 s7 e9 B! |: o2 \5 H( M49. Possession (AS Byatt, 1990)
# W% P, F9 x1 v, R48. Lucky Jim (Kingsley Amis, 1954)4 e* x/ D2 H6 ~" Y/ F: K" X
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
/ A& i$ J1 ]: y" m. R% j46. Midnight’s Children (Salman Rushdie, 1981)
, `) P: A3 [9 }! o45. The Little Stranger (Sarah Waters, 2009)! ^: V) X( d* L
44. Wolf Hall (Hilary Mantel, 2009)
( j- @4 P3 [) S i/ v43. The Swimming Pool Library (Alan Hollinghurst, 1988)
: Y7 \. j4 Y# R. G9 {/ q) V. N42. Brighton Rock (Graham Greene, 1938); i/ Q2 g9 i) J: G
41. Dombey and Son (Charles Dickens, 1848)5 u+ y* S+ U9 H, _# r, T7 E4 O u: `
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865), q7 S, {/ g* u# U0 `
39. The Sense of an Ending (Julian Barnes, 2011)
" M2 i9 m1 z! V* \' ]38. The Passion (Jeanette Winterson, 1987)4 M+ u4 e* l% g7 m; |
37. Decline and Fall (Evelyn Waugh, 1928)' L0 F4 {" ?( o
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 c& ^6 X- {: x3 k! }8 F
35. Remainder (Tom McCarthy, 2005)
" L" ~3 ?/ o/ y0 W! R& g5 G1 z34. Never Let Me Go (Kazuo Ishiguro, 2005)+ F. [, ?/ k: g6 l6 Q. `
33. The Wind in the Willows (Kenneth Grahame, 1908)
+ |: W7 S# R8 X2 N4 ^, Q3 J32. A Room with a View (EM Forster, 1908)2 _7 b0 v5 H9 p# G% x
31. The End of the Affair (Graham Greene, 1951)
! X" c2 K3 p; i6 _30. Moll Flanders (Daniel Defoe, 1722)
* M4 [6 u* b, i29. Brick Lane (Monica Ali, 2003)4 R9 M. _$ y, F W
28. Villette (Charlotte Brontë, 1853)
4 g, d# S& F5 y. a5 m" M2 `27. Robinson Crusoe (Daniel Defoe, 1719)
. k, n5 L0 B7 p L# ^( L26. The Lord of the Rings (JRR Tolkien, 1954)
$ [0 S6 C, }2 n25. White Teeth (Zadie Smith, 2000)$ H6 ]1 x2 |, r% D2 n
24. The Golden Notebook (Doris Lessing, 1962)8 Q* x% s, Q* W9 k3 I7 t
23. Jude the Obscure (Thomas Hardy, 1895)# G$ a6 L& |6 k3 A8 d- P* P
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
/ B: F, H* k; n/ L6 N1 { [21. Heart of Darkness (Joseph Conrad, 1899)
, h* x/ z0 b0 N% z$ @/ p20. Persuasion (Jane Austen, 1817)
3 h6 N; ]! T2 U, A. r- u9 G19. Emma (Jane Austen, 1815)
$ a% A* m" w; l18. Remains of the Day (Kazuo Ishiguro, 1989)
$ y$ y$ o/ P o! B17. Howards End (EM Forster, 1910)
& Y$ K8 r/ U: j16. The Waves (Virginia Woolf, 1931)' V0 w u0 I" m+ n+ C. G* j
15. Atonement (Ian McEwan, 2001)
6 j1 C _! |2 n( T, p14. Clarissa (Samuel Richardson,1748)
. Y: ^/ z1 M' e p6 A# c, k' v13. The Good Soldier (Ford Madox Ford, 1915)
' \8 u% F" E$ i. H c( s12. Nineteen Eighty-Four (George Orwell, 1949)
# i5 `' j. P* B: \, c2 B1 |5 {11. Pride and Prejudice (Jane Austen, 1813)
4 f. r* J: l, h4 G10. Vanity Fair (William Makepeace Thackeray, 1848)2 W6 s" N: A0 x" |
9. Frankenstein (Mary Shelley, 1818)
2 w% q1 d4 a* h8. David Copperfield (Charles Dickens, 1850)
* z d( s) O$ o% \7. Wuthering Heights (Emily Brontë, 1847)
0 \; {9 a+ x# R4 g4 G q+ B- O6. Bleak House (Charles Dickens, 1853)
0 a2 ~+ `/ r+ H2 T8 @8 {8 B! |5. Jane Eyre (Charlotte Brontë, 1847)
N# Q# X- `9 G3 d. x4 c+ A4. Great Expectations (Charles Dickens, 1861)3 y0 V7 p% q8 i6 [! {
3. Mrs. Dalloway (Virginia Woolf, 1925)
I5 o/ ?7 e0 A+ v0 t2. To the Lighthouse (Virginia Woolf, 1927), y" V5 K3 l. G2 A/ I* n
1. Middlemarch (George Eliot, 1874)# o, J. S3 T* ~4 `1 e1 }
- t& u' L+ R( v9 G P前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。1 l2 W3 g4 U( R b# }9 D
( o7 z. g) ~3 r( [& ^, {3 a呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
