|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑 6 `6 F2 {! |( ~9 r9 @1 s
- |8 x0 F0 K @$ Z% s8 u/ ?/ EBBC评出100大英国文学名著
/ l( F# Q T" d$ L8 s. t& X, f" Bhttp://www.bbc.com/culture/story ... test-british-novels/ O% T( f1 A9 k x+ w9 ?
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
# D* K, f: g3 u; Q! Y9 u E$ K/ ~! p9 F8 t4 c
100. The Code of the Woosters (PG Wodehouse, 1938)
: u% ]% m3 R9 t2 N8 T: H99. There but for the (Ali Smith, 2011)
9 e! j! [- k3 m0 k/ _: R- s9 y98. Under the Volcano (Malcolm Lowry,1947)1 [( S- S: u7 G" Y( G# x
97. The Chronicles of Narnia (CS Lewis, 1949-1954)) S ^+ Z3 Q* G) }8 u+ v# m
96. Memoirs of a Survivor (Doris Lessing, 1974) Z s9 _9 Z( q; i
95. The Buddha of Suburbia (Hanif Kureishi, 1990)0 J2 ]6 a+ R4 K; Q! D
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)! a( s4 Z u4 i8 f
93. Lord of the Flies (William Golding, 1954)
0 ?- H- U& \; ~# h0 W$ k0 G* G j7 R92. Cold Comfort Farm (Stella Gibbons, 1932), q: h+ d# Y- @8 G5 Q( S7 W
91. The Forsyte Saga (John Galsworthy, 1922): u' ]* g( V/ H' P5 o0 t5 Z/ J3 v3 [
90. The Woman in White (Wilkie Collins, 1859) J4 N# F" ]3 ~' V/ f/ e$ {# [+ ?
89. The Horse’s Mouth (Joyce Cary, 1944)
2 r) c/ J: b, _; ?" ^88. The Death of the Heart (Elizabeth Bowen, 1938)
1 X! L5 K/ @7 x' d, H87. The Old Wives’ Tale (Arnold Bennett,1908)8 ~2 f7 Q/ s7 g9 P' w) [3 t
86. A Legacy (Sybille Bedford, 1956)3 o0 T; `7 p3 I4 V. W+ a+ d+ R: U) l
85. Regeneration Trilogy (Pat Barker, 1991-1995)
2 p/ J( a+ ]" M1 E" ?% k" N& D84. Scoop (Evelyn Waugh, 1938)
0 g% L- @" _! r j/ L83. Barchester Towers (Anthony Trollope, 1857)8 d/ }4 `' T5 [/ m: U7 d, {
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
( L3 Y6 g S; ^7 T7 r9 o# h81. The Jewel in the Crown (Paul Scott, 1966)2 \' D v' R1 k s( `. g/ [
80. Excellent Women (Barbara Pym, 1952)3 q2 |3 y9 g1 h
79. His Dark Materials (Philip Pullman, 1995-2000)0 E; a; j$ \* j/ e
78. A House for Mr Biswas (VS Naipaul, 1961)
& c" t" Q, \ Z+ M# S4 H7 [' P77. Of Human Bondage (W Somerset Maugham, 1915)# F1 D* A' ]; [! U, {9 D: P+ O( \
76. Small Island (Andrea Levy, 2004)
+ [5 @- W7 h6 H7 ~9 M8 i6 F/ I75. Women in Love (DH Lawrence, 1920)
3 K7 ^. r' i' L74. The Mayor of Casterbridge (Thomas Hardy, 1886)
& N9 }9 X) F7 w: M6 r; \73. The Blue Flower (Penelope Fitzgerald, 1995)
& P1 I. L9 x3 y% S3 E72. The Heart of the Matter (Graham Greene, 1948)
4 y2 j4 k, w# U71. Old Filth (Jane Gardam, 2004)/ [" M$ @& j V: ~/ c1 ?
70. Daniel Deronda (George Eliot, 1876)+ E1 s- x4 ^8 Z4 P! _0 L; a
69. Nostromo (Joseph Conrad, 1904)
( l, s3 R6 E4 s5 _9 N8 B f68. A Clockwork Orange (Anthony Burgess, 1962)1 T& F3 e2 ~, k; M8 ~! f- w( X6 a
67. Crash (JG Ballard 1973)
, Z& \. p9 B2 p7 Z6 A66. Sense and Sensibility (Jane Austen, 1811)! e X0 `/ \$ f( f* g
65. Orlando (Virginia Woolf, 1928)
+ P) h$ |: V* y64. The Way We Live Now (Anthony Trollope, 1875)
: W" K4 m- @7 E1 U3 t63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)% V* {; y# i! L) Q% A. Q
62. Animal Farm (George Orwell, 1945)
" K H0 s2 p6 o# u4 p6 D& e61. The Sea, The Sea (Iris Murdoch, 1978)
/ Q$ D4 u0 ]; p: u60. Sons and Lovers (DH Lawrence, 1913)
/ z- N: f% ?! r5 @6 X. b59. The Line of Beauty (Alan Hollinghurst, 2004)
. T E9 @" a5 c* o( Y58. Loving (Henry Green, 1945)
# X) Z) R7 r, e, q: d57. Parade’s End (Ford Madox Ford, 1924-1928)2 l5 h; C% S! L8 C) A$ M) R+ Z$ A
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)6 k5 x9 e- Z& F. y, Y4 z0 j
55. Gulliver’s Travels (Jonathan Swift, 1726) B8 z( }* ^* g3 l" _
54. NW (Zadie Smith, 2012): h) n8 U& x4 m6 I% _) {' H) ]
53. Wide Sargasso Sea (Jean Rhys, 1966)2 B4 v8 W1 G; Q' Z$ l" ~
52. New Grub Street (George Gissing, 1891)
8 j @6 \% z7 H51. Tess of the d’Urbervilles (Thomas Hardy, 1891)4 p/ p! ~- G: u# h+ M7 O' t" Z1 Y
50. A Passage to India (EM Forster, 1924)
/ ]* z" A6 |3 E/ T: O' o% |# o49. Possession (AS Byatt, 1990)! O5 Q, a* e2 |- P3 d6 T1 _+ v
48. Lucky Jim (Kingsley Amis, 1954)% u% U2 O( s- j
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
6 E$ M! I: {/ @( @% F46. Midnight’s Children (Salman Rushdie, 1981)
: A& \4 i2 i4 b- U. ~45. The Little Stranger (Sarah Waters, 2009)
9 F3 a3 [6 |4 A" B44. Wolf Hall (Hilary Mantel, 2009)1 d+ w* m0 G {# X& y6 o
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
g' l- @. e n; w42. Brighton Rock (Graham Greene, 1938)
% d) g9 Y! x5 a' G% C41. Dombey and Son (Charles Dickens, 1848)
+ [7 C/ W% w! N5 g! s* g40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
! r5 {' o* u& d8 Q! T8 |0 H39. The Sense of an Ending (Julian Barnes, 2011); e/ [6 J. e9 O1 W5 L- A
38. The Passion (Jeanette Winterson, 1987)
. U& l, g: _$ d$ f$ T6 a37. Decline and Fall (Evelyn Waugh, 1928)/ ~- H4 y& | t
36. A Dance to the Music of Time (Anthony Powell, 1951-1975): l) T6 |' v: B, S; @
35. Remainder (Tom McCarthy, 2005)8 Q1 D$ ~) e1 d& R$ h
34. Never Let Me Go (Kazuo Ishiguro, 2005)3 x7 R4 z6 m* w- y% ^
33. The Wind in the Willows (Kenneth Grahame, 1908)
3 L# \3 u- J, o+ z1 G32. A Room with a View (EM Forster, 1908)4 k& d0 k) n3 ^+ Y2 j0 `% p
31. The End of the Affair (Graham Greene, 1951): q' L) H: y# d6 K6 J- y& W/ c7 F
30. Moll Flanders (Daniel Defoe, 1722)( U) d. i6 I5 f, _% _
29. Brick Lane (Monica Ali, 2003) r% A( e5 c% ^2 v: E0 @- l' L1 y: C# ?
28. Villette (Charlotte Brontë, 1853)
$ Z) q& \$ S2 s# U8 x, m27. Robinson Crusoe (Daniel Defoe, 1719)+ A: X' E6 W7 }3 X4 a" q1 b% E
26. The Lord of the Rings (JRR Tolkien, 1954)
0 m2 }+ W( l( L/ f* O# s6 Q# P& }* n B25. White Teeth (Zadie Smith, 2000)
?8 G) J( q& {8 e) s& p0 D24. The Golden Notebook (Doris Lessing, 1962)
9 R" E4 _$ D( i: c23. Jude the Obscure (Thomas Hardy, 1895); ?9 M$ Z6 ?8 T
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
# Q" J" f. e6 }3 s2 R21. Heart of Darkness (Joseph Conrad, 1899)
# I1 O: d6 ]% L20. Persuasion (Jane Austen, 1817): z/ b+ m8 w3 t# G7 m& J, {& t
19. Emma (Jane Austen, 1815)$ h" {0 T( Y. q% W" r
18. Remains of the Day (Kazuo Ishiguro, 1989)
" `6 d5 U! U2 \& D) N17. Howards End (EM Forster, 1910)9 r6 C Z. G/ }: ?! J4 G
16. The Waves (Virginia Woolf, 1931)4 c3 p+ n& \' X2 T2 O
15. Atonement (Ian McEwan, 2001)- J, A; ]+ c* h. N3 V6 c1 l8 Y
14. Clarissa (Samuel Richardson,1748)
* M0 L( j6 N# s& I13. The Good Soldier (Ford Madox Ford, 1915)
5 \6 C! ^8 N: }12. Nineteen Eighty-Four (George Orwell, 1949)% n4 l( O5 P% j3 {- ^
11. Pride and Prejudice (Jane Austen, 1813)' W3 v& S6 ?4 u- y5 e; U$ Z8 E
10. Vanity Fair (William Makepeace Thackeray, 1848): k: y5 B% y$ p) k+ h; z" {
9. Frankenstein (Mary Shelley, 1818)% E/ S4 ?. Z0 y6 O
8. David Copperfield (Charles Dickens, 1850)
- }4 W# h4 Y1 A# _3 g# q2 e7. Wuthering Heights (Emily Brontë, 1847)
3 t/ s% u. K' }6. Bleak House (Charles Dickens, 1853)0 I5 }9 L% X; @7 s8 [) t
5. Jane Eyre (Charlotte Brontë, 1847)
* j b* V5 U( i! N! E4. Great Expectations (Charles Dickens, 1861)
4 k0 a% Y; @9 _# s3. Mrs. Dalloway (Virginia Woolf, 1925)) D( x% W3 g- g) @
2. To the Lighthouse (Virginia Woolf, 1927)
+ l8 @& a+ T+ H0 h" c$ x1. Middlemarch (George Eliot, 1874)* j& @8 y- H0 {6 m8 `. N4 t' Z8 Q/ C+ M
9 Y$ v: r# p4 J4 S. ~
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
; F+ { o8 ]' g+ Q& b2 ]% O8 O( X8 O, |: M6 |2 @
呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
