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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著8 r3 W, b0 P- K' T* }
http://www.bbc.com/culture/story ... test-british-novels/ p! X5 J- G3 a4 {: G3 W
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。9 Z7 {8 s: _8 J4 }" ?* P
' B- f: v2 e, I7 }4 X1 c/ `6 V y100. The Code of the Woosters (PG Wodehouse, 1938)/ g3 Q4 G4 h3 O/ e
99. There but for the (Ali Smith, 2011)
6 W B% p5 @! N2 G; i8 B' L98. Under the Volcano (Malcolm Lowry,1947)# k; b J/ l* V% B
97. The Chronicles of Narnia (CS Lewis, 1949-1954)% ?7 n3 Q6 w8 W2 |3 d) n( t8 o
96. Memoirs of a Survivor (Doris Lessing, 1974)
$ s. C: s8 Y1 T! s1 W95. The Buddha of Suburbia (Hanif Kureishi, 1990)- k4 B$ f0 q8 `; N# ^' ~
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
. S5 m. |0 I1 I5 S93. Lord of the Flies (William Golding, 1954)
$ k& i: e( j" A( K+ B% I92. Cold Comfort Farm (Stella Gibbons, 1932)5 F# d9 P, J& P2 }; K- I. @/ P$ ~1 t
91. The Forsyte Saga (John Galsworthy, 1922)$ M, k9 r2 G, m5 ^
90. The Woman in White (Wilkie Collins, 1859)2 m H; y5 \3 \- E
89. The Horse’s Mouth (Joyce Cary, 1944); k' h F" G" J ]$ N4 J& k5 n0 \8 m
88. The Death of the Heart (Elizabeth Bowen, 1938)! j% X7 X; c) [, g8 d7 J8 ~6 r
87. The Old Wives’ Tale (Arnold Bennett,1908)
% w9 k1 h d# Z* S( A& X; A86. A Legacy (Sybille Bedford, 1956)
, }" H; V* j6 Q7 ]( H. m85. Regeneration Trilogy (Pat Barker, 1991-1995); R9 `4 j$ j2 R7 _. `
84. Scoop (Evelyn Waugh, 1938)
: u/ C& h$ A% `$ l$ ]5 O8 |# o83. Barchester Towers (Anthony Trollope, 1857)
. c9 `; O. I/ O82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)" \. W* r- g' X D
81. The Jewel in the Crown (Paul Scott, 1966)
3 `! [0 E; ]/ h1 I: q0 m$ X: Q80. Excellent Women (Barbara Pym, 1952)
9 d) P0 A0 w4 q3 a0 {79. His Dark Materials (Philip Pullman, 1995-2000)
1 ^* R4 Y3 `0 _' v2 x9 A78. A House for Mr Biswas (VS Naipaul, 1961) e+ ^; u. U$ V' e- O2 T
77. Of Human Bondage (W Somerset Maugham, 1915)1 r$ s3 N/ m6 t9 l' _$ ?- T
76. Small Island (Andrea Levy, 2004)
/ U! W5 M" E) b' _ j75. Women in Love (DH Lawrence, 1920): c" }5 E: i8 C4 }3 S9 R
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
2 v" \2 O8 ?+ h' S: \# j73. The Blue Flower (Penelope Fitzgerald, 1995)# u4 {3 Z. D1 C" U
72. The Heart of the Matter (Graham Greene, 1948)4 B( H1 W# z6 Q
71. Old Filth (Jane Gardam, 2004)5 H A* R9 z: h9 Y r* ~
70. Daniel Deronda (George Eliot, 1876)
+ d5 G; h& M! l$ K0 S2 }0 y69. Nostromo (Joseph Conrad, 1904)9 r7 B3 F2 S- |9 {7 m
68. A Clockwork Orange (Anthony Burgess, 1962)
7 B6 H1 ]6 Y, C5 `67. Crash (JG Ballard 1973)! H! y3 M* K7 Z0 E
66. Sense and Sensibility (Jane Austen, 1811)7 z0 x9 p& f* F; ^* _5 B& ^! Y# v
65. Orlando (Virginia Woolf, 1928)
) i i: U" r: @3 w" F64. The Way We Live Now (Anthony Trollope, 1875)
: j5 V4 Y; ?7 w) |6 P63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
+ [! }1 u5 ^" a62. Animal Farm (George Orwell, 1945)
6 i* P) D! P, N* X6 l4 l% i61. The Sea, The Sea (Iris Murdoch, 1978)
7 H/ G, L/ N2 l4 h: ~: k60. Sons and Lovers (DH Lawrence, 1913)1 Q* ^( J) m. _ h. J
59. The Line of Beauty (Alan Hollinghurst, 2004)9 s$ b1 W( W+ |* f9 a* q- r7 d8 [
58. Loving (Henry Green, 1945)% N: h+ B$ ~% e# X4 Z
57. Parade’s End (Ford Madox Ford, 1924-1928)& F; x/ ]- f# R: c; J1 V( f$ [
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)! U5 c( T3 U% L* _$ J( ^0 C
55. Gulliver’s Travels (Jonathan Swift, 1726)) L$ F/ c5 I8 g; q% d6 o
54. NW (Zadie Smith, 2012), M4 Q; M( U4 ~. N. |0 b
53. Wide Sargasso Sea (Jean Rhys, 1966)1 r1 u) v9 ?: X0 Z$ t1 A5 a
52. New Grub Street (George Gissing, 1891)
) D9 n3 f8 x: k$ O( a# g4 `, ~51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
- p5 s# p6 S0 V+ E- s( Z0 |50. A Passage to India (EM Forster, 1924)
1 n$ G- o; z( K7 W0 ~: A& E49. Possession (AS Byatt, 1990)
& o" Y ]# h5 u48. Lucky Jim (Kingsley Amis, 1954)
9 ~. i2 o, g' [47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)4 q2 d+ D7 [* \( s7 k
46. Midnight’s Children (Salman Rushdie, 1981)
4 Q N9 @3 j+ I! ^5 d45. The Little Stranger (Sarah Waters, 2009)
! R1 D1 m u* _( o44. Wolf Hall (Hilary Mantel, 2009)
5 B1 z, @5 i* I7 g; Y$ A43. The Swimming Pool Library (Alan Hollinghurst, 1988)
# f0 }2 D7 C L42. Brighton Rock (Graham Greene, 1938)
+ N. f+ l/ |/ c; n8 T41. Dombey and Son (Charles Dickens, 1848)
' [2 w: D, p. g40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865): b6 m5 t. ~! X& K$ f
39. The Sense of an Ending (Julian Barnes, 2011)
7 v$ t$ I2 C2 O4 J O n! U0 u) M38. The Passion (Jeanette Winterson, 1987)$ ~% ]" X* V" x$ @0 }% W6 B
37. Decline and Fall (Evelyn Waugh, 1928)9 ] ^7 W& i! [: D% M
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)5 O5 V+ s9 a+ T1 M
35. Remainder (Tom McCarthy, 2005). T, S6 b+ Q# Y1 `# S) o
34. Never Let Me Go (Kazuo Ishiguro, 2005)+ H9 }& ]$ I$ k+ u4 E4 O
33. The Wind in the Willows (Kenneth Grahame, 1908)
( }3 N/ i) ?" I8 t5 u6 L32. A Room with a View (EM Forster, 1908)" ~# C. U# \0 o; S% `
31. The End of the Affair (Graham Greene, 1951)
4 m) h B" |/ j3 D+ o, h# i30. Moll Flanders (Daniel Defoe, 1722)
9 I" S% R- y9 P" x. P29. Brick Lane (Monica Ali, 2003)0 Z. x6 E h3 \" H, l1 T6 @* w
28. Villette (Charlotte Brontë, 1853) n" u& E6 h/ d3 `
27. Robinson Crusoe (Daniel Defoe, 1719)% G4 D- [, ^( d8 V0 t" V1 ]
26. The Lord of the Rings (JRR Tolkien, 1954)- ^' u3 j' [* K Z% E% X2 K
25. White Teeth (Zadie Smith, 2000)
: @8 u" H7 B* N) ?, v6 ]6 x- |* C6 A( B24. The Golden Notebook (Doris Lessing, 1962)
/ P4 F) l. c, t7 V' e1 ]" L; G( @23. Jude the Obscure (Thomas Hardy, 1895)
5 E! x1 \! y+ y22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
$ A' z* Q$ h# _8 e21. Heart of Darkness (Joseph Conrad, 1899)
2 I) f" W: `$ _. D20. Persuasion (Jane Austen, 1817)9 t0 O) a- q3 _7 j8 z8 t# G
19. Emma (Jane Austen, 1815). B4 U. n' S8 a) }- f3 Y l/ I
18. Remains of the Day (Kazuo Ishiguro, 1989)
/ P L; y2 d$ y' L; H6 N/ A# Y4 C17. Howards End (EM Forster, 1910)
6 ~: q; w' p- u. _+ z! Z16. The Waves (Virginia Woolf, 1931)
4 f* ^) ~' C% S8 x: b& m15. Atonement (Ian McEwan, 2001)' E( a0 d- D% ]5 t
14. Clarissa (Samuel Richardson,1748)& Q( c4 R' E( K0 [! p7 S
13. The Good Soldier (Ford Madox Ford, 1915)8 `) [! f4 ]; u E! G
12. Nineteen Eighty-Four (George Orwell, 1949)$ H9 `' l; R" E2 Q l3 R: c5 w& l
11. Pride and Prejudice (Jane Austen, 1813)& O6 Y7 u# r# ]/ E$ R# e8 F
10. Vanity Fair (William Makepeace Thackeray, 1848)
! p! F" ~6 d) `4 u9. Frankenstein (Mary Shelley, 1818); {6 q3 t3 Z: B" \; ]: i
8. David Copperfield (Charles Dickens, 1850)
& S$ v6 Y$ L3 S$ O7 u/ r/ l7. Wuthering Heights (Emily Brontë, 1847)
' ~7 m: {" e: p0 C5 S* M6. Bleak House (Charles Dickens, 1853)# D4 T7 k T) n1 {5 s0 Y
5. Jane Eyre (Charlotte Brontë, 1847)" Y) h. C( W$ `+ |
4. Great Expectations (Charles Dickens, 1861)( s, m" j/ h! E3 F2 h
3. Mrs. Dalloway (Virginia Woolf, 1925)
" f, p0 w' W6 H/ I2 a$ f+ A2. To the Lighthouse (Virginia Woolf, 1927)/ e$ ~$ G6 C; `
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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; @# [. o0 b8 M呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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