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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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$ K2 L$ V, Z0 \8 x! aBBC评出100大英国文学名著
; h4 n0 {# ?2 n* }http://www.bbc.com/culture/story ... test-british-novels
: i$ ~+ R2 S ~惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
: t. @6 e2 G: A" r99. There but for the (Ali Smith, 2011) t1 A x. `" e2 Y) {8 S# A6 J
98. Under the Volcano (Malcolm Lowry,1947); C/ E& @" R, M" r" o( K/ q6 D0 e
97. The Chronicles of Narnia (CS Lewis, 1949-1954)% }2 ~6 W1 ~# ?& ]( |
96. Memoirs of a Survivor (Doris Lessing, 1974)
$ l# j* K, X$ z, o. `( ?4 _95. The Buddha of Suburbia (Hanif Kureishi, 1990)1 {( A6 ] d# j6 H" v/ R/ M
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)3 F! a- T# a J5 u! X( Q" e& C. }4 j
93. Lord of the Flies (William Golding, 1954)' p: E9 F) `: M, x0 I O
92. Cold Comfort Farm (Stella Gibbons, 1932)
& q; ?; [3 o9 ]8 e% V91. The Forsyte Saga (John Galsworthy, 1922)
9 @: P$ D1 b7 A9 x% @90. The Woman in White (Wilkie Collins, 1859)
3 ]% b9 A9 U! p' P& s5 F! y3 @/ I89. The Horse’s Mouth (Joyce Cary, 1944)
0 E& U& T: Q: h* Q B" O' e3 [88. The Death of the Heart (Elizabeth Bowen, 1938)9 G, m4 y9 a6 @* {# e/ @
87. The Old Wives’ Tale (Arnold Bennett,1908)
$ F+ R* o1 b" Y: Q) }4 @86. A Legacy (Sybille Bedford, 1956)
1 F; H. c- P" x3 p8 D85. Regeneration Trilogy (Pat Barker, 1991-1995)* W& @1 K* H7 U% y& ]5 o( U/ w. Z
84. Scoop (Evelyn Waugh, 1938)
+ \) B) K8 [" p- L! B83. Barchester Towers (Anthony Trollope, 1857)
/ t# l7 I* |$ U8 r$ _2 v82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)2 w( I! `7 e7 N, m! ?- h' Z
81. The Jewel in the Crown (Paul Scott, 1966) N4 M0 ^# w6 S( y9 P7 q" z3 Z; O
80. Excellent Women (Barbara Pym, 1952)3 w& R" ]; A& C1 H% ^& u
79. His Dark Materials (Philip Pullman, 1995-2000)8 i4 |. T3 `! j4 \* q# q% g! i( ^
78. A House for Mr Biswas (VS Naipaul, 1961)
0 ?1 h0 I3 u* f77. Of Human Bondage (W Somerset Maugham, 1915)& f( b7 ~( e ]5 m0 U* T. ~" c1 k
76. Small Island (Andrea Levy, 2004)1 w( r2 k' u) q3 F
75. Women in Love (DH Lawrence, 1920)# s/ S! E2 W- Q! r
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
& ~& b8 N# v1 r0 R+ C0 z/ k5 S73. The Blue Flower (Penelope Fitzgerald, 1995)
& Z- O) M: j/ f, T; t* }72. The Heart of the Matter (Graham Greene, 1948)/ E/ J$ |, k1 D
71. Old Filth (Jane Gardam, 2004)
% M* F: z7 y. k: K; e$ [; ?0 N# ^70. Daniel Deronda (George Eliot, 1876), ]7 C$ {' Z- t+ N
69. Nostromo (Joseph Conrad, 1904)
+ Z) Y. [9 I3 [68. A Clockwork Orange (Anthony Burgess, 1962)0 I1 x# w! B- H w
67. Crash (JG Ballard 1973)
2 j7 `* ^8 Q3 K66. Sense and Sensibility (Jane Austen, 1811). N- E& e* Y, C' d# L# Q
65. Orlando (Virginia Woolf, 1928)
" S& |) D; d6 ^ E: a/ H/ @! J64. The Way We Live Now (Anthony Trollope, 1875)
: n! x* y; Z! \/ H8 C3 ~- t, P63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)) J, s" j% G, ~5 I
62. Animal Farm (George Orwell, 1945)4 r3 L5 p: B7 Z- l7 U |
61. The Sea, The Sea (Iris Murdoch, 1978)' U% W: P# [' a4 ]1 m
60. Sons and Lovers (DH Lawrence, 1913)0 l4 c' h: V9 W% M; i8 D
59. The Line of Beauty (Alan Hollinghurst, 2004)7 I3 q/ ~0 I$ y/ z
58. Loving (Henry Green, 1945)* g& G! W6 Q. C0 E! L+ a5 Y
57. Parade’s End (Ford Madox Ford, 1924-1928)
u. Z5 Q/ f6 [7 a3 }1 o1 y56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985): L0 ~3 C) d+ L4 f6 h; N7 L
55. Gulliver’s Travels (Jonathan Swift, 1726)
8 B' x5 x- r# f4 s: ^4 d( P54. NW (Zadie Smith, 2012)* P/ }7 X9 w1 _" x5 q! T! S
53. Wide Sargasso Sea (Jean Rhys, 1966)9 }4 m7 ~9 q6 H' c
52. New Grub Street (George Gissing, 1891)
. A0 q3 Z4 S% A7 t# Z; L51. Tess of the d’Urbervilles (Thomas Hardy, 1891): D3 {7 u- T* l7 F1 q# ^8 L) q4 f
50. A Passage to India (EM Forster, 1924): [+ z; `8 c+ j/ `; E: h9 g2 y
49. Possession (AS Byatt, 1990)9 Q5 @ p+ L6 G/ o
48. Lucky Jim (Kingsley Amis, 1954)6 _2 w2 s- @1 l. c$ z
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759) q0 {' U$ K% Q* o+ Y% k: e
46. Midnight’s Children (Salman Rushdie, 1981)
( k- q# f- j9 j. c& H/ G45. The Little Stranger (Sarah Waters, 2009). z# O* ?2 w- z( ? D. t- T
44. Wolf Hall (Hilary Mantel, 2009)# R* s5 U1 Y0 \4 B' S7 \
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
6 r- Y K; y( G3 ]* y7 B& m42. Brighton Rock (Graham Greene, 1938)
2 \2 m Z# t+ Z2 T0 u41. Dombey and Son (Charles Dickens, 1848)
! i" y) N/ v' |5 ~- d- ]/ Z- N. z40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
: e( Z, |. ]5 ^2 z39. The Sense of an Ending (Julian Barnes, 2011)
0 S7 \& q) d. K38. The Passion (Jeanette Winterson, 1987)
/ a6 G8 \" d3 [9 S, K- u5 E2 p4 X) g37. Decline and Fall (Evelyn Waugh, 1928)
" q( s2 Q. O: ^2 s9 s36. A Dance to the Music of Time (Anthony Powell, 1951-1975)- W4 w' a( l; ^$ }4 k m
35. Remainder (Tom McCarthy, 2005)- J8 P1 K. D7 c4 Y B
34. Never Let Me Go (Kazuo Ishiguro, 2005)7 n% h0 `" {/ B" b
33. The Wind in the Willows (Kenneth Grahame, 1908)
# }+ G5 \2 `5 M32. A Room with a View (EM Forster, 1908)
/ L, d6 \6 k( t/ N5 r+ \31. The End of the Affair (Graham Greene, 1951): [. p, V! @3 v, S
30. Moll Flanders (Daniel Defoe, 1722)+ y) ]2 M* I/ M- z
29. Brick Lane (Monica Ali, 2003)
' A% W2 i U2 G4 i; q9 x0 J28. Villette (Charlotte Brontë, 1853)0 m7 J4 M, @9 _; \7 e
27. Robinson Crusoe (Daniel Defoe, 1719)8 ]1 W6 W6 a8 `9 q+ Y R
26. The Lord of the Rings (JRR Tolkien, 1954)0 j' d- w3 s8 A+ i
25. White Teeth (Zadie Smith, 2000)! E8 {9 x% r3 D
24. The Golden Notebook (Doris Lessing, 1962)1 K4 M' K U0 F$ T0 s6 W! E: e
23. Jude the Obscure (Thomas Hardy, 1895)
4 u4 R, I# g. j22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)9 i! w; o1 i. E1 W6 F5 [- F
21. Heart of Darkness (Joseph Conrad, 1899)
% J h$ H% H- O! b20. Persuasion (Jane Austen, 1817)+ G+ e' {) P, z) g! N- x" D
19. Emma (Jane Austen, 1815)8 b; m- y I2 U8 e2 v0 d
18. Remains of the Day (Kazuo Ishiguro, 1989)
0 p6 G N* w- M( w' g" ?- o% U4 {6 G2 C% I17. Howards End (EM Forster, 1910)1 `$ y1 E$ j5 ~" Z" u# i2 X F
16. The Waves (Virginia Woolf, 1931)( H( H& j% z- j$ }: U9 n
15. Atonement (Ian McEwan, 2001)
" L( c! f. D% S; `+ a$ P14. Clarissa (Samuel Richardson,1748)
4 r7 P% t0 I; X* G: q+ |2 B0 ~! B3 P13. The Good Soldier (Ford Madox Ford, 1915). a" ~% t' }3 Z- F E- G
12. Nineteen Eighty-Four (George Orwell, 1949)
" G. s g- x' C; Z7 C) _! l11. Pride and Prejudice (Jane Austen, 1813): t2 e, z7 t" k9 ?3 i2 V8 V8 q
10. Vanity Fair (William Makepeace Thackeray, 1848)% T% w% z- b8 [- L) _2 g2 Q
9. Frankenstein (Mary Shelley, 1818)0 \) K$ M# p$ `( c i
8. David Copperfield (Charles Dickens, 1850)) \, u! o4 I" f, }' e- T
7. Wuthering Heights (Emily Brontë, 1847)
0 N) g7 z1 l, e6. Bleak House (Charles Dickens, 1853)
, o' }: o* P5 O( F) M# R5. Jane Eyre (Charlotte Brontë, 1847)
# O" _2 W! @, D# Z2 A4. Great Expectations (Charles Dickens, 1861)
f- a# M" `# t. Z6 x6 U ^) Z; B3. Mrs. Dalloway (Virginia Woolf, 1925)
$ c9 n% [# n! R# P6 f3 d1 l) {2 W2. To the Lighthouse (Virginia Woolf, 1927)
" K4 a& T6 N; q& \- O) f5 Y1. Middlemarch (George Eliot, 1874)+ u0 |% b2 N0 c
9 i# M6 P5 ~/ ^0 N前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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7 s3 g4 @, c! d' _. l( q呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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