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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 2 h+ m, g* w' a5 p3 t
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BBC评出100大英国文学名著
* `$ J3 p9 H' @1 X" g' A, E1 thttp://www.bbc.com/culture/story ... test-british-novels
1 d" q2 C2 K5 w$ P% ^ _惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。+ R& W- B& ]6 h2 A9 Y
3 C& J( |4 p2 r100. The Code of the Woosters (PG Wodehouse, 1938)! n& ?! r3 D2 ?$ f
99. There but for the (Ali Smith, 2011)
9 J8 `. P H6 v( c2 M, }3 `% _$ k98. Under the Volcano (Malcolm Lowry,1947)1 {# n" m, P$ q* L& |* J
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
. j" E. N8 R% z96. Memoirs of a Survivor (Doris Lessing, 1974)" b# m: P2 E) v2 g4 n6 k$ e' {
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
, E' g0 ^7 T4 ~94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)( F* ?. @4 h- ]: \# g# L
93. Lord of the Flies (William Golding, 1954)0 U- g* M8 t: s* n6 g2 _3 q1 E
92. Cold Comfort Farm (Stella Gibbons, 1932)
- @9 U0 P' E: n* L, T+ N y3 R91. The Forsyte Saga (John Galsworthy, 1922)
d; Z# S% K1 g- ^% a- ^, Y5 g90. The Woman in White (Wilkie Collins, 1859). S' W! l9 M) J0 H* T2 {- r
89. The Horse’s Mouth (Joyce Cary, 1944)* u4 p# X8 i; f9 V; E
88. The Death of the Heart (Elizabeth Bowen, 1938)" Q O6 Y) t# O
87. The Old Wives’ Tale (Arnold Bennett,1908)& d9 H4 x8 A$ M& O7 d: r4 Z
86. A Legacy (Sybille Bedford, 1956)
1 F |: ^/ Z4 r% _85. Regeneration Trilogy (Pat Barker, 1991-1995)1 {- c4 @- L; `# `
84. Scoop (Evelyn Waugh, 1938)
7 H I( ]! U. r+ ^- B7 J6 c83. Barchester Towers (Anthony Trollope, 1857)
" y/ P& ]3 S2 I0 y0 `8 k2 y82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
3 F' `- F7 q; I0 V- T% ~81. The Jewel in the Crown (Paul Scott, 1966)2 [. U& Z; F; q1 I& }
80. Excellent Women (Barbara Pym, 1952)' F# w# ^( d9 t5 N* a1 `9 s
79. His Dark Materials (Philip Pullman, 1995-2000)( L8 ~! F. U% F8 a+ W
78. A House for Mr Biswas (VS Naipaul, 1961)+ w) J5 C$ U( y( Y+ P! A
77. Of Human Bondage (W Somerset Maugham, 1915)5 X, ^5 g, q q0 u# I9 }
76. Small Island (Andrea Levy, 2004)1 E$ s/ o+ A$ z( b
75. Women in Love (DH Lawrence, 1920)) n+ T Z6 h* G$ }4 N
74. The Mayor of Casterbridge (Thomas Hardy, 1886)" m D, X8 w0 v; }- j2 Q
73. The Blue Flower (Penelope Fitzgerald, 1995)* h5 w _9 I# o$ j! Q
72. The Heart of the Matter (Graham Greene, 1948)
; r# n" D$ C" C0 t6 S' a) n71. Old Filth (Jane Gardam, 2004)7 ]* G* R( l# D5 T
70. Daniel Deronda (George Eliot, 1876)/ ?. U: j2 O9 K+ I/ J
69. Nostromo (Joseph Conrad, 1904)9 b ]( P& k, ^; C# l
68. A Clockwork Orange (Anthony Burgess, 1962)
7 K9 k+ o% j6 X' y. `67. Crash (JG Ballard 1973)3 d% S- u1 D; `3 Q- G5 G
66. Sense and Sensibility (Jane Austen, 1811)
7 i0 k) s! S) x' e6 {65. Orlando (Virginia Woolf, 1928)
& [* E. O/ A/ H; X# O' r$ a/ G- k, b64. The Way We Live Now (Anthony Trollope, 1875), M6 @9 N8 W) I% r a7 i) e- g! h
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
2 h2 r2 g( v* Q$ ?$ M( d4 l+ _62. Animal Farm (George Orwell, 1945)- ]) |/ h2 ^9 b
61. The Sea, The Sea (Iris Murdoch, 1978)
0 }& Q4 o3 H: s9 q: [60. Sons and Lovers (DH Lawrence, 1913)
( }3 Y( t, P8 t. Y' s. }# L% v59. The Line of Beauty (Alan Hollinghurst, 2004)2 U* t n4 U+ }0 e& F" d
58. Loving (Henry Green, 1945). I) T2 A, z- e
57. Parade’s End (Ford Madox Ford, 1924-1928)& o) S9 b+ c8 n! e) |
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
: p7 F4 P6 W# r# }55. Gulliver’s Travels (Jonathan Swift, 1726)
* ?. S+ F! D0 b7 h0 f( A# g2 j! Y54. NW (Zadie Smith, 2012)
' @$ D3 j$ i" L; A+ }2 O& p. v53. Wide Sargasso Sea (Jean Rhys, 1966)
2 Y+ Z* \* M+ l% P8 t52. New Grub Street (George Gissing, 1891)7 e; T6 J2 g/ b4 U) O
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
. J! A& d/ w7 f- s) `1 F50. A Passage to India (EM Forster, 1924)2 l" {3 b1 |1 N" E* s
49. Possession (AS Byatt, 1990)% {! A, f; \' p0 X) E
48. Lucky Jim (Kingsley Amis, 1954)& \# n' A( A' @
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759). B# X4 C# n! `# _
46. Midnight’s Children (Salman Rushdie, 1981)3 H/ g& r% N$ V" ], [ M7 K& f+ o
45. The Little Stranger (Sarah Waters, 2009)
* a% A/ F- V# W7 H `# E" U44. Wolf Hall (Hilary Mantel, 2009) _8 _0 p- c3 f7 P/ U N. P
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
5 Y; c3 e2 v. c42. Brighton Rock (Graham Greene, 1938)
4 i ~$ e/ ~% J; z, U41. Dombey and Son (Charles Dickens, 1848)
: h3 r' m" h( X G) E5 C- |- G4 d40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
$ t( }% R0 l: B5 `# |8 g39. The Sense of an Ending (Julian Barnes, 2011)
' a7 ?& q" d4 v" b# B, p" y1 v38. The Passion (Jeanette Winterson, 1987)$ S) x/ P& A" C$ I6 A. q
37. Decline and Fall (Evelyn Waugh, 1928)6 {% D4 |9 S# n! f, Q
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
( E6 p# v) b6 Z" _6 W35. Remainder (Tom McCarthy, 2005)
1 [% N4 Y- E8 ?) N; q34. Never Let Me Go (Kazuo Ishiguro, 2005)* {% K* ]" P F9 J2 z7 L5 E1 l7 ~& a
33. The Wind in the Willows (Kenneth Grahame, 1908)0 J& ]" `- C+ [3 U6 V
32. A Room with a View (EM Forster, 1908). g8 `# Z1 T2 V) }3 a! w' C, y7 x9 G' J
31. The End of the Affair (Graham Greene, 1951)
. O$ @1 c3 C9 O30. Moll Flanders (Daniel Defoe, 1722)
+ N1 I$ v; Y k. y& S0 l! V$ |" T29. Brick Lane (Monica Ali, 2003), X0 m @5 _2 ^* N4 C
28. Villette (Charlotte Brontë, 1853)0 {. y% }$ [5 G6 D4 ?' L( G
27. Robinson Crusoe (Daniel Defoe, 1719)
/ a: o, z) \1 W8 K26. The Lord of the Rings (JRR Tolkien, 1954)3 k- G, c& E+ r& @0 q
25. White Teeth (Zadie Smith, 2000)
( @1 Q. N: P% a6 f2 v8 t; w24. The Golden Notebook (Doris Lessing, 1962)2 x2 C' _5 s' t
23. Jude the Obscure (Thomas Hardy, 1895)
3 S7 G) ?; T) ~' u, S3 i% [. r22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
4 _ S8 ^/ q3 r3 p& C" g21. Heart of Darkness (Joseph Conrad, 1899)
9 g" o! V5 R% N4 p- q9 v, e+ [ t& g% b20. Persuasion (Jane Austen, 1817)
' ~ m* L; Y9 | K# ^9 k19. Emma (Jane Austen, 1815)& }" N' F% @# I$ X$ }, O4 k! m
18. Remains of the Day (Kazuo Ishiguro, 1989)
! E. k9 Y2 c6 `17. Howards End (EM Forster, 1910)
' e9 } L! @. ?- a( G16. The Waves (Virginia Woolf, 1931)
+ e- B1 z6 j! f0 K s8 N15. Atonement (Ian McEwan, 2001)
$ G: A3 {% x9 G8 d' q# ^/ F14. Clarissa (Samuel Richardson,1748)
m/ k" t$ o% q: G4 n13. The Good Soldier (Ford Madox Ford, 1915)/ v7 L1 x8 d& e2 ]
12. Nineteen Eighty-Four (George Orwell, 1949); G) N& [8 y4 p( j0 _
11. Pride and Prejudice (Jane Austen, 1813)1 o( b" f9 q, G: i
10. Vanity Fair (William Makepeace Thackeray, 1848)
- E! T0 W% W1 S I I9. Frankenstein (Mary Shelley, 1818)
2 h/ T- d/ i) }) B+ m7 ~8. David Copperfield (Charles Dickens, 1850)
4 x; k. ?. F# M/ ^& W+ X7. Wuthering Heights (Emily Brontë, 1847)/ _$ O7 ?, e1 P' E! k. d! v4 W
6. Bleak House (Charles Dickens, 1853)
' P! z; f9 E6 r: G7 H. v9 P5. Jane Eyre (Charlotte Brontë, 1847)2 m1 D5 q# w6 N% g1 a8 o
4. Great Expectations (Charles Dickens, 1861)
- I& \. w* |, h# f3. Mrs. Dalloway (Virginia Woolf, 1925); r4 B: q: c `0 U
2. To the Lighthouse (Virginia Woolf, 1927)* \) G: s. ^; @ b8 y6 m" o3 D' q
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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