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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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6 u4 N4 C( Z# g& @5 v) O. vBBC评出100大英国文学名著# Y0 n5 n' i: p
http://www.bbc.com/culture/story ... test-british-novels. `- U+ l+ L ^+ L
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。! |( q( _0 ?0 p( w2 R; a$ s8 v
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100. The Code of the Woosters (PG Wodehouse, 1938)4 D2 j- x/ J6 I5 ^: K( y
99. There but for the (Ali Smith, 2011)
" M) w* j3 g- T98. Under the Volcano (Malcolm Lowry,1947)
; p* b X$ o! |- L3 c97. The Chronicles of Narnia (CS Lewis, 1949-1954). \% B1 I8 ]1 _, v6 Q5 Q
96. Memoirs of a Survivor (Doris Lessing, 1974). r9 Z6 T" h* Y2 d
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
9 {7 |* N/ H* P" Z2 Y, f5 }94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
0 G5 P; p) h$ @- c0 d93. Lord of the Flies (William Golding, 1954), T3 O. b) N7 V4 B# R* B
92. Cold Comfort Farm (Stella Gibbons, 1932)
! g6 z x; p4 J0 q* i3 R* p91. The Forsyte Saga (John Galsworthy, 1922)
8 V0 S! }1 W4 V. M) |/ W% Q8 l90. The Woman in White (Wilkie Collins, 1859), N% E( h; J: g6 L/ u' f
89. The Horse’s Mouth (Joyce Cary, 1944)
+ T8 c+ g) b' {! v) ?. U- S8 ]# l88. The Death of the Heart (Elizabeth Bowen, 1938)
2 l3 @5 p$ R! e0 c& q, @. p87. The Old Wives’ Tale (Arnold Bennett,1908)
. K0 Q4 t$ y2 j86. A Legacy (Sybille Bedford, 1956)
1 K% B% w9 x# }; M( @; g! s85. Regeneration Trilogy (Pat Barker, 1991-1995)3 t' u* G3 K+ s4 l# ^
84. Scoop (Evelyn Waugh, 1938)( T! I/ b+ j2 e2 e7 i8 A
83. Barchester Towers (Anthony Trollope, 1857)
# C8 s7 g4 \( F2 W0 i. `82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)* I1 v7 z3 I0 u0 f! \
81. The Jewel in the Crown (Paul Scott, 1966)
3 E" T$ Y; U, a% {+ ]80. Excellent Women (Barbara Pym, 1952)
2 i' u3 B8 d0 d: A, ~' d' A; @+ y/ _/ W79. His Dark Materials (Philip Pullman, 1995-2000)$ s6 }: a# m# a1 |- {- n# n# }5 p7 s; G
78. A House for Mr Biswas (VS Naipaul, 1961)
+ v# s; z# f3 J% q77. Of Human Bondage (W Somerset Maugham, 1915)) i% |' l) W4 j: ^' O" J
76. Small Island (Andrea Levy, 2004)
$ p" q# \8 V! ]+ O- J7 q75. Women in Love (DH Lawrence, 1920)6 F& S0 m! k1 o* [) e
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
# |0 J8 w: I; ?73. The Blue Flower (Penelope Fitzgerald, 1995)' a. i- u- `! H- H0 j5 D
72. The Heart of the Matter (Graham Greene, 1948)
* ]- l+ Z/ K5 X0 u71. Old Filth (Jane Gardam, 2004)
2 L( c. {6 e3 K70. Daniel Deronda (George Eliot, 1876)
_5 ~8 O1 B9 q+ k7 t& |' [9 ?# w) C! @69. Nostromo (Joseph Conrad, 1904)/ w* |* s3 z2 y6 K/ |
68. A Clockwork Orange (Anthony Burgess, 1962)) u' @5 X2 D' F4 k
67. Crash (JG Ballard 1973)
2 w9 r0 P1 A$ \* U66. Sense and Sensibility (Jane Austen, 1811)
& `) b$ _1 n, ?6 V# C1 D& {65. Orlando (Virginia Woolf, 1928)
5 @9 t Q, p& x4 e8 }64. The Way We Live Now (Anthony Trollope, 1875)2 E& F/ K4 q% V4 Z) ^
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)% F" P9 [- N% a" `0 V& L+ a
62. Animal Farm (George Orwell, 1945) \2 u `- a. ]: o# ?
61. The Sea, The Sea (Iris Murdoch, 1978)
- t/ B( {; _7 s ^60. Sons and Lovers (DH Lawrence, 1913)
; ~8 L% ?8 N0 r2 ^59. The Line of Beauty (Alan Hollinghurst, 2004)
! o; @7 O! D( [5 i58. Loving (Henry Green, 1945)
' Z3 S- P' T# B& U' S6 o0 r2 o57. Parade’s End (Ford Madox Ford, 1924-1928)% N+ j: G3 X& Y! h
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
" ~1 n) e7 r, l, }0 Q0 |55. Gulliver’s Travels (Jonathan Swift, 1726)7 g: d. i( x, t o$ B
54. NW (Zadie Smith, 2012)
/ K& [- G" V/ E/ @3 B53. Wide Sargasso Sea (Jean Rhys, 1966)! M7 Y2 t$ ?+ W
52. New Grub Street (George Gissing, 1891)" P; j( v0 }) u6 g( S2 L4 n" S. `
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
- M8 [2 }( Q( W( b50. A Passage to India (EM Forster, 1924)
2 l- F. T) v, V' D49. Possession (AS Byatt, 1990)
8 t/ L" W v3 p/ z: T! P48. Lucky Jim (Kingsley Amis, 1954)5 K* G# ~: d- V4 W1 B: h+ ?7 M
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)8 x1 q1 ^$ y+ t2 N
46. Midnight’s Children (Salman Rushdie, 1981)
4 I: o9 p6 ^3 h5 a45. The Little Stranger (Sarah Waters, 2009); p' a! ]. s" M8 I
44. Wolf Hall (Hilary Mantel, 2009)
+ D3 r3 _' x; n' n2 s" _43. The Swimming Pool Library (Alan Hollinghurst, 1988)# d \6 j% B" @. c& K6 T8 f5 S
42. Brighton Rock (Graham Greene, 1938)
7 t! w4 B6 y7 ~$ ]. p: h# G41. Dombey and Son (Charles Dickens, 1848). b6 t8 a5 | b4 M: Y
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865). M# N3 x* W. G( u
39. The Sense of an Ending (Julian Barnes, 2011)
0 o& j3 P* r6 T( O2 J3 F38. The Passion (Jeanette Winterson, 1987)
8 w% b+ a* i9 C# e37. Decline and Fall (Evelyn Waugh, 1928)
, {/ s( Z- r3 [0 {36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
7 n6 g) d. f- ?: p1 ^3 p4 D% m35. Remainder (Tom McCarthy, 2005)
+ _0 O6 X/ o, I! _34. Never Let Me Go (Kazuo Ishiguro, 2005)
/ S5 `$ [ O7 k# L1 v: I* G8 r33. The Wind in the Willows (Kenneth Grahame, 1908)
$ Z* H) g, Q! k* t0 F9 y/ J8 _- V9 L32. A Room with a View (EM Forster, 1908)+ g9 G+ [& B9 b
31. The End of the Affair (Graham Greene, 1951)
; |( p" d0 g- _, j) H. `30. Moll Flanders (Daniel Defoe, 1722)
+ A/ v1 _% K8 O9 T& X8 R& y1 d29. Brick Lane (Monica Ali, 2003)
9 H* e+ a+ o# G8 D; e4 U* d28. Villette (Charlotte Brontë, 1853)- m5 g+ ?2 o- Q
27. Robinson Crusoe (Daniel Defoe, 1719)5 l0 e6 ]' ?7 r. G! W O
26. The Lord of the Rings (JRR Tolkien, 1954)# ~' p5 U/ X1 _ M
25. White Teeth (Zadie Smith, 2000)6 m1 F3 s% A9 D, D c! O. J) _& f _2 {
24. The Golden Notebook (Doris Lessing, 1962)# a) L. b: r# ^. ~) p7 b: }
23. Jude the Obscure (Thomas Hardy, 1895)# C# R# K9 m$ U V: n; b. t
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)" v7 ~: c" c2 c/ O
21. Heart of Darkness (Joseph Conrad, 1899)* V$ [1 m3 q% V' A! |0 D3 ` _: M
20. Persuasion (Jane Austen, 1817)- D" j5 p6 u1 o# M8 i! K2 v6 v% z
19. Emma (Jane Austen, 1815): m# T4 O+ j a B
18. Remains of the Day (Kazuo Ishiguro, 1989)* | D1 v. W& ~
17. Howards End (EM Forster, 1910) V# T/ ?+ @, b: {* a
16. The Waves (Virginia Woolf, 1931)
' k) p2 u6 |4 s' [* o3 y+ n0 j15. Atonement (Ian McEwan, 2001)- n: z0 f6 _# b& P' _$ A% G
14. Clarissa (Samuel Richardson,1748)
- q- ^+ Y1 I! q9 _0 y& h13. The Good Soldier (Ford Madox Ford, 1915)
6 u/ g+ f2 n \; t. c ^: e1 M+ F12. Nineteen Eighty-Four (George Orwell, 1949)
R- c& V% f& N$ j1 y11. Pride and Prejudice (Jane Austen, 1813)5 L, z9 W5 I9 \! [
10. Vanity Fair (William Makepeace Thackeray, 1848)
: k( p/ E; w8 C v& Z% u; J% T* ~9. Frankenstein (Mary Shelley, 1818)- i' h. C6 [6 W; \! C
8. David Copperfield (Charles Dickens, 1850)! {' F2 r5 E P z6 }1 {' U/ T% M
7. Wuthering Heights (Emily Brontë, 1847)
4 k( e. U& g U$ z- Y/ J/ m6 L6. Bleak House (Charles Dickens, 1853)
]# U$ O" f9 B/ E( P0 I5. Jane Eyre (Charlotte Brontë, 1847)
/ t2 ?3 Q& J0 N- h6 r3 \4. Great Expectations (Charles Dickens, 1861)
( | Q8 E1 `3 U7 j! L7 X3. Mrs. Dalloway (Virginia Woolf, 1925)
) `* K) ]/ h3 y0 a2. To the Lighthouse (Virginia Woolf, 1927)
; h! m! A% @* u s. k$ ^1. Middlemarch (George Eliot, 1874); W/ @0 G( f- X! E J3 b% k
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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$ F3 j( j. c3 _8 p `呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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