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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 4 ~' v" m1 g2 G: d( t. M
1 X3 j1 l0 i2 D2 VBBC评出100大英国文学名著
' [% C: M) M* k T' b8 Q i1 V- @3 h+ O# ^http://www.bbc.com/culture/story ... test-british-novels
( g& ^ q: q$ ~( Z: j3 X4 `惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。+ d$ L! N) u1 K+ c
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100. The Code of the Woosters (PG Wodehouse, 1938); X( E& o# C/ n, A4 Y: }
99. There but for the (Ali Smith, 2011)- W0 {! U) t- T6 v a; ^6 e: s
98. Under the Volcano (Malcolm Lowry,1947)
) j3 e5 K4 g4 ^$ |( B1 U+ |97. The Chronicles of Narnia (CS Lewis, 1949-1954) f. r! ]) e' s; o% {
96. Memoirs of a Survivor (Doris Lessing, 1974)
8 m, \+ _) ]2 j3 F7 |* o+ h95. The Buddha of Suburbia (Hanif Kureishi, 1990)
/ C" [, N1 S6 E8 P/ f( V$ O0 ~94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824). V4 }/ m ^5 W
93. Lord of the Flies (William Golding, 1954)
7 ^' f+ S* g6 U4 C92. Cold Comfort Farm (Stella Gibbons, 1932). B6 M; T6 f! V, C) i5 a& ^7 g( i5 G( }
91. The Forsyte Saga (John Galsworthy, 1922)( o5 o. ^% |, u4 B+ U
90. The Woman in White (Wilkie Collins, 1859), d4 S1 z( B/ A: k4 V9 p7 t J
89. The Horse’s Mouth (Joyce Cary, 1944)0 p, R. t* L, v4 v) O8 G
88. The Death of the Heart (Elizabeth Bowen, 1938)
4 \8 H+ O$ i. J87. The Old Wives’ Tale (Arnold Bennett,1908)
0 M3 B# m. U. i/ H8 n: {3 l86. A Legacy (Sybille Bedford, 1956)+ x# s9 V7 t2 a. k1 a# t9 a6 {
85. Regeneration Trilogy (Pat Barker, 1991-1995)/ _ p, y; Z0 b* |$ v: D
84. Scoop (Evelyn Waugh, 1938)
, P& v7 i9 v# o. U7 \- G) ~83. Barchester Towers (Anthony Trollope, 1857) J% q. j5 ?4 O
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
$ u5 ~8 O, x3 { B& l81. The Jewel in the Crown (Paul Scott, 1966)( D9 E( P6 M; t
80. Excellent Women (Barbara Pym, 1952)
/ Q# H8 v+ _: r$ N" ~3 r. l6 Y/ L79. His Dark Materials (Philip Pullman, 1995-2000)# }) q' T3 K! D" T' t S6 I
78. A House for Mr Biswas (VS Naipaul, 1961)" e5 O& |/ T. {! B, `
77. Of Human Bondage (W Somerset Maugham, 1915)0 p# \3 V) Q- {, J- |
76. Small Island (Andrea Levy, 2004)0 f: K2 Z6 ^. [6 i- c
75. Women in Love (DH Lawrence, 1920)
+ d& O$ X& x g3 b% ~3 k4 M74. The Mayor of Casterbridge (Thomas Hardy, 1886)! ~1 F+ t7 k+ r; \9 ~! Q+ m
73. The Blue Flower (Penelope Fitzgerald, 1995)
# H" M- ?0 B5 K/ q9 Z72. The Heart of the Matter (Graham Greene, 1948)6 r$ G: U, `! P7 j
71. Old Filth (Jane Gardam, 2004)( Q4 U% t& ]8 ^; `2 q3 K- h- O
70. Daniel Deronda (George Eliot, 1876)' a$ K. ]: i+ d `0 }7 K/ |
69. Nostromo (Joseph Conrad, 1904)
4 a0 g* B# q% M" G68. A Clockwork Orange (Anthony Burgess, 1962)
7 {1 p+ J) E( H67. Crash (JG Ballard 1973)
/ l( h* s1 ?! e( f1 ~4 k/ V66. Sense and Sensibility (Jane Austen, 1811)3 ~. \# v) N, o" d
65. Orlando (Virginia Woolf, 1928)- h ^2 b+ G( G( @. q
64. The Way We Live Now (Anthony Trollope, 1875)
0 K y# C8 m- ^4 l. ?63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)3 ? N" s+ C! [, H/ ]! ]1 O: Y5 m% g
62. Animal Farm (George Orwell, 1945)' z* x7 r$ `2 ?' R
61. The Sea, The Sea (Iris Murdoch, 1978)
5 X- K) r# u z) z$ r" M, W- g60. Sons and Lovers (DH Lawrence, 1913)/ ^5 p0 s* M9 a( N) K$ ]! O
59. The Line of Beauty (Alan Hollinghurst, 2004)5 R# a* X& P3 W2 l
58. Loving (Henry Green, 1945)
$ |1 Z B+ [' T57. Parade’s End (Ford Madox Ford, 1924-1928). h% |) g: @9 `! X3 h
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
7 q* V: A- g' l! ]9 S3 W55. Gulliver’s Travels (Jonathan Swift, 1726)9 _6 ^7 Z2 E, T8 q* e- q4 Z
54. NW (Zadie Smith, 2012)
4 p! r* w0 ?* G- q; H* |4 `53. Wide Sargasso Sea (Jean Rhys, 1966): [% v! ]( b) _# {8 ^+ S9 s" k
52. New Grub Street (George Gissing, 1891)
$ N7 v7 v0 \1 h+ U0 V51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
4 U% G+ K) R2 k: i- W7 a50. A Passage to India (EM Forster, 1924)" r5 @7 @: h7 ^
49. Possession (AS Byatt, 1990)
" j7 @3 C" a' T% b4 i48. Lucky Jim (Kingsley Amis, 1954)9 u- h* M$ n% C& U
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)' {3 U' i, T8 ]3 o' J- s- `* M
46. Midnight’s Children (Salman Rushdie, 1981)4 @5 }9 G, j3 J" r- B% j: z: [: J
45. The Little Stranger (Sarah Waters, 2009)
|8 @% X4 l+ L3 I+ c) v! h# }44. Wolf Hall (Hilary Mantel, 2009)( H: N/ p- Y. v' B
43. The Swimming Pool Library (Alan Hollinghurst, 1988)! }( Q3 _; a ?) H1 k% G% E
42. Brighton Rock (Graham Greene, 1938)
+ b7 w0 o8 L* J; n& R7 K41. Dombey and Son (Charles Dickens, 1848)! w+ r H ?$ _6 d0 m0 D0 o- A
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
4 Q% a% F- w: U39. The Sense of an Ending (Julian Barnes, 2011)- u+ V% `9 ?6 R1 |8 O. ^
38. The Passion (Jeanette Winterson, 1987)
9 h; e( n" M7 z* v4 S# ]37. Decline and Fall (Evelyn Waugh, 1928)6 |6 U* |- x, r; z6 ? t
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
: C" L2 Z2 j. }5 e! @35. Remainder (Tom McCarthy, 2005)
9 S3 O2 S- v% ^' V34. Never Let Me Go (Kazuo Ishiguro, 2005)
* K$ e- F. `" G/ b' @+ V* k33. The Wind in the Willows (Kenneth Grahame, 1908)
2 `" y8 m( y* M5 H% N32. A Room with a View (EM Forster, 1908)
: R2 q7 C9 a, i7 r1 R5 N Y) J( {. {31. The End of the Affair (Graham Greene, 1951)4 r$ d+ w/ d; f' n! b2 m m
30. Moll Flanders (Daniel Defoe, 1722)- X+ r% G) K) L9 y; ^
29. Brick Lane (Monica Ali, 2003)0 R; C5 c9 Q# {# m7 W9 Q/ o# u# j
28. Villette (Charlotte Brontë, 1853)9 e1 D7 E$ T/ t' s$ T2 [' e
27. Robinson Crusoe (Daniel Defoe, 1719)& }1 d0 t, ]' d. l( C% H! M
26. The Lord of the Rings (JRR Tolkien, 1954)7 Z: E' f0 ]( S9 b
25. White Teeth (Zadie Smith, 2000)
7 P8 \% q0 \3 R7 B24. The Golden Notebook (Doris Lessing, 1962)
1 t/ S- z* c# j' s2 R23. Jude the Obscure (Thomas Hardy, 1895)
/ y, X( Z4 v4 O7 }22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)% ]9 ^1 O/ B v% q& C
21. Heart of Darkness (Joseph Conrad, 1899)
4 Y$ k1 q) o( U4 Z3 j20. Persuasion (Jane Austen, 1817)
; F! w8 O" u$ U2 J# L) z; a19. Emma (Jane Austen, 1815)
- i; B* E% d' W' |+ M6 `18. Remains of the Day (Kazuo Ishiguro, 1989)1 u! r4 n- L& y; m
17. Howards End (EM Forster, 1910)
2 u; e" H/ W/ E) k& l T16. The Waves (Virginia Woolf, 1931)
' v( u3 D) J y15. Atonement (Ian McEwan, 2001): {: \. g6 Y$ S7 s2 V! n! U0 w
14. Clarissa (Samuel Richardson,1748)
0 }3 F( O! y- \# \/ D* [) A0 n13. The Good Soldier (Ford Madox Ford, 1915)1 I: H' x2 j$ b' V" `
12. Nineteen Eighty-Four (George Orwell, 1949): F% D8 J4 h" L( u( Z
11. Pride and Prejudice (Jane Austen, 1813)
- h# x, t# o M/ N) H4 M( Z10. Vanity Fair (William Makepeace Thackeray, 1848)/ f) ?& H4 V3 f( W" v4 {! k
9. Frankenstein (Mary Shelley, 1818)+ t0 y+ S0 V6 ~$ m9 K
8. David Copperfield (Charles Dickens, 1850)
. M& b; N$ a/ p9 `0 H/ H7. Wuthering Heights (Emily Brontë, 1847)
( V( \1 V. E& _ m7 O" y2 z+ X6. Bleak House (Charles Dickens, 1853)1 A+ b0 o5 ?" ^4 X* K
5. Jane Eyre (Charlotte Brontë, 1847)* C+ J* ~7 `+ K- C
4. Great Expectations (Charles Dickens, 1861); V! x) A* D! l" E/ z4 l
3. Mrs. Dalloway (Virginia Woolf, 1925)
( G5 _- z; }' V u0 P2. To the Lighthouse (Virginia Woolf, 1927)7 e: u/ Z/ o+ O! O/ w% V
1. Middlemarch (George Eliot, 1874)
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% ]5 p7 d7 J$ B- ~! O% w. o前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。 p1 O( a% _% k# A
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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