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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ) O/ I' ~' _% O9 a" i, [! ]! u( q& R
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BBC评出100大英国文学名著
6 ]0 e C5 P, @+ K# p2 ~# f8 xhttp://www.bbc.com/culture/story ... test-british-novels8 `- D# p: b, U4 R' [+ ~; J- w
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)& ]' f2 { n+ L. h C, a0 g( n$ c1 p
99. There but for the (Ali Smith, 2011)
8 Q. n8 ~9 [7 l98. Under the Volcano (Malcolm Lowry,1947), H' g' C5 U" Y9 T
97. The Chronicles of Narnia (CS Lewis, 1949-1954)" x% W9 c% g8 {2 k8 T
96. Memoirs of a Survivor (Doris Lessing, 1974)
5 ]: F* \8 `( c! D95. The Buddha of Suburbia (Hanif Kureishi, 1990)8 D2 }5 L' ~* N
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
3 p) \) N+ t1 f6 X5 w93. Lord of the Flies (William Golding, 1954)
: l, C+ F, E! z7 [- P# {- I5 q- l92. Cold Comfort Farm (Stella Gibbons, 1932)4 h7 P* W- C$ i. _4 }
91. The Forsyte Saga (John Galsworthy, 1922)
+ O0 M# K2 m# x. H9 `5 Y' _ T1 A3 N90. The Woman in White (Wilkie Collins, 1859)
% O' q) d' @" e" k89. The Horse’s Mouth (Joyce Cary, 1944)
* I& `# ~8 h% }% r3 Q88. The Death of the Heart (Elizabeth Bowen, 1938)$ A2 `3 H0 Q/ p5 \3 n% t1 c+ t* ~
87. The Old Wives’ Tale (Arnold Bennett,1908)
3 s5 G6 s4 v9 R5 }3 M" S# Z86. A Legacy (Sybille Bedford, 1956)+ l4 q( l: y7 n* I4 \/ v
85. Regeneration Trilogy (Pat Barker, 1991-1995)
3 |+ P/ w+ w: I2 [7 v! s. g84. Scoop (Evelyn Waugh, 1938) o# ]8 ]( o" C( b7 @7 k+ e
83. Barchester Towers (Anthony Trollope, 1857)
U3 J B$ |( |6 Z2 b0 x82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)! l* @' J% X6 n8 z, \$ V4 x) R3 e( |
81. The Jewel in the Crown (Paul Scott, 1966)$ o7 k- n3 e: R, F) b
80. Excellent Women (Barbara Pym, 1952)
p; M* k$ b) @0 R9 i& ?: N79. His Dark Materials (Philip Pullman, 1995-2000)
3 S" o3 e# x% H7 P78. A House for Mr Biswas (VS Naipaul, 1961)
& j- N5 t8 q$ s77. Of Human Bondage (W Somerset Maugham, 1915)* g8 J& n' V2 N2 n, h
76. Small Island (Andrea Levy, 2004)
# Y. ]; U' \2 V {& r! p7 M75. Women in Love (DH Lawrence, 1920)
& [% \0 A t1 c3 s6 r74. The Mayor of Casterbridge (Thomas Hardy, 1886)% S/ B$ q) T( @8 v S- C: t+ y2 Q
73. The Blue Flower (Penelope Fitzgerald, 1995)3 @# X7 c; v9 J! h( I2 b: e
72. The Heart of the Matter (Graham Greene, 1948)
/ V% B; P1 l7 }: d71. Old Filth (Jane Gardam, 2004)6 |( f5 W9 b5 N+ f
70. Daniel Deronda (George Eliot, 1876)
8 c2 `6 ]! Y& e! P6 d69. Nostromo (Joseph Conrad, 1904)
9 W; A* J" B& h5 n7 {# |68. A Clockwork Orange (Anthony Burgess, 1962)
- O" C9 U( N) Q1 b% l* t4 B67. Crash (JG Ballard 1973)/ a: G, U7 I* r
66. Sense and Sensibility (Jane Austen, 1811) o7 t d& s- j& I Q% @, `0 i1 t3 X
65. Orlando (Virginia Woolf, 1928)
" C! `" E, v3 R1 n64. The Way We Live Now (Anthony Trollope, 1875)
: D2 `4 P K; T1 k1 W% ~+ L63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)1 A# ~2 P4 L0 _
62. Animal Farm (George Orwell, 1945)
0 c4 \9 w" F! x. }61. The Sea, The Sea (Iris Murdoch, 1978)' e1 ?& X% x; m8 t- [
60. Sons and Lovers (DH Lawrence, 1913)
' B" U6 a {8 A! C59. The Line of Beauty (Alan Hollinghurst, 2004)
! g* I `: T9 N) V' o0 j n58. Loving (Henry Green, 1945)
" F& ]# \+ ^: b" t7 B* W! K. C! O) G57. Parade’s End (Ford Madox Ford, 1924-1928)
, \) T/ p2 T, }0 z% v3 K56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
1 E' R, H3 A) {' F8 o$ Q55. Gulliver’s Travels (Jonathan Swift, 1726)
1 V( h P+ U; M5 ?54. NW (Zadie Smith, 2012)7 V; C) n# G+ ^1 {
53. Wide Sargasso Sea (Jean Rhys, 1966)6 ~6 ?' Q8 [, l+ p; v
52. New Grub Street (George Gissing, 1891)$ h4 _, ]0 g! x! u
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
7 Q4 }( g& V7 E, a c/ i7 x0 f50. A Passage to India (EM Forster, 1924)* S0 G, j# ^9 Y
49. Possession (AS Byatt, 1990)
2 e" t, @4 \" B; v48. Lucky Jim (Kingsley Amis, 1954)6 S$ B. {9 \9 B- u4 R( G" \
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759), t# `" Q1 E4 [8 `& ?( E3 s
46. Midnight’s Children (Salman Rushdie, 1981)& A# ^1 `' b+ U+ h9 J
45. The Little Stranger (Sarah Waters, 2009)
4 n, `6 x7 I2 @7 a: T44. Wolf Hall (Hilary Mantel, 2009), F; |0 C" z* R% u+ B$ y7 v
43. The Swimming Pool Library (Alan Hollinghurst, 1988), g. e, ?6 C1 D3 y" J6 R
42. Brighton Rock (Graham Greene, 1938)
& L# o; i/ o# G) [- c41. Dombey and Son (Charles Dickens, 1848)7 v! A, p. q4 z0 o- h5 A3 [
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)- v; x5 M* F. q( I% R
39. The Sense of an Ending (Julian Barnes, 2011)# h) K3 s7 Z# J3 v' Y
38. The Passion (Jeanette Winterson, 1987)) l) D5 l- n* W& K/ H8 A
37. Decline and Fall (Evelyn Waugh, 1928)! r, z' T2 y: r3 N/ r0 p
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
2 J9 @" Q6 I$ c4 O* J% ]- S! @9 Y35. Remainder (Tom McCarthy, 2005)
% P, m& r9 x) B34. Never Let Me Go (Kazuo Ishiguro, 2005)' F6 l* T2 a& |: U: p) ~
33. The Wind in the Willows (Kenneth Grahame, 1908)$ |3 |( F! {4 L/ J H& W% |
32. A Room with a View (EM Forster, 1908)
% |4 r" B7 w7 y; P31. The End of the Affair (Graham Greene, 1951)+ a+ G$ F) Q/ ~
30. Moll Flanders (Daniel Defoe, 1722)
* s) \( B- A! H9 X- n* F0 C8 W29. Brick Lane (Monica Ali, 2003)
, W; t' E- a) W$ m2 |28. Villette (Charlotte Brontë, 1853); L' {, f1 }& t! M" y+ k2 N
27. Robinson Crusoe (Daniel Defoe, 1719)
6 F- Z9 t8 Q4 F# C+ K4 x8 m J# W26. The Lord of the Rings (JRR Tolkien, 1954); ~4 o! n0 z! ]8 v
25. White Teeth (Zadie Smith, 2000)$ l7 } p/ S% B9 @; w
24. The Golden Notebook (Doris Lessing, 1962)
2 V2 a$ J3 l- X1 ]) T* z' d23. Jude the Obscure (Thomas Hardy, 1895)
* L0 G4 p4 m6 c( {6 Z! k22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
* l7 @+ n$ z& G2 T; s21. Heart of Darkness (Joseph Conrad, 1899)
' Y6 ]: Q- P+ _0 h; |& J20. Persuasion (Jane Austen, 1817)/ P) C* d2 B$ K# J! {5 n
19. Emma (Jane Austen, 1815), k- N" H* r1 `/ l2 {
18. Remains of the Day (Kazuo Ishiguro, 1989), H+ e" j, I$ |5 j. }
17. Howards End (EM Forster, 1910)
V) m! N% M9 q6 @. M0 i- y @' X+ O0 z16. The Waves (Virginia Woolf, 1931)0 ?8 t4 l0 l) o! V! E/ m
15. Atonement (Ian McEwan, 2001)
5 V4 _( H* v, T+ t; P7 `14. Clarissa (Samuel Richardson,1748)
! N9 _ y1 g' [5 Z, R13. The Good Soldier (Ford Madox Ford, 1915)
: y- S) @0 o; [# R4 X4 d5 j6 r9 K' M12. Nineteen Eighty-Four (George Orwell, 1949)
/ {8 x5 T* M. G11. Pride and Prejudice (Jane Austen, 1813)* b1 \9 |2 w" B
10. Vanity Fair (William Makepeace Thackeray, 1848)
/ H% B9 U8 ]! e7 T9. Frankenstein (Mary Shelley, 1818), x u5 ^) k1 G' T% v' s) _
8. David Copperfield (Charles Dickens, 1850)
9 u" e$ W2 Z" Y7. Wuthering Heights (Emily Brontë, 1847)/ @5 ]; i. i$ b: l4 _
6. Bleak House (Charles Dickens, 1853)
2 q* x, r6 i/ c, Y5 g5. Jane Eyre (Charlotte Brontë, 1847)) p, R% m! i: X
4. Great Expectations (Charles Dickens, 1861)
, c6 m4 v( C# U) a. P5 B3. Mrs. Dalloway (Virginia Woolf, 1925)' e+ Z Q+ a' a) V u7 b( [
2. To the Lighthouse (Virginia Woolf, 1927)
: n: ]* t, V% t* Q8 r8 i1 V; u1. Middlemarch (George Eliot, 1874)5 }4 h6 M$ h7 G* z
* w' M0 `+ F, [% q0 h6 a: X前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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