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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 6 z" r6 F" c) L! ^ f1 `
; U9 |( ^! b" E2 S* ^8 L1 l- dBBC评出100大英国文学名著. v% o: q5 m* [6 P5 {) G5 F5 e
http://www.bbc.com/culture/story ... test-british-novels
. Y* n3 A/ [: N. y+ c惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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8 K: e5 f: H2 I* X7 u' n1 C& L100. The Code of the Woosters (PG Wodehouse, 1938)6 d4 K: W% C2 R) o0 X
99. There but for the (Ali Smith, 2011)
" K/ L6 _( M9 N! @2 F* d4 e8 Z+ R% E98. Under the Volcano (Malcolm Lowry,1947)$ @- d; @ o9 A
97. The Chronicles of Narnia (CS Lewis, 1949-1954)9 q3 y8 }2 `5 f2 l' R! _7 X
96. Memoirs of a Survivor (Doris Lessing, 1974)
+ s6 Z. f" w6 Z1 P: t$ C: l95. The Buddha of Suburbia (Hanif Kureishi, 1990)
; W) d1 x4 S' W! i) k94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824); Y! R4 q9 T% ^2 P0 D6 v
93. Lord of the Flies (William Golding, 1954)- n! N5 t+ _4 t$ m5 I
92. Cold Comfort Farm (Stella Gibbons, 1932)% e v: C/ K6 u3 g
91. The Forsyte Saga (John Galsworthy, 1922)
4 z9 L, s3 w2 V8 e90. The Woman in White (Wilkie Collins, 1859)3 p* v/ [$ b# I; }2 a
89. The Horse’s Mouth (Joyce Cary, 1944)
! Y! F8 A Z! g. ?$ p G9 S88. The Death of the Heart (Elizabeth Bowen, 1938). F8 q% ^: d0 d! W) |- [ x
87. The Old Wives’ Tale (Arnold Bennett,1908)
$ F. q5 m1 l s7 ?86. A Legacy (Sybille Bedford, 1956)! N8 U6 n! N* l8 A: u; M! V
85. Regeneration Trilogy (Pat Barker, 1991-1995); l8 n0 |) \7 W& u& O2 w5 L4 Z
84. Scoop (Evelyn Waugh, 1938)
6 X, ]4 H8 W$ z: a- E* j6 O' x83. Barchester Towers (Anthony Trollope, 1857)9 e6 X* K5 l; c& i0 m) G
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)) _" g8 W0 L$ P$ h; y3 @& m
81. The Jewel in the Crown (Paul Scott, 1966)5 S+ v+ Y7 M$ b/ w' {- d
80. Excellent Women (Barbara Pym, 1952)
0 y: B- q/ G; u4 L% d$ M79. His Dark Materials (Philip Pullman, 1995-2000)5 ~! ^0 }0 }) r" i5 }* T$ m# A
78. A House for Mr Biswas (VS Naipaul, 1961)5 c5 S8 @; {$ a- i/ E
77. Of Human Bondage (W Somerset Maugham, 1915)0 E8 c( S; h& ~" S$ h i& z
76. Small Island (Andrea Levy, 2004)3 F+ o. u- s @$ k
75. Women in Love (DH Lawrence, 1920)
2 E+ }7 C+ M' n* t74. The Mayor of Casterbridge (Thomas Hardy, 1886)- V/ T! N& |( ^! s3 R& w* k4 H
73. The Blue Flower (Penelope Fitzgerald, 1995)
4 g( p0 R% Q" A) Q# G* R72. The Heart of the Matter (Graham Greene, 1948). [+ F8 i' K8 `7 X4 L4 o
71. Old Filth (Jane Gardam, 2004)' z3 z5 h" W5 q( Q% \5 Y3 V
70. Daniel Deronda (George Eliot, 1876) T* n2 G# ^4 R( Z, l: P( x
69. Nostromo (Joseph Conrad, 1904)
! Y: y' J- p% w4 _! R68. A Clockwork Orange (Anthony Burgess, 1962)4 r7 k% S8 S. ]! L
67. Crash (JG Ballard 1973)
& P' @: X1 ^% l! l2 V8 t66. Sense and Sensibility (Jane Austen, 1811)) D: B7 Z+ z# M
65. Orlando (Virginia Woolf, 1928)
/ ?1 a& N4 g$ z9 H64. The Way We Live Now (Anthony Trollope, 1875)
% R- g# w& \1 g; l4 N/ P63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
9 P. d8 [# R# B62. Animal Farm (George Orwell, 1945)
% M: Y; k8 V; e6 _2 m61. The Sea, The Sea (Iris Murdoch, 1978): N" s* K: m( z9 B
60. Sons and Lovers (DH Lawrence, 1913)
, ]- o! ?+ V3 y# b1 T. G0 S59. The Line of Beauty (Alan Hollinghurst, 2004)4 L8 k/ k$ a- @
58. Loving (Henry Green, 1945)0 a% V, e& F+ F' A5 e6 o& x8 d
57. Parade’s End (Ford Madox Ford, 1924-1928)$ W. i6 @9 N! P: K# O
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
) Z9 ~+ S% V& m# y3 o7 z5 e+ m55. Gulliver’s Travels (Jonathan Swift, 1726)' B9 f/ [) L( P6 f7 h) @& u3 U# U! _
54. NW (Zadie Smith, 2012)$ j j& ]4 }& S6 ]; n" I
53. Wide Sargasso Sea (Jean Rhys, 1966)
0 q; ^2 I- c6 }52. New Grub Street (George Gissing, 1891)
( w9 q1 [$ \. b; u# O3 S! Q51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
. J( t$ F7 W+ ^# z, K/ l) T9 n3 h50. A Passage to India (EM Forster, 1924): Q9 U: u# e* h; {) T y
49. Possession (AS Byatt, 1990)# f6 z1 t% N7 F) n8 q/ s
48. Lucky Jim (Kingsley Amis, 1954)3 K; y5 C I. {3 h w0 x4 `
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)4 n5 j6 w2 T+ P: Y T$ A
46. Midnight’s Children (Salman Rushdie, 1981)8 ~# z1 b0 ^, \& X
45. The Little Stranger (Sarah Waters, 2009)
7 |2 M$ j; w" k% s9 @44. Wolf Hall (Hilary Mantel, 2009)
4 E$ q; A0 T8 X8 b' M' h+ M, s43. The Swimming Pool Library (Alan Hollinghurst, 1988)
3 ^ y9 B# R$ x: k4 e; _42. Brighton Rock (Graham Greene, 1938)
2 A$ l$ P1 r- G# d41. Dombey and Son (Charles Dickens, 1848). \6 W3 I4 n/ A! A. o: n: @5 J
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865): @4 g; w* o. x; l5 o9 S& a3 A
39. The Sense of an Ending (Julian Barnes, 2011)1 ? }3 c7 c1 g( i k0 \
38. The Passion (Jeanette Winterson, 1987)% m5 ~+ v I% S& f8 T( j7 Y0 }
37. Decline and Fall (Evelyn Waugh, 1928)
# V( s$ s0 R3 c! M6 s36. A Dance to the Music of Time (Anthony Powell, 1951-1975)1 `6 ]9 }9 a$ w4 x
35. Remainder (Tom McCarthy, 2005)4 |: ~4 ~& j5 s' w* S, v
34. Never Let Me Go (Kazuo Ishiguro, 2005)
( A! S( |2 r' _' w% Y: W9 {( O33. The Wind in the Willows (Kenneth Grahame, 1908)* h1 e3 S" y2 _+ R6 J
32. A Room with a View (EM Forster, 1908)6 g& |5 b9 B2 ?
31. The End of the Affair (Graham Greene, 1951)5 W5 F3 q4 s( y3 O2 F8 f& s
30. Moll Flanders (Daniel Defoe, 1722)
6 z& u& ~0 K. X( y3 L p, O* u7 @8 A29. Brick Lane (Monica Ali, 2003)
% O& |. l9 @6 g7 b28. Villette (Charlotte Brontë, 1853)
; n7 Y+ d% A- f/ s n# i27. Robinson Crusoe (Daniel Defoe, 1719)
6 [. Q* f2 d; X' a4 u- O26. The Lord of the Rings (JRR Tolkien, 1954)# f: F2 x2 V0 v8 @; o
25. White Teeth (Zadie Smith, 2000)9 x! H8 l+ I: S: O2 G0 l
24. The Golden Notebook (Doris Lessing, 1962)& L' g4 D7 W, V
23. Jude the Obscure (Thomas Hardy, 1895) x1 x7 i, v5 W* N9 |3 h
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)0 G( j: q7 E+ O1 S7 w/ }& Z) i4 w
21. Heart of Darkness (Joseph Conrad, 1899)
) |- y0 y/ a! x5 Y, s20. Persuasion (Jane Austen, 1817)) E1 k9 j" }. B6 J
19. Emma (Jane Austen, 1815)) t& H# J+ ^/ X. Q
18. Remains of the Day (Kazuo Ishiguro, 1989)& \, v3 Q' ]$ e$ L# r" E* I
17. Howards End (EM Forster, 1910)
' ~9 D1 H& q" s5 o5 d16. The Waves (Virginia Woolf, 1931): _2 w) Z: G$ u; f. A0 W* n% f( d
15. Atonement (Ian McEwan, 2001)# Q% N2 m0 k. a# k3 `3 a1 z+ } G# ~
14. Clarissa (Samuel Richardson,1748)
$ t- a1 y% u7 r; j- ]4 R. T6 X13. The Good Soldier (Ford Madox Ford, 1915)
5 M+ Q+ a$ f3 A8 h9 k. i12. Nineteen Eighty-Four (George Orwell, 1949)
* o1 D/ m1 h$ J) F6 P11. Pride and Prejudice (Jane Austen, 1813)' w8 `& r! ~' _( r8 n
10. Vanity Fair (William Makepeace Thackeray, 1848)& J7 w# @+ \' R7 X
9. Frankenstein (Mary Shelley, 1818)5 y N3 o( [/ }" \( f
8. David Copperfield (Charles Dickens, 1850)
8 ?4 W+ z, _ G% ^5 V7. Wuthering Heights (Emily Brontë, 1847)
. n2 m; p3 m' [& G6. Bleak House (Charles Dickens, 1853)/ d: z) h; k( A, U, J( A
5. Jane Eyre (Charlotte Brontë, 1847)2 `- Q# }7 x: \* e6 M! L
4. Great Expectations (Charles Dickens, 1861)
/ T5 J' x; ^. T; }' u3. Mrs. Dalloway (Virginia Woolf, 1925), h3 j+ |& K' J& A
2. To the Lighthouse (Virginia Woolf, 1927)
- y8 M. V" N% D; Q1. Middlemarch (George Eliot, 1874)9 F# R+ r! _* I2 Z% s
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。3 `$ |, s, \- i" W4 D/ y
$ K N7 _ g; r2 r+ S$ H) [& C$ c呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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