|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
' w ~" F0 Y" Z. B
/ h# K5 U, {" s3 `8 |3 o! wBBC评出100大英国文学名著
Y- Z+ J! z! [% c9 E! a7 |4 w# g3 q, Dhttp://www.bbc.com/culture/story ... test-british-novels
2 ~9 X% ~ O( Z# M7 V. L惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
4 ?! X8 Q$ V" i( L6 U4 `" b7 k5 Z x3 ^/ }! V0 Q) r! I
100. The Code of the Woosters (PG Wodehouse, 1938)
8 c* S W3 \3 X: C99. There but for the (Ali Smith, 2011)
/ @& E2 H. W5 \& I! m4 j) K98. Under the Volcano (Malcolm Lowry,1947)
5 W B% S. H! G5 ?5 X8 u3 c97. The Chronicles of Narnia (CS Lewis, 1949-1954)9 k' E8 H& I; ?/ L0 m
96. Memoirs of a Survivor (Doris Lessing, 1974)
8 V9 i5 Y8 U4 q- q, x( @95. The Buddha of Suburbia (Hanif Kureishi, 1990)& T+ \! G- _9 P& O( Y+ V
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
+ N) k- f0 o2 ~" r3 O7 g93. Lord of the Flies (William Golding, 1954)
h2 N- g0 I7 T% e$ ^' J92. Cold Comfort Farm (Stella Gibbons, 1932)
% Q$ t2 u- U) k: L9 @( R; A91. The Forsyte Saga (John Galsworthy, 1922)8 H& i; l. P1 G7 t0 |/ F
90. The Woman in White (Wilkie Collins, 1859)
9 u" ^5 {- F7 \5 Y6 d89. The Horse’s Mouth (Joyce Cary, 1944)0 [7 v1 T, W4 q5 N
88. The Death of the Heart (Elizabeth Bowen, 1938) _, ?2 k# k# [6 v+ R5 J. R
87. The Old Wives’ Tale (Arnold Bennett,1908)
; ^7 V4 Y' E I1 G! c: r86. A Legacy (Sybille Bedford, 1956)
5 w; s6 M2 \, H5 G' S85. Regeneration Trilogy (Pat Barker, 1991-1995)0 e; ~- C% x, _
84. Scoop (Evelyn Waugh, 1938)+ V. N; \! Q( e
83. Barchester Towers (Anthony Trollope, 1857)
$ d# V0 l1 u, U( m4 V8 V5 o% ?82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
; H: `' w% s! m! N4 `81. The Jewel in the Crown (Paul Scott, 1966)
, u- @ s; r0 P' B/ F H! s# _& t" l80. Excellent Women (Barbara Pym, 1952)
0 e+ u9 e8 l! |' |( s) i79. His Dark Materials (Philip Pullman, 1995-2000)
2 R0 d: `, Z9 I( ^% n& r; f$ J, I78. A House for Mr Biswas (VS Naipaul, 1961)6 h8 k R4 h: ?+ | i) D
77. Of Human Bondage (W Somerset Maugham, 1915)# E4 S0 w' ^% s3 `8 E ]6 N" q
76. Small Island (Andrea Levy, 2004)
* R* u0 d: Z! C. Y' }& p. d75. Women in Love (DH Lawrence, 1920)
9 V& P/ t: V$ G0 q8 ~74. The Mayor of Casterbridge (Thomas Hardy, 1886): L @* v! @+ @+ r% r9 G
73. The Blue Flower (Penelope Fitzgerald, 1995)% C3 h6 ~7 O8 h$ G+ v# g) t
72. The Heart of the Matter (Graham Greene, 1948): {* s n1 G0 J; b1 k* u% w
71. Old Filth (Jane Gardam, 2004)
. c$ w. ~! B9 b+ f$ U; \% c70. Daniel Deronda (George Eliot, 1876)% M$ [7 N5 ^; ~, h( W: r" j
69. Nostromo (Joseph Conrad, 1904)$ Y( r& x' ~- i6 u$ U
68. A Clockwork Orange (Anthony Burgess, 1962)% ^. @6 \+ R: Z8 P
67. Crash (JG Ballard 1973)
9 n6 T) B( i2 Z( ?4 V5 s66. Sense and Sensibility (Jane Austen, 1811)+ s& N' {+ H( e8 t
65. Orlando (Virginia Woolf, 1928)* r# t7 e+ t g# L8 ^
64. The Way We Live Now (Anthony Trollope, 1875)
6 O1 V0 \' t; T: d( r63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
8 W3 ` C5 e- j8 `8 B62. Animal Farm (George Orwell, 1945), \. j. v' Q9 ]8 f
61. The Sea, The Sea (Iris Murdoch, 1978)3 E9 ~6 Y6 M0 y4 P4 c% }1 P4 {
60. Sons and Lovers (DH Lawrence, 1913)9 W3 B" H8 n* t, {) E
59. The Line of Beauty (Alan Hollinghurst, 2004)
4 ~% I0 S: W, J) c i58. Loving (Henry Green, 1945)
) U4 e2 h8 K. D3 X57. Parade’s End (Ford Madox Ford, 1924-1928). T+ Y: Z% [; v5 P' G0 M; E
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
! }7 @ a: W' @- w! s6 W55. Gulliver’s Travels (Jonathan Swift, 1726)
' r2 \0 Z8 F# ~+ k. Y: b N, W! K54. NW (Zadie Smith, 2012)# @6 U/ C: L9 F+ C- Z
53. Wide Sargasso Sea (Jean Rhys, 1966)5 c% \7 W2 Q1 Q8 S) `! o
52. New Grub Street (George Gissing, 1891)
. e, I6 }4 K1 r( e51. Tess of the d’Urbervilles (Thomas Hardy, 1891) \! G! E: g% [$ z
50. A Passage to India (EM Forster, 1924)
. o3 R9 @5 o0 R5 L. x' k9 r8 ~49. Possession (AS Byatt, 1990)
* b. S4 j4 ?7 I* ?& r; k48. Lucky Jim (Kingsley Amis, 1954)' D% W- J' Z% O& ^' {
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
! H+ J: A- m" Y& T4 T1 L* O- _3 C1 Y& r46. Midnight’s Children (Salman Rushdie, 1981); | j1 _: B6 Z' u4 S' V
45. The Little Stranger (Sarah Waters, 2009)
4 ]& O) ^! E8 t9 o, K3 `44. Wolf Hall (Hilary Mantel, 2009); U% n0 Y/ f) P( C
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
/ `# x. C" M" E) |9 ?42. Brighton Rock (Graham Greene, 1938)* K, R B% A8 i: X
41. Dombey and Son (Charles Dickens, 1848)3 U0 r# ?& W& X6 c' {1 i+ j
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
1 A, F$ v" G4 e, ?% }39. The Sense of an Ending (Julian Barnes, 2011)' ^& e' i9 y" X3 h/ H6 F
38. The Passion (Jeanette Winterson, 1987)3 C/ \4 s( r; m; H
37. Decline and Fall (Evelyn Waugh, 1928)
2 n4 A1 A( l8 V' V- [36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
4 m3 g8 B& }# _* b# G5 W- [4 H5 Y" D35. Remainder (Tom McCarthy, 2005)- ` u. A6 M n1 o D8 u' G2 q
34. Never Let Me Go (Kazuo Ishiguro, 2005), \ A4 I1 W8 k5 c8 d$ q+ R! W+ P
33. The Wind in the Willows (Kenneth Grahame, 1908)
. t( Q; x Q7 l4 ~( W32. A Room with a View (EM Forster, 1908)- ~3 [$ f% d' b% o- ?/ l
31. The End of the Affair (Graham Greene, 1951)) z+ f% z `9 z, Z& ?
30. Moll Flanders (Daniel Defoe, 1722)2 C4 \3 a1 m9 e" y
29. Brick Lane (Monica Ali, 2003)
[3 ]7 K" m" n/ u28. Villette (Charlotte Brontë, 1853): {) m- }3 J+ V5 ~& |! _! G7 ?
27. Robinson Crusoe (Daniel Defoe, 1719)
* a- V8 ^( n4 e0 M9 d; J& @. ?26. The Lord of the Rings (JRR Tolkien, 1954)
6 C2 t" G/ F# N& P+ r9 @$ k* k25. White Teeth (Zadie Smith, 2000)
% n3 n8 G9 r% |. b2 n- t0 C24. The Golden Notebook (Doris Lessing, 1962)
# C7 [* n9 Y" @& G, h23. Jude the Obscure (Thomas Hardy, 1895)
, T0 n6 E4 v0 k: W( s22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)9 o7 g a& O8 f0 o5 B& _8 F& W
21. Heart of Darkness (Joseph Conrad, 1899)% \1 X; j. Y& W2 t& M1 ^
20. Persuasion (Jane Austen, 1817)7 \5 ]0 r# B" S/ D6 d+ @: X0 v
19. Emma (Jane Austen, 1815)$ X! g0 V" e J9 f3 Z$ o
18. Remains of the Day (Kazuo Ishiguro, 1989)3 _* t6 Y, ?0 i' Q) j& \9 i' O) w ~
17. Howards End (EM Forster, 1910)
+ Z; f" S7 l, x$ s$ C, Z8 ^" X( a; w16. The Waves (Virginia Woolf, 1931)4 s9 ^' }: R# o
15. Atonement (Ian McEwan, 2001)1 g5 I* k5 D _' x1 E4 K
14. Clarissa (Samuel Richardson,1748)6 y, O6 @, C% @* b! e
13. The Good Soldier (Ford Madox Ford, 1915)
% F/ p) x4 @8 {' K7 l& S$ g6 g9 q12. Nineteen Eighty-Four (George Orwell, 1949)
1 Y4 M/ T4 v3 q3 H. A' R9 y11. Pride and Prejudice (Jane Austen, 1813)
& q' D+ e% H* A* t5 |10. Vanity Fair (William Makepeace Thackeray, 1848)
# y; M5 Q; `& x& j" \$ F9. Frankenstein (Mary Shelley, 1818)/ I1 B- Z- L- f. ~; Z2 O: d
8. David Copperfield (Charles Dickens, 1850)) p4 C0 G3 B' s' y3 L1 R
7. Wuthering Heights (Emily Brontë, 1847)$ G: K( L; l& j2 c7 W1 X
6. Bleak House (Charles Dickens, 1853); G9 E8 T$ `! p! `& U2 b
5. Jane Eyre (Charlotte Brontë, 1847)+ S; ~/ \+ a* p* M8 R/ p2 t
4. Great Expectations (Charles Dickens, 1861)
/ j* m$ r0 `/ U1 Q% F4 z* I3. Mrs. Dalloway (Virginia Woolf, 1925)2 V- @& j! V+ ~* s! u% Y
2. To the Lighthouse (Virginia Woolf, 1927) e# j D& `. n _
1. Middlemarch (George Eliot, 1874) |) K# f: B$ y. G3 z
$ C1 I8 r/ c) ]! H前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。6 G3 `' X& P3 O% l; D
' [! @3 A0 W1 H# m% N呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
