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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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0 V6 v9 `2 d/ w7 r( mBBC评出100大英国文学名著. Q+ T* ?# c% D4 s
http://www.bbc.com/culture/story ... test-british-novels8 P% E; [( N; m! A7 Z s: [9 }/ X
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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2 q2 ] S4 e. c" s100. The Code of the Woosters (PG Wodehouse, 1938)6 j: v* b4 ^+ i8 X2 ?; a
99. There but for the (Ali Smith, 2011)
: w9 C3 c2 b: @: r# b q) Z5 t8 t98. Under the Volcano (Malcolm Lowry,1947)2 N: `/ Y8 {- j* r5 x2 e3 v
97. The Chronicles of Narnia (CS Lewis, 1949-1954): X/ E* C' @4 q h% k
96. Memoirs of a Survivor (Doris Lessing, 1974). \% k$ p+ i1 S2 w8 O
95. The Buddha of Suburbia (Hanif Kureishi, 1990)4 @0 ?. H, { i& r: _5 [
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)7 M4 a, k. M+ n9 O A0 I1 N
93. Lord of the Flies (William Golding, 1954)
* d) I) G* m0 l2 j% F92. Cold Comfort Farm (Stella Gibbons, 1932)
$ ]+ E" p7 _. G% @91. The Forsyte Saga (John Galsworthy, 1922)2 n; r) p: s# ]0 M, R( e$ ~3 N( d
90. The Woman in White (Wilkie Collins, 1859)7 z& u1 L, D) E( S$ N! Y
89. The Horse’s Mouth (Joyce Cary, 1944)
; F& g) i" _* m- H; J, X88. The Death of the Heart (Elizabeth Bowen, 1938), p" H1 F6 N5 Z( @/ E( R! i
87. The Old Wives’ Tale (Arnold Bennett,1908)
8 ~" M8 A( P6 P# d86. A Legacy (Sybille Bedford, 1956)
2 \5 [& g8 L* Z85. Regeneration Trilogy (Pat Barker, 1991-1995)
; m: r6 r p1 R9 x4 ~+ E84. Scoop (Evelyn Waugh, 1938)
0 Q* W9 l7 A8 w83. Barchester Towers (Anthony Trollope, 1857)6 O" B G8 h [# a; t/ y$ X
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)& z" ?2 @. }' m2 n
81. The Jewel in the Crown (Paul Scott, 1966)" L3 [( @+ y- K& ~6 Y( j- e
80. Excellent Women (Barbara Pym, 1952)" H8 f; `4 O# U# t/ z$ A% V
79. His Dark Materials (Philip Pullman, 1995-2000)
* Y6 U' Y0 r, C+ y7 Y" E. ~( \78. A House for Mr Biswas (VS Naipaul, 1961)2 c6 b. L) P- ?- b
77. Of Human Bondage (W Somerset Maugham, 1915)0 e/ Z3 u$ T" c- g8 f% |7 m5 M
76. Small Island (Andrea Levy, 2004)4 O* g! L& ^8 m: C: u* u3 Z. B
75. Women in Love (DH Lawrence, 1920)' n, |# d0 A+ d9 K" r! n
74. The Mayor of Casterbridge (Thomas Hardy, 1886)) _& @% o" T/ K7 [
73. The Blue Flower (Penelope Fitzgerald, 1995)
4 u8 p8 l. e: I2 `' I72. The Heart of the Matter (Graham Greene, 1948)
. J2 |5 ]( S9 D1 {. m71. Old Filth (Jane Gardam, 2004). U" X* M: s. T9 B0 P
70. Daniel Deronda (George Eliot, 1876)
; Y9 @- R/ O/ ^' f% q69. Nostromo (Joseph Conrad, 1904)
7 v/ s/ P( _+ |& Z1 q68. A Clockwork Orange (Anthony Burgess, 1962)2 L' f( D+ s$ }- z! m
67. Crash (JG Ballard 1973)# n" e- ~& g; K) _
66. Sense and Sensibility (Jane Austen, 1811)
, J$ ]: B3 J& y7 e65. Orlando (Virginia Woolf, 1928)) S s5 L8 w" x$ P; H1 C
64. The Way We Live Now (Anthony Trollope, 1875)
5 O/ |+ A5 e! E7 v6 w& g63. The Prime of Miss Jean Brodie (Muriel Spark, 1961); U* `7 ~ B3 x2 S' _" A
62. Animal Farm (George Orwell, 1945)4 h5 ~( ?8 t- I( I! Q$ V
61. The Sea, The Sea (Iris Murdoch, 1978)
: k) z* v8 S+ x% d/ t60. Sons and Lovers (DH Lawrence, 1913)
$ L1 Z0 E$ X* s& W u, w59. The Line of Beauty (Alan Hollinghurst, 2004)
2 ?8 t% P f7 p& J: N! D2 I58. Loving (Henry Green, 1945)' T7 h8 c! G7 J
57. Parade’s End (Ford Madox Ford, 1924-1928)" c `; i: M& h8 X6 z* @: b+ q" c
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)1 |2 K4 p2 u6 @5 N6 b
55. Gulliver’s Travels (Jonathan Swift, 1726)
Z" O! S. X v! Z1 L54. NW (Zadie Smith, 2012)
/ V: H: D" C4 T3 T1 g/ |4 y53. Wide Sargasso Sea (Jean Rhys, 1966)
4 A. a Y; M5 @0 o2 v+ `- Q) `" h52. New Grub Street (George Gissing, 1891); [' l' K) |1 l" |0 p9 z
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
0 |1 E+ j3 j* j7 q3 E/ v: s, U3 j50. A Passage to India (EM Forster, 1924)
1 m/ H1 Z7 _6 K. R. L49. Possession (AS Byatt, 1990)
" k( w- J9 c( t( k2 [% T/ r48. Lucky Jim (Kingsley Amis, 1954): I' j2 z2 m. i
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
# A; K G! ]0 H* B, ~* |46. Midnight’s Children (Salman Rushdie, 1981)3 D7 }1 L) i/ B8 J- m% I
45. The Little Stranger (Sarah Waters, 2009)& l6 @$ K) y+ c
44. Wolf Hall (Hilary Mantel, 2009)- o* N/ }2 S4 z; J. r
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
' K) c0 w4 c: i1 z6 m; y6 f7 X: q: b42. Brighton Rock (Graham Greene, 1938)
' e1 l$ y3 \% J41. Dombey and Son (Charles Dickens, 1848)
2 _ z6 `9 {* H6 U' u, Z40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
3 @7 y' G& [% n4 A s6 E0 l39. The Sense of an Ending (Julian Barnes, 2011)& A7 o. { n0 g6 X i ?" k9 T
38. The Passion (Jeanette Winterson, 1987)4 F4 I# a2 \8 ^7 K, ~: i
37. Decline and Fall (Evelyn Waugh, 1928)- n* Q( f( w4 \( a8 i' H' w2 C. |
36. A Dance to the Music of Time (Anthony Powell, 1951-1975); K' u1 B/ f i; d- i9 z7 E
35. Remainder (Tom McCarthy, 2005), h* e; X6 M0 A0 k
34. Never Let Me Go (Kazuo Ishiguro, 2005)
1 P, R O. h& v# a% @2 ]; r2 f' l33. The Wind in the Willows (Kenneth Grahame, 1908)
3 V' U- i/ p0 K) n4 l; b, V& t! v32. A Room with a View (EM Forster, 1908)+ A& h( a, [9 ]- d0 y
31. The End of the Affair (Graham Greene, 1951)
) u; G2 ]% y$ y2 e' i3 B7 K* g0 E30. Moll Flanders (Daniel Defoe, 1722)- ?: H+ b$ x/ ~3 B: l
29. Brick Lane (Monica Ali, 2003)6 \$ ?5 [) e& T0 l
28. Villette (Charlotte Brontë, 1853)
: H/ |- q+ ]$ O3 {% |, P5 `27. Robinson Crusoe (Daniel Defoe, 1719)) R% x& A- `, H6 K% ~% B4 j2 ?
26. The Lord of the Rings (JRR Tolkien, 1954)
8 M' S6 d+ \" z25. White Teeth (Zadie Smith, 2000)5 C0 K, e) I$ P3 W' A- Z5 `
24. The Golden Notebook (Doris Lessing, 1962)
8 [/ Z: v! k* \ C23. Jude the Obscure (Thomas Hardy, 1895)
$ R {- D# x% ?, j1 p22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)0 [0 t, q4 V# W# Q' s4 z
21. Heart of Darkness (Joseph Conrad, 1899)# B0 ?; H% W# b& l3 o( Y2 W
20. Persuasion (Jane Austen, 1817)" x' n' B6 L' B M
19. Emma (Jane Austen, 1815)
0 G" {& T+ u- a7 [1 g18. Remains of the Day (Kazuo Ishiguro, 1989)9 U: e5 @" @6 X; W6 C3 n+ ?. @
17. Howards End (EM Forster, 1910)! ]) c& G: ?3 t: w& C1 y [
16. The Waves (Virginia Woolf, 1931)
( X+ E% i+ N" U3 L; k. H15. Atonement (Ian McEwan, 2001)
& K, [; f# P/ }14. Clarissa (Samuel Richardson,1748)
7 p% f* w0 I0 n3 b13. The Good Soldier (Ford Madox Ford, 1915)7 p. _8 j5 a( M- i/ h- T: \
12. Nineteen Eighty-Four (George Orwell, 1949)
5 M1 a5 ?5 y5 |$ P. l1 V! V |11. Pride and Prejudice (Jane Austen, 1813) u q8 Z' \& f0 V6 [1 G' z
10. Vanity Fair (William Makepeace Thackeray, 1848), \( v4 F' P/ K9 B' a
9. Frankenstein (Mary Shelley, 1818)# \; H, D' E* N1 i0 G
8. David Copperfield (Charles Dickens, 1850)
, h0 N( Y8 |$ q' e8 t1 E: z" e7. Wuthering Heights (Emily Brontë, 1847), e2 k- w6 j* x. N$ \, k; M
6. Bleak House (Charles Dickens, 1853)6 W2 O8 [, F: d- B7 b
5. Jane Eyre (Charlotte Brontë, 1847)
- i/ f1 }- |! f$ y6 {" g! u" ?4. Great Expectations (Charles Dickens, 1861)0 o$ k0 O) O# r
3. Mrs. Dalloway (Virginia Woolf, 1925)/ ^) w, F5 x# \3 @
2. To the Lighthouse (Virginia Woolf, 1927)
4 k" \! Y- l3 G9 l1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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