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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
5 p9 a7 {+ x5 f3 ahttp://www.bbc.com/culture/story ... test-british-novels
. r9 q9 s3 t" U4 b. x' D惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。+ O( E, x. i4 D, G/ M. H
' _ g7 j( y; n* E7 ~9 T, i9 V; k2 _- }100. The Code of the Woosters (PG Wodehouse, 1938)' |6 P U; O$ y. r I, j
99. There but for the (Ali Smith, 2011)
1 j# c \/ X; P: N% x- K- c98. Under the Volcano (Malcolm Lowry,1947)8 S* B$ Y4 k- n" T
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
T- c, x/ G# F' t8 u& p96. Memoirs of a Survivor (Doris Lessing, 1974)
% Q6 u2 z$ {. X$ s. z95. The Buddha of Suburbia (Hanif Kureishi, 1990), x3 V% b# ?* [- L& Q/ q
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
$ t" P6 [5 O$ L& b( S93. Lord of the Flies (William Golding, 1954)
9 j$ G8 w: p6 ?5 ? O7 S92. Cold Comfort Farm (Stella Gibbons, 1932)6 o$ f0 Q: d$ @1 h
91. The Forsyte Saga (John Galsworthy, 1922)
( q# C5 V' r4 w: [0 K" V7 ?4 ?90. The Woman in White (Wilkie Collins, 1859)( F5 [- s% u1 V/ B9 p
89. The Horse’s Mouth (Joyce Cary, 1944)! s6 t0 r8 l6 v
88. The Death of the Heart (Elizabeth Bowen, 1938)7 F# m" P% S. a6 _! H* H* t
87. The Old Wives’ Tale (Arnold Bennett,1908)
' a2 g" S0 y+ q- B86. A Legacy (Sybille Bedford, 1956)
) f/ l l, n& [2 h85. Regeneration Trilogy (Pat Barker, 1991-1995)# U( X+ D9 ]. ^% L B- i
84. Scoop (Evelyn Waugh, 1938)
) n: o, k2 R- [6 P4 N+ ^83. Barchester Towers (Anthony Trollope, 1857)1 N1 D% ]" a" y5 a" Q& ^2 x8 K, n
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)+ n. B' z& ^1 q0 x9 P9 M% x
81. The Jewel in the Crown (Paul Scott, 1966)
$ }& Q x! k, ^6 S$ T80. Excellent Women (Barbara Pym, 1952)8 ~, G; o+ p$ T- f9 K# p
79. His Dark Materials (Philip Pullman, 1995-2000)
/ A8 T, f y5 s. @! K2 d" H" G78. A House for Mr Biswas (VS Naipaul, 1961)
: t. g* n V4 B1 q. k77. Of Human Bondage (W Somerset Maugham, 1915)
$ Q% h8 v# U) d' T. M76. Small Island (Andrea Levy, 2004)
7 g3 q( v, g! G& H9 h& `75. Women in Love (DH Lawrence, 1920)
4 e4 Z4 l7 S- P4 ^+ m4 k1 _74. The Mayor of Casterbridge (Thomas Hardy, 1886)
5 U$ G. V3 s' t4 v" {7 U s73. The Blue Flower (Penelope Fitzgerald, 1995)
2 Y3 w/ o2 M4 l: z( l& z6 [72. The Heart of the Matter (Graham Greene, 1948)
, g2 a; T8 H& c# F9 q, [0 a71. Old Filth (Jane Gardam, 2004)( r" ?- @- }1 E- O& s
70. Daniel Deronda (George Eliot, 1876)1 C A: m. [, V/ e" F* [
69. Nostromo (Joseph Conrad, 1904)
6 n1 a, y2 _7 P- @0 e# P& | v6 H- y( }68. A Clockwork Orange (Anthony Burgess, 1962)* \) v+ `& {6 J _) G% j; f$ Q) \/ P
67. Crash (JG Ballard 1973)# z2 B- H8 Y: x: W4 g% |) g8 f
66. Sense and Sensibility (Jane Austen, 1811)8 a! D8 O% E; c/ d
65. Orlando (Virginia Woolf, 1928); w! P _# j* w9 K3 W. [ s
64. The Way We Live Now (Anthony Trollope, 1875)
3 `9 K9 }& N% a( S9 n- c63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)1 r% l/ @1 D( W; t
62. Animal Farm (George Orwell, 1945)
3 Z3 n0 U6 l3 X* q7 ~ ~! ^& q61. The Sea, The Sea (Iris Murdoch, 1978)
/ z0 D/ B B* O' D4 J/ Z60. Sons and Lovers (DH Lawrence, 1913)
2 r" E9 i _9 j+ W! K) ] Q59. The Line of Beauty (Alan Hollinghurst, 2004)
% d( F+ i5 y4 x( a8 w58. Loving (Henry Green, 1945)
7 a+ L$ q$ `& |* W0 o# ~57. Parade’s End (Ford Madox Ford, 1924-1928)
% m, U/ b- j0 q+ y' @56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
8 q4 z' C' n8 t# M55. Gulliver’s Travels (Jonathan Swift, 1726)
7 X3 f* j3 U7 s) c, H4 V54. NW (Zadie Smith, 2012)
1 z7 ^8 {7 _' O, u53. Wide Sargasso Sea (Jean Rhys, 1966)
4 z& S# W, r7 n3 `& a6 n52. New Grub Street (George Gissing, 1891), s7 G( x/ `( x
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
7 z: ?" c8 B3 R: J, W3 d. O A50. A Passage to India (EM Forster, 1924)& b: v2 `' K2 S& h* b9 O
49. Possession (AS Byatt, 1990)
* k0 p5 l6 I" d& q/ K48. Lucky Jim (Kingsley Amis, 1954)' V n8 o( u. W1 T/ t% t* V
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)' \) @; [; i7 a1 t
46. Midnight’s Children (Salman Rushdie, 1981)
4 N" T* l- \' G- m" w/ s45. The Little Stranger (Sarah Waters, 2009)
5 U7 p! F% F3 a44. Wolf Hall (Hilary Mantel, 2009)5 k: S. p# g2 r9 ^3 ]
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
; A- J* `; }7 F. D( ?8 Q42. Brighton Rock (Graham Greene, 1938)
5 T; e7 J2 N! I5 ?+ v41. Dombey and Son (Charles Dickens, 1848)
# y8 }3 e. T1 ^+ X7 d8 }' M40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
5 N8 M4 A( A, {; b( Y: L( T39. The Sense of an Ending (Julian Barnes, 2011)
# p6 W0 a; h" ]38. The Passion (Jeanette Winterson, 1987)
; _ z3 x% l* R$ Q37. Decline and Fall (Evelyn Waugh, 1928)
7 f9 h ?* P# A7 C" A. a& b36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
0 |/ s# s$ u5 ~8 F' I35. Remainder (Tom McCarthy, 2005)
/ F8 l" U( q6 ^/ K& \2 i, a34. Never Let Me Go (Kazuo Ishiguro, 2005), f0 k8 h- K* G% Z
33. The Wind in the Willows (Kenneth Grahame, 1908)3 A# ^1 ^# J9 e t; p5 H8 [( f
32. A Room with a View (EM Forster, 1908); d9 n7 a4 G& f8 b, n: B" b
31. The End of the Affair (Graham Greene, 1951) H7 \! L( |6 k0 L& M
30. Moll Flanders (Daniel Defoe, 1722)) |# l! \6 X5 D
29. Brick Lane (Monica Ali, 2003)
% d6 }7 d$ g0 t( B- S1 L28. Villette (Charlotte Brontë, 1853)5 T3 Q3 [; D8 g
27. Robinson Crusoe (Daniel Defoe, 1719)! U7 _- O; f: Y8 N: i
26. The Lord of the Rings (JRR Tolkien, 1954)
# |# p/ Q+ J5 p. l h* G25. White Teeth (Zadie Smith, 2000)
8 j! |5 X$ V4 H/ n24. The Golden Notebook (Doris Lessing, 1962)
3 i8 p! a0 J1 e+ B' A- S8 X5 V% f23. Jude the Obscure (Thomas Hardy, 1895)" d7 B; E( [% z& X8 ]8 b+ ?5 N
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
8 s I; L6 V4 N# l; }8 M21. Heart of Darkness (Joseph Conrad, 1899)2 [4 {5 c* a% n4 r
20. Persuasion (Jane Austen, 1817)' h6 J7 [6 k, N; r) j& _3 o$ [" j
19. Emma (Jane Austen, 1815)! v5 X" M$ c. R M, N
18. Remains of the Day (Kazuo Ishiguro, 1989)
4 _$ C1 c. r- r, B7 D) n# F/ v17. Howards End (EM Forster, 1910)$ }( f Q. A- N* O0 {8 l& z
16. The Waves (Virginia Woolf, 1931)
3 J' ~1 Z7 N( ^15. Atonement (Ian McEwan, 2001)
. y) W# [3 @" H# d14. Clarissa (Samuel Richardson,1748)% q1 N9 n3 s( j3 o0 K8 E) e6 ?1 |
13. The Good Soldier (Ford Madox Ford, 1915)
" D8 p2 b+ S$ x; m/ T3 W$ C1 F9 d12. Nineteen Eighty-Four (George Orwell, 1949)
' \$ \) R8 b# u: B( R11. Pride and Prejudice (Jane Austen, 1813)3 i1 U7 i) ~# c* N: T" l' o! }
10. Vanity Fair (William Makepeace Thackeray, 1848)" ~# ?5 X, P8 k! { P
9. Frankenstein (Mary Shelley, 1818)9 J+ j8 w0 F x$ \- I
8. David Copperfield (Charles Dickens, 1850)
, [$ ?1 R2 w, x; V- K+ D5 [7. Wuthering Heights (Emily Brontë, 1847)
+ q6 E+ \) g! @2 O( J' v' H# w6. Bleak House (Charles Dickens, 1853)
8 P( h l; W+ _5 L5. Jane Eyre (Charlotte Brontë, 1847)% V( m1 M: [% T3 z5 b: ]5 g7 M" O; F& {
4. Great Expectations (Charles Dickens, 1861)
: I7 T! ^; e( X3. Mrs. Dalloway (Virginia Woolf, 1925)! s* \' M: ?& @1 w
2. To the Lighthouse (Virginia Woolf, 1927)
, ?( b3 `( {' E0 l: F/ w6 p: p1. Middlemarch (George Eliot, 1874)2 W: p2 e, [' c; \7 _7 w: L) c
% Q5 k. R S4 k6 T# V! q$ o前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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