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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
+ R& B: j) g. \ v' ahttp://www.bbc.com/culture/story ... test-british-novels+ B. I& J2 T7 C. s- w
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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% v2 H! y0 G& X8 t/ T7 N% ]2 g100. The Code of the Woosters (PG Wodehouse, 1938)
5 W" [. H* _, q4 L99. There but for the (Ali Smith, 2011)
) Y5 A- V* r" I7 d; g98. Under the Volcano (Malcolm Lowry,1947)2 z+ _& v/ F7 b& D' Y( |! L
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
* t, H( B4 H$ {: y5 g96. Memoirs of a Survivor (Doris Lessing, 1974)# G8 `. E! c& j" F+ {
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
7 V+ ?6 ~- c' x6 ^; }* c8 w* U94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
/ n1 ?1 K: A' O1 ^93. Lord of the Flies (William Golding, 1954)
2 l% |0 _0 K- m. G92. Cold Comfort Farm (Stella Gibbons, 1932)& Q$ Y5 Z% X& |3 f1 h$ _ K. W5 X
91. The Forsyte Saga (John Galsworthy, 1922)
* s* ^ g. O7 f( \90. The Woman in White (Wilkie Collins, 1859)
- }/ ?0 M. Q) f6 w; e$ w# D89. The Horse’s Mouth (Joyce Cary, 1944)+ }$ l# Z: m" H+ ], K
88. The Death of the Heart (Elizabeth Bowen, 1938)3 N0 z9 n# b& M, R5 g/ f. L/ T/ c
87. The Old Wives’ Tale (Arnold Bennett,1908)
5 y J1 g4 r* g- x7 L g- b: W86. A Legacy (Sybille Bedford, 1956)" X" F4 l* E2 D
85. Regeneration Trilogy (Pat Barker, 1991-1995)* f# p& a4 e _. r2 V
84. Scoop (Evelyn Waugh, 1938)4 j8 H ]$ R. R9 N( y \+ _
83. Barchester Towers (Anthony Trollope, 1857)
$ v2 {' g2 E+ x% o1 K3 ?9 Z82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
* g! E- K( e5 |81. The Jewel in the Crown (Paul Scott, 1966). b" Y' u; J, a
80. Excellent Women (Barbara Pym, 1952)6 P$ H( `" _8 ?6 K$ g+ f2 g* y3 s' c
79. His Dark Materials (Philip Pullman, 1995-2000)
; y y* a+ c5 ^- ^78. A House for Mr Biswas (VS Naipaul, 1961)" H. _+ a' y; p5 T; F
77. Of Human Bondage (W Somerset Maugham, 1915)
' C- t- X% ]) \. x5 n6 ^5 f% V( L76. Small Island (Andrea Levy, 2004)
( \5 {% r( b% j# H% f! K75. Women in Love (DH Lawrence, 1920)
k* L& f; p3 m$ E74. The Mayor of Casterbridge (Thomas Hardy, 1886)4 r5 r! ^& Y' V' C( s
73. The Blue Flower (Penelope Fitzgerald, 1995)
9 P1 B9 {5 H O! ~72. The Heart of the Matter (Graham Greene, 1948)7 ?9 H# l0 o8 H. e
71. Old Filth (Jane Gardam, 2004)
% G+ m' u. l) k0 U70. Daniel Deronda (George Eliot, 1876)% A& t+ {+ p! @; ]& M. f
69. Nostromo (Joseph Conrad, 1904)- T. [6 I1 z4 L) j; p
68. A Clockwork Orange (Anthony Burgess, 1962), e: |- u# L/ R8 [! H/ v
67. Crash (JG Ballard 1973)
$ B" l: x' u. j) _- V; g66. Sense and Sensibility (Jane Austen, 1811)
* y5 X3 M9 ?! k- r65. Orlando (Virginia Woolf, 1928)8 V5 W5 K$ {% ?- G
64. The Way We Live Now (Anthony Trollope, 1875)
) ?0 f i7 `- k9 N4 V63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
# x3 x& r1 ?" ^) S$ {62. Animal Farm (George Orwell, 1945)% d' l5 H& h# {6 Z g9 D& b' E
61. The Sea, The Sea (Iris Murdoch, 1978): ]. s. r) _7 q( m9 R. i
60. Sons and Lovers (DH Lawrence, 1913)* J* ^4 P' P! C0 T
59. The Line of Beauty (Alan Hollinghurst, 2004)
' D' U3 V) s7 O* X58. Loving (Henry Green, 1945)
1 `; Z& k' C6 t0 N$ W7 m+ k8 B57. Parade’s End (Ford Madox Ford, 1924-1928)
3 p$ f4 h5 B" Z- p" Q3 p; K+ L56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
& a, a$ c% f; |. K( N5 [55. Gulliver’s Travels (Jonathan Swift, 1726)1 z! I2 h4 S8 k4 L$ r1 ]
54. NW (Zadie Smith, 2012)
9 Z- p' s9 r; X% ]% O# _' x; m- U53. Wide Sargasso Sea (Jean Rhys, 1966)* e/ f& V. e$ m' S* C
52. New Grub Street (George Gissing, 1891)5 @) C, o4 [: O% o6 k( L c% h
51. Tess of the d’Urbervilles (Thomas Hardy, 1891) U/ i8 m. Z# {! l, F4 N e3 c9 y
50. A Passage to India (EM Forster, 1924)" w% w( I \$ O" ~9 C( n
49. Possession (AS Byatt, 1990), F$ ^7 P1 ?2 e0 Z0 R1 x; G$ z1 y2 q
48. Lucky Jim (Kingsley Amis, 1954)
0 U7 n+ c, L9 M" n, _/ I47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759) ^; r( E k( s2 |. X3 ~5 ~
46. Midnight’s Children (Salman Rushdie, 1981): m% F0 G# J( Y ?' Z4 o
45. The Little Stranger (Sarah Waters, 2009)2 t y1 o) d3 a5 B# _. X4 s, E5 N
44. Wolf Hall (Hilary Mantel, 2009)9 A) e* O" G- U `+ n5 O. k9 \- X
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
8 n' y' Q7 ~: M9 S1 m3 A' `42. Brighton Rock (Graham Greene, 1938)7 K. ^; J% \* d/ ]/ F4 n, `
41. Dombey and Son (Charles Dickens, 1848). X) K8 z# B8 U3 V& p' T
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)" A |* r3 k3 T* F% d
39. The Sense of an Ending (Julian Barnes, 2011)
6 R S+ Y! g Q* `38. The Passion (Jeanette Winterson, 1987)
' F& x' f! n: G- a; K37. Decline and Fall (Evelyn Waugh, 1928)
1 @2 h, h# v$ H2 M36. A Dance to the Music of Time (Anthony Powell, 1951-1975)' R! j0 K5 [6 z4 H
35. Remainder (Tom McCarthy, 2005)0 G3 r- r0 I" [1 w: g. k
34. Never Let Me Go (Kazuo Ishiguro, 2005); M4 v0 C c* m" g' `4 [% U& ~
33. The Wind in the Willows (Kenneth Grahame, 1908)) j, j5 z# ?' M& Y
32. A Room with a View (EM Forster, 1908)" k; K# y" I) w/ W
31. The End of the Affair (Graham Greene, 1951)4 f% v! g& a+ p
30. Moll Flanders (Daniel Defoe, 1722)* A& n t" h% P* L
29. Brick Lane (Monica Ali, 2003)3 `4 c5 u* D8 q4 z# w/ [2 _
28. Villette (Charlotte Brontë, 1853)
0 z# W" k4 |" w+ _7 Y& t27. Robinson Crusoe (Daniel Defoe, 1719)
9 q% n+ e) G6 }- m$ E: T. O' }, [# L7 f26. The Lord of the Rings (JRR Tolkien, 1954)
- c2 a6 F; U" G' K' |0 s$ z! Q25. White Teeth (Zadie Smith, 2000)
- ]( c9 l. s: G* _# Q$ w" g8 r8 P24. The Golden Notebook (Doris Lessing, 1962)
9 w% p! v3 R9 j- J0 l, s9 D23. Jude the Obscure (Thomas Hardy, 1895)# j a7 d% k3 Y9 ^$ @- u
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
. V, k$ V# n$ q( z0 L4 C21. Heart of Darkness (Joseph Conrad, 1899)
. m7 L& i; L1 l4 Q3 _20. Persuasion (Jane Austen, 1817)
& u$ F5 x* p. p2 L" l5 L19. Emma (Jane Austen, 1815)
/ \( D/ @: t8 m4 z" ]; s% [% n18. Remains of the Day (Kazuo Ishiguro, 1989)" r" [" X/ j( S3 F: L
17. Howards End (EM Forster, 1910)
/ A: _) d' b+ z9 K# }1 m/ I16. The Waves (Virginia Woolf, 1931)4 ~% _* U8 E1 K6 B9 N S8 n
15. Atonement (Ian McEwan, 2001)
# x# Q" m' @9 D# d14. Clarissa (Samuel Richardson,1748)+ l. N. b, x3 S) G
13. The Good Soldier (Ford Madox Ford, 1915)
$ \/ F: C8 t6 {12. Nineteen Eighty-Four (George Orwell, 1949)9 i$ u) n4 }+ q% x
11. Pride and Prejudice (Jane Austen, 1813)3 Y4 c( Z( j1 v2 g' L; U
10. Vanity Fair (William Makepeace Thackeray, 1848): i% _+ k' j' k# }' e. q1 X
9. Frankenstein (Mary Shelley, 1818)
2 Y, ]+ ~1 Q' x8. David Copperfield (Charles Dickens, 1850)
$ S% i7 @( P) y# j# A. q: B7. Wuthering Heights (Emily Brontë, 1847)
) R$ |& o Y/ H8 q9 @6. Bleak House (Charles Dickens, 1853)
$ A, \8 V# e2 z. B9 t j! ^- f5. Jane Eyre (Charlotte Brontë, 1847)' g. [: P( o, F8 [) }7 x, k
4. Great Expectations (Charles Dickens, 1861)
$ `9 E4 n+ B9 H; w h/ W/ _3 z3. Mrs. Dalloway (Virginia Woolf, 1925)# i9 T" U7 |. l. e6 l
2. To the Lighthouse (Virginia Woolf, 1927)
- l, D# }& e$ G6 P% X3 V1. Middlemarch (George Eliot, 1874): d( [: |) v' S
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。! X; o$ [0 ]* ]. Z Q( i& u
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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