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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 0 G1 T1 w' w) I
( M8 L6 O0 Q" EBBC评出100大英国文学名著
# ^2 h) I. W4 P; u5 G3 Vhttp://www.bbc.com/culture/story ... test-british-novels
# g8 j- E0 x9 r! o n8 ~惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
9 I3 k; K4 @1 ?$ T0 m9 c
" q% H: @& o. }% _8 F/ c100. The Code of the Woosters (PG Wodehouse, 1938)
2 j; p. h1 [! R% }' ^% w1 x99. There but for the (Ali Smith, 2011)
+ b- q( Z l1 I" O9 ?98. Under the Volcano (Malcolm Lowry,1947)
/ o# R7 u5 q) M3 u, p; j97. The Chronicles of Narnia (CS Lewis, 1949-1954)
, L9 C/ H' k7 D* f96. Memoirs of a Survivor (Doris Lessing, 1974)/ U/ [0 F( F4 L* T, K+ |6 ~
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
+ E4 K# t; A, D% W. {0 B5 |$ S94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)1 y% w3 r+ ^& a/ u" S
93. Lord of the Flies (William Golding, 1954)8 K. M3 G+ q7 H# e2 j* r5 u, X& l
92. Cold Comfort Farm (Stella Gibbons, 1932)
7 @( R% d; `' k% o6 D91. The Forsyte Saga (John Galsworthy, 1922)
* v8 q5 Y) P# \5 I90. The Woman in White (Wilkie Collins, 1859). P2 |7 Z3 b' w$ i' u
89. The Horse’s Mouth (Joyce Cary, 1944)4 M+ U1 f5 \+ a
88. The Death of the Heart (Elizabeth Bowen, 1938)
! C, c& K' d' S# h87. The Old Wives’ Tale (Arnold Bennett,1908)
1 W0 _* V6 q9 E- o( Z( s, t86. A Legacy (Sybille Bedford, 1956)1 ]: R) U1 C& I9 W& e* E0 H3 X+ L9 i' l# X
85. Regeneration Trilogy (Pat Barker, 1991-1995) {8 P4 S& l7 b+ j
84. Scoop (Evelyn Waugh, 1938)
3 s! J! |/ T8 b+ R3 ?83. Barchester Towers (Anthony Trollope, 1857)
5 p/ x' S- ~ {+ A/ s) e82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)2 C0 o4 q2 w, f" S& y A
81. The Jewel in the Crown (Paul Scott, 1966)/ [$ T' r1 A* o+ q1 {, Z, v! {5 P
80. Excellent Women (Barbara Pym, 1952)
/ u0 C' ^$ ]6 U1 n79. His Dark Materials (Philip Pullman, 1995-2000)
, k# u% Y# {2 h+ X7 r78. A House for Mr Biswas (VS Naipaul, 1961)% y) }9 E2 y+ [. w
77. Of Human Bondage (W Somerset Maugham, 1915)
8 q) I" e/ m. _2 D- }" B% h76. Small Island (Andrea Levy, 2004)
/ j% X9 [. a4 U7 W! b# m75. Women in Love (DH Lawrence, 1920). @; R Y. f& H8 y! g
74. The Mayor of Casterbridge (Thomas Hardy, 1886)$ v" m. T" v9 b
73. The Blue Flower (Penelope Fitzgerald, 1995)( _9 s4 D9 d9 t1 w# \
72. The Heart of the Matter (Graham Greene, 1948)
, Q( T. D! ` x71. Old Filth (Jane Gardam, 2004)
9 A" O+ O+ A# C: E, k70. Daniel Deronda (George Eliot, 1876)' }2 R7 \5 u% P+ T# g
69. Nostromo (Joseph Conrad, 1904)
* k" h' K7 l& K68. A Clockwork Orange (Anthony Burgess, 1962)
' l9 p1 z7 A9 ?+ w4 l- w67. Crash (JG Ballard 1973)/ k0 m( `$ T: C* A' [* n
66. Sense and Sensibility (Jane Austen, 1811)0 k: H i4 Z; e1 L
65. Orlando (Virginia Woolf, 1928)
# H1 Y: ~% k5 n7 s4 A0 m6 Y! x64. The Way We Live Now (Anthony Trollope, 1875); u) Z; r1 s1 b. A, R( s. i
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)& n6 ^; V2 B% g3 U& V" d$ Q
62. Animal Farm (George Orwell, 1945)$ h; J6 g6 C; I1 W
61. The Sea, The Sea (Iris Murdoch, 1978)
! u G* x: M0 g; \- `: Y& A60. Sons and Lovers (DH Lawrence, 1913)
1 c5 U( `4 c5 f. q7 P3 o( o59. The Line of Beauty (Alan Hollinghurst, 2004)
- F* e6 s! E+ i4 v1 z& H. B1 ]58. Loving (Henry Green, 1945)5 D+ I+ L4 o: o0 x n8 G0 l' u6 f
57. Parade’s End (Ford Madox Ford, 1924-1928)' O! }' P# D" h1 T+ E2 z, L1 {% r: [( y
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)% x* q/ K0 Q* }/ }; N" A
55. Gulliver’s Travels (Jonathan Swift, 1726)
( {6 o6 A. m) f& W, G54. NW (Zadie Smith, 2012) [% D4 w: J) @) }2 N1 d- {
53. Wide Sargasso Sea (Jean Rhys, 1966)5 y3 r# P s- ]/ x8 G
52. New Grub Street (George Gissing, 1891)
; k* k) f; B( [9 z6 E# y51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
; f# m( S3 ]! b2 P* Q50. A Passage to India (EM Forster, 1924)
/ P9 _9 z$ k3 a0 P: l' G; Q% m49. Possession (AS Byatt, 1990)3 J) E$ W1 j# i, A& ^
48. Lucky Jim (Kingsley Amis, 1954)+ J# ^" a2 r1 m2 b
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759) W% C# Q" |9 j5 a
46. Midnight’s Children (Salman Rushdie, 1981)2 j4 L, h9 W' k2 g) |6 i
45. The Little Stranger (Sarah Waters, 2009)
7 W8 ?/ v: Q+ [+ B* i/ p8 [44. Wolf Hall (Hilary Mantel, 2009)
7 C$ |; z( M& h/ ?5 u) p0 b2 [3 G1 G43. The Swimming Pool Library (Alan Hollinghurst, 1988)+ {4 k! o( L; j, g4 k+ u k
42. Brighton Rock (Graham Greene, 1938)
2 y0 H8 I, B4 B. u5 N41. Dombey and Son (Charles Dickens, 1848)
- @/ k: {" }8 a' m40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
# L/ [9 O6 `4 h* L; ~2 T39. The Sense of an Ending (Julian Barnes, 2011)+ D, i2 ~7 }( {" X: L$ A
38. The Passion (Jeanette Winterson, 1987)9 K3 W; Y; m8 U% g4 ~* ]- b! }: G" j
37. Decline and Fall (Evelyn Waugh, 1928)3 T0 n2 Z+ Y* J2 t- R6 g G( l
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)4 t; |0 G2 J8 h% N$ R. C
35. Remainder (Tom McCarthy, 2005)% a. C. P) @& B
34. Never Let Me Go (Kazuo Ishiguro, 2005)) h. p6 s |/ {1 R, E
33. The Wind in the Willows (Kenneth Grahame, 1908)3 M6 m9 C5 g6 l) Q& s3 B8 x: Z
32. A Room with a View (EM Forster, 1908)* x1 d: E1 I3 n
31. The End of the Affair (Graham Greene, 1951)
; _, p# a( O" c7 [" D0 f2 a30. Moll Flanders (Daniel Defoe, 1722)' K: s4 m# [( V) u' `
29. Brick Lane (Monica Ali, 2003)
. s4 O6 W) Q" _) H3 e1 ^9 z28. Villette (Charlotte Brontë, 1853)5 S! P- S! A! [( F! H$ M/ ~
27. Robinson Crusoe (Daniel Defoe, 1719)
; J( l7 H' Y) E0 c26. The Lord of the Rings (JRR Tolkien, 1954)8 J6 z+ ~( U* A) t' z& `+ H
25. White Teeth (Zadie Smith, 2000)' {6 ~0 k% N( x1 {5 m
24. The Golden Notebook (Doris Lessing, 1962)
$ w9 r" n$ @( @' D+ [1 \: i23. Jude the Obscure (Thomas Hardy, 1895) K4 S+ J( F v2 P$ t
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
& s9 l* V# y& J( c& U" G8 h21. Heart of Darkness (Joseph Conrad, 1899)
( ~+ X( o! m) E8 T5 L8 t1 C% ^3 }0 _20. Persuasion (Jane Austen, 1817)# p( t: W& |* D1 Q0 X4 L# J3 J% Q. X
19. Emma (Jane Austen, 1815)
+ R2 L" `! [2 U& A7 y18. Remains of the Day (Kazuo Ishiguro, 1989)# H4 w) r' f. R. \/ I; d
17. Howards End (EM Forster, 1910)1 k4 }4 _! a7 G' H) e( W
16. The Waves (Virginia Woolf, 1931)! [4 N4 Q& ^8 d+ m/ T- l( ?
15. Atonement (Ian McEwan, 2001)+ o8 V7 J& p5 S( V. \" v
14. Clarissa (Samuel Richardson,1748)% r0 _) e6 l$ X$ O
13. The Good Soldier (Ford Madox Ford, 1915)0 m i" G- c* h$ w
12. Nineteen Eighty-Four (George Orwell, 1949)* z# L4 g1 }( u$ e3 D6 F) S8 b" P! o
11. Pride and Prejudice (Jane Austen, 1813)
B, x! x. j+ `10. Vanity Fair (William Makepeace Thackeray, 1848). K% x$ t1 S) u+ b
9. Frankenstein (Mary Shelley, 1818)9 q/ Q2 h, M; V
8. David Copperfield (Charles Dickens, 1850)+ P0 Z( g% `8 ]3 y
7. Wuthering Heights (Emily Brontë, 1847)9 m3 J" k0 k9 N0 l: Z2 r
6. Bleak House (Charles Dickens, 1853)
5 J, u( R$ }. D9 E# {# ?5. Jane Eyre (Charlotte Brontë, 1847)
8 F1 x( f/ s' N7 k2 c+ W2 G4. Great Expectations (Charles Dickens, 1861)
0 ]: }; W. p6 R/ M7 B3. Mrs. Dalloway (Virginia Woolf, 1925)& y% D! E% G ^5 R+ { Z
2. To the Lighthouse (Virginia Woolf, 1927)- q) q0 b# J: w4 L$ {# j
1. Middlemarch (George Eliot, 1874)
$ ~: ]5 k8 u1 ^( k( m8 w# X8 ~7 c. G' Z6 _
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。* I; d8 q# n/ R/ P" x9 a
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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