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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 2 a b. D0 E% b$ }7 E3 H! y
0 U& r" q* g0 Z J( c6 `BBC评出100大英国文学名著) L9 _. V1 g! x
http://www.bbc.com/culture/story ... test-british-novels
( e& F' G- ?2 p& h5 _7 }( b6 u惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。- E( @$ ]* s4 M& Z, X
4 x$ w( |( X1 S4 b9 r100. The Code of the Woosters (PG Wodehouse, 1938)! |* U! z* I! s, T- {8 W% \( u# z& u
99. There but for the (Ali Smith, 2011)
6 I$ \6 h6 `5 P% k8 c% \) X% Y98. Under the Volcano (Malcolm Lowry,1947)
% Z) E/ C3 ^3 ~& q) k97. The Chronicles of Narnia (CS Lewis, 1949-1954)/ q0 H! e3 O1 B. A a+ p5 |
96. Memoirs of a Survivor (Doris Lessing, 1974)
# t% K% k+ ?; Q. q) r9 Z# }3 ^95. The Buddha of Suburbia (Hanif Kureishi, 1990)& d: `. s% \, Q' R6 \* V4 g
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
3 b& L3 D( z8 ~5 L" I8 v$ _% M93. Lord of the Flies (William Golding, 1954)
$ ~1 }2 I0 u5 s92. Cold Comfort Farm (Stella Gibbons, 1932) u$ Z# Y" [9 {" ?8 Y& e
91. The Forsyte Saga (John Galsworthy, 1922)4 G) l1 g. z0 a2 j; l
90. The Woman in White (Wilkie Collins, 1859)
' x& Q5 K* |$ v& g G/ R89. The Horse’s Mouth (Joyce Cary, 1944)
; Y3 l/ |+ ^: E r88. The Death of the Heart (Elizabeth Bowen, 1938)
9 X: c* C! ~1 r3 {& d# `" Y$ m( t87. The Old Wives’ Tale (Arnold Bennett,1908)
+ r/ t$ V6 L( v b0 |3 @86. A Legacy (Sybille Bedford, 1956)
9 Y# r& C; i) Y85. Regeneration Trilogy (Pat Barker, 1991-1995)
* A# E2 c0 e- W3 A84. Scoop (Evelyn Waugh, 1938)1 r& }" _# `( q4 r
83. Barchester Towers (Anthony Trollope, 1857)
, C. V8 V( C2 H+ a9 ]3 `0 @" {82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)) Y% J# A0 {' d3 |% [& \
81. The Jewel in the Crown (Paul Scott, 1966)
5 H/ O; s% Q; p: F( i# n5 g80. Excellent Women (Barbara Pym, 1952)0 `4 I6 `5 ?. Q1 R7 g0 \: P
79. His Dark Materials (Philip Pullman, 1995-2000)
* I; ]( Z% j L. ^; z' ]78. A House for Mr Biswas (VS Naipaul, 1961)" I6 [7 ^% I6 y1 E
77. Of Human Bondage (W Somerset Maugham, 1915)
3 F5 _7 A/ }5 P4 o) k76. Small Island (Andrea Levy, 2004)
! d! X8 [3 u! w3 C, N4 B4 F75. Women in Love (DH Lawrence, 1920)
# Z, J+ v" P6 _& m, {74. The Mayor of Casterbridge (Thomas Hardy, 1886)
- V" Q$ l* }4 s' Q2 a2 a73. The Blue Flower (Penelope Fitzgerald, 1995)
% n7 W7 W9 l$ ~+ J" v; O72. The Heart of the Matter (Graham Greene, 1948), H/ D: p7 z0 c, K2 f
71. Old Filth (Jane Gardam, 2004)2 |: y! R+ q1 N1 b0 R
70. Daniel Deronda (George Eliot, 1876)
" A, j; W j! E( ^69. Nostromo (Joseph Conrad, 1904)
0 ]: n$ M/ r! m4 e1 H4 i7 ^" A68. A Clockwork Orange (Anthony Burgess, 1962)
6 W4 G$ B4 p2 H67. Crash (JG Ballard 1973): a- u L% e% K# r3 N
66. Sense and Sensibility (Jane Austen, 1811)
( w4 H: P& x0 J. c65. Orlando (Virginia Woolf, 1928)
6 H: \! X, }( e8 t' s& Y64. The Way We Live Now (Anthony Trollope, 1875)$ p' p( h/ A3 ?9 O- X2 @
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
& l8 S) L6 W+ n% ^5 c7 L5 d4 I1 }62. Animal Farm (George Orwell, 1945)( i0 P1 l6 Z" n; P) q2 T% a
61. The Sea, The Sea (Iris Murdoch, 1978)( P# E, e" E* m2 ]" j* ^
60. Sons and Lovers (DH Lawrence, 1913)6 K' ?2 R+ s: X4 ^" o; @
59. The Line of Beauty (Alan Hollinghurst, 2004)
8 R: k5 ~5 `+ U% I" B* R- ]58. Loving (Henry Green, 1945), A0 N% G. A% F
57. Parade’s End (Ford Madox Ford, 1924-1928)1 q8 p) e9 ~- x& q( V; Z
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)/ G* Q$ h' i; `7 \/ X
55. Gulliver’s Travels (Jonathan Swift, 1726)
2 ~& ~* l- b9 k! K54. NW (Zadie Smith, 2012); |. S' q3 D* Z W. _' y
53. Wide Sargasso Sea (Jean Rhys, 1966). M! W1 [/ H( Y: w* ~: C. N- c
52. New Grub Street (George Gissing, 1891)
! b" W P- J3 B& \$ U' E+ Z51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
! [5 c/ n3 k' s r, [50. A Passage to India (EM Forster, 1924)0 t3 |# u2 V! K( f
49. Possession (AS Byatt, 1990)6 ~8 |, F7 b: o* N
48. Lucky Jim (Kingsley Amis, 1954)5 _( t2 y9 J0 E* Q9 I* K9 S
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)/ f. m. f, [% I( ?5 i( d. N9 s
46. Midnight’s Children (Salman Rushdie, 1981)
; m" L) e2 a! ~: e* |* A- ^: U45. The Little Stranger (Sarah Waters, 2009)0 M+ e* d9 G5 n; z* r
44. Wolf Hall (Hilary Mantel, 2009)
' [8 S2 R6 N C; K43. The Swimming Pool Library (Alan Hollinghurst, 1988)
( p, o P7 s# n" b42. Brighton Rock (Graham Greene, 1938)
' i) ?1 G: N0 K, a1 Z41. Dombey and Son (Charles Dickens, 1848)7 k0 s% c$ u+ H [8 G; ^
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
. s& d K. T J! i% i+ ?39. The Sense of an Ending (Julian Barnes, 2011)" O0 m; {: Z+ J$ L6 H5 x
38. The Passion (Jeanette Winterson, 1987)
& _3 l5 {3 M& d! }) D1 W37. Decline and Fall (Evelyn Waugh, 1928)
. D% L+ x' y0 U) I36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
1 ?! z' F6 A9 G# d& r35. Remainder (Tom McCarthy, 2005)
9 J0 V1 a) p5 o) i3 \34. Never Let Me Go (Kazuo Ishiguro, 2005)
& n& a& ]- M! Y6 ^33. The Wind in the Willows (Kenneth Grahame, 1908)
9 B x0 P9 s' Y" P5 O0 N32. A Room with a View (EM Forster, 1908)4 O2 l4 o" G$ H2 f) Q. c; x
31. The End of the Affair (Graham Greene, 1951)
7 I0 p' @5 h9 O0 m$ C30. Moll Flanders (Daniel Defoe, 1722)+ E3 @1 J: j0 h' `2 L
29. Brick Lane (Monica Ali, 2003)
. ^7 u; Z- S# C5 C& m28. Villette (Charlotte Brontë, 1853)/ ]. ?0 C' u9 R% G
27. Robinson Crusoe (Daniel Defoe, 1719), Y6 y. z6 h1 Y2 {/ j
26. The Lord of the Rings (JRR Tolkien, 1954), z% j# W2 Y9 r( ]" Y3 Q/ y0 h4 L( @
25. White Teeth (Zadie Smith, 2000)
; ]. v% y, }1 D" W24. The Golden Notebook (Doris Lessing, 1962)
/ y4 x& Y% V6 P T6 W+ R23. Jude the Obscure (Thomas Hardy, 1895)5 G) h6 i. S* C2 }
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
. }, H7 t/ T7 p21. Heart of Darkness (Joseph Conrad, 1899)% m" H% g0 h! v& \3 n
20. Persuasion (Jane Austen, 1817); ]8 j6 N; d$ O* U% J
19. Emma (Jane Austen, 1815)
8 g, c. o. u0 v18. Remains of the Day (Kazuo Ishiguro, 1989)3 \ S; j2 T/ P) q G* T3 c; Q
17. Howards End (EM Forster, 1910)
% H' h# M7 M) X9 U* h16. The Waves (Virginia Woolf, 1931)
( a5 ?0 w2 B2 \15. Atonement (Ian McEwan, 2001) e+ w. H3 H9 m8 p- ^& ^8 s
14. Clarissa (Samuel Richardson,1748)
# i/ i7 N; Y5 v- r! A: {3 P13. The Good Soldier (Ford Madox Ford, 1915)3 ]' z# [6 k* K
12. Nineteen Eighty-Four (George Orwell, 1949)
5 X8 G$ |- g$ _' {" a8 a11. Pride and Prejudice (Jane Austen, 1813)* R6 \) V" L' s7 \
10. Vanity Fair (William Makepeace Thackeray, 1848)
) Y+ n2 l5 C& f+ a9. Frankenstein (Mary Shelley, 1818)
- A/ @) d+ S1 L7 I8. David Copperfield (Charles Dickens, 1850)% n# ^& d2 M) d, r+ c2 D
7. Wuthering Heights (Emily Brontë, 1847)
( T6 y! R) E& x+ g" S$ A6. Bleak House (Charles Dickens, 1853), K) @$ p+ E1 |4 T
5. Jane Eyre (Charlotte Brontë, 1847); M/ K+ ?% L: ]0 B. |
4. Great Expectations (Charles Dickens, 1861)
$ e9 M; Z" N/ Y* S/ A3. Mrs. Dalloway (Virginia Woolf, 1925)
: ]( ^) V3 _& s" _& M2. To the Lighthouse (Virginia Woolf, 1927)
, U, O1 m% c5 n) U1. Middlemarch (George Eliot, 1874)
: K: k8 G. c* O% z6 a9 Q
6 b/ \4 G$ j7 ], T+ X前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
7 w" w4 j4 T5 `5 n+ D( I3 g; R! q) z# x, J5 F- J. q" U8 L* v
呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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