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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 1 M3 j+ n3 E7 F6 y4 L) E6 h3 J4 n
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BBC评出100大英国文学名著
4 P2 X& [$ R- L( x/ m1 _http://www.bbc.com/culture/story ... test-british-novels, ^" y6 L1 P4 w3 d$ c1 v
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。; b: Z+ w" o# Z, Q1 j, f
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100. The Code of the Woosters (PG Wodehouse, 1938) }! C, X: }- `7 n/ l
99. There but for the (Ali Smith, 2011)
, d/ V, j n' d {) g/ x98. Under the Volcano (Malcolm Lowry,1947)6 S3 p( ]4 A; M+ L! B" a- @
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
E; Y& h4 z; M, b5 m* \/ ?96. Memoirs of a Survivor (Doris Lessing, 1974)0 ]2 ^, o) |3 m9 Z2 P2 ]- u
95. The Buddha of Suburbia (Hanif Kureishi, 1990)9 \8 N0 @+ q, G1 r' R
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
0 ]1 d* k5 J* e+ o( k93. Lord of the Flies (William Golding, 1954)
; H. D W' S! x$ d$ w& h7 h92. Cold Comfort Farm (Stella Gibbons, 1932)
8 V8 u M( B4 R+ Q4 [6 t/ M; C91. The Forsyte Saga (John Galsworthy, 1922)
1 p# c% u, ?! p [90. The Woman in White (Wilkie Collins, 1859)
" X! A1 f2 q6 @/ P# o8 K89. The Horse’s Mouth (Joyce Cary, 1944)/ C5 p8 s/ q8 @ N
88. The Death of the Heart (Elizabeth Bowen, 1938)6 L) k4 a8 U: s) |
87. The Old Wives’ Tale (Arnold Bennett,1908)! F/ s { q# I" h7 r& G
86. A Legacy (Sybille Bedford, 1956)
$ e3 F# K* Y& S- _. ?3 a85. Regeneration Trilogy (Pat Barker, 1991-1995)
9 G% }0 `; y6 z, J; V1 I a# \: X84. Scoop (Evelyn Waugh, 1938)
0 n2 X9 G! Z5 K' z4 s$ U83. Barchester Towers (Anthony Trollope, 1857); x; Q# [9 ]7 v; F1 k9 N! L, V2 a
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)* ^* X6 Q. W" d9 Y; j |
81. The Jewel in the Crown (Paul Scott, 1966)
) K% ^! C5 Q1 B" j4 B80. Excellent Women (Barbara Pym, 1952)
Q# [. g0 t; f( @79. His Dark Materials (Philip Pullman, 1995-2000)1 w7 d7 j1 k, E$ O# q$ @& D2 r: [( k7 l
78. A House for Mr Biswas (VS Naipaul, 1961)
2 F' I6 e9 T2 X( `# r77. Of Human Bondage (W Somerset Maugham, 1915)1 j; e' t( J6 n- O; \
76. Small Island (Andrea Levy, 2004)6 j7 ]. t6 |/ [8 J
75. Women in Love (DH Lawrence, 1920)
% B8 b" g' Y, t2 F9 K74. The Mayor of Casterbridge (Thomas Hardy, 1886)8 y+ r' u- Q: m1 h- b
73. The Blue Flower (Penelope Fitzgerald, 1995)
: ~0 m$ E1 @% G0 F( A% T j; |72. The Heart of the Matter (Graham Greene, 1948)' x* [& s$ M+ A3 ~4 C1 J
71. Old Filth (Jane Gardam, 2004)
5 \' z( Z* W& E2 d* m& P+ f3 j- P70. Daniel Deronda (George Eliot, 1876)
; D# H. C# E0 P$ H4 z69. Nostromo (Joseph Conrad, 1904)
e6 S; m7 o+ u# V6 m7 x( X68. A Clockwork Orange (Anthony Burgess, 1962)6 T/ D8 j; B& v- Z; y
67. Crash (JG Ballard 1973)! `6 Q' c& w& _& ^
66. Sense and Sensibility (Jane Austen, 1811)
) R- {6 X' d q3 d* O7 X65. Orlando (Virginia Woolf, 1928)
: _3 B+ u) L3 a& b+ s+ O64. The Way We Live Now (Anthony Trollope, 1875)
, k$ P0 e, k( I- h; }) c8 e: q63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)% n1 @2 u* a# W5 k0 Q% _
62. Animal Farm (George Orwell, 1945)
9 R% D1 R1 W* u& A0 m61. The Sea, The Sea (Iris Murdoch, 1978) d. J$ Q7 W+ F; o0 l1 s
60. Sons and Lovers (DH Lawrence, 1913)
/ c, u* @ b, X- S! n$ W4 {9 d3 Y59. The Line of Beauty (Alan Hollinghurst, 2004) x5 b# x8 e; f9 B% a5 X
58. Loving (Henry Green, 1945). \) S% z# M' y; w5 j2 |
57. Parade’s End (Ford Madox Ford, 1924-1928)
$ e, i C4 F$ p% B7 K% \8 J56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)9 y6 {: e2 B1 T. @0 b2 Y: t' L% C
55. Gulliver’s Travels (Jonathan Swift, 1726)- ^* V7 {) @: `4 s% ]9 L5 V& p" q
54. NW (Zadie Smith, 2012)
; O; D$ o8 ]- P; P& h53. Wide Sargasso Sea (Jean Rhys, 1966)% h/ x# p& `1 ]
52. New Grub Street (George Gissing, 1891)
% g7 K& {, x: K X9 I% N3 @51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
' I0 S/ m0 w* D0 O6 l# {50. A Passage to India (EM Forster, 1924)( M+ w9 J' X- h- S. j3 v
49. Possession (AS Byatt, 1990)
- C# y" p0 O# G, ?: {# o48. Lucky Jim (Kingsley Amis, 1954)1 `8 j4 g* ?7 N6 O6 L. Y# g
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
: c; y# d- P, e+ o" E* M8 p46. Midnight’s Children (Salman Rushdie, 1981)
" w) E* ]( D* ~( d6 Y45. The Little Stranger (Sarah Waters, 2009): p0 O; \* q" J* u
44. Wolf Hall (Hilary Mantel, 2009)2 ]" \3 ^: C$ w8 m
43. The Swimming Pool Library (Alan Hollinghurst, 1988)' C0 o- \0 [# r
42. Brighton Rock (Graham Greene, 1938)
4 U0 i# w9 g! \, D41. Dombey and Son (Charles Dickens, 1848)
" O) t& B1 |' h q! I0 ?40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
+ y# Z7 j& w, Z, M r39. The Sense of an Ending (Julian Barnes, 2011)
+ Y5 X* _9 a7 D7 q K2 d- D) E38. The Passion (Jeanette Winterson, 1987)
! ]0 w0 f% s4 b; @9 K& i) k37. Decline and Fall (Evelyn Waugh, 1928)
2 i( v% q, g5 B1 o7 Z( H* T1 K36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
! H( |3 L1 G6 G35. Remainder (Tom McCarthy, 2005)5 f1 _9 a% q k, \; u5 D5 \
34. Never Let Me Go (Kazuo Ishiguro, 2005)3 x, u* Z% G1 n) f& G
33. The Wind in the Willows (Kenneth Grahame, 1908)
) R4 o$ N+ p7 c* |9 e6 ]# ]32. A Room with a View (EM Forster, 1908)- r& ~: ~, [- f9 ]4 d: B. X
31. The End of the Affair (Graham Greene, 1951)# g3 p/ V( \% c, Q
30. Moll Flanders (Daniel Defoe, 1722)/ i$ p% u6 ^) s" \! L% U6 K7 p \* T
29. Brick Lane (Monica Ali, 2003)
* W; c( z+ p9 ?1 A8 [3 E28. Villette (Charlotte Brontë, 1853): i8 k* k2 ^( u- t3 z/ M
27. Robinson Crusoe (Daniel Defoe, 1719)
0 p" B4 h- A2 d2 ?# a; c26. The Lord of the Rings (JRR Tolkien, 1954)
4 m+ d* T. v. c# \1 \3 H25. White Teeth (Zadie Smith, 2000)9 I8 H# o: j1 A \
24. The Golden Notebook (Doris Lessing, 1962)
' Y& m k2 H$ z( {7 |( ]23. Jude the Obscure (Thomas Hardy, 1895)" A9 C r$ b, `7 T* p7 o* O
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
$ }# N. X! y" }% i: H/ P9 t$ m3 o21. Heart of Darkness (Joseph Conrad, 1899)3 g* ^8 Y& s4 T$ G, b) e
20. Persuasion (Jane Austen, 1817)" I) u* N: \4 b3 k0 [- v6 M3 s
19. Emma (Jane Austen, 1815)5 q0 K! `' a$ R: H' ~
18. Remains of the Day (Kazuo Ishiguro, 1989)
2 v+ C3 `0 v4 f6 L$ p1 R17. Howards End (EM Forster, 1910)% }5 k' C( |5 g0 ^0 Y+ x% f
16. The Waves (Virginia Woolf, 1931)) ^$ a i" C( _" n" Z
15. Atonement (Ian McEwan, 2001)! @% |/ @/ o6 q" S1 c D
14. Clarissa (Samuel Richardson,1748)( z. L/ l6 Z8 o. Z+ \4 T$ S
13. The Good Soldier (Ford Madox Ford, 1915)1 j5 h$ E8 G$ K! i
12. Nineteen Eighty-Four (George Orwell, 1949)
0 c1 y2 W& b i8 `0 a. D11. Pride and Prejudice (Jane Austen, 1813)' x8 m u1 G: R& V5 ?/ J
10. Vanity Fair (William Makepeace Thackeray, 1848)
$ O3 @* l* w5 p& i! l7 d9. Frankenstein (Mary Shelley, 1818)
+ J( M- ]. h4 T" s. B8. David Copperfield (Charles Dickens, 1850)
! R. B% Y0 e7 }% A6 f. x! \; w7. Wuthering Heights (Emily Brontë, 1847); v) a% U+ U5 @! q+ G y
6. Bleak House (Charles Dickens, 1853)
; m" O4 m, R0 A& q5. Jane Eyre (Charlotte Brontë, 1847)/ R( b+ _" j, U) z' c: l
4. Great Expectations (Charles Dickens, 1861)
$ e. s6 p9 L w! A0 a3. Mrs. Dalloway (Virginia Woolf, 1925): g" S$ D1 Z; p1 k3 P1 I
2. To the Lighthouse (Virginia Woolf, 1927)& X* k1 e( X& D# T
1. Middlemarch (George Eliot, 1874)- y% X |0 G: s$ B" u. C/ D
' `/ K2 z' B* c# l前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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- s. R+ h5 U7 l. r& H; H/ @ `呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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