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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 " m+ Y3 ]1 G/ C) [' }
% ~: U! h* D R- u4 l6 N4 HBBC评出100大英国文学名著' G' G; w5 p2 r
http://www.bbc.com/culture/story ... test-british-novels
% ^1 y$ `1 H% }惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。4 ? u G1 R% [2 o7 L
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100. The Code of the Woosters (PG Wodehouse, 1938)+ r" t$ {3 S+ r8 P# E5 m9 o
99. There but for the (Ali Smith, 2011)' U0 K, _( e$ O; j
98. Under the Volcano (Malcolm Lowry,1947)
9 |9 E, y( a' [9 U3 C9 @97. The Chronicles of Narnia (CS Lewis, 1949-1954)
7 y0 E- ]; l# P5 ~, f! G96. Memoirs of a Survivor (Doris Lessing, 1974)2 d5 Z+ G/ N8 A" D
95. The Buddha of Suburbia (Hanif Kureishi, 1990)4 O5 a# N: ?4 H8 x
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)4 m2 i+ C( P) `2 U) ^( Y
93. Lord of the Flies (William Golding, 1954)
5 x* q! f, L9 a4 G$ w$ e) _92. Cold Comfort Farm (Stella Gibbons, 1932)# R1 O6 C$ K* j7 ?4 O
91. The Forsyte Saga (John Galsworthy, 1922)
0 c. s" @1 }7 N90. The Woman in White (Wilkie Collins, 1859)
5 Z% \ i2 P2 _: ^( l, X89. The Horse’s Mouth (Joyce Cary, 1944)
$ B1 I# j5 x2 b# c/ b88. The Death of the Heart (Elizabeth Bowen, 1938)
- E! O9 y+ X2 p( b6 G% p/ r87. The Old Wives’ Tale (Arnold Bennett,1908)! B; ~2 r( n2 e. {; A6 ^. O
86. A Legacy (Sybille Bedford, 1956) ^$ L4 c- k/ t) e( l
85. Regeneration Trilogy (Pat Barker, 1991-1995)
$ p; J9 N8 q$ N. I. v84. Scoop (Evelyn Waugh, 1938)
( L# V0 s& U4 l83. Barchester Towers (Anthony Trollope, 1857)
; p: h% f3 z# P; P) u3 {: ~9 S82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)2 A! q- p0 ?3 s
81. The Jewel in the Crown (Paul Scott, 1966)
" P8 u0 p4 I/ |) P4 `7 T80. Excellent Women (Barbara Pym, 1952)
; w& N, v" I3 S( @% T79. His Dark Materials (Philip Pullman, 1995-2000)/ x$ A2 L8 ~) Z' ` @& j6 X# l9 h
78. A House for Mr Biswas (VS Naipaul, 1961)4 y1 i( W' T) |5 y* H. }8 f. r: M
77. Of Human Bondage (W Somerset Maugham, 1915)
4 m/ b* ^# `, n7 x: v$ J1 ^76. Small Island (Andrea Levy, 2004)2 n( q6 L1 N; T6 R( @( ~, C
75. Women in Love (DH Lawrence, 1920)6 f; ?2 F+ K( D a8 q. [8 M
74. The Mayor of Casterbridge (Thomas Hardy, 1886)- F: G7 b2 K5 w* l! i; c* B5 U
73. The Blue Flower (Penelope Fitzgerald, 1995). c1 j a% F _7 Y7 P
72. The Heart of the Matter (Graham Greene, 1948)! ^8 p1 D( [- }9 y# n3 n2 E8 L
71. Old Filth (Jane Gardam, 2004)# n' d9 m% Y+ x* b7 ?2 O5 j
70. Daniel Deronda (George Eliot, 1876)
6 O9 |1 A. L( S5 K8 \3 x69. Nostromo (Joseph Conrad, 1904)
A1 r& E) B2 _( w68. A Clockwork Orange (Anthony Burgess, 1962)
. g) l7 ~9 V% R/ b( |/ w, ]2 n67. Crash (JG Ballard 1973), t6 A, h h0 D, ` Q+ I
66. Sense and Sensibility (Jane Austen, 1811)
' g7 |& m1 w/ E65. Orlando (Virginia Woolf, 1928)2 ~' Z: p' |+ g8 E/ n6 A' v
64. The Way We Live Now (Anthony Trollope, 1875)
! O6 f/ U0 ?* u63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
; g" L$ o0 j* W7 l) K* P62. Animal Farm (George Orwell, 1945)
* N& P: }* B# h8 G i61. The Sea, The Sea (Iris Murdoch, 1978)5 e) l. P$ z# z, {
60. Sons and Lovers (DH Lawrence, 1913)- Z2 H, Z4 ?( i; U& }
59. The Line of Beauty (Alan Hollinghurst, 2004)
: f1 n5 U) v6 p58. Loving (Henry Green, 1945)7 }% }5 t; h3 w
57. Parade’s End (Ford Madox Ford, 1924-1928)2 L. y! ^& e$ n, A: e
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985): F% L; m- f9 d& [4 p6 E2 B
55. Gulliver’s Travels (Jonathan Swift, 1726)
5 q. v1 }& W! m. A+ d3 L54. NW (Zadie Smith, 2012)
4 t. o+ t x" Y3 o% Y- O53. Wide Sargasso Sea (Jean Rhys, 1966)- i0 C/ n* x. p
52. New Grub Street (George Gissing, 1891)
" M2 N4 ?6 H( I- }: o& P51. Tess of the d’Urbervilles (Thomas Hardy, 1891), t3 M& d. G$ y
50. A Passage to India (EM Forster, 1924)
5 l r( A/ r( E; r2 n) U49. Possession (AS Byatt, 1990)$ q7 l0 d5 g" K0 D! G
48. Lucky Jim (Kingsley Amis, 1954), d8 n& Y# p/ G+ S
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
" N7 _1 d4 |" P! N0 T K46. Midnight’s Children (Salman Rushdie, 1981)- y( `/ {0 j( r8 H7 {0 v
45. The Little Stranger (Sarah Waters, 2009)8 q0 e2 Z" o3 C
44. Wolf Hall (Hilary Mantel, 2009)
# r6 Q& n7 v' M/ T. v43. The Swimming Pool Library (Alan Hollinghurst, 1988)! P {8 R; Y' q9 h# @' s
42. Brighton Rock (Graham Greene, 1938)5 r3 Y; n q8 t% u( v
41. Dombey and Son (Charles Dickens, 1848)
' T( @4 a$ P5 B3 X6 ^/ {1 P% e40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
7 M" ?* A$ l0 x39. The Sense of an Ending (Julian Barnes, 2011), y* t, _! q: @8 t! _& V
38. The Passion (Jeanette Winterson, 1987)# h) f7 ?% B. n4 {8 \) _% R9 \7 K
37. Decline and Fall (Evelyn Waugh, 1928)' |2 \: I4 G5 {- ~! v
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
. K5 I6 k5 G/ V" j) b: f35. Remainder (Tom McCarthy, 2005)
' _8 X0 {% X5 L* }34. Never Let Me Go (Kazuo Ishiguro, 2005)
% {1 l& j9 Z5 n1 z* N33. The Wind in the Willows (Kenneth Grahame, 1908)2 D3 j1 V8 W/ g! J7 @5 i* z
32. A Room with a View (EM Forster, 1908)
' U2 d3 z% N8 E# F) H31. The End of the Affair (Graham Greene, 1951)
+ x) q/ ?; D+ x1 Y* x30. Moll Flanders (Daniel Defoe, 1722)) L1 [+ t5 b: p" x, g
29. Brick Lane (Monica Ali, 2003)
6 e- e9 b. Y- l5 p( O" h9 @0 e28. Villette (Charlotte Brontë, 1853)
7 A% h' k3 P0 p& {7 j# x0 p8 ~27. Robinson Crusoe (Daniel Defoe, 1719)
% u' K; K$ X- Y1 K: g q1 V5 R26. The Lord of the Rings (JRR Tolkien, 1954)
: U2 e! Z# q) M7 H7 W& I25. White Teeth (Zadie Smith, 2000)
% N" M4 b! E1 H% ?$ K' Q& d! y4 z24. The Golden Notebook (Doris Lessing, 1962)% D0 d: r' u: s8 C" K# `
23. Jude the Obscure (Thomas Hardy, 1895)7 a' t" E: {; e+ I; I
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749); ?6 c; M/ ]- |: u, }2 T
21. Heart of Darkness (Joseph Conrad, 1899)
, I8 o: \# y& C; K* C: W5 i7 h Z20. Persuasion (Jane Austen, 1817)* @# r6 J, z9 s, G k
19. Emma (Jane Austen, 1815) w e0 e# U+ G! q+ [
18. Remains of the Day (Kazuo Ishiguro, 1989)4 @2 ?8 ]! a# J( C
17. Howards End (EM Forster, 1910)/ m2 ~$ O& c. W* j- R; A
16. The Waves (Virginia Woolf, 1931)# a w: ]0 [ k5 Z9 ?
15. Atonement (Ian McEwan, 2001)3 v T0 b% R" `- t+ O n
14. Clarissa (Samuel Richardson,1748)
( y& C( [& r) e' k9 p5 Y/ S13. The Good Soldier (Ford Madox Ford, 1915)
9 S2 |1 Y9 C3 M0 A1 u12. Nineteen Eighty-Four (George Orwell, 1949)
. c6 e% w3 a7 s. \1 }: ?% T11. Pride and Prejudice (Jane Austen, 1813)
; W; s( R* F- |* V! Q0 A' ^10. Vanity Fair (William Makepeace Thackeray, 1848)
" D7 Y. @ K% L3 S+ D2 L- p9 T9. Frankenstein (Mary Shelley, 1818)( v* }9 Z# U; ~# z0 g
8. David Copperfield (Charles Dickens, 1850)% j! Y8 q* [! o4 z
7. Wuthering Heights (Emily Brontë, 1847)
) Q2 N3 V: K% p3 H3 C) O2 o6. Bleak House (Charles Dickens, 1853)
0 e1 s3 D; b; s# T% U5. Jane Eyre (Charlotte Brontë, 1847)9 R3 v, f( l q9 N ^, J& T, b
4. Great Expectations (Charles Dickens, 1861)
8 l% Q8 l# E% O& e* @1 O" A8 ?* m! }7 H3. Mrs. Dalloway (Virginia Woolf, 1925), N4 N \! V8 V: R! P& d
2. To the Lighthouse (Virginia Woolf, 1927)
- D! i$ {0 {, i; A" H1 N1. Middlemarch (George Eliot, 1874)
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8 D" ]8 ]8 v% y6 W/ Q- E1 H% ?前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。/ x# ^1 ? I T9 }! g' `
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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