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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 : _+ T! u7 I0 B5 B8 {* v
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BBC评出100大英国文学名著3 G' n4 ^, B% f0 J- L- N
http://www.bbc.com/culture/story ... test-british-novels. x' A3 x9 [0 |8 }/ ]8 m7 q$ [' B$ O
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。( c* g) N1 ?) D* Y& r
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100. The Code of the Woosters (PG Wodehouse, 1938)
( s' c( Z( }* j; M' s9 N" R99. There but for the (Ali Smith, 2011)
+ @% E6 J& e9 H9 h) d% Y9 I98. Under the Volcano (Malcolm Lowry,1947)
# |: P1 _* @* a$ k3 k! w97. The Chronicles of Narnia (CS Lewis, 1949-1954)
6 K' w# ?1 L$ v8 Y* V96. Memoirs of a Survivor (Doris Lessing, 1974)
4 N' e2 x3 A" H% F8 u& M95. The Buddha of Suburbia (Hanif Kureishi, 1990)
. O( R. H/ S- a" b3 V/ W94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
& ?3 X) i7 F( G93. Lord of the Flies (William Golding, 1954)
+ Y) Q+ T; j) d) R& m) a+ f92. Cold Comfort Farm (Stella Gibbons, 1932)- ~' S) q' T2 G$ l
91. The Forsyte Saga (John Galsworthy, 1922): u" K% L4 L. E) \5 s+ O5 y
90. The Woman in White (Wilkie Collins, 1859)9 p, S' i3 T; g( a6 M+ f
89. The Horse’s Mouth (Joyce Cary, 1944)
; ] A- t7 h, I; \) N& s88. The Death of the Heart (Elizabeth Bowen, 1938)
$ G6 n, }) ^( x0 v87. The Old Wives’ Tale (Arnold Bennett,1908)
g! r* E( y# j0 `9 e) X* d) C86. A Legacy (Sybille Bedford, 1956)7 Q& D! x8 Y# X* l/ T+ N5 n9 b& l
85. Regeneration Trilogy (Pat Barker, 1991-1995)
; D3 R+ C! B/ r; y0 z; E84. Scoop (Evelyn Waugh, 1938)5 b$ u2 V! l# t3 B
83. Barchester Towers (Anthony Trollope, 1857)( o( t+ w& a% I. T9 F
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)2 i- a4 m8 O x$ x
81. The Jewel in the Crown (Paul Scott, 1966)
5 Z* T$ h# ?# y80. Excellent Women (Barbara Pym, 1952)
7 z; `( y5 n( _79. His Dark Materials (Philip Pullman, 1995-2000)- g) m: \. s5 h. k) @' r
78. A House for Mr Biswas (VS Naipaul, 1961)
7 V+ K. Z) N1 {" M/ j& v77. Of Human Bondage (W Somerset Maugham, 1915)
# G2 H2 {" h9 g76. Small Island (Andrea Levy, 2004)
& _9 y3 F- M* x$ d8 w+ H) A75. Women in Love (DH Lawrence, 1920)
. ~( @" b+ A% m: L% X$ m3 r8 p74. The Mayor of Casterbridge (Thomas Hardy, 1886)
$ F& d6 _6 A6 k& h7 }73. The Blue Flower (Penelope Fitzgerald, 1995): X0 _0 F4 ?% ?, o
72. The Heart of the Matter (Graham Greene, 1948)
l8 n& O8 u1 t. }) p71. Old Filth (Jane Gardam, 2004)
" X3 o/ o% e; Q, l- r70. Daniel Deronda (George Eliot, 1876)
" E. \7 I% @# j7 w6 ?69. Nostromo (Joseph Conrad, 1904), E. C2 H x) u$ x+ M' |7 L# l& ~. z$ u
68. A Clockwork Orange (Anthony Burgess, 1962)0 h+ L! L p* G' q4 g l& O& o* m: e
67. Crash (JG Ballard 1973)1 S/ `) Y) |) l
66. Sense and Sensibility (Jane Austen, 1811)" e* n! M6 d7 J! N( m
65. Orlando (Virginia Woolf, 1928), y2 ]- w& q3 v* @" i
64. The Way We Live Now (Anthony Trollope, 1875)
2 p( s0 I# ^" i8 N1 K5 i63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)9 w' x# m) Y* i4 A
62. Animal Farm (George Orwell, 1945). K, z8 k0 M- z [
61. The Sea, The Sea (Iris Murdoch, 1978)
8 O9 H8 ~! q) b+ @60. Sons and Lovers (DH Lawrence, 1913)
) [& Y$ x1 I; S; G% W( H5 f( {59. The Line of Beauty (Alan Hollinghurst, 2004)
% ~9 W: [0 p3 C% m& E* z58. Loving (Henry Green, 1945). H3 q# J ^4 p" J
57. Parade’s End (Ford Madox Ford, 1924-1928). J! K8 m8 G# l; g' v
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)/ Q0 K5 d- K/ F# [2 s$ b
55. Gulliver’s Travels (Jonathan Swift, 1726)( @% \- C' \+ \* e
54. NW (Zadie Smith, 2012)
. t3 s1 P" a& e4 }53. Wide Sargasso Sea (Jean Rhys, 1966)- @, c' O( T6 |0 [6 T
52. New Grub Street (George Gissing, 1891)7 u T; B+ h. J$ M
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
& a9 f; R9 p0 M, A; l& j3 n: \50. A Passage to India (EM Forster, 1924)
v+ r7 i( ~$ l- A D4 d. S49. Possession (AS Byatt, 1990)) y9 P0 `% p9 X8 x* A. y
48. Lucky Jim (Kingsley Amis, 1954)$ t, O2 L1 L& P; i0 z
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)- o* j$ v/ f3 j6 H C% W4 H2 l, N, `7 _
46. Midnight’s Children (Salman Rushdie, 1981)
E1 q0 d9 ~* j( Y45. The Little Stranger (Sarah Waters, 2009)! P( `: i4 U `+ t$ A( Y, v4 t0 e
44. Wolf Hall (Hilary Mantel, 2009)2 i" Q+ A9 d; U0 J& R
43. The Swimming Pool Library (Alan Hollinghurst, 1988)) Z$ E" M: \: o( N
42. Brighton Rock (Graham Greene, 1938)
4 X* }2 s4 I2 }) `41. Dombey and Son (Charles Dickens, 1848)
# j7 _6 ~0 y" V& A* \40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
$ u7 x/ m S- o" L$ {39. The Sense of an Ending (Julian Barnes, 2011), P' n$ Q& b$ D- q
38. The Passion (Jeanette Winterson, 1987)# b- b4 i U5 g1 j `
37. Decline and Fall (Evelyn Waugh, 1928)
8 U( Q/ I5 L; |7 P( z36. A Dance to the Music of Time (Anthony Powell, 1951-1975)% w% N$ R4 j6 {* k! F
35. Remainder (Tom McCarthy, 2005)
0 J+ q6 K% H. x) G/ M1 j8 t34. Never Let Me Go (Kazuo Ishiguro, 2005)
/ i: m- h/ v% N" Q6 O( Y! v6 w- A33. The Wind in the Willows (Kenneth Grahame, 1908)( Z" c" F$ S F
32. A Room with a View (EM Forster, 1908)
5 V$ P8 @3 O$ q31. The End of the Affair (Graham Greene, 1951)
: j7 f, W, k4 x/ h) _30. Moll Flanders (Daniel Defoe, 1722)5 A& p/ K2 l& o* x" b
29. Brick Lane (Monica Ali, 2003)5 n. }8 G) ?, v! e: q! C' T8 \
28. Villette (Charlotte Brontë, 1853)
. S. H" P9 M, J4 k5 B4 i27. Robinson Crusoe (Daniel Defoe, 1719)( j, \: Y, M* j* X: {, x. N; L% }& w+ T
26. The Lord of the Rings (JRR Tolkien, 1954)3 e6 x7 [. W6 s; y! t; j/ r
25. White Teeth (Zadie Smith, 2000)8 Q" j* c* }5 d9 O$ ]
24. The Golden Notebook (Doris Lessing, 1962)) W# V, O0 O! p- E% J" J
23. Jude the Obscure (Thomas Hardy, 1895)% X J1 V3 X) O8 J
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
- ~: f6 Z5 A7 F, x/ A- u' ?21. Heart of Darkness (Joseph Conrad, 1899), A w8 P6 ~# D/ K
20. Persuasion (Jane Austen, 1817)2 I8 i% g- C, h j. y( l9 f
19. Emma (Jane Austen, 1815)
2 P3 D4 Y. k+ ?) D; x4 P& ]/ J18. Remains of the Day (Kazuo Ishiguro, 1989)- j3 r# z% I7 s" q: R2 H
17. Howards End (EM Forster, 1910)
* I$ ]% `7 F3 v& F/ L) ?. I$ q16. The Waves (Virginia Woolf, 1931)9 a6 H0 W% E' q
15. Atonement (Ian McEwan, 2001)9 u5 Q% X2 \1 ]7 O1 b/ N
14. Clarissa (Samuel Richardson,1748)
. n0 [3 T( a( ]* m, {13. The Good Soldier (Ford Madox Ford, 1915)
# j" y$ u+ t3 a. y- k' T12. Nineteen Eighty-Four (George Orwell, 1949)6 i* r2 u3 C2 B( R$ t- N, F
11. Pride and Prejudice (Jane Austen, 1813)# N! f& K c& g
10. Vanity Fair (William Makepeace Thackeray, 1848)4 q7 S. a3 L6 C% U |; R: _
9. Frankenstein (Mary Shelley, 1818)' O3 V, ~, z7 S; W+ x6 x- r8 K
8. David Copperfield (Charles Dickens, 1850)3 }' t4 K3 X/ w9 j9 {% B6 z
7. Wuthering Heights (Emily Brontë, 1847)3 d! S+ m- x/ z2 {8 P" U
6. Bleak House (Charles Dickens, 1853); ^0 r/ E- b9 ?, i+ p; j2 G
5. Jane Eyre (Charlotte Brontë, 1847)
7 T& `2 F, N4 `- s" I4 T$ P; J4. Great Expectations (Charles Dickens, 1861)
* r6 J- p8 _1 R1 w3. Mrs. Dalloway (Virginia Woolf, 1925). N$ ]/ I- C# x5 z" A
2. To the Lighthouse (Virginia Woolf, 1927)
' t! I" f7 g5 y" J. C3 U1. Middlemarch (George Eliot, 1874)% o$ x; Q4 t/ R3 z
3 ~: H9 S6 W3 G5 u3 ]: N/ w ?% c0 T前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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