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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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' h$ y% l, H5 ]# nBBC评出100大英国文学名著
$ k* x( ]" @' j( D' p- ~( D' j+ yhttp://www.bbc.com/culture/story ... test-british-novels
9 H4 [+ K& C. Q y: ^$ \" J- |# R+ i惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。7 ^4 _0 K7 I: q- p
- h4 w j6 N; w4 S! [3 e100. The Code of the Woosters (PG Wodehouse, 1938)
/ q. S1 u9 K& H& f d4 b99. There but for the (Ali Smith, 2011)& c$ L8 W$ v7 s {) t
98. Under the Volcano (Malcolm Lowry,1947)
0 g P0 r+ y* x# S; U1 u97. The Chronicles of Narnia (CS Lewis, 1949-1954)5 [) @$ Z, x/ c( `
96. Memoirs of a Survivor (Doris Lessing, 1974)2 }$ p9 L* d$ d. ^" d
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
/ B: J/ A( d' a2 x94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
( }0 E$ M# E" p( u2 q93. Lord of the Flies (William Golding, 1954)" |8 H, i. j/ H5 |$ n/ ]1 k
92. Cold Comfort Farm (Stella Gibbons, 1932)
W4 R3 T: R. m3 i9 C91. The Forsyte Saga (John Galsworthy, 1922)9 m( s5 n) w' g- ^# s
90. The Woman in White (Wilkie Collins, 1859)
5 z! G3 S/ q: X& c; r' j5 S1 X0 C89. The Horse’s Mouth (Joyce Cary, 1944)% O8 N+ R1 F( e$ S8 `6 H
88. The Death of the Heart (Elizabeth Bowen, 1938)
0 H( K- W! O3 z; \5 M1 N# K87. The Old Wives’ Tale (Arnold Bennett,1908)
" W* r$ Q! z8 ]1 l) R) v86. A Legacy (Sybille Bedford, 1956)
* }: W' U% c3 F& T, ?0 n7 u85. Regeneration Trilogy (Pat Barker, 1991-1995)
6 h, Y) v+ G" @4 M. U84. Scoop (Evelyn Waugh, 1938): u G+ I7 N/ G8 J4 e
83. Barchester Towers (Anthony Trollope, 1857)# X2 T1 J( m' c" U$ J% \/ N
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
6 }" M% Y/ c* ^! N, F' K81. The Jewel in the Crown (Paul Scott, 1966)
# T* a+ q. L/ ]' V( W: N" t80. Excellent Women (Barbara Pym, 1952)9 g- ]" L$ @" Y
79. His Dark Materials (Philip Pullman, 1995-2000)6 e! B- c2 I: P1 r" A/ W
78. A House for Mr Biswas (VS Naipaul, 1961)2 f/ [7 R1 }% |6 @5 H3 l; U
77. Of Human Bondage (W Somerset Maugham, 1915) Z% p# ]+ N) Y# b4 @
76. Small Island (Andrea Levy, 2004)0 q' {1 \: t& v7 ~% p6 d+ \
75. Women in Love (DH Lawrence, 1920)7 ~1 \! P! Y3 G
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
3 v1 f( ~" N% f( P73. The Blue Flower (Penelope Fitzgerald, 1995)
" K9 v. w0 F8 K2 t2 z72. The Heart of the Matter (Graham Greene, 1948)( J" P; b- E' H$ O9 P# ]9 v+ m N' u
71. Old Filth (Jane Gardam, 2004)
) n% I! H. g, @0 M70. Daniel Deronda (George Eliot, 1876)
) {* J) C: O) h% X a4 Y69. Nostromo (Joseph Conrad, 1904)
6 T, L! Q* k9 A2 C68. A Clockwork Orange (Anthony Burgess, 1962)3 R8 F! r; i# V F5 T
67. Crash (JG Ballard 1973)+ J4 `: _, o. A% R0 c9 C7 I' j
66. Sense and Sensibility (Jane Austen, 1811)
, O: S& Q- Y, \1 Q- o' w$ t65. Orlando (Virginia Woolf, 1928)+ z3 d% P$ e, Z" w. F
64. The Way We Live Now (Anthony Trollope, 1875)
9 K1 d/ H8 S8 Z; L) ?63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)& j( N5 Q) w! O( h8 P+ {2 h. e
62. Animal Farm (George Orwell, 1945)
v: ^6 u8 U6 N7 [61. The Sea, The Sea (Iris Murdoch, 1978): F" x: O& }. M/ c' o2 m$ M
60. Sons and Lovers (DH Lawrence, 1913)
+ P+ I& T# K) T59. The Line of Beauty (Alan Hollinghurst, 2004)
" a/ O$ k0 @, K! ?) D4 v58. Loving (Henry Green, 1945)
3 n9 O4 o7 F+ s# j57. Parade’s End (Ford Madox Ford, 1924-1928)5 T# Z, z9 u( x
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
# O- e: o8 v+ M: Q* F0 ^55. Gulliver’s Travels (Jonathan Swift, 1726)1 U- C8 z9 x0 V! V$ w6 k
54. NW (Zadie Smith, 2012)
, C' d: H o/ F7 c53. Wide Sargasso Sea (Jean Rhys, 1966)8 {8 S! b* |* u, S
52. New Grub Street (George Gissing, 1891)
4 t3 Z4 E v" Y7 k; [- F5 i' M; V. g/ u51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
# Z) Y, H; |. A+ F( ~) S8 }50. A Passage to India (EM Forster, 1924)
# d+ o+ U4 ?+ R6 f, E49. Possession (AS Byatt, 1990)1 |; d* r: C; c n& k* g9 l
48. Lucky Jim (Kingsley Amis, 1954)
( J! q5 h$ E# y; ~" a47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)% O( t, x2 {# v; u
46. Midnight’s Children (Salman Rushdie, 1981)! r+ \; r/ v3 B; v) W4 q# T+ |; e
45. The Little Stranger (Sarah Waters, 2009)) q% Y4 r- ?+ r
44. Wolf Hall (Hilary Mantel, 2009)
( a" o. _$ ~6 n- a: q8 P43. The Swimming Pool Library (Alan Hollinghurst, 1988)
. s3 v9 c; B4 o: i* j" ?+ f- Q42. Brighton Rock (Graham Greene, 1938)* ?' V* V& Q+ Q( L
41. Dombey and Son (Charles Dickens, 1848)
% m, A: w- b! C& Y& u40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)- |2 r- v2 K$ v7 x" ^
39. The Sense of an Ending (Julian Barnes, 2011)
7 u' D/ k J& e38. The Passion (Jeanette Winterson, 1987)
9 r' I7 p2 _3 D9 F8 Y37. Decline and Fall (Evelyn Waugh, 1928)
" w7 z3 R2 c2 U$ o; c S6 s36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
, k" `& d+ n* Z35. Remainder (Tom McCarthy, 2005)9 t( J5 f( R" ^, Z1 d, {' ?
34. Never Let Me Go (Kazuo Ishiguro, 2005); S6 ^& y9 p. w: g3 D
33. The Wind in the Willows (Kenneth Grahame, 1908)
9 H, r( _4 L- P2 T! G32. A Room with a View (EM Forster, 1908)
( i% Z' B2 f6 j0 E- d8 U31. The End of the Affair (Graham Greene, 1951)+ o4 j' L" a4 U: |
30. Moll Flanders (Daniel Defoe, 1722)
1 o& S/ d' p/ T$ @3 ~) }, i4 p) \29. Brick Lane (Monica Ali, 2003)! t. Q& B) a) P
28. Villette (Charlotte Brontë, 1853)$ q+ c2 M: v* g# e) R4 \: r) g, s
27. Robinson Crusoe (Daniel Defoe, 1719)( S+ \. M: j |' D/ p c" v
26. The Lord of the Rings (JRR Tolkien, 1954)9 L# I1 T2 Y3 ^, A& L
25. White Teeth (Zadie Smith, 2000)7 }# {' C& f3 n; u! l9 V5 U. V& \, U
24. The Golden Notebook (Doris Lessing, 1962)
" P8 \" @1 t3 j' G" \& b# z23. Jude the Obscure (Thomas Hardy, 1895)
1 g/ V5 V/ ~. R1 o7 r. J0 I( B& c* w( c6 P22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
# V; O! k+ {8 ]& _9 [% S( s1 ~21. Heart of Darkness (Joseph Conrad, 1899)
% v+ \6 o y4 Z P20. Persuasion (Jane Austen, 1817)% _' B( r$ o* U; ]% C
19. Emma (Jane Austen, 1815)
# M# l J- [& w9 E7 P: p18. Remains of the Day (Kazuo Ishiguro, 1989)% R9 T4 r. |( z/ I" k; u3 {
17. Howards End (EM Forster, 1910)5 ?5 m0 v3 h/ G J& V. d% d
16. The Waves (Virginia Woolf, 1931)
! D7 z3 ^7 e1 a1 A15. Atonement (Ian McEwan, 2001)
2 g, l6 c( ?) [% U \* Y0 X. |14. Clarissa (Samuel Richardson,1748)
b% {: {6 s S% g13. The Good Soldier (Ford Madox Ford, 1915)" ~7 \9 `7 Y: ~
12. Nineteen Eighty-Four (George Orwell, 1949)
" L* b5 |# P* |( U) J% ^11. Pride and Prejudice (Jane Austen, 1813)
?' M) {- y, |5 I- T10. Vanity Fair (William Makepeace Thackeray, 1848)* ?/ r: y+ L5 I, O7 p5 n' a
9. Frankenstein (Mary Shelley, 1818)+ e: G; U1 T' u; Q5 x3 d
8. David Copperfield (Charles Dickens, 1850)
5 C# Z. q+ j9 B7. Wuthering Heights (Emily Brontë, 1847)
* d, u0 N9 N7 `7 E# w' L9 O6. Bleak House (Charles Dickens, 1853)
- ~2 o/ `; n k2 x5. Jane Eyre (Charlotte Brontë, 1847)
" z9 n, J( i6 v7 R) ~. I+ ]4. Great Expectations (Charles Dickens, 1861)1 u" G. @' e- U
3. Mrs. Dalloway (Virginia Woolf, 1925)
A& W- `" n) o2 _2. To the Lighthouse (Virginia Woolf, 1927)
0 a5 b* ?. \9 w! Y6 M; N4 G1. Middlemarch (George Eliot, 1874)* l) X9 R3 K& H9 A
+ n- p' j6 f- p! d前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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