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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 0 P2 P* m& p! v2 k l2 E
4 P5 h- X) l% K7 QBBC评出100大英国文学名著' `) V# s$ b. L/ n
http://www.bbc.com/culture/story ... test-british-novels. M9 k6 n( |: Q& U
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。- `- Z& S& d c2 X
8 X. X) C+ S6 O7 |, l100. The Code of the Woosters (PG Wodehouse, 1938)8 C" r9 X m8 x4 q% X M) j7 Q
99. There but for the (Ali Smith, 2011)
1 W Z' v. o ^5 S: O3 G98. Under the Volcano (Malcolm Lowry,1947)0 n8 p1 x8 _- {0 C
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
7 _$ v! W: @1 L9 r. k# [* R# C4 N96. Memoirs of a Survivor (Doris Lessing, 1974)
4 C0 W9 w$ L0 `. U' H0 ]* `$ K95. The Buddha of Suburbia (Hanif Kureishi, 1990) Z1 b7 A, l# C4 u4 s8 b+ I. o
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! J4 U* a S- c93. Lord of the Flies (William Golding, 1954)
/ i) a9 J3 P3 V8 c3 R$ ^2 Q4 v' W92. Cold Comfort Farm (Stella Gibbons, 1932)
9 R/ D# Q! k \7 w91. The Forsyte Saga (John Galsworthy, 1922)
. k% b8 s9 ?( s# u/ t# s1 D4 k90. The Woman in White (Wilkie Collins, 1859)4 q* v" z# n$ u" U) I! h
89. The Horse’s Mouth (Joyce Cary, 1944)
' o0 M8 o9 z) @7 P. f88. The Death of the Heart (Elizabeth Bowen, 1938); D, y6 g8 V& p% ^4 N1 }
87. The Old Wives’ Tale (Arnold Bennett,1908)3 `/ g" {8 A$ ~5 P: @
86. A Legacy (Sybille Bedford, 1956)5 h( p: ~9 n$ C% m5 O* d7 M, l
85. Regeneration Trilogy (Pat Barker, 1991-1995)
" T+ g0 e. p4 |/ K. S84. Scoop (Evelyn Waugh, 1938)' }8 X' t* r @, ]
83. Barchester Towers (Anthony Trollope, 1857)! o# M7 [6 S% \
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)) {! o1 S% x8 `# s. Y
81. The Jewel in the Crown (Paul Scott, 1966)
. I+ P2 {2 Z, d) d5 q: X80. Excellent Women (Barbara Pym, 1952)
! u( z: z c; x# y2 i" z6 b( U& {79. His Dark Materials (Philip Pullman, 1995-2000)% ~6 W: |% C- o$ w m- F
78. A House for Mr Biswas (VS Naipaul, 1961)
2 }5 r, u& V0 B1 b7 g8 |77. Of Human Bondage (W Somerset Maugham, 1915)( @4 k; i5 Y) O( d
76. Small Island (Andrea Levy, 2004)8 {4 k9 \5 i% V9 i: E: z' d& J9 N
75. Women in Love (DH Lawrence, 1920)
# g- d# M% [5 L) L74. The Mayor of Casterbridge (Thomas Hardy, 1886)- S y* S# H' A3 p1 C
73. The Blue Flower (Penelope Fitzgerald, 1995)
3 m1 Y; b& d* N; g" F* g( D9 ^72. The Heart of the Matter (Graham Greene, 1948)9 L3 q0 h& i8 ?* n3 U/ ], U
71. Old Filth (Jane Gardam, 2004)
4 J) d- O' G6 @70. Daniel Deronda (George Eliot, 1876)
% q! w8 E4 {7 w* J; G/ S Q! [# J5 V0 }69. Nostromo (Joseph Conrad, 1904)) i7 _8 N/ J: {, {
68. A Clockwork Orange (Anthony Burgess, 1962)
4 Q- y4 O' j" B J- m& a0 N67. Crash (JG Ballard 1973)7 q- b4 ]8 o4 I7 Q4 ^
66. Sense and Sensibility (Jane Austen, 1811)
# w: N4 G0 w3 H0 p$ m- n( P65. Orlando (Virginia Woolf, 1928)
5 S! n0 E6 b; C64. The Way We Live Now (Anthony Trollope, 1875)2 x9 s4 |8 h: r3 t7 k3 k
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
N( X: Y) E5 a62. Animal Farm (George Orwell, 1945)
+ i% ]4 `. p; m% K d0 P$ S61. The Sea, The Sea (Iris Murdoch, 1978)) }4 ^6 [8 c% p7 j0 p/ a/ g
60. Sons and Lovers (DH Lawrence, 1913)9 {2 F c: s- v9 j# l
59. The Line of Beauty (Alan Hollinghurst, 2004)8 ^# s' L8 Z( f, K( W/ f) u
58. Loving (Henry Green, 1945)2 } m- t( ^4 `, s" `
57. Parade’s End (Ford Madox Ford, 1924-1928). ^, R! A0 j d5 m( f. I3 |
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985): }4 ^( W1 N8 `# T$ t/ \0 ^) l
55. Gulliver’s Travels (Jonathan Swift, 1726). ], h& T, T: }$ b9 |8 t
54. NW (Zadie Smith, 2012)
5 }1 W/ a2 N: m53. Wide Sargasso Sea (Jean Rhys, 1966)
& W) _ O& d4 N4 ?2 f52. New Grub Street (George Gissing, 1891), f0 E7 s6 f j4 k
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
! w- \; `4 v* E/ c5 h& x, T50. A Passage to India (EM Forster, 1924), q2 z$ u" Q& \
49. Possession (AS Byatt, 1990); x5 { S2 K3 B: U; w
48. Lucky Jim (Kingsley Amis, 1954)
. V$ c* T8 [% O Q) n6 S47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)9 z* B. q. J1 |. f
46. Midnight’s Children (Salman Rushdie, 1981): {' ^, M. l+ D9 x+ H
45. The Little Stranger (Sarah Waters, 2009); `$ k& q% x3 u* |8 b% u# u+ i" p
44. Wolf Hall (Hilary Mantel, 2009)
( X, c X& H- s7 X. G* {43. The Swimming Pool Library (Alan Hollinghurst, 1988)
2 Z C" u2 c% J$ n/ S7 N1 L0 g42. Brighton Rock (Graham Greene, 1938)- _/ a+ \; A9 A" a$ c' e
41. Dombey and Son (Charles Dickens, 1848)
* w3 H* `2 k% E1 Q) y* P6 d40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
! g6 [$ U+ x: V0 L39. The Sense of an Ending (Julian Barnes, 2011) X& a. X' N" h1 o& ]" Q4 x4 b) Q2 g
38. The Passion (Jeanette Winterson, 1987)( l4 M! q$ s* A% [) J
37. Decline and Fall (Evelyn Waugh, 1928)
! u" {, |4 l" ?9 l# B7 u) [36. A Dance to the Music of Time (Anthony Powell, 1951-1975)& K# G' z, k0 y5 m
35. Remainder (Tom McCarthy, 2005)* E d6 [. J' c% p
34. Never Let Me Go (Kazuo Ishiguro, 2005)
( i# _+ D% ]' c& E33. The Wind in the Willows (Kenneth Grahame, 1908)
" ?2 a K- s3 c }" e32. A Room with a View (EM Forster, 1908)
8 D, \, y0 d6 C31. The End of the Affair (Graham Greene, 1951)) y5 {* @3 ]3 p/ y, Q3 d% O' C
30. Moll Flanders (Daniel Defoe, 1722)
. p c% j1 h, R2 t! M" {' v29. Brick Lane (Monica Ali, 2003)
! U4 [( A8 O9 t* M$ k+ }( I28. Villette (Charlotte Brontë, 1853)" S: R5 N2 H3 M9 z. L
27. Robinson Crusoe (Daniel Defoe, 1719)) E' [$ Z& x3 Q9 }' D5 k3 u
26. The Lord of the Rings (JRR Tolkien, 1954)6 E: G6 I0 \: s' C8 v9 J
25. White Teeth (Zadie Smith, 2000)$ x# ], {5 J, q r4 U1 c
24. The Golden Notebook (Doris Lessing, 1962)
$ s1 R# n( Z# o23. Jude the Obscure (Thomas Hardy, 1895)
) l6 m9 Q0 }' t, N22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)0 A/ O0 S+ F! q( \
21. Heart of Darkness (Joseph Conrad, 1899)& y) l5 K' g+ O( w+ s2 z+ @7 ~
20. Persuasion (Jane Austen, 1817)# v* v& {4 U' L1 K! n2 b/ ]
19. Emma (Jane Austen, 1815), c4 z# J- f/ ?, R
18. Remains of the Day (Kazuo Ishiguro, 1989)
. K, j4 h9 P" y3 w* g5 s17. Howards End (EM Forster, 1910)6 q7 @# M$ C" p0 d5 t/ I
16. The Waves (Virginia Woolf, 1931)4 S; `' J0 \5 q( Q" |
15. Atonement (Ian McEwan, 2001)
# [" D4 M/ b0 e" J) U14. Clarissa (Samuel Richardson,1748)# t" R6 Q2 R& @: q; b
13. The Good Soldier (Ford Madox Ford, 1915)+ v. W' X/ z9 D! }5 ?. W
12. Nineteen Eighty-Four (George Orwell, 1949)
& x, Q1 W' H3 J( G6 f: @0 T11. Pride and Prejudice (Jane Austen, 1813)- R2 u( ~7 Y/ Q/ D# W; ?. f
10. Vanity Fair (William Makepeace Thackeray, 1848)) @0 A; O7 A3 u
9. Frankenstein (Mary Shelley, 1818)
+ R7 j/ ?; I8 ?! ?# Z8. David Copperfield (Charles Dickens, 1850)5 D: T* p" Q8 i$ C9 [/ \# A1 ^2 p
7. Wuthering Heights (Emily Brontë, 1847)6 N4 R* a* I) \- B0 H3 d" y
6. Bleak House (Charles Dickens, 1853) c" n. e% d" W5 M" [4 V. s" b
5. Jane Eyre (Charlotte Brontë, 1847)
/ `) Q) P6 t* ~$ l4. Great Expectations (Charles Dickens, 1861)/ X! [4 A4 N m' J7 x
3. Mrs. Dalloway (Virginia Woolf, 1925)3 H) U( j! c0 n) {6 L* i+ P: Z7 w
2. To the Lighthouse (Virginia Woolf, 1927)
9 n$ J2 V& z1 o, q0 Q2 B1. Middlemarch (George Eliot, 1874)$ K% P7 ] a! d8 T6 h
% [: g4 k& W( g6 O- W5 t前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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