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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
) q7 ~5 m3 F% T2 d6 Ahttp://www.bbc.com/culture/story ... test-british-novels
5 { T% |7 f/ C惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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8 ^6 J H# T# x* c100. The Code of the Woosters (PG Wodehouse, 1938)" Y& \& m" k+ [; m! {' T) W& x2 P7 L
99. There but for the (Ali Smith, 2011)7 [; A/ n2 M# ~4 n8 f' W! W6 _
98. Under the Volcano (Malcolm Lowry,1947)) i7 C! {8 R$ X3 _! G
97. The Chronicles of Narnia (CS Lewis, 1949-1954)* | I& G$ f) H0 b4 M
96. Memoirs of a Survivor (Doris Lessing, 1974)& \! \' w* n9 W7 t$ ~3 S
95. The Buddha of Suburbia (Hanif Kureishi, 1990)7 ]- e+ W: _7 X/ j6 R# P
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
8 G$ h0 b( A& V8 l5 i, K: U2 b93. Lord of the Flies (William Golding, 1954). N. R& F" z c8 f/ I) B3 p
92. Cold Comfort Farm (Stella Gibbons, 1932)+ w# U+ [6 E& p* s4 g* o
91. The Forsyte Saga (John Galsworthy, 1922)
: H! t! u4 [) n90. The Woman in White (Wilkie Collins, 1859)
# }( ` Z$ _! j% L; Y/ e* p# L89. The Horse’s Mouth (Joyce Cary, 1944)0 O$ ?6 m. [0 @6 ?- V4 Y+ U
88. The Death of the Heart (Elizabeth Bowen, 1938)4 M! v$ [- ~2 V1 r* l
87. The Old Wives’ Tale (Arnold Bennett,1908)
5 y6 b. o5 u# K( T1 d86. A Legacy (Sybille Bedford, 1956)$ \3 t* ?! f' E
85. Regeneration Trilogy (Pat Barker, 1991-1995)7 ?- Q( r5 O* k/ J$ J
84. Scoop (Evelyn Waugh, 1938)
2 }6 ^! D: I- k# m1 ]. ^5 b83. Barchester Towers (Anthony Trollope, 1857)# V( `4 a; J" c; r+ x5 D& |' m
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
9 |$ \& W# M* R, g- r" O81. The Jewel in the Crown (Paul Scott, 1966)
' a$ j! G7 I( Q' H- A80. Excellent Women (Barbara Pym, 1952)) v' {: Y$ }4 A. d
79. His Dark Materials (Philip Pullman, 1995-2000)
6 o* f+ j/ ?; v: F, L g. p78. A House for Mr Biswas (VS Naipaul, 1961)
+ O" e+ u7 O5 r3 s7 t# K77. Of Human Bondage (W Somerset Maugham, 1915)
% p; U; s2 a) {3 Y76. Small Island (Andrea Levy, 2004)1 Q R, n' D( O1 } c- J6 O& f1 F
75. Women in Love (DH Lawrence, 1920)* W+ o9 L7 C2 C
74. The Mayor of Casterbridge (Thomas Hardy, 1886)) ~: ~; M- Y& v9 R
73. The Blue Flower (Penelope Fitzgerald, 1995)
* X1 B4 Q* c6 m: K D72. The Heart of the Matter (Graham Greene, 1948)
+ G& D: S9 Y: G9 t# y71. Old Filth (Jane Gardam, 2004)
2 B6 {# r! i$ w, l70. Daniel Deronda (George Eliot, 1876)
) s/ `, J* U% c4 ]$ H" @' }69. Nostromo (Joseph Conrad, 1904)
7 ~, o4 K ~6 F$ m( s68. A Clockwork Orange (Anthony Burgess, 1962)* d8 Z# k6 l0 B* k- H
67. Crash (JG Ballard 1973)
+ ]* f5 s; w) y" t66. Sense and Sensibility (Jane Austen, 1811)
; S5 ?3 o! ?, n* q2 q3 L' r5 P1 W+ t$ s( @65. Orlando (Virginia Woolf, 1928)
+ B" n) v9 K& K64. The Way We Live Now (Anthony Trollope, 1875)8 N; s' @7 P* x- D/ R
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)( I/ m' J% c) {" Y
62. Animal Farm (George Orwell, 1945)% H: n5 \' n# M; u2 ^: k
61. The Sea, The Sea (Iris Murdoch, 1978)
, L8 T- H8 _1 U$ I+ Q$ G2 `" _60. Sons and Lovers (DH Lawrence, 1913)5 B- E% S( L B& G) d. V" Z
59. The Line of Beauty (Alan Hollinghurst, 2004)
/ @# a: r% g1 A$ b+ m58. Loving (Henry Green, 1945) ]' J; a9 G* U9 _
57. Parade’s End (Ford Madox Ford, 1924-1928)! O; @7 A7 q: x O, P$ x) t' C
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)+ D; I( [ d7 B8 {3 k) m6 ]$ X H& k
55. Gulliver’s Travels (Jonathan Swift, 1726)
8 v8 F% Q4 j% b6 u( l) L, U54. NW (Zadie Smith, 2012). S. c# K2 s6 z( V
53. Wide Sargasso Sea (Jean Rhys, 1966)+ _) z8 p! p& Q; {* [
52. New Grub Street (George Gissing, 1891)/ \5 L! {) j3 s6 p5 t' _9 x
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
% Z, y- ~9 d2 a. c1 N50. A Passage to India (EM Forster, 1924)
/ ]- o& J9 y% J% n" n49. Possession (AS Byatt, 1990)
+ ^6 Y/ n8 x/ R! e' P7 n" `48. Lucky Jim (Kingsley Amis, 1954)4 |2 f8 S5 A6 Z. J& }. Y! C
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759); ] u$ G" z# O7 q& M/ l4 n& N
46. Midnight’s Children (Salman Rushdie, 1981)6 G. k N/ F9 O# Q& J0 V& u
45. The Little Stranger (Sarah Waters, 2009)+ Q2 l+ l/ E x5 T! d+ M8 {4 f' d
44. Wolf Hall (Hilary Mantel, 2009)
+ j% O; r. U7 Y6 g43. The Swimming Pool Library (Alan Hollinghurst, 1988)
+ |0 O% U% [2 v! o3 i42. Brighton Rock (Graham Greene, 1938)
/ c K8 b* u4 g2 `$ t41. Dombey and Son (Charles Dickens, 1848)
& T' {; B! e0 O% d; Y40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
, U$ V) N- c/ D2 d2 k39. The Sense of an Ending (Julian Barnes, 2011)
/ C2 }! U) z8 u5 K. R38. The Passion (Jeanette Winterson, 1987)
. g: q$ ^# A. g1 C% a' M2 P37. Decline and Fall (Evelyn Waugh, 1928)
2 `4 U1 V7 ?$ c$ [2 e36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
! c1 u4 y1 \, N, u9 H( r+ o3 i7 Z. ~35. Remainder (Tom McCarthy, 2005)5 ?: ?; ?# b* h' R, }
34. Never Let Me Go (Kazuo Ishiguro, 2005)6 M2 k9 ]& @+ A' m
33. The Wind in the Willows (Kenneth Grahame, 1908)
# I7 b4 h) v' }9 B4 c: _1 A32. A Room with a View (EM Forster, 1908)& F: q6 z/ H6 J+ L5 S7 b+ Y( R
31. The End of the Affair (Graham Greene, 1951)
0 y) w/ w d8 R/ P. B% {30. Moll Flanders (Daniel Defoe, 1722)
0 c: g, m+ I0 `( N29. Brick Lane (Monica Ali, 2003)5 u5 B2 D' l" g* ?
28. Villette (Charlotte Brontë, 1853)- R% \6 [, e1 F! Y" B* b# Y
27. Robinson Crusoe (Daniel Defoe, 1719)' A6 t/ x6 A. G" o1 L
26. The Lord of the Rings (JRR Tolkien, 1954)" P0 |/ {3 z5 ^; y; F3 p
25. White Teeth (Zadie Smith, 2000)( k; k( ]3 r7 j) r ]
24. The Golden Notebook (Doris Lessing, 1962)
3 P& e- Y" k5 @$ f8 p5 {1 P23. Jude the Obscure (Thomas Hardy, 1895)1 M' x5 Q& N% i# j0 [* i# \1 f
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
( A) v: f* f$ L1 u/ p/ p ~* \7 V( Y8 z21. Heart of Darkness (Joseph Conrad, 1899)' n5 T; Q4 p9 ?$ S: |! {( ~
20. Persuasion (Jane Austen, 1817) }9 V# a% l0 Z
19. Emma (Jane Austen, 1815)
5 }; T( `- e7 u5 X5 p) M- Z- W18. Remains of the Day (Kazuo Ishiguro, 1989)
+ U5 S9 Y& r% b; @' r% J17. Howards End (EM Forster, 1910)
! k! }% E4 \0 [* A' k16. The Waves (Virginia Woolf, 1931)/ M% z; }0 M7 s4 [1 _
15. Atonement (Ian McEwan, 2001)
8 D/ C6 g7 i3 q: l14. Clarissa (Samuel Richardson,1748)7 g( z, ^# p7 j9 L
13. The Good Soldier (Ford Madox Ford, 1915)4 Q+ N3 K+ |9 b# v
12. Nineteen Eighty-Four (George Orwell, 1949)
% T) c( @2 `& R! N, p- U+ C0 B11. Pride and Prejudice (Jane Austen, 1813)2 D3 [) y7 r- `4 a J
10. Vanity Fair (William Makepeace Thackeray, 1848)& p6 u& @+ i$ w$ j9 Y7 p
9. Frankenstein (Mary Shelley, 1818)8 E; a. n' C: p) w* |
8. David Copperfield (Charles Dickens, 1850)1 P/ Q+ N4 C; v7 L$ a4 Q a
7. Wuthering Heights (Emily Brontë, 1847): d( I/ }$ e: M! T s# s, A. @8 c5 G
6. Bleak House (Charles Dickens, 1853)
& ^1 l* Y7 J) t: s: P) Y- {7 ~5 q5. Jane Eyre (Charlotte Brontë, 1847), `7 n; k% k, t( `& ~$ D1 r) y
4. Great Expectations (Charles Dickens, 1861)$ S( m; Y5 s- Z* a! t+ H& Y* W
3. Mrs. Dalloway (Virginia Woolf, 1925)+ m- b4 s/ c: N
2. To the Lighthouse (Virginia Woolf, 1927)
* ]) Q* O$ D' b# P4 C1 H- \1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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