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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ) L! F( |/ C: {9 w6 h
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BBC评出100大英国文学名著" Y0 d7 x2 G5 [- U- L o# E
http://www.bbc.com/culture/story ... test-british-novels
2 T3 w8 w; I5 V# Q惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
9 m( m9 ]( T* l- I99. There but for the (Ali Smith, 2011)
" B" p! a: Y2 ? |) M) \98. Under the Volcano (Malcolm Lowry,1947)
6 b0 `6 J. _% ~9 s+ h1 u& t' v97. The Chronicles of Narnia (CS Lewis, 1949-1954)# F% ^& I7 k M" c6 F2 M* u
96. Memoirs of a Survivor (Doris Lessing, 1974)
% X1 x1 D6 I. {95. The Buddha of Suburbia (Hanif Kureishi, 1990)9 D3 M2 a' t" _ X2 w
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)" ~! b8 S3 e5 B# {/ f5 [
93. Lord of the Flies (William Golding, 1954). T3 r% q* l0 c) P
92. Cold Comfort Farm (Stella Gibbons, 1932)
- Z2 I5 i# w/ u9 v91. The Forsyte Saga (John Galsworthy, 1922)4 k9 i$ O- {1 s2 b5 V
90. The Woman in White (Wilkie Collins, 1859). B7 ~( u1 W$ \7 Q9 x
89. The Horse’s Mouth (Joyce Cary, 1944)9 y4 N) W2 i3 y8 g& y2 Q
88. The Death of the Heart (Elizabeth Bowen, 1938)
# S: ~6 p$ M: ]: h" m3 a87. The Old Wives’ Tale (Arnold Bennett,1908) e5 o$ Z6 p3 Z6 W9 `
86. A Legacy (Sybille Bedford, 1956) x o0 @1 m% S0 y
85. Regeneration Trilogy (Pat Barker, 1991-1995)( O+ _! O. o% x! r1 y5 i, n7 h
84. Scoop (Evelyn Waugh, 1938)( K! |: d( C" \8 O* n7 b( l! @
83. Barchester Towers (Anthony Trollope, 1857)3 l! \) }& S6 C, X3 {* O" X4 a
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
. e! H. {5 d# o4 Z81. The Jewel in the Crown (Paul Scott, 1966)! u; h5 e2 Q2 p/ H7 W) A( p
80. Excellent Women (Barbara Pym, 1952)1 ]8 Y# ~! Z' {
79. His Dark Materials (Philip Pullman, 1995-2000)
$ b8 M2 K; n9 R, I78. A House for Mr Biswas (VS Naipaul, 1961)/ H, v/ X3 b. S
77. Of Human Bondage (W Somerset Maugham, 1915)
' r$ l: I' q6 y. l% I76. Small Island (Andrea Levy, 2004)
: y7 G' `5 g$ H) o. o0 y, u75. Women in Love (DH Lawrence, 1920)
! f4 {8 q2 B( j74. The Mayor of Casterbridge (Thomas Hardy, 1886)- B4 h6 e0 E6 Z$ l9 j8 J# p
73. The Blue Flower (Penelope Fitzgerald, 1995)
. Y% p$ g- V4 m72. The Heart of the Matter (Graham Greene, 1948)$ f% c8 {, ?; ~; g8 ~; T
71. Old Filth (Jane Gardam, 2004)" a- n8 ?5 J& u* k
70. Daniel Deronda (George Eliot, 1876)
& s) f. R- h- a; v8 X69. Nostromo (Joseph Conrad, 1904). [. m0 n/ g% e3 [7 ^4 i
68. A Clockwork Orange (Anthony Burgess, 1962)
: _4 G o& p3 h! r67. Crash (JG Ballard 1973)
6 a) l+ [: `5 d6 d1 ]66. Sense and Sensibility (Jane Austen, 1811)
. V q* R- Q* C. c65. Orlando (Virginia Woolf, 1928)
5 v, T l9 Y$ Y5 z8 w. a64. The Way We Live Now (Anthony Trollope, 1875)
, r/ ]' h) m) d# ?; O1 V63. The Prime of Miss Jean Brodie (Muriel Spark, 1961) P) F: ^+ s9 P: D% H7 z5 _
62. Animal Farm (George Orwell, 1945)' }' m0 `7 Q; a0 m7 r, r
61. The Sea, The Sea (Iris Murdoch, 1978); ]! X6 p( Z! V) T! A* G
60. Sons and Lovers (DH Lawrence, 1913)2 A; `+ x; K. c$ Y- A
59. The Line of Beauty (Alan Hollinghurst, 2004)6 }7 @7 d( s, J- c# Y
58. Loving (Henry Green, 1945)
; T% \3 u) b' y$ O* u4 h# c! W3 y57. Parade’s End (Ford Madox Ford, 1924-1928)8 `( [+ p9 Z. u" F! g
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)8 E& H' i1 K- p1 O' b4 z0 z, Y: y
55. Gulliver’s Travels (Jonathan Swift, 1726)
* E/ A! I, E, [+ y9 x7 s% |& F54. NW (Zadie Smith, 2012)% J6 m( Y( H/ m
53. Wide Sargasso Sea (Jean Rhys, 1966)
% l1 U! F2 ^3 z% [52. New Grub Street (George Gissing, 1891)8 f% s! w# B+ U9 i' V7 J
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)' B5 U* w+ T/ F E' t+ T
50. A Passage to India (EM Forster, 1924), X: y0 m. v' g" q! y4 c
49. Possession (AS Byatt, 1990)) ~! l; g4 m, n2 p% V) @
48. Lucky Jim (Kingsley Amis, 1954)
4 k% O) R$ w" ^1 G0 n1 f- b47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
: \. P+ x9 U* j' K, \4 m46. Midnight’s Children (Salman Rushdie, 1981)1 T5 Z6 ?4 t7 p
45. The Little Stranger (Sarah Waters, 2009)
: Q0 Z! s# s! Q& A9 {$ v0 {44. Wolf Hall (Hilary Mantel, 2009)
3 u6 R# w( D, W+ \43. The Swimming Pool Library (Alan Hollinghurst, 1988)- U8 D* p, w0 Z7 A0 b% N) E
42. Brighton Rock (Graham Greene, 1938)3 l; d7 _: d6 k; g0 z+ Q9 T
41. Dombey and Son (Charles Dickens, 1848)- P* `& @0 D4 e% u% v# W4 O
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
" v( o) f2 }4 L8 T" ~5 _1 [39. The Sense of an Ending (Julian Barnes, 2011)
h* ]( l1 e* p9 S" o9 Q38. The Passion (Jeanette Winterson, 1987)
! L5 A; n( I6 Z s$ o37. Decline and Fall (Evelyn Waugh, 1928)% F' V9 ]8 x f
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
' N' I+ S0 t5 L( {35. Remainder (Tom McCarthy, 2005)
" \+ S3 q. j( D g: a5 f: |% M! h34. Never Let Me Go (Kazuo Ishiguro, 2005)
7 d, h% ]& i" u* }; O8 E- X8 o33. The Wind in the Willows (Kenneth Grahame, 1908)7 c0 b. M/ F( i3 Y2 e
32. A Room with a View (EM Forster, 1908)( J( m* v- \( j9 ^( w* b. U x3 t! a: L
31. The End of the Affair (Graham Greene, 1951)
9 F: }$ @9 i9 x7 p30. Moll Flanders (Daniel Defoe, 1722)3 P% h7 C* i6 l* N; d4 w: j
29. Brick Lane (Monica Ali, 2003). N" z4 y& v& D) _! a) u6 F$ h
28. Villette (Charlotte Brontë, 1853)
4 e/ a# Y ?/ e n' o5 g( R/ b: W27. Robinson Crusoe (Daniel Defoe, 1719)
! Z5 u" G) {. x( C6 Q26. The Lord of the Rings (JRR Tolkien, 1954)
/ ~! F* u) T; m25. White Teeth (Zadie Smith, 2000)
$ m: K% D5 {, T1 U24. The Golden Notebook (Doris Lessing, 1962)
( N& Q/ V4 R- [( D5 J23. Jude the Obscure (Thomas Hardy, 1895)/ ?" |( i& `+ Y( a
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
) g+ n4 `# C1 e4 ?21. Heart of Darkness (Joseph Conrad, 1899)
2 i" B2 @% b4 t }20. Persuasion (Jane Austen, 1817)
9 g& l& t3 X( m2 H19. Emma (Jane Austen, 1815)
1 F! D9 L* |5 o0 ]18. Remains of the Day (Kazuo Ishiguro, 1989)5 r8 L( Q& @! V/ r$ y6 K
17. Howards End (EM Forster, 1910)7 e( n; F# b* c; W/ e, x4 @" `
16. The Waves (Virginia Woolf, 1931)2 {# Z" y1 C1 n4 z
15. Atonement (Ian McEwan, 2001)
! o1 j8 S1 ]9 a# ~5 M14. Clarissa (Samuel Richardson,1748)( D' Q$ k( s9 A% ?( k @7 V
13. The Good Soldier (Ford Madox Ford, 1915)7 f7 c/ |$ ^7 Y0 ^
12. Nineteen Eighty-Four (George Orwell, 1949)+ H/ I. t( w3 K# h/ i. v+ h: k
11. Pride and Prejudice (Jane Austen, 1813)
9 p* Q0 c, y2 q# l d10. Vanity Fair (William Makepeace Thackeray, 1848)
( ?0 e1 x8 b0 h h9. Frankenstein (Mary Shelley, 1818)
* }" G8 c$ d" `: u8. David Copperfield (Charles Dickens, 1850)
- M- \) K: p( C [* w* R7. Wuthering Heights (Emily Brontë, 1847)
+ C1 \" z% F9 }) z) L6. Bleak House (Charles Dickens, 1853)
J. S# w9 ]1 r b" ^) @) o5. Jane Eyre (Charlotte Brontë, 1847)
) S9 J1 I$ Y2 e+ U/ r& I6 K3 |4. Great Expectations (Charles Dickens, 1861)* ]' o' S+ Y+ w4 g. q0 x4 A6 U
3. Mrs. Dalloway (Virginia Woolf, 1925) V/ i7 U& X- `$ a
2. To the Lighthouse (Virginia Woolf, 1927)0 A/ `3 X l P
1. Middlemarch (George Eliot, 1874), k6 ~/ W% F: U/ r. ?, L
3 R `$ h: v# J3 H+ h+ S$ q前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。+ o- z4 D3 a: T0 Z
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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