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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 2 L" N6 a, W; f4 u& v. B7 R) [
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BBC评出100大英国文学名著
7 v; ]) @( L& _0 _: [http://www.bbc.com/culture/story ... test-british-novels& o- |) C7 J) g' ?& T& I+ ^% g
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
7 L$ j* {* F& j. `) I99. There but for the (Ali Smith, 2011)
' R# \( ]" @! B$ G9 G# Q98. Under the Volcano (Malcolm Lowry,1947)
# R/ E( u( f& {% a97. The Chronicles of Narnia (CS Lewis, 1949-1954)
/ K9 a4 \7 H& D2 a* M7 V96. Memoirs of a Survivor (Doris Lessing, 1974)* g! H3 D- ~5 @* j
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
4 i6 r- X- t% S7 x94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824). X( Z9 N- V5 Z
93. Lord of the Flies (William Golding, 1954)/ C( A+ q) Y4 a- n: d
92. Cold Comfort Farm (Stella Gibbons, 1932)$ n) h* [# j5 C2 z
91. The Forsyte Saga (John Galsworthy, 1922)& V# X, i; u* v" E1 j8 h& E
90. The Woman in White (Wilkie Collins, 1859)
, }' n( w& Y/ z4 J2 u" K6 Q \/ G& I7 t89. The Horse’s Mouth (Joyce Cary, 1944)) F. F8 p, N; z: o1 C: K
88. The Death of the Heart (Elizabeth Bowen, 1938)
7 W/ U4 p$ |. L8 E. h# ?: o2 m87. The Old Wives’ Tale (Arnold Bennett,1908)
h) C4 k" e5 S- k' P9 d5 y86. A Legacy (Sybille Bedford, 1956)0 N, z& g8 `0 B, s2 C) T
85. Regeneration Trilogy (Pat Barker, 1991-1995)( \; R' |: x; \8 h8 ~& u! m6 A
84. Scoop (Evelyn Waugh, 1938)
& V# U4 r# J G2 R( L; y83. Barchester Towers (Anthony Trollope, 1857)7 i1 R1 S8 N6 @* l Q* L! C
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)4 {! H- s& d2 N+ x8 W
81. The Jewel in the Crown (Paul Scott, 1966)9 P; O- Q- u4 ~
80. Excellent Women (Barbara Pym, 1952)
4 i1 c G* R) N i! m: x79. His Dark Materials (Philip Pullman, 1995-2000)
2 U1 s& J. k1 d% s- ~( ?$ `/ l78. A House for Mr Biswas (VS Naipaul, 1961)1 e. d! U! Q! S' |
77. Of Human Bondage (W Somerset Maugham, 1915)
4 F5 w M# W! ^76. Small Island (Andrea Levy, 2004)
% |3 U6 p: s; p$ J75. Women in Love (DH Lawrence, 1920)) R6 h/ F3 h F) i% ~3 X8 ^
74. The Mayor of Casterbridge (Thomas Hardy, 1886)! t2 L0 D% X6 A" q# c
73. The Blue Flower (Penelope Fitzgerald, 1995)
' l% A9 w: c6 [1 J72. The Heart of the Matter (Graham Greene, 1948)1 y( b; k0 b. `7 n$ J
71. Old Filth (Jane Gardam, 2004)$ i( {4 L2 d$ T" \7 W U
70. Daniel Deronda (George Eliot, 1876)
8 M1 _+ n( e1 b( b7 h( p69. Nostromo (Joseph Conrad, 1904)
! f* P$ |) W. I# {9 b! i/ W f L68. A Clockwork Orange (Anthony Burgess, 1962)
- g6 m6 U8 t3 |: Y* x6 e" r67. Crash (JG Ballard 1973)
! T3 s% @& S0 r# j- w; i' `66. Sense and Sensibility (Jane Austen, 1811)4 A. X% X9 B" N: c
65. Orlando (Virginia Woolf, 1928)
2 D8 ?$ ~; A3 |! C64. The Way We Live Now (Anthony Trollope, 1875): L# U3 u0 B G) E
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961). X/ z; }( U d4 m8 T
62. Animal Farm (George Orwell, 1945)
! R, h: s! Z( a/ W8 C; y" Z! a" {, ?61. The Sea, The Sea (Iris Murdoch, 1978). a" C$ Y3 l% Z+ r. S7 o" D
60. Sons and Lovers (DH Lawrence, 1913)! R3 x S7 y6 x8 H/ _
59. The Line of Beauty (Alan Hollinghurst, 2004)
. V% C5 \& M) l58. Loving (Henry Green, 1945)
8 h0 A& C: F# u+ G57. Parade’s End (Ford Madox Ford, 1924-1928)( C! X) B! W3 e- b
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
: ^2 b7 G8 z- n+ i! ^55. Gulliver’s Travels (Jonathan Swift, 1726)' y- C' E$ i! F( R- X! l% k& u( z
54. NW (Zadie Smith, 2012)
, o) T5 s; W7 h4 _# c53. Wide Sargasso Sea (Jean Rhys, 1966)
* }0 u; ~( n( @52. New Grub Street (George Gissing, 1891): X2 |# T$ n- P& P. r
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)6 d/ x) s, {" K) \. L* k
50. A Passage to India (EM Forster, 1924), Y- _; }% i0 I. K. N
49. Possession (AS Byatt, 1990) S5 X( w p) v6 m) B$ r: c4 ^
48. Lucky Jim (Kingsley Amis, 1954)9 [0 o5 @& U$ i6 a6 H' N/ u6 C
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
1 H' A' S# g, ^1 m46. Midnight’s Children (Salman Rushdie, 1981)" f v( J6 l3 n) ~0 i% ?. u. F
45. The Little Stranger (Sarah Waters, 2009)
; k# r3 U2 R7 m9 D9 V44. Wolf Hall (Hilary Mantel, 2009)/ n/ }+ L' M- R1 g- A
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* |- c+ n! i8 r5 ^0 h42. Brighton Rock (Graham Greene, 1938)
7 n& Y; V" V, X$ f0 {+ d& J41. Dombey and Son (Charles Dickens, 1848)
. x8 X$ m' p* K9 s+ D( \; Q; y40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)6 W9 o, p9 Y" W8 u3 _! f% y+ s T
39. The Sense of an Ending (Julian Barnes, 2011)' F/ k' G( A- Z/ a8 O# p E+ k
38. The Passion (Jeanette Winterson, 1987)
+ {, h7 R$ Q5 U5 @8 }4 n37. Decline and Fall (Evelyn Waugh, 1928)
; J" E4 R- ]) D" s4 r3 R) F36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
' F* A/ S7 w3 \2 @35. Remainder (Tom McCarthy, 2005)& e( w- Z2 _, f" `
34. Never Let Me Go (Kazuo Ishiguro, 2005)
, d$ W/ _5 _0 a33. The Wind in the Willows (Kenneth Grahame, 1908)
5 F6 J l$ U$ C# X+ _. z32. A Room with a View (EM Forster, 1908)- ]* m, }' z$ b% w
31. The End of the Affair (Graham Greene, 1951)
! n4 W5 R6 I5 M- s% D+ `30. Moll Flanders (Daniel Defoe, 1722)% Q+ s: d& a" a. ]4 R
29. Brick Lane (Monica Ali, 2003)9 y3 V8 q# Q1 q; _
28. Villette (Charlotte Brontë, 1853)1 q0 q( M2 a2 {1 v: s' ^# ?2 @
27. Robinson Crusoe (Daniel Defoe, 1719)
& W0 i L/ G: @. p26. The Lord of the Rings (JRR Tolkien, 1954)' j# [. q2 i% C; z6 x! J
25. White Teeth (Zadie Smith, 2000)
u9 J3 N" p( m( e! Z/ @24. The Golden Notebook (Doris Lessing, 1962)2 q% }% V! [8 E, @
23. Jude the Obscure (Thomas Hardy, 1895)& @# W6 m' k/ c' p H, s
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)* E/ V9 {* {% s0 F1 i% ~
21. Heart of Darkness (Joseph Conrad, 1899)( l/ w. `7 S! ~' K2 b f& t
20. Persuasion (Jane Austen, 1817)* _' M! x, n* p7 C3 f& Y
19. Emma (Jane Austen, 1815)
3 d5 g9 T: k) S0 V8 k9 y0 I8 y18. Remains of the Day (Kazuo Ishiguro, 1989)/ B! | F- t+ {
17. Howards End (EM Forster, 1910)
: U1 y% p1 p) @+ l16. The Waves (Virginia Woolf, 1931)6 N# S5 \* l3 i
15. Atonement (Ian McEwan, 2001)
/ D) q; a9 O6 S2 \& |14. Clarissa (Samuel Richardson,1748)* [) e( f: N$ D8 c& b* W
13. The Good Soldier (Ford Madox Ford, 1915)
$ N3 C! ~" W5 ^) t; }12. Nineteen Eighty-Four (George Orwell, 1949)
9 i0 i7 h+ }* ?. t I11. Pride and Prejudice (Jane Austen, 1813): g$ E6 w i( Y" ~6 m7 m3 X% a9 c
10. Vanity Fair (William Makepeace Thackeray, 1848)+ F. Q- k& ~) |( @
9. Frankenstein (Mary Shelley, 1818)
( B. [3 D: G0 Q/ p8. David Copperfield (Charles Dickens, 1850)
* Q' @+ D8 m# | I7. Wuthering Heights (Emily Brontë, 1847)
' M+ t" C& p9 g6. Bleak House (Charles Dickens, 1853)
3 w# w( v8 W1 b8 Q5. Jane Eyre (Charlotte Brontë, 1847): l2 ]; L7 l: ?' ^! _" O# S9 M
4. Great Expectations (Charles Dickens, 1861)+ r% n/ S2 [% \: O1 v
3. Mrs. Dalloway (Virginia Woolf, 1925); V+ Y7 C! Y2 A X; d' x! i
2. To the Lighthouse (Virginia Woolf, 1927)
7 T# C; R8 U3 v2 b1. Middlemarch (George Eliot, 1874)
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- W! ^) p7 r8 e- ~3 o前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。9 f8 Q' N& M6 M4 `% V i
% u1 A R }, C t& f4 s- D# e. R q呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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