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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 * Q! \9 l: F8 }; `# q+ ^
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BBC评出100大英国文学名著
, C' [9 a7 F; U. {2 vhttp://www.bbc.com/culture/story ... test-british-novels
2 U7 \( m7 r. E惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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! i/ X" s, d6 I) z- m100. The Code of the Woosters (PG Wodehouse, 1938); F) C4 G0 O/ l( a' u. s, T
99. There but for the (Ali Smith, 2011)# r! {. {7 {8 X& `' f
98. Under the Volcano (Malcolm Lowry,1947)3 H, v: {9 d6 G- q2 a8 Q7 q" v
97. The Chronicles of Narnia (CS Lewis, 1949-1954)6 }. _/ P) X+ K8 [
96. Memoirs of a Survivor (Doris Lessing, 1974)' o! S# D; {& M1 d
95. The Buddha of Suburbia (Hanif Kureishi, 1990)7 N- A- ^- ]0 P' u0 ^3 d
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
" [2 e2 R0 U/ [: \7 }* A93. Lord of the Flies (William Golding, 1954)
+ _1 j& Y8 y: B( d7 S I92. Cold Comfort Farm (Stella Gibbons, 1932)' c& T1 I7 l/ \* C
91. The Forsyte Saga (John Galsworthy, 1922)" W% }0 x$ a8 }+ W4 \
90. The Woman in White (Wilkie Collins, 1859)8 e/ H0 }, F% Q- y& \3 \# O
89. The Horse’s Mouth (Joyce Cary, 1944)+ b5 K( T) j' P( l
88. The Death of the Heart (Elizabeth Bowen, 1938)1 Y8 F0 ?1 g4 I2 W/ d
87. The Old Wives’ Tale (Arnold Bennett,1908)
0 g$ P [1 |. ?* S+ w. U" p9 `) O86. A Legacy (Sybille Bedford, 1956)' d; x1 u. j& S3 a8 Q; C
85. Regeneration Trilogy (Pat Barker, 1991-1995)
2 I( k# P# L, k- }84. Scoop (Evelyn Waugh, 1938)
7 `5 V' M6 ?1 d/ T6 X; A83. Barchester Towers (Anthony Trollope, 1857)6 Z* a# `4 G f( P
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
( E8 G' S" ]; |; Z3 T81. The Jewel in the Crown (Paul Scott, 1966)5 J7 b! V: r4 k. \8 ]
80. Excellent Women (Barbara Pym, 1952) [; z; { d( f1 L% z4 }
79. His Dark Materials (Philip Pullman, 1995-2000)
" m3 L8 _" U* g( c78. A House for Mr Biswas (VS Naipaul, 1961)' V! `+ I' f8 P; o2 \$ C' X" l# x
77. Of Human Bondage (W Somerset Maugham, 1915)
: H1 T; V' S+ U* B1 `4 N7 i, ]# K76. Small Island (Andrea Levy, 2004)2 a/ e( d; b! O7 z! A5 L
75. Women in Love (DH Lawrence, 1920)+ e0 o" a' { }$ G
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
4 }" R! a9 e& G' F73. The Blue Flower (Penelope Fitzgerald, 1995)& u- V0 M* Z9 O) C0 s' H$ d
72. The Heart of the Matter (Graham Greene, 1948)
" l B7 }' j8 \1 Q- ]1 M71. Old Filth (Jane Gardam, 2004)" K1 l+ V- V/ t( z) H/ B' B5 `+ U' A
70. Daniel Deronda (George Eliot, 1876)
- X j8 ^) x; n3 i2 K$ `% a& |69. Nostromo (Joseph Conrad, 1904): a, U" `0 f f
68. A Clockwork Orange (Anthony Burgess, 1962)+ C" [! K# I1 z4 |, L
67. Crash (JG Ballard 1973)/ ?3 Z7 p2 _% h( w8 X
66. Sense and Sensibility (Jane Austen, 1811)5 x* u7 `/ d/ Q- i
65. Orlando (Virginia Woolf, 1928)
. b B: S4 S+ R64. The Way We Live Now (Anthony Trollope, 1875)
3 k- A4 k/ Z0 p63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
: s" k' V+ V2 m: [62. Animal Farm (George Orwell, 1945); ^; `& j$ Y, w5 R S* s
61. The Sea, The Sea (Iris Murdoch, 1978)* ^ q9 k/ E9 o9 O0 k$ `2 ]
60. Sons and Lovers (DH Lawrence, 1913)% S; O8 Y) G4 N8 d
59. The Line of Beauty (Alan Hollinghurst, 2004)" [* R$ [0 R$ E( T. M
58. Loving (Henry Green, 1945)
+ g$ |5 r6 T9 o8 f57. Parade’s End (Ford Madox Ford, 1924-1928)4 g& Y0 T) |( t5 G
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)3 y$ e# e9 v) P) d' ~: d! Y* p
55. Gulliver’s Travels (Jonathan Swift, 1726)7 \+ Y, o* N/ E, F$ ^$ {/ X
54. NW (Zadie Smith, 2012)
$ C1 R1 L; n& w& x* R0 w53. Wide Sargasso Sea (Jean Rhys, 1966)8 ?' k* I5 u$ _/ R6 P
52. New Grub Street (George Gissing, 1891)
: s" o, Z0 D7 e9 u2 C' r# C. h1 F51. Tess of the d’Urbervilles (Thomas Hardy, 1891)' w; B0 W u# L5 B) f; C
50. A Passage to India (EM Forster, 1924)
, P; \7 q3 b3 o7 t+ E+ `0 C p1 V3 B49. Possession (AS Byatt, 1990)! Z8 f1 V( A) x5 K" e( O
48. Lucky Jim (Kingsley Amis, 1954)
9 S/ ?! M& \. K& x4 ?47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)( t- e4 a" Q- O7 H- F. ~- z
46. Midnight’s Children (Salman Rushdie, 1981). ]7 B# a2 f, r
45. The Little Stranger (Sarah Waters, 2009)& g6 p: S4 b& ?4 U7 ?. ?: I7 V
44. Wolf Hall (Hilary Mantel, 2009)
3 V" r7 l0 _6 _6 h% k( y43. The Swimming Pool Library (Alan Hollinghurst, 1988)3 C8 Z/ [1 T0 @( x7 _( {* ]( V* o
42. Brighton Rock (Graham Greene, 1938)
: }; O3 j! A# }* F, p* {2 v41. Dombey and Son (Charles Dickens, 1848)+ m. ?0 o: @8 n
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)5 j; h' V) P! N* D% q# @
39. The Sense of an Ending (Julian Barnes, 2011)
# m" E8 |! d- E5 Z6 G, ]6 h" p38. The Passion (Jeanette Winterson, 1987)1 r6 f" Q6 e! T5 v
37. Decline and Fall (Evelyn Waugh, 1928)
* s. T& z& } h4 L9 x& h36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
1 y% O! a- M- J: s2 G& B; a% u35. Remainder (Tom McCarthy, 2005)9 n8 l/ _0 _3 C3 S/ @9 Z% i9 Q8 C
34. Never Let Me Go (Kazuo Ishiguro, 2005)
8 d, C: y$ `5 L33. The Wind in the Willows (Kenneth Grahame, 1908)
\; V4 O" Z- c1 J* u: E32. A Room with a View (EM Forster, 1908)
! k4 {# P0 W) T# G+ _31. The End of the Affair (Graham Greene, 1951)6 d, M, g) z! i. ]4 ~
30. Moll Flanders (Daniel Defoe, 1722)* C; x: r. W2 s
29. Brick Lane (Monica Ali, 2003)4 H& [- b1 n d
28. Villette (Charlotte Brontë, 1853)
' \! \( T5 F+ y. S" T! s27. Robinson Crusoe (Daniel Defoe, 1719)
9 Q$ u, t8 ?$ N+ W1 C u26. The Lord of the Rings (JRR Tolkien, 1954)
; M" a5 w0 [6 R& u& ~25. White Teeth (Zadie Smith, 2000)2 o7 T. t; }7 |+ g/ [ j* A: {
24. The Golden Notebook (Doris Lessing, 1962)
0 H% V* S; m, @# ]7 g23. Jude the Obscure (Thomas Hardy, 1895)
% c- A& c$ V4 ` A+ }22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)+ q+ b* \" i( g8 }1 u
21. Heart of Darkness (Joseph Conrad, 1899)
! x& T$ t1 k: }5 ^20. Persuasion (Jane Austen, 1817)
& U1 E4 E% D3 Y/ a9 w2 f P1 y% r w19. Emma (Jane Austen, 1815)$ d0 d/ ]! A; V8 s, p
18. Remains of the Day (Kazuo Ishiguro, 1989)
* }- r% e1 `' E1 |2 o9 S# R: ^. Y+ }17. Howards End (EM Forster, 1910)' `* D1 e5 v+ H; I8 o( y9 ~% A0 J
16. The Waves (Virginia Woolf, 1931)
- @3 F. K1 E0 A15. Atonement (Ian McEwan, 2001)# M0 o- K! c0 ]: {' T
14. Clarissa (Samuel Richardson,1748)7 Y Q9 m) `1 f" J7 M
13. The Good Soldier (Ford Madox Ford, 1915)
4 i% W' k- `7 j% W# i O12. Nineteen Eighty-Four (George Orwell, 1949)
5 \6 S% p6 q" k* D+ N11. Pride and Prejudice (Jane Austen, 1813)8 D3 J6 W% E+ W5 g7 L
10. Vanity Fair (William Makepeace Thackeray, 1848), K; b9 K- Q @1 ]
9. Frankenstein (Mary Shelley, 1818)
+ I3 F+ l9 k' {4 x* m; K' @$ N4 L8. David Copperfield (Charles Dickens, 1850)
* h4 h0 r$ f, d* h" h# k* h' }: w7. Wuthering Heights (Emily Brontë, 1847)9 C+ ~8 b" X4 J0 O( F& s7 p. w- {* M
6. Bleak House (Charles Dickens, 1853). V" |+ s; D# B
5. Jane Eyre (Charlotte Brontë, 1847)7 d+ P8 ~, e @" q! s: o d
4. Great Expectations (Charles Dickens, 1861)
7 V8 i- \) `# F; p8 c! L3. Mrs. Dalloway (Virginia Woolf, 1925)
1 U. H) }" ^6 k \& U2. To the Lighthouse (Virginia Woolf, 1927)$ u/ e" p% a5 ]( k% M- s
1. Middlemarch (George Eliot, 1874)$ a& G. M5 C% _: t
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。- p e2 G$ O, U; t5 H' a
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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