|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
* u1 X5 Q) y$ H2 K* u! M P* r! F ]7 z8 c0 L
BBC评出100大英国文学名著* x+ i( ]% N: @( B* Y5 {
http://www.bbc.com/culture/story ... test-british-novels/ k& r1 M. N S5 {
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。9 T' t2 Y# j6 ]1 L2 n2 B
4 K4 F w( X7 U0 P: j7 s
100. The Code of the Woosters (PG Wodehouse, 1938)
; L3 X5 y$ K4 s5 w; m) \99. There but for the (Ali Smith, 2011). v3 _" V: o$ S* K$ O
98. Under the Volcano (Malcolm Lowry,1947)
& I; i: L7 g ^2 Y5 W$ D7 [97. The Chronicles of Narnia (CS Lewis, 1949-1954)
/ B2 h- s1 v+ y6 T+ Y1 Q- l( o6 N96. Memoirs of a Survivor (Doris Lessing, 1974)& q0 W' J: M* o5 A
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
4 P; ]# g9 s2 a3 q1 a5 F94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)$ ]5 ?, ~6 u0 s. o/ m: _
93. Lord of the Flies (William Golding, 1954)
0 R# Z" g, n8 v" c; l92. Cold Comfort Farm (Stella Gibbons, 1932)
8 G4 ~- t# x, f7 g3 L4 z+ ?91. The Forsyte Saga (John Galsworthy, 1922): O7 S9 ?5 v( T$ E7 B4 ]; [5 S1 i
90. The Woman in White (Wilkie Collins, 1859)/ w7 |, L; s6 |8 B
89. The Horse’s Mouth (Joyce Cary, 1944)
4 B1 F5 x7 S) i, S88. The Death of the Heart (Elizabeth Bowen, 1938)
+ G, N9 P) {7 o4 P87. The Old Wives’ Tale (Arnold Bennett,1908)
! F0 f+ |" y0 |7 }4 f* `6 [86. A Legacy (Sybille Bedford, 1956)
) f' d% @. c% E2 X B: h85. Regeneration Trilogy (Pat Barker, 1991-1995)
$ ? J L5 l; U& N4 T/ |84. Scoop (Evelyn Waugh, 1938)# b/ |. H3 P$ B4 U7 ?% w! U
83. Barchester Towers (Anthony Trollope, 1857)9 n" u; L" \' {# t G
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012), j: v: R% E3 `# v: M+ z0 }
81. The Jewel in the Crown (Paul Scott, 1966): i, t5 u7 ]: O3 ]
80. Excellent Women (Barbara Pym, 1952)! S& ~3 L" _/ y' ^) f
79. His Dark Materials (Philip Pullman, 1995-2000)
! _7 Z2 D: B( ^1 z4 A78. A House for Mr Biswas (VS Naipaul, 1961)
( x7 E5 X; s# ` Q& G6 {77. Of Human Bondage (W Somerset Maugham, 1915)8 R+ N8 Z3 q1 E r! a; H$ c
76. Small Island (Andrea Levy, 2004)* _2 n n$ u# l
75. Women in Love (DH Lawrence, 1920)2 V$ y: m- P$ ~. B$ s7 ^ N. d
74. The Mayor of Casterbridge (Thomas Hardy, 1886)- H2 g2 Q! H6 K
73. The Blue Flower (Penelope Fitzgerald, 1995)! v) z0 a. E) U2 [+ C- P7 _
72. The Heart of the Matter (Graham Greene, 1948)
e1 `7 j. U' c3 x8 s71. Old Filth (Jane Gardam, 2004)
+ O' d/ |" G8 i% v* o# c! X70. Daniel Deronda (George Eliot, 1876)
9 O- s, d: t! e# G$ C4 Q" w& T69. Nostromo (Joseph Conrad, 1904)+ J5 R6 J) k0 R# }
68. A Clockwork Orange (Anthony Burgess, 1962)9 I; i- `' A4 e4 I; \
67. Crash (JG Ballard 1973)
9 q: L! Q5 c# g9 U( r, d66. Sense and Sensibility (Jane Austen, 1811)
( f; f0 C+ m5 o! C6 X3 Y65. Orlando (Virginia Woolf, 1928)) U; f. p+ D# p2 g% y* ?
64. The Way We Live Now (Anthony Trollope, 1875)
0 |& o" r1 N) I63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
6 O7 Y, _0 a+ D+ L. f c62. Animal Farm (George Orwell, 1945)
: u; ?/ { }5 b4 }/ ~; K% X- h6 X61. The Sea, The Sea (Iris Murdoch, 1978)
- b" a0 J$ o$ I z u8 z60. Sons and Lovers (DH Lawrence, 1913)0 f4 I* ~* ^ o" E9 S! ^8 j
59. The Line of Beauty (Alan Hollinghurst, 2004)
5 J; t5 c0 e! R b3 O1 o58. Loving (Henry Green, 1945)
& |. {- {$ T0 P57. Parade’s End (Ford Madox Ford, 1924-1928)9 X+ f9 m* H, S7 d! b
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
1 O/ }) f) G& S5 ?55. Gulliver’s Travels (Jonathan Swift, 1726)
6 q/ I1 P9 C. D& k/ `54. NW (Zadie Smith, 2012)/ J* m4 q8 x9 Z/ P
53. Wide Sargasso Sea (Jean Rhys, 1966)
+ s5 P0 {2 j @0 I/ t" [52. New Grub Street (George Gissing, 1891): G/ f- H. K, G# ?0 c( U
51. Tess of the d’Urbervilles (Thomas Hardy, 1891). x' s( T L' {; m/ t3 E1 q
50. A Passage to India (EM Forster, 1924)
9 K8 K8 o. v- }, C, ^' Y49. Possession (AS Byatt, 1990)# [% X+ A8 \" J# g) K) {- P5 ?
48. Lucky Jim (Kingsley Amis, 1954): I" B: T6 a& S3 t' d- P
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
: @/ L: E1 I C o# L! ~$ x7 F& `46. Midnight’s Children (Salman Rushdie, 1981)
2 b2 L7 s6 O3 d( y1 S# X' I45. The Little Stranger (Sarah Waters, 2009)
" w/ d6 R6 p. o44. Wolf Hall (Hilary Mantel, 2009)
, j1 ]: P4 Y5 V1 W: y( h43. The Swimming Pool Library (Alan Hollinghurst, 1988)
. r7 d: {( m" l4 e; L42. Brighton Rock (Graham Greene, 1938)/ _9 O* s3 G C5 W/ U. f5 i
41. Dombey and Son (Charles Dickens, 1848): ]+ d2 e- s- F9 b- J5 e3 x3 V8 |
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
% h9 ?/ Y( ]( Z- u/ a$ J0 r6 q% m39. The Sense of an Ending (Julian Barnes, 2011)3 z3 k' i6 q. |& I
38. The Passion (Jeanette Winterson, 1987)
$ m0 K8 a( ? ~& |37. Decline and Fall (Evelyn Waugh, 1928)/ e4 V4 n6 m7 D% a9 T7 @, @
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)3 T% e% t3 k) A; J$ g0 A, V6 _, M
35. Remainder (Tom McCarthy, 2005)4 g# B9 S0 b+ q4 I
34. Never Let Me Go (Kazuo Ishiguro, 2005)) A" A- s- j4 [# K/ u; l% k
33. The Wind in the Willows (Kenneth Grahame, 1908)
% P! J& V' A1 _' T' K7 _9 u32. A Room with a View (EM Forster, 1908)
# |$ m2 H0 c6 Z: O3 J% r: b0 C31. The End of the Affair (Graham Greene, 1951)/ F6 F1 n6 o7 i5 ^1 W6 G
30. Moll Flanders (Daniel Defoe, 1722)
* d& p* o: u* O* p/ v8 Z29. Brick Lane (Monica Ali, 2003)
& G$ {8 e+ I Y$ v) E. Q28. Villette (Charlotte Brontë, 1853)
; \- ?4 L3 F' z: z' ]27. Robinson Crusoe (Daniel Defoe, 1719)( T. I5 w r% D( w; ?$ n. ~
26. The Lord of the Rings (JRR Tolkien, 1954)9 e0 ?3 ^& y9 O' g
25. White Teeth (Zadie Smith, 2000)
, F |7 Z% T- t24. The Golden Notebook (Doris Lessing, 1962)7 v7 `# e% p( s0 g8 K) y' P. d
23. Jude the Obscure (Thomas Hardy, 1895)1 c( |9 g" e7 L, j1 Z9 n* b8 v" r/ W
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
0 ]6 Z6 h1 b% `: z( N9 h21. Heart of Darkness (Joseph Conrad, 1899)
; E$ @& r7 k9 C$ V/ F. v20. Persuasion (Jane Austen, 1817)
3 ~% }2 E5 |! X, R2 U( d3 f19. Emma (Jane Austen, 1815)
7 V% s2 C" z. _# p: c18. Remains of the Day (Kazuo Ishiguro, 1989)9 i; w- k3 A4 U4 Z& W% }6 c/ G" u7 F5 Z
17. Howards End (EM Forster, 1910)
( M* x# i1 _3 h16. The Waves (Virginia Woolf, 1931)5 \ L9 s4 {7 v% Z* M+ y" V
15. Atonement (Ian McEwan, 2001)
6 g! L8 b/ }' {& G- b2 i14. Clarissa (Samuel Richardson,1748)
: C) U1 A0 F | G- w13. The Good Soldier (Ford Madox Ford, 1915)
) w9 M% E) R) Q12. Nineteen Eighty-Four (George Orwell, 1949)
; r5 B# X9 L4 C1 i" r9 Q0 V3 @11. Pride and Prejudice (Jane Austen, 1813)2 D% T0 r) }1 m" Y4 @2 F
10. Vanity Fair (William Makepeace Thackeray, 1848)
( J4 i1 o8 b% i+ ^% N2 W9. Frankenstein (Mary Shelley, 1818)
+ {! ~0 {1 c: j8. David Copperfield (Charles Dickens, 1850)1 }: w, v" m5 x5 U
7. Wuthering Heights (Emily Brontë, 1847)8 z) q) J6 k+ ?
6. Bleak House (Charles Dickens, 1853)% G7 d! U* N- w6 s
5. Jane Eyre (Charlotte Brontë, 1847)
) m4 n) Q2 Q3 ]* P4. Great Expectations (Charles Dickens, 1861), K i9 F2 l5 F
3. Mrs. Dalloway (Virginia Woolf, 1925)/ X/ {" w* G4 G
2. To the Lighthouse (Virginia Woolf, 1927) k! b3 A' ?' L& f
1. Middlemarch (George Eliot, 1874)
) g* j- w1 l8 O) g( M6 w
8 [) t/ Q! p7 W/ x/ y5 M/ @前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。6 z; s3 c; z* O
( ~9 `9 O+ G+ f" V' \- W呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
