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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 6 B5 @5 \1 W/ R
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BBC评出100大英国文学名著! F2 W: f q: b4 I! q
http://www.bbc.com/culture/story ... test-british-novels
) K: D4 S. P. G' z惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。6 [2 j8 G3 _) S G5 c
% C" x. C* G% {5 X6 t100. The Code of the Woosters (PG Wodehouse, 1938)# t* W4 X; w# q, H7 Y! l
99. There but for the (Ali Smith, 2011)+ n) f7 {; X4 e* D3 _8 |
98. Under the Volcano (Malcolm Lowry,1947)+ I2 t: Y6 T3 B( h# n9 Y
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
0 Y# b; ~6 j2 }, f. T96. Memoirs of a Survivor (Doris Lessing, 1974)
4 |' D4 U/ e( T95. The Buddha of Suburbia (Hanif Kureishi, 1990)4 b' p) {' u3 g3 Y" Z
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
$ N, [' k- z0 R( C93. Lord of the Flies (William Golding, 1954)4 C7 v4 Q; U" ]; D5 v
92. Cold Comfort Farm (Stella Gibbons, 1932)% h( V4 F6 m0 u; g5 k; O. Z
91. The Forsyte Saga (John Galsworthy, 1922) e8 a/ |% x; Q
90. The Woman in White (Wilkie Collins, 1859)4 p J1 m3 R; d& O# q
89. The Horse’s Mouth (Joyce Cary, 1944)
( s! S; C3 U* H- c4 ?# m88. The Death of the Heart (Elizabeth Bowen, 1938)
- ?# c2 f: `3 I87. The Old Wives’ Tale (Arnold Bennett,1908)& |. b! c; d( n( ~7 ~. c- M
86. A Legacy (Sybille Bedford, 1956)
* u) O1 R$ W. l85. Regeneration Trilogy (Pat Barker, 1991-1995)# A- x+ y5 R. J9 _* W
84. Scoop (Evelyn Waugh, 1938)" F) [1 [, c' }5 F4 J5 V2 J
83. Barchester Towers (Anthony Trollope, 1857)8 n$ V; w8 K% q! D9 a5 E( q9 U; c1 x
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
8 h$ { j- \0 C) R9 l6 K: A81. The Jewel in the Crown (Paul Scott, 1966)
& [9 Z' I/ p% F6 p# g0 `# |, D80. Excellent Women (Barbara Pym, 1952)% b7 ~7 y' b% x3 h0 P K
79. His Dark Materials (Philip Pullman, 1995-2000)& R& y2 e- {/ C" J3 U2 D
78. A House for Mr Biswas (VS Naipaul, 1961)
5 \2 h2 N% p$ S, j' l$ O5 m77. Of Human Bondage (W Somerset Maugham, 1915)) }, P* ~# K# I& [: d, l+ a
76. Small Island (Andrea Levy, 2004)2 ~$ \; D" g2 ~& A8 t' F& J* Z
75. Women in Love (DH Lawrence, 1920)
. K% a* X" T0 a. y+ o3 m* t( j9 p74. The Mayor of Casterbridge (Thomas Hardy, 1886)* i4 F" k1 k" h) M9 }1 s8 m+ C
73. The Blue Flower (Penelope Fitzgerald, 1995)
$ G1 U {1 p9 w% \& ]+ i g" v; c72. The Heart of the Matter (Graham Greene, 1948)" |0 T( C C. B7 L5 o4 Y" K
71. Old Filth (Jane Gardam, 2004)) Y2 v. h% z# [0 |# g7 w* [+ J- g
70. Daniel Deronda (George Eliot, 1876)6 ~: N' \, u) c
69. Nostromo (Joseph Conrad, 1904)+ N8 @8 A! L, \* w# H* C
68. A Clockwork Orange (Anthony Burgess, 1962)
+ T/ z* o* R A: G( Y) ?, z% f/ N67. Crash (JG Ballard 1973) [ s( ^4 A9 Z
66. Sense and Sensibility (Jane Austen, 1811)
9 J. A& u; h, |! ?- B! k65. Orlando (Virginia Woolf, 1928)' E+ m" `* |) B$ d+ P, d
64. The Way We Live Now (Anthony Trollope, 1875)3 a" B7 W8 @: A
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)! V% q5 b0 v, ^: X& m
62. Animal Farm (George Orwell, 1945)4 |2 f8 I5 N9 W
61. The Sea, The Sea (Iris Murdoch, 1978)
+ i: [ j( H) t0 O60. Sons and Lovers (DH Lawrence, 1913)
# C6 J# e3 h( q, B. k59. The Line of Beauty (Alan Hollinghurst, 2004)
# I$ F7 i X3 N" i" ]58. Loving (Henry Green, 1945)
; }4 J4 U" w# L/ D57. Parade’s End (Ford Madox Ford, 1924-1928)
8 w) c3 u, J6 r# k, H; w( G3 O& @56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
. r4 {% u* o; Z( A o9 @0 x55. Gulliver’s Travels (Jonathan Swift, 1726)
' y8 u6 N% q- N9 U8 X54. NW (Zadie Smith, 2012)
% A/ M3 d# f4 Q6 O1 F; {6 ~; _+ \53. Wide Sargasso Sea (Jean Rhys, 1966)& ?9 p& B; D9 P4 D7 r
52. New Grub Street (George Gissing, 1891)8 R1 H: t" ]- t8 s/ S8 [$ m
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
* l, I( ]# I; H50. A Passage to India (EM Forster, 1924)7 Z$ w4 H0 {8 F) |- e& y2 @( l
49. Possession (AS Byatt, 1990)9 S7 n0 |6 S( ~* F' [: _. z
48. Lucky Jim (Kingsley Amis, 1954)2 s$ _" Z4 z9 l$ Y( i+ D% v
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
u R9 U) b0 u) d* {- l46. Midnight’s Children (Salman Rushdie, 1981)1 U) M' l* T7 k9 K$ w0 U
45. The Little Stranger (Sarah Waters, 2009)/ [7 O. P( X* H! w$ P& h, M
44. Wolf Hall (Hilary Mantel, 2009)
$ n' _& V7 E. }1 E43. The Swimming Pool Library (Alan Hollinghurst, 1988)
6 ^; e+ I! S) @; R Q# Z& F42. Brighton Rock (Graham Greene, 1938)
! n0 w* q" C* ]2 s41. Dombey and Son (Charles Dickens, 1848)
# o% Q( _3 Q1 H40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
: c% C0 \7 T2 X1 @+ H, M39. The Sense of an Ending (Julian Barnes, 2011) F: i# @4 e$ E3 `) C
38. The Passion (Jeanette Winterson, 1987)
2 {: I( m. r' V) J3 Y( I37. Decline and Fall (Evelyn Waugh, 1928)
( N6 x3 Y& n, s% h$ s" i" W. H1 d3 F36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
0 w- t! `( `: \* t35. Remainder (Tom McCarthy, 2005)! {9 F6 j! l2 @/ n
34. Never Let Me Go (Kazuo Ishiguro, 2005)
+ x! m9 r( v3 ~$ R33. The Wind in the Willows (Kenneth Grahame, 1908)4 _( s$ Z! ~. B/ M$ |. Q
32. A Room with a View (EM Forster, 1908)
' S2 ~' K. w# U1 h$ }31. The End of the Affair (Graham Greene, 1951)" k- Y& [$ `3 J' W$ x( m
30. Moll Flanders (Daniel Defoe, 1722)3 U6 U# j( e6 C+ \" Q, s
29. Brick Lane (Monica Ali, 2003)
6 S$ `2 u N/ R6 X/ ` r# B28. Villette (Charlotte Brontë, 1853)
3 Y! U- {1 C3 ]9 p0 |& C/ |# W27. Robinson Crusoe (Daniel Defoe, 1719)
, F0 W& d' b* M$ |/ ~3 a26. The Lord of the Rings (JRR Tolkien, 1954)% U& b: `0 K _2 L5 U
25. White Teeth (Zadie Smith, 2000)
/ ^* w2 G4 R b24. The Golden Notebook (Doris Lessing, 1962)2 n- w# a) `' c# |( X6 n
23. Jude the Obscure (Thomas Hardy, 1895)$ ^% N- C# _2 g! Q
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
: h `1 }0 m! p9 K( Z( N21. Heart of Darkness (Joseph Conrad, 1899)
; w+ s* W- c; K q* H20. Persuasion (Jane Austen, 1817)
6 }6 f3 D+ z. X5 P# I19. Emma (Jane Austen, 1815), k: H5 j1 a- j+ @- W9 m
18. Remains of the Day (Kazuo Ishiguro, 1989)
( z* M6 J& |+ w O17. Howards End (EM Forster, 1910)
2 Z0 S/ B5 O( s0 N* h16. The Waves (Virginia Woolf, 1931)
* ^1 H2 D: |% j: U' ? ]15. Atonement (Ian McEwan, 2001)( w0 H' x6 `; D* q; r+ X+ o
14. Clarissa (Samuel Richardson,1748)5 J! t- V$ J+ I. o. F
13. The Good Soldier (Ford Madox Ford, 1915)
; v3 z r, z: [9 R. k: b2 ?12. Nineteen Eighty-Four (George Orwell, 1949)
- |3 k3 u3 S0 @11. Pride and Prejudice (Jane Austen, 1813)! C0 \, S @5 }( i
10. Vanity Fair (William Makepeace Thackeray, 1848)
8 {) E+ I# V3 J* t# U9. Frankenstein (Mary Shelley, 1818)4 ~# Y* p! ]9 b# i, ]$ m
8. David Copperfield (Charles Dickens, 1850)' u( f0 L$ a# q* q% Q' X
7. Wuthering Heights (Emily Brontë, 1847)
* m9 F/ W: G, h) o$ J6. Bleak House (Charles Dickens, 1853)9 \8 N- n* g: r9 ~
5. Jane Eyre (Charlotte Brontë, 1847): z' N; ?, a; h2 a
4. Great Expectations (Charles Dickens, 1861)
' r) g* R/ J5 I" L: U& y3. Mrs. Dalloway (Virginia Woolf, 1925)/ G6 K4 e0 K! n; a( Y
2. To the Lighthouse (Virginia Woolf, 1927)* m# Y* U- k7 Z! t$ A1 t
1. Middlemarch (George Eliot, 1874)
3 E+ @% x* S4 s: @! Z( ?- \# ]+ m1 c& Q8 y9 H% P$ o8 v9 u" E
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。9 e2 H2 k, F% r7 W
7 t3 x- Y6 |# e- p/ Q% O' a呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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