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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ( F3 Q5 J$ A. l
- k" o* H5 W2 x7 }* bBBC评出100大英国文学名著
6 [) J* g* W0 o$ @% F6 ~; u% vhttp://www.bbc.com/culture/story ... test-british-novels$ `' ~: }$ }% X# j
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)# n4 a$ j/ T) h! u) U' E( |
99. There but for the (Ali Smith, 2011)+ a. P/ H" `2 q( x' t
98. Under the Volcano (Malcolm Lowry,1947)
" N* }& @* ], v. v7 }" p7 K97. The Chronicles of Narnia (CS Lewis, 1949-1954)1 Z @: _6 c3 P4 n/ T8 u) D
96. Memoirs of a Survivor (Doris Lessing, 1974)
/ j( Y2 R' V+ o8 F6 g4 Y3 n {95. The Buddha of Suburbia (Hanif Kureishi, 1990)
2 |$ Q7 L$ X; o" P* N) q; h94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
% O4 m- E) m/ T" J; O9 y" i- ~93. Lord of the Flies (William Golding, 1954)0 N5 {, J/ x, N& C/ ]4 _% S
92. Cold Comfort Farm (Stella Gibbons, 1932)1 r+ v, v* b' ~
91. The Forsyte Saga (John Galsworthy, 1922)# T0 }; l1 h' X2 T* [4 N4 s
90. The Woman in White (Wilkie Collins, 1859)
; F0 Q# p. M5 k1 I2 l; a5 Q$ u89. The Horse’s Mouth (Joyce Cary, 1944)
! a/ f" a9 F" s! g5 S/ t88. The Death of the Heart (Elizabeth Bowen, 1938)% ~7 b0 v" p$ l; n. {! N
87. The Old Wives’ Tale (Arnold Bennett,1908)
! p" |1 V$ Z9 x86. A Legacy (Sybille Bedford, 1956)& Y) Q( D. }3 @# P0 O+ c
85. Regeneration Trilogy (Pat Barker, 1991-1995)* a) T( Z" ^) b, C! X; T- a
84. Scoop (Evelyn Waugh, 1938) K6 G, \4 c- @, Z
83. Barchester Towers (Anthony Trollope, 1857)* P3 s+ D- c: F
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)" r: R% L" I) U6 I$ K
81. The Jewel in the Crown (Paul Scott, 1966)
# m& l9 ^( {" C. T80. Excellent Women (Barbara Pym, 1952)" W4 D9 G* o% a+ o- p! A+ E
79. His Dark Materials (Philip Pullman, 1995-2000)
% A1 S' @3 s7 U6 b7 D78. A House for Mr Biswas (VS Naipaul, 1961)
. p/ s7 }) v0 h8 ~" b) G+ S77. Of Human Bondage (W Somerset Maugham, 1915)! x2 u6 V8 F/ v y, ^ E# U
76. Small Island (Andrea Levy, 2004)
- ?. I$ c Q9 M& _75. Women in Love (DH Lawrence, 1920)5 ~# D. X9 J! N$ R5 l
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
9 Y* ]7 ]7 N3 {0 ^, T73. The Blue Flower (Penelope Fitzgerald, 1995)
" @5 D) z% i" p Z( }. t72. The Heart of the Matter (Graham Greene, 1948)
. w3 R+ J Q) l. U$ K* ~0 j71. Old Filth (Jane Gardam, 2004)
# D5 C- _: I8 D b; l( y70. Daniel Deronda (George Eliot, 1876)7 H# M8 }& }$ X f
69. Nostromo (Joseph Conrad, 1904)1 j) S5 N" ]' [% G$ f( _: C
68. A Clockwork Orange (Anthony Burgess, 1962)
. m* {7 X W3 n9 X/ ~# l67. Crash (JG Ballard 1973)
$ B0 V; V k }# a' @66. Sense and Sensibility (Jane Austen, 1811)$ M6 q- v# t( D! v9 a8 s k
65. Orlando (Virginia Woolf, 1928)
2 N9 F7 a3 D7 @0 h7 B" b6 w; A64. The Way We Live Now (Anthony Trollope, 1875)
4 }- i# `) a$ n! ]% y+ s, I63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
# v, T- \" D) o6 n: O62. Animal Farm (George Orwell, 1945)
/ S" l3 I* J) ?) t61. The Sea, The Sea (Iris Murdoch, 1978)
2 f+ z) o% i W# A1 p60. Sons and Lovers (DH Lawrence, 1913)# P, C" J3 b# ~8 D4 G& Q; y% O
59. The Line of Beauty (Alan Hollinghurst, 2004)
3 P$ r: w* I& ]4 N; B58. Loving (Henry Green, 1945)* f) [# \9 ~. G0 x- Y
57. Parade’s End (Ford Madox Ford, 1924-1928)7 Y$ |- P) n9 C( N. ?) q. m
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)1 j8 V+ [8 [$ Q: _* Z$ }) X
55. Gulliver’s Travels (Jonathan Swift, 1726): a$ O% j. W o% ?1 _: z) v
54. NW (Zadie Smith, 2012)6 h/ u, M$ D8 ?* F; g' C$ f
53. Wide Sargasso Sea (Jean Rhys, 1966)
1 V+ w6 M/ u& a! r: O) h52. New Grub Street (George Gissing, 1891). Z" Q5 f: E$ B" b
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)8 s0 l& Z" {/ n2 X J
50. A Passage to India (EM Forster, 1924)5 M% z/ ]. o m S" q
49. Possession (AS Byatt, 1990)
7 E+ m' Y$ B5 e! }: J48. Lucky Jim (Kingsley Amis, 1954)0 f A( J8 u; |* p; w; R& E: H
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)$ V3 `# J2 \( b. M2 X
46. Midnight’s Children (Salman Rushdie, 1981)
. ?6 N6 g. v4 K5 @, Q. d3 g45. The Little Stranger (Sarah Waters, 2009)
7 w. Q5 p: o1 I9 a, ]+ }' g44. Wolf Hall (Hilary Mantel, 2009). X) a$ G# w5 q* _3 y- _8 I
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
% v* O4 I( u4 g# f7 H6 f42. Brighton Rock (Graham Greene, 1938): p% D9 f& m, @9 c+ r O; i
41. Dombey and Son (Charles Dickens, 1848)" d! C8 F& h, ^* i" n9 w( }1 \
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
, e. g% Z2 z1 l \/ b* P39. The Sense of an Ending (Julian Barnes, 2011), ]. v" n1 Y) `0 T+ ]; Y
38. The Passion (Jeanette Winterson, 1987)
+ D: q! h- m W( X6 K5 F37. Decline and Fall (Evelyn Waugh, 1928)3 J5 [0 k% Y/ \0 _+ K' c' n7 h4 @, Z
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
. K( [' G0 B9 e' r" s8 R2 s I* G/ T8 a: P35. Remainder (Tom McCarthy, 2005)
/ Z' ?( U, p& V& ~ d! I; U34. Never Let Me Go (Kazuo Ishiguro, 2005)+ Z) O, _ b) Q! U! ?4 s, h) v+ M d) i w
33. The Wind in the Willows (Kenneth Grahame, 1908)
+ q5 e( n( `; l32. A Room with a View (EM Forster, 1908)
& G5 L& K" ^; i& i4 ~* T31. The End of the Affair (Graham Greene, 1951): W$ ? l# Z' j; \1 O% v% q
30. Moll Flanders (Daniel Defoe, 1722)7 \( [# c% U* p
29. Brick Lane (Monica Ali, 2003)" w- Q4 W0 ^% B/ X2 T
28. Villette (Charlotte Brontë, 1853)
# Q) L# K! V6 k. Z6 ^8 v27. Robinson Crusoe (Daniel Defoe, 1719)
: P+ J$ l: S0 h( S& L26. The Lord of the Rings (JRR Tolkien, 1954)
1 j& z6 ~# ~* y" I25. White Teeth (Zadie Smith, 2000)
9 @: k) K! c! r4 K4 j, k+ [0 X24. The Golden Notebook (Doris Lessing, 1962)( R# X( h* l9 n; P" H6 T G
23. Jude the Obscure (Thomas Hardy, 1895)7 V9 M7 K$ R3 D: w5 N5 `
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
, k1 U2 v) X# s* w2 o8 l" H21. Heart of Darkness (Joseph Conrad, 1899)
' z" e, l3 U5 J4 |9 w. f7 q20. Persuasion (Jane Austen, 1817)
" W- ~9 o# w4 [' R# ^19. Emma (Jane Austen, 1815)+ I% ?+ x$ V) r8 l) J
18. Remains of the Day (Kazuo Ishiguro, 1989): E/ Q4 ^: f+ T- Y
17. Howards End (EM Forster, 1910)) I& Z1 w5 Q/ S9 ~
16. The Waves (Virginia Woolf, 1931)
. X0 X3 y7 X" p$ B4 N6 N: k7 c15. Atonement (Ian McEwan, 2001)# l+ E( s( b, `8 L1 Q
14. Clarissa (Samuel Richardson,1748)* B/ Y: G) Q9 Z& Y( J
13. The Good Soldier (Ford Madox Ford, 1915)
6 z' i" n8 ~ Q* S. N/ ^12. Nineteen Eighty-Four (George Orwell, 1949)1 u+ i9 o2 Z* O3 j& T7 P$ d
11. Pride and Prejudice (Jane Austen, 1813)' d& H( r2 B8 m3 h, R8 b. S
10. Vanity Fair (William Makepeace Thackeray, 1848)
# Y# }8 O2 o. o& ?3 P6 @9. Frankenstein (Mary Shelley, 1818)7 k% v1 B1 i# ^
8. David Copperfield (Charles Dickens, 1850), K1 x) G% y! K- o- V+ ~- z0 Z& b0 ^
7. Wuthering Heights (Emily Brontë, 1847)
' B; b7 K0 X# l* c# ^$ D. c6. Bleak House (Charles Dickens, 1853)
& m C/ t4 u9 K4 }' I5. Jane Eyre (Charlotte Brontë, 1847)5 V0 h5 |5 H& p& {2 m: y
4. Great Expectations (Charles Dickens, 1861)
4 _1 G3 z+ H# J. y/ k4 H3. Mrs. Dalloway (Virginia Woolf, 1925)% P. d+ v* S* c. W. C1 o
2. To the Lighthouse (Virginia Woolf, 1927)
" V; x1 m! m# x& P/ h3 v ^1. Middlemarch (George Eliot, 1874)# r, f3 w" D, x
5 R4 s$ q) Z/ \前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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