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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
8 x! s; d0 l. n7 Nhttp://www.bbc.com/culture/story ... test-british-novels
1 q" E/ B0 Q) @惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。/ B* i! t+ C# T: [7 s
1 ~! _" ?6 `+ z+ _/ p100. The Code of the Woosters (PG Wodehouse, 1938)
4 M8 s, p% `4 ]. B. a) I) H2 e, ~99. There but for the (Ali Smith, 2011)" |6 @: h( M/ ~, A0 H
98. Under the Volcano (Malcolm Lowry,1947)
- Y( H- V# c# x4 p5 b, i6 O+ ], g97. The Chronicles of Narnia (CS Lewis, 1949-1954)/ b: s5 }& b5 w
96. Memoirs of a Survivor (Doris Lessing, 1974)
' L( ?2 R6 h) \/ ?" g, F1 Q95. The Buddha of Suburbia (Hanif Kureishi, 1990)
. R, x) c# Y, e( o94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)$ O9 C j, K, k ]1 w9 d
93. Lord of the Flies (William Golding, 1954): q1 \$ a4 o( M! U" R1 I, f0 g1 K
92. Cold Comfort Farm (Stella Gibbons, 1932)5 ]& h* ^8 s* g/ c/ L
91. The Forsyte Saga (John Galsworthy, 1922)7 d# L/ H$ F3 l, {
90. The Woman in White (Wilkie Collins, 1859)
* ?) ?/ y7 B9 r' ^$ g89. The Horse’s Mouth (Joyce Cary, 1944)
3 V% o M' h1 j88. The Death of the Heart (Elizabeth Bowen, 1938)
" {% k; _ T, y( V# C" R87. The Old Wives’ Tale (Arnold Bennett,1908)( ?0 a }9 L, f' ^0 y0 f
86. A Legacy (Sybille Bedford, 1956)- r8 h6 {9 P9 r% O* G% u
85. Regeneration Trilogy (Pat Barker, 1991-1995)- y) o- \* {. Q! }# k) q; |1 H
84. Scoop (Evelyn Waugh, 1938)4 J/ q) t9 T$ V% q q$ T9 `
83. Barchester Towers (Anthony Trollope, 1857)
7 N! o$ Q8 }$ e0 q82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
% B7 w6 ~( V1 j- S, Q* \1 q81. The Jewel in the Crown (Paul Scott, 1966)
- E% l, b1 U" }9 a* g80. Excellent Women (Barbara Pym, 1952)
: @0 H E+ L- W% I6 z79. His Dark Materials (Philip Pullman, 1995-2000)% f! z( |) G& ?( s
78. A House for Mr Biswas (VS Naipaul, 1961)
1 y4 h# R/ y' C! H77. Of Human Bondage (W Somerset Maugham, 1915)
+ Z. g+ H/ a0 O8 o+ A# B0 R; A76. Small Island (Andrea Levy, 2004)8 e8 _* M S" b, _6 C
75. Women in Love (DH Lawrence, 1920)! ^- w( q$ x/ g
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
3 C5 O2 Y4 o, ], J5 O73. The Blue Flower (Penelope Fitzgerald, 1995)
! r( C8 F: x! f! v/ m- Q# @- y6 z72. The Heart of the Matter (Graham Greene, 1948)
3 j4 S9 @# E S' k: ]0 E71. Old Filth (Jane Gardam, 2004)# e' B$ A. U7 \4 p: b
70. Daniel Deronda (George Eliot, 1876)5 l' O1 d ~3 h
69. Nostromo (Joseph Conrad, 1904)& ?( w; X7 |9 ], v) z% q) Z9 n' |* g
68. A Clockwork Orange (Anthony Burgess, 1962)
+ x0 q. z1 I' J67. Crash (JG Ballard 1973)
- z" r; `3 e$ g* y* A1 @66. Sense and Sensibility (Jane Austen, 1811)4 J. U9 g6 ~" `7 T* z& J: P9 U6 v
65. Orlando (Virginia Woolf, 1928)
2 _, U, x0 L1 S- F& X64. The Way We Live Now (Anthony Trollope, 1875)
: D, @' R2 e2 k63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)$ ]0 s9 I( T7 y O2 Q- ~
62. Animal Farm (George Orwell, 1945)
5 P0 L B6 y& S x61. The Sea, The Sea (Iris Murdoch, 1978); M, a$ y) ]1 @- z) V; F
60. Sons and Lovers (DH Lawrence, 1913)! V3 A& m1 B. p( G/ A6 {
59. The Line of Beauty (Alan Hollinghurst, 2004)
# t+ Q8 c. g% }& N/ f _) p58. Loving (Henry Green, 1945)
' u' D" V+ V( F% v- Q57. Parade’s End (Ford Madox Ford, 1924-1928) S0 `/ f" t4 f. X" u
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985); T- d% c( Q3 ~4 }* E; A
55. Gulliver’s Travels (Jonathan Swift, 1726)
5 U; {4 O5 F5 u5 g1 ]2 C4 U54. NW (Zadie Smith, 2012)
( ~2 y; R" s% j6 M/ _( c, k/ Z3 i0 K- ~53. Wide Sargasso Sea (Jean Rhys, 1966)
3 q0 E) C" V6 z52. New Grub Street (George Gissing, 1891)
# Q9 C5 H. ]4 q- x: a, E% a/ v51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
7 D' t& y3 k4 I0 i: C50. A Passage to India (EM Forster, 1924)
+ @' \1 I$ N' P5 D9 P" ]49. Possession (AS Byatt, 1990)
9 ]8 ^) [% H& y& x48. Lucky Jim (Kingsley Amis, 1954)5 A/ f) W. Q9 @
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
& v& z. K1 ^9 u* _& R" P% U46. Midnight’s Children (Salman Rushdie, 1981); B+ o2 O; i3 Y6 E! e
45. The Little Stranger (Sarah Waters, 2009)
5 B3 c2 d3 _ r2 K- n% Z44. Wolf Hall (Hilary Mantel, 2009)
! z8 b8 L7 @5 ?$ S$ w43. The Swimming Pool Library (Alan Hollinghurst, 1988)
+ i9 \. ~* [: I- S8 s9 p42. Brighton Rock (Graham Greene, 1938)
1 t# y- J- `$ t( Y; {# \. ? ^7 B/ [41. Dombey and Son (Charles Dickens, 1848)
8 o3 k2 _' ~5 N- H$ @# h2 C40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
2 t3 O- z/ C$ I39. The Sense of an Ending (Julian Barnes, 2011)
# `$ A2 a; O- N4 | [; G/ f; \1 X38. The Passion (Jeanette Winterson, 1987)9 q/ ]2 G2 h# y* r
37. Decline and Fall (Evelyn Waugh, 1928), u5 z0 f& Y* f) @0 r
36. A Dance to the Music of Time (Anthony Powell, 1951-1975), y& M+ h% N0 S5 I* R
35. Remainder (Tom McCarthy, 2005)
0 ~# X( x4 {! k34. Never Let Me Go (Kazuo Ishiguro, 2005)5 s2 i6 _: t' W7 [# l0 n6 U1 V
33. The Wind in the Willows (Kenneth Grahame, 1908)
: L9 N0 q) J" I+ j4 H32. A Room with a View (EM Forster, 1908)
]0 G, f) j, k/ d0 P31. The End of the Affair (Graham Greene, 1951)
' p r! }* O# Z( j# f! C30. Moll Flanders (Daniel Defoe, 1722)
/ |( g- ~* G* \7 c5 _4 g. T29. Brick Lane (Monica Ali, 2003)0 i d4 M# H _
28. Villette (Charlotte Brontë, 1853)1 D" H5 }1 s1 r0 V
27. Robinson Crusoe (Daniel Defoe, 1719)8 c& d5 [. u1 [* K# \
26. The Lord of the Rings (JRR Tolkien, 1954)7 @* M( L0 k' u+ w- W- r
25. White Teeth (Zadie Smith, 2000)
7 Y- c9 x, Y+ N) }' i+ i; J24. The Golden Notebook (Doris Lessing, 1962)
* J; K: I* {! p$ S x. V# m! `23. Jude the Obscure (Thomas Hardy, 1895)9 W& c$ s# }3 W8 {8 y
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)! b0 k3 f H6 d' n
21. Heart of Darkness (Joseph Conrad, 1899)
0 K' N) Y( L8 k9 q) j7 x20. Persuasion (Jane Austen, 1817); d: l+ K- O ~/ t
19. Emma (Jane Austen, 1815)
5 O5 e* W/ h: q7 H7 j18. Remains of the Day (Kazuo Ishiguro, 1989)
. m! `- |8 ?( l n17. Howards End (EM Forster, 1910)& W* N! _: y2 a& M
16. The Waves (Virginia Woolf, 1931)
# _8 B/ t1 R5 G/ q) Z15. Atonement (Ian McEwan, 2001)
% E/ A. z0 M; s$ `9 @1 z14. Clarissa (Samuel Richardson,1748)$ ]1 _7 X# A5 V
13. The Good Soldier (Ford Madox Ford, 1915)5 A/ m5 N6 `& ~; d! N2 e8 w
12. Nineteen Eighty-Four (George Orwell, 1949)
V }" G& X' I" K' N& o3 C( w) e11. Pride and Prejudice (Jane Austen, 1813)
6 Q x) [0 ? I% ]+ ]+ l10. Vanity Fair (William Makepeace Thackeray, 1848)
! F. T1 @/ e1 V3 s9. Frankenstein (Mary Shelley, 1818)
|# x# Y. l1 Y: j& T8. David Copperfield (Charles Dickens, 1850)
( Y @- S7 [& R. }+ {$ Z. t7. Wuthering Heights (Emily Brontë, 1847)
3 ]4 v8 Z, t; E2 g# o6. Bleak House (Charles Dickens, 1853)+ @' r3 w% H# G- J
5. Jane Eyre (Charlotte Brontë, 1847)3 [5 w; l2 |5 Z/ i
4. Great Expectations (Charles Dickens, 1861)
* C* T) U! l+ o) {2 m# L3. Mrs. Dalloway (Virginia Woolf, 1925)
: U' u1 D/ j& G; u" M# L3 I/ }2. To the Lighthouse (Virginia Woolf, 1927)8 L8 {- s# Q8 p( o% l# Z
1. Middlemarch (George Eliot, 1874)6 V) R- J' D i& |
: v/ j3 j6 r) v2 ~& }* @前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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