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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 # _% ~, _) Z/ D3 `$ {0 T$ ~' b0 D L
! f4 _. s/ M; Q% @: KBBC评出100大英国文学名著) m- I* Q; I' ?( [
http://www.bbc.com/culture/story ... test-british-novels
?! w9 t( K! G' Z惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。9 S* H3 F V. \! W
) y, ^4 S' B# a, U9 D P, @3 p$ O# m100. The Code of the Woosters (PG Wodehouse, 1938)0 l+ ^0 M4 R& f8 E) A0 s0 Z
99. There but for the (Ali Smith, 2011): K1 n0 J5 ?0 l) G% ?2 w5 m+ O
98. Under the Volcano (Malcolm Lowry,1947)$ J4 ]* s- \( k/ |
97. The Chronicles of Narnia (CS Lewis, 1949-1954)6 K. n$ H: Q7 M" \/ g. h
96. Memoirs of a Survivor (Doris Lessing, 1974), j8 |! q% P. @
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
1 N, v x) N2 [, n |94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
0 }7 R. u& ~3 F. i0 j% ]93. Lord of the Flies (William Golding, 1954)
- |$ U( d% J Y92. Cold Comfort Farm (Stella Gibbons, 1932)/ v/ ^- w/ W" V: K- L* _
91. The Forsyte Saga (John Galsworthy, 1922)
5 C! c; W5 H+ u$ _ A: z3 v90. The Woman in White (Wilkie Collins, 1859)/ c; |7 |* \8 W( k
89. The Horse’s Mouth (Joyce Cary, 1944), B3 w$ S1 Q4 W8 J" m9 }
88. The Death of the Heart (Elizabeth Bowen, 1938)
0 f- O# ]: h* t4 W87. The Old Wives’ Tale (Arnold Bennett,1908)
0 r! a m1 n* P y, R* A3 V! z86. A Legacy (Sybille Bedford, 1956)- k6 a. j: m$ s" ?: N
85. Regeneration Trilogy (Pat Barker, 1991-1995)8 }1 w0 h9 Q+ c( c: j
84. Scoop (Evelyn Waugh, 1938)- a0 I7 ^1 s# v9 G
83. Barchester Towers (Anthony Trollope, 1857)
0 j* G' {- Y$ |82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)* n1 S$ m4 W* ]$ |. b4 O
81. The Jewel in the Crown (Paul Scott, 1966)! Y7 U+ K4 n9 J; h6 F
80. Excellent Women (Barbara Pym, 1952)) @9 ]- Q* W- s8 t }/ }# M" d
79. His Dark Materials (Philip Pullman, 1995-2000)
6 q6 {6 h5 D, H/ R7 T78. A House for Mr Biswas (VS Naipaul, 1961)
0 F# a9 O- X+ O# h5 o4 N77. Of Human Bondage (W Somerset Maugham, 1915)" A$ _; v- E6 d5 z! I* T
76. Small Island (Andrea Levy, 2004)
/ r' r# D% I. {4 w75. Women in Love (DH Lawrence, 1920)' |2 s5 Q( u8 f
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
4 p3 g: f- G, @9 ]73. The Blue Flower (Penelope Fitzgerald, 1995)4 M4 R) T8 [$ K* g$ l
72. The Heart of the Matter (Graham Greene, 1948)! \' `7 w6 w+ R4 J3 O0 W
71. Old Filth (Jane Gardam, 2004)
- r6 S4 H$ l8 O Z* p' y/ q1 n70. Daniel Deronda (George Eliot, 1876)
& Z, Z7 ?9 ]- f: r, g69. Nostromo (Joseph Conrad, 1904)0 E2 H* x2 _5 @. u4 X3 u0 N0 _
68. A Clockwork Orange (Anthony Burgess, 1962)$ M6 p7 o* E7 K* _8 y" L8 V5 `
67. Crash (JG Ballard 1973), e! |3 ?/ I7 x
66. Sense and Sensibility (Jane Austen, 1811)
3 O3 y- `7 M1 H$ t! O9 J65. Orlando (Virginia Woolf, 1928)2 l* e( N% l: B+ s! H3 [3 S
64. The Way We Live Now (Anthony Trollope, 1875)* @# `; Y/ \0 B) D3 X( n1 p" J; N
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
3 f0 |, T6 V6 v, Q' m62. Animal Farm (George Orwell, 1945)
! V( S6 _9 ~. C0 g6 D61. The Sea, The Sea (Iris Murdoch, 1978)
1 B6 f) v- ]' t7 W+ L60. Sons and Lovers (DH Lawrence, 1913). X3 E U5 `+ g7 U; M
59. The Line of Beauty (Alan Hollinghurst, 2004)
2 S* z8 u( d6 u$ k" }6 N58. Loving (Henry Green, 1945)
; M+ E9 e- {6 Q" R9 r( p9 T9 F57. Parade’s End (Ford Madox Ford, 1924-1928)
Y; R6 A9 `# f8 E) |# g56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)# {9 l0 L/ U% p5 D, ~! w* K# J1 N4 O
55. Gulliver’s Travels (Jonathan Swift, 1726)
( I8 l8 N4 f0 {1 E$ n/ y" V54. NW (Zadie Smith, 2012)- B! E* t; a1 v1 @: |8 n( M& O- _- j
53. Wide Sargasso Sea (Jean Rhys, 1966)2 c; S. A G" ^& L8 O7 h: F2 N
52. New Grub Street (George Gissing, 1891)% p% _$ T( @/ W# z1 }9 R3 k4 k
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)5 ?4 e( w# J" Q* A
50. A Passage to India (EM Forster, 1924)
0 \* L1 C% {5 I) c7 ~" L) A49. Possession (AS Byatt, 1990)% t' f3 {! s: {0 ]/ u* y
48. Lucky Jim (Kingsley Amis, 1954)
( ?0 L+ ^% [0 ^1 \$ }47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)) [8 B2 C# \) s
46. Midnight’s Children (Salman Rushdie, 1981); q$ N- x6 o! K3 l
45. The Little Stranger (Sarah Waters, 2009)
2 f0 i y' ]# N% t, g* [4 o44. Wolf Hall (Hilary Mantel, 2009)
5 k- s( j1 U% n, k. R+ j43. The Swimming Pool Library (Alan Hollinghurst, 1988)
3 y$ i6 \2 _' C- B5 O" c0 D42. Brighton Rock (Graham Greene, 1938)
9 t8 d1 m) i/ h41. Dombey and Son (Charles Dickens, 1848); o6 s5 l# J- }" Y, N9 A
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)+ Z$ |# h) U' T' E! @! H% Z% u
39. The Sense of an Ending (Julian Barnes, 2011)( y* ]- h+ b& S2 }; T6 m
38. The Passion (Jeanette Winterson, 1987)' s+ z. }* x0 d1 H% ^
37. Decline and Fall (Evelyn Waugh, 1928) W+ N8 x( o- C4 v* X' D% U
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
( ]7 J4 ^9 G5 ?( o35. Remainder (Tom McCarthy, 2005)6 t3 t) F. E. w6 v+ v; M5 o
34. Never Let Me Go (Kazuo Ishiguro, 2005)6 `$ W6 u8 ]' p6 P5 p
33. The Wind in the Willows (Kenneth Grahame, 1908)7 ^- m4 e! p% ? T- P% w% t
32. A Room with a View (EM Forster, 1908)" R1 J( I% c. O
31. The End of the Affair (Graham Greene, 1951)
& t& j4 h) r& H, ^9 B- ~7 Q30. Moll Flanders (Daniel Defoe, 1722)9 e: n8 ~: @2 Q/ X
29. Brick Lane (Monica Ali, 2003)
5 g( I% S9 @9 m+ @' `$ P% a& `3 S; }' h28. Villette (Charlotte Brontë, 1853)1 u T7 i4 i' ^ _$ [3 }. C# q
27. Robinson Crusoe (Daniel Defoe, 1719)! R2 j) a9 j" T1 U* R; P+ k
26. The Lord of the Rings (JRR Tolkien, 1954)& ^/ b* b: n1 t* }
25. White Teeth (Zadie Smith, 2000)6 f8 P0 T( G+ o$ `7 c; m
24. The Golden Notebook (Doris Lessing, 1962)/ q/ C" {. S" Z, k: d, c) i
23. Jude the Obscure (Thomas Hardy, 1895)* ^1 h- ~$ ?7 T7 H% B
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)8 C/ c# t% f/ \# v: e0 }. d- `' h
21. Heart of Darkness (Joseph Conrad, 1899)
: j6 K. T8 X0 p& z3 H' Q% C20. Persuasion (Jane Austen, 1817)
; k b d7 ?: r' G19. Emma (Jane Austen, 1815)
" i% ]$ H5 c: u+ r1 j# r18. Remains of the Day (Kazuo Ishiguro, 1989)* |0 Y5 B4 Q! y" ]% y; o, g
17. Howards End (EM Forster, 1910)
% E2 V6 t. P# ^, F2 R% b6 r16. The Waves (Virginia Woolf, 1931)8 }% U$ ?; U. Z
15. Atonement (Ian McEwan, 2001)
6 P" Z) D% @# F7 l14. Clarissa (Samuel Richardson,1748)
4 D% K$ Z8 S2 h, _ w13. The Good Soldier (Ford Madox Ford, 1915): A2 ^& l$ N* G0 p# ]
12. Nineteen Eighty-Four (George Orwell, 1949)! q$ Y# l1 P) E1 a" d P( y
11. Pride and Prejudice (Jane Austen, 1813), h3 ?; f3 g8 N5 z* q* i z4 v
10. Vanity Fair (William Makepeace Thackeray, 1848)
# C) W. ~- A8 C! ~; c9. Frankenstein (Mary Shelley, 1818)9 G* w) ?% f2 h$ S7 w6 J
8. David Copperfield (Charles Dickens, 1850)
2 I1 W. n1 T2 c9 Q' t! } |7. Wuthering Heights (Emily Brontë, 1847)3 K. b% K8 [3 f& I
6. Bleak House (Charles Dickens, 1853)% Z3 Q& C6 I+ P
5. Jane Eyre (Charlotte Brontë, 1847)* I. _7 f* k# y% y- H. W! z9 ]- k
4. Great Expectations (Charles Dickens, 1861)# L) s' ?7 `* y5 ?- u# W6 U
3. Mrs. Dalloway (Virginia Woolf, 1925)
5 [! w/ F, z3 y! `. h2. To the Lighthouse (Virginia Woolf, 1927)& m" e# G9 x# N: L
1. Middlemarch (George Eliot, 1874)
! {3 y) z1 E2 V0 m; z- u0 B+ Z+ M
6 \) ? o) a; I+ u) j ~前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。/ M- Z0 \* M# R; M$ q
$ s- f5 q( v2 i/ l% @3 k呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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