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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著$ g2 ^: X6 M& C, h
http://www.bbc.com/culture/story ... test-british-novels I3 _, Q7 U" X$ y
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
1 }3 X- f3 b' z4 E3 F5 Z
: ~/ \6 m; {& ]1 U$ C+ u1 y100. The Code of the Woosters (PG Wodehouse, 1938)
* u; ~ F1 j3 F- B/ z8 q99. There but for the (Ali Smith, 2011)3 S' {- k1 b. e- ~ m3 `
98. Under the Volcano (Malcolm Lowry,1947)
6 ^6 |5 X1 p% b97. The Chronicles of Narnia (CS Lewis, 1949-1954)
( _# q1 C- u( }- z. @96. Memoirs of a Survivor (Doris Lessing, 1974); Y! l# h. Z. K; H3 w
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
: D$ k. ~* i ?94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)% @6 o# D5 S* x* z
93. Lord of the Flies (William Golding, 1954)4 U; c! V/ r! k: P: h1 _7 E
92. Cold Comfort Farm (Stella Gibbons, 1932)8 W) g7 b2 _, p& m9 d8 L
91. The Forsyte Saga (John Galsworthy, 1922)
3 ?! `: [4 G$ e" v5 t4 _9 Y90. The Woman in White (Wilkie Collins, 1859)) w# I) _. S* T4 i1 } ?
89. The Horse’s Mouth (Joyce Cary, 1944)
6 o. c- E4 K& p# o) W+ ]88. The Death of the Heart (Elizabeth Bowen, 1938), M7 z O3 Q8 K3 w: t! b
87. The Old Wives’ Tale (Arnold Bennett,1908)' L ^: O2 p4 X( {
86. A Legacy (Sybille Bedford, 1956)0 s! k* ~- _# ]: k
85. Regeneration Trilogy (Pat Barker, 1991-1995)& J# [8 j* H0 N4 p3 n
84. Scoop (Evelyn Waugh, 1938)% C% v- `& D; L7 @4 T' S
83. Barchester Towers (Anthony Trollope, 1857)/ D, S+ G# s2 K! k+ `0 |1 \
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
& b5 L' _( p/ X% W- E) N( j7 F81. The Jewel in the Crown (Paul Scott, 1966)( ` C+ S7 g' }* R. H& E
80. Excellent Women (Barbara Pym, 1952)
+ Q+ C* T. S: D" u0 y, ^79. His Dark Materials (Philip Pullman, 1995-2000) K4 ^, p( {( e/ l, u! I
78. A House for Mr Biswas (VS Naipaul, 1961)
, g3 v! W8 v W77. Of Human Bondage (W Somerset Maugham, 1915)8 O1 S5 X5 }* V6 @: h. E
76. Small Island (Andrea Levy, 2004)0 x/ U- }$ f$ U& D, F4 c, T* x
75. Women in Love (DH Lawrence, 1920)
9 ^) e# S* {1 q+ i, D0 i. T1 u74. The Mayor of Casterbridge (Thomas Hardy, 1886) D1 Y( a( T) m# g
73. The Blue Flower (Penelope Fitzgerald, 1995)
, h2 G2 J5 N$ V! { C; E72. The Heart of the Matter (Graham Greene, 1948)
' f1 V& ?- e) g6 |0 ^71. Old Filth (Jane Gardam, 2004)
) n* ^' p& B9 Q70. Daniel Deronda (George Eliot, 1876)
4 T( O, } a& {4 V, K69. Nostromo (Joseph Conrad, 1904)
, r+ v B7 Y) I% a2 Y/ f0 x% Q3 u- F68. A Clockwork Orange (Anthony Burgess, 1962)& M1 Z; i! K9 Y4 m8 U: m: e: F0 ^
67. Crash (JG Ballard 1973)
1 t7 A, G7 W2 R$ Q7 c66. Sense and Sensibility (Jane Austen, 1811)
" `% \, T% o. m9 k: `7 Y' j5 `' e65. Orlando (Virginia Woolf, 1928)/ O3 w# f2 q" @+ ]4 \" s
64. The Way We Live Now (Anthony Trollope, 1875)
+ ~+ H1 M8 M0 W, l6 g4 t ] j63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
: h' I; y Q1 H# H4 l9 C3 ] c62. Animal Farm (George Orwell, 1945)
( A! o' i( d. p, K: [( T; G% E+ H61. The Sea, The Sea (Iris Murdoch, 1978)
* W# b9 F, U' T60. Sons and Lovers (DH Lawrence, 1913)
4 E* P' W) A! A& b, e59. The Line of Beauty (Alan Hollinghurst, 2004)
% B# h# _; Q9 q9 ?. o+ e58. Loving (Henry Green, 1945)9 y& F' c# h2 D- E! v
57. Parade’s End (Ford Madox Ford, 1924-1928)! E7 r$ I4 _7 a) S) c1 C3 {& [% p
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)+ c8 d# E3 l6 |; `, p/ F
55. Gulliver’s Travels (Jonathan Swift, 1726)
$ j8 x$ o/ a# q* a+ `( g% p' q! Q2 ~54. NW (Zadie Smith, 2012)
) H8 h5 Z: m( u+ a2 E7 R9 D7 n8 \; W53. Wide Sargasso Sea (Jean Rhys, 1966)6 W4 R: `5 K6 M
52. New Grub Street (George Gissing, 1891)/ S2 `9 v9 I1 R8 V2 T! o6 n; ?
51. Tess of the d’Urbervilles (Thomas Hardy, 1891). r" g& p: m5 I& W. @
50. A Passage to India (EM Forster, 1924), q8 ~5 }2 ^3 i
49. Possession (AS Byatt, 1990)( x) e, p; ]( k l9 N' K( j
48. Lucky Jim (Kingsley Amis, 1954)& J! {6 ^' N/ K
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
* C) {* F% ?/ X$ K$ z, ]) ]! }; W46. Midnight’s Children (Salman Rushdie, 1981)
+ q) R' `4 X. I7 w5 f2 Z) Z45. The Little Stranger (Sarah Waters, 2009); y' ?# q% \/ R: `
44. Wolf Hall (Hilary Mantel, 2009)+ i M2 Q+ S. }; |8 r8 ?
43. The Swimming Pool Library (Alan Hollinghurst, 1988), n U9 ?3 F- @) B( f4 b1 f; B
42. Brighton Rock (Graham Greene, 1938)/ S) G+ m" g7 _+ k) q, {
41. Dombey and Son (Charles Dickens, 1848)
# N1 b: Y& j: y7 R! l40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
2 y! ]) ^# u3 e2 X2 g39. The Sense of an Ending (Julian Barnes, 2011): q9 N" E4 S1 f5 ]
38. The Passion (Jeanette Winterson, 1987)
. b4 d0 `/ s# R/ }9 b* H% A" U37. Decline and Fall (Evelyn Waugh, 1928)2 @& C( x) f! C% p
36. A Dance to the Music of Time (Anthony Powell, 1951-1975), m; ?+ \! z( w- j/ {0 B" I' N
35. Remainder (Tom McCarthy, 2005)6 X( B& l& U P3 P+ }5 Z
34. Never Let Me Go (Kazuo Ishiguro, 2005)- m" j7 F, M; t' a
33. The Wind in the Willows (Kenneth Grahame, 1908)
' c# q; [' X7 {" [, U# w32. A Room with a View (EM Forster, 1908)
$ B; L7 s0 v; _: a4 T31. The End of the Affair (Graham Greene, 1951)
; R& ]# F6 _0 R30. Moll Flanders (Daniel Defoe, 1722)
; z% ^1 r6 r1 ~+ Z29. Brick Lane (Monica Ali, 2003)6 [! H7 H% t: L# h. P9 b
28. Villette (Charlotte Brontë, 1853)
1 {) P. D* v \4 M/ [- ?. V+ X( o8 y) x- [27. Robinson Crusoe (Daniel Defoe, 1719)
/ Q/ K1 u0 Z$ x5 ^) U26. The Lord of the Rings (JRR Tolkien, 1954)
/ }# s1 M+ u/ k# x& H25. White Teeth (Zadie Smith, 2000)9 @, w5 ]- d. q1 F
24. The Golden Notebook (Doris Lessing, 1962)
' H( z! X( [1 x; r$ @" b3 K23. Jude the Obscure (Thomas Hardy, 1895)
/ _- Z& J }/ r/ ~9 |22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
5 e R! s0 u; q1 E; q" z, x: N) H21. Heart of Darkness (Joseph Conrad, 1899)
# u( d6 y }! y20. Persuasion (Jane Austen, 1817)7 X# V6 H6 ?2 B2 k$ p# Q, v
19. Emma (Jane Austen, 1815)
+ C0 y: ^, X J4 d0 |, o18. Remains of the Day (Kazuo Ishiguro, 1989): z: S: V& k& T
17. Howards End (EM Forster, 1910)! G$ N( W* u* u
16. The Waves (Virginia Woolf, 1931)' H1 A% M; s, Y4 a4 \
15. Atonement (Ian McEwan, 2001)/ g; g" {9 V; B/ [+ P& T9 X
14. Clarissa (Samuel Richardson,1748)$ |2 Q- i; q4 w9 ^6 I& v
13. The Good Soldier (Ford Madox Ford, 1915)' B5 z4 P7 v* l$ \% a
12. Nineteen Eighty-Four (George Orwell, 1949)0 J, w# h7 G* g5 ]0 T; T
11. Pride and Prejudice (Jane Austen, 1813)/ B* `, t0 W/ Y! c$ }: e8 a! k6 `
10. Vanity Fair (William Makepeace Thackeray, 1848)
9 p. N, y. m1 H0 L. [9. Frankenstein (Mary Shelley, 1818)! A2 b; V' A9 S
8. David Copperfield (Charles Dickens, 1850)
# R* _4 K( F5 r* [& ?7. Wuthering Heights (Emily Brontë, 1847)% R# E& y, u" F" {% k& J% s/ b& P* w
6. Bleak House (Charles Dickens, 1853)& S$ |' B& [- C5 Y
5. Jane Eyre (Charlotte Brontë, 1847)
3 p# J7 y ^& z) R$ L; F4. Great Expectations (Charles Dickens, 1861)( o- E% H5 d' i
3. Mrs. Dalloway (Virginia Woolf, 1925)
* l2 L- ~( Y/ E6 D1 P2. To the Lighthouse (Virginia Woolf, 1927)# W; G7 {- _* r
1. Middlemarch (George Eliot, 1874)9 z9 c3 D+ Z4 z. b2 b8 E5 c
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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) L8 Y9 }3 j! R, B. Y5 \9 v9 A2 k呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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