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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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* p' j+ b" k, i. `' ]/ C) jBBC评出100大英国文学名著) b: D! e' R5 c' M1 k
http://www.bbc.com/culture/story ... test-british-novels
0 w( m4 R) L3 ?3 a1 ]% ]惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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2 u8 V6 I9 D" n100. The Code of the Woosters (PG Wodehouse, 1938)# b0 q' g& T5 I3 ~. V$ c, h" W
99. There but for the (Ali Smith, 2011)
# I, g$ u" c& p6 q% b# h98. Under the Volcano (Malcolm Lowry,1947): ]- [; `" n7 h+ Q" t" `& ?4 L/ r
97. The Chronicles of Narnia (CS Lewis, 1949-1954). }4 {7 s5 c1 B: f5 l1 v/ ]% g
96. Memoirs of a Survivor (Doris Lessing, 1974)
+ \6 O* ^) s/ b0 k$ }+ n" r: A95. The Buddha of Suburbia (Hanif Kureishi, 1990)3 e u9 g6 o- x7 |& R! o9 I
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
) c3 D2 U8 ~# Z+ }) U9 | @7 a93. Lord of the Flies (William Golding, 1954)
$ Z$ a$ J; U& A/ N g6 a92. Cold Comfort Farm (Stella Gibbons, 1932)% |: }' `, M2 ]9 ^0 V3 @, y
91. The Forsyte Saga (John Galsworthy, 1922)
: @7 j. b" r( k9 w/ c9 O- t' J% r6 I. J90. The Woman in White (Wilkie Collins, 1859)8 M3 L0 s/ b* W
89. The Horse’s Mouth (Joyce Cary, 1944)5 } K& @ E7 s6 ^
88. The Death of the Heart (Elizabeth Bowen, 1938)
9 z( j8 ?5 h$ I: O. p5 S( A* d$ G87. The Old Wives’ Tale (Arnold Bennett,1908)6 ~' _6 `5 |! f" P4 E# A" \% M( t
86. A Legacy (Sybille Bedford, 1956)
' b: X: ?5 x: w- J1 k3 n85. Regeneration Trilogy (Pat Barker, 1991-1995)% Z j3 {$ ?0 o |) g
84. Scoop (Evelyn Waugh, 1938)
+ T3 f/ j$ F* f3 ]9 N% }* G83. Barchester Towers (Anthony Trollope, 1857)
; X4 K2 a3 I% R9 J9 K/ Y1 E# y82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)4 W6 w! f7 m4 j- m' O9 C
81. The Jewel in the Crown (Paul Scott, 1966)2 ]1 G) k5 k3 G; Q3 U0 s
80. Excellent Women (Barbara Pym, 1952)$ ~% s+ S# }% n8 ?% O5 R# Z+ |
79. His Dark Materials (Philip Pullman, 1995-2000)
) x% V, U% V5 X. J! ~1 g78. A House for Mr Biswas (VS Naipaul, 1961)
- G# V% n' g1 ]' E+ x77. Of Human Bondage (W Somerset Maugham, 1915)5 h6 {, j/ Y! Q$ o, v4 \1 Z
76. Small Island (Andrea Levy, 2004)% _% q4 T" i$ Y) F% u
75. Women in Love (DH Lawrence, 1920)3 O% ~# A Q7 q/ X3 d& d
74. The Mayor of Casterbridge (Thomas Hardy, 1886)2 D/ \0 Z9 ~! y" A' P
73. The Blue Flower (Penelope Fitzgerald, 1995); q, S% Q5 p' V% c% h
72. The Heart of the Matter (Graham Greene, 1948)
# P0 i6 a9 a- J0 N" n' n7 j71. Old Filth (Jane Gardam, 2004)
- I0 [+ r( p3 O0 w2 n& A6 B. o70. Daniel Deronda (George Eliot, 1876)$ V: Q( i& b; {7 A
69. Nostromo (Joseph Conrad, 1904)
C* i3 E) j$ |; P% V2 y& k [68. A Clockwork Orange (Anthony Burgess, 1962)
: l l- \( a9 n$ z! m9 y67. Crash (JG Ballard 1973)8 x7 C; X9 Y/ ?7 K, N/ D4 x
66. Sense and Sensibility (Jane Austen, 1811); U" ]$ o" _; B. V3 w
65. Orlando (Virginia Woolf, 1928)
/ N/ n) z; F# ?: S0 {$ H3 r64. The Way We Live Now (Anthony Trollope, 1875): P" P0 ]8 X2 c" L
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
7 p/ F( g# r7 V x: o0 @62. Animal Farm (George Orwell, 1945)% k0 x" X8 f2 A7 c3 Q6 @
61. The Sea, The Sea (Iris Murdoch, 1978)) l1 Z* E$ {- e5 a: O; R
60. Sons and Lovers (DH Lawrence, 1913)5 z8 q8 ~, a& D$ _$ I4 Q
59. The Line of Beauty (Alan Hollinghurst, 2004)' d& F7 L& B9 ~0 G4 G- T8 [/ R
58. Loving (Henry Green, 1945)* X0 c0 \8 }1 I
57. Parade’s End (Ford Madox Ford, 1924-1928)
/ l+ ~: j( I" f; G- d6 J56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
- y/ \& ~7 v3 @% s; @3 b, y% ?55. Gulliver’s Travels (Jonathan Swift, 1726)
6 L+ i) Q; l7 i* Y54. NW (Zadie Smith, 2012)
6 V2 ]- E8 S( M( e' ^* J8 Y53. Wide Sargasso Sea (Jean Rhys, 1966)
: \2 o5 D& s/ \52. New Grub Street (George Gissing, 1891)) ]* [# |6 ]! v4 U
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)2 `! T. Z' }5 {% v, C9 w* j2 U {
50. A Passage to India (EM Forster, 1924) t; A6 a" G& x& z
49. Possession (AS Byatt, 1990)3 \8 ]3 t3 l! R/ Z7 R: d
48. Lucky Jim (Kingsley Amis, 1954)6 q+ H1 F% p, @) F6 r
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)6 ^# c/ t0 k6 Z K
46. Midnight’s Children (Salman Rushdie, 1981)- {/ u4 E+ s' @: x* [5 ~! i* \
45. The Little Stranger (Sarah Waters, 2009)) R1 F' I; U# j8 D: a; }
44. Wolf Hall (Hilary Mantel, 2009), E. w$ R& ~, Y% P
43. The Swimming Pool Library (Alan Hollinghurst, 1988)8 r/ U+ w' I& H( c$ P& v
42. Brighton Rock (Graham Greene, 1938)
2 O" B0 {& K" ^! f/ @' }41. Dombey and Son (Charles Dickens, 1848)8 @/ q/ a* T/ E( }. b
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)9 b- ]" D8 c, W; I' u; K' u
39. The Sense of an Ending (Julian Barnes, 2011)- D+ C4 @+ W" C& C, M- l, ]) e/ H
38. The Passion (Jeanette Winterson, 1987)
Y/ M" C1 j: Y% F7 f7 }( Y37. Decline and Fall (Evelyn Waugh, 1928)
3 O: F5 g' p& n8 t7 F36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
& M _- M' i- H& b35. Remainder (Tom McCarthy, 2005)( j+ l( K. x0 `: g$ u
34. Never Let Me Go (Kazuo Ishiguro, 2005)
+ }8 y" K2 A. \33. The Wind in the Willows (Kenneth Grahame, 1908)- e; f; p2 e2 ]/ g% u, G. a6 [
32. A Room with a View (EM Forster, 1908)
- f8 \8 _! O- s' E7 t2 Z3 Q/ K8 w6 o31. The End of the Affair (Graham Greene, 1951)2 `: {/ ^3 g2 ]. L! f" p
30. Moll Flanders (Daniel Defoe, 1722)
0 E. c- K/ ^; l29. Brick Lane (Monica Ali, 2003)
3 M: l3 t4 P+ k7 S2 O28. Villette (Charlotte Brontë, 1853)
# [2 c: E# m8 a# F27. Robinson Crusoe (Daniel Defoe, 1719)
6 @, j/ b6 ?+ j- [1 F26. The Lord of the Rings (JRR Tolkien, 1954)7 s" L! g- f! W$ s- o$ }
25. White Teeth (Zadie Smith, 2000) @$ u% c7 c0 l- } g: j3 p$ h6 u
24. The Golden Notebook (Doris Lessing, 1962) }3 g6 f+ v8 A0 x i" H4 }) G
23. Jude the Obscure (Thomas Hardy, 1895)
: m7 n1 h! m* \22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
5 F; t. h/ j( E' {7 R21. Heart of Darkness (Joseph Conrad, 1899)
5 E& S8 M% t" K7 d7 P x0 N20. Persuasion (Jane Austen, 1817)
5 `! x6 {0 W3 b3 D# q/ f0 M q19. Emma (Jane Austen, 1815)
% k( N/ |0 U" z( r0 R" Y18. Remains of the Day (Kazuo Ishiguro, 1989)
) k& d5 P" k* d! `- D6 Q17. Howards End (EM Forster, 1910)
" A1 i- U* N9 k3 L. a; F" ~! P, r% I Y16. The Waves (Virginia Woolf, 1931)
/ ~' z2 A4 B$ J |9 s2 Z- w" e15. Atonement (Ian McEwan, 2001)4 c9 d) O" [$ d8 s9 p
14. Clarissa (Samuel Richardson,1748)6 ]4 }5 c i7 [' ?
13. The Good Soldier (Ford Madox Ford, 1915)
3 Y6 B- i; r3 `+ R12. Nineteen Eighty-Four (George Orwell, 1949)( l* o- d- ^* B# |0 q3 G
11. Pride and Prejudice (Jane Austen, 1813)
9 ?# T5 T" ?1 D9 N+ @10. Vanity Fair (William Makepeace Thackeray, 1848)9 E- A! j+ K d* w: m3 c- U4 K
9. Frankenstein (Mary Shelley, 1818), q- n+ B' o9 w, K8 w
8. David Copperfield (Charles Dickens, 1850)
' f" P1 G1 j% R! Q7. Wuthering Heights (Emily Brontë, 1847)1 q! s: v" Q6 S: R; r# N
6. Bleak House (Charles Dickens, 1853)
$ E% v3 [9 h! _0 ~* B* e5. Jane Eyre (Charlotte Brontë, 1847)
4 U ^7 B! l5 l( O4. Great Expectations (Charles Dickens, 1861)
2 [6 x6 w4 Z; T. d1 c: U3. Mrs. Dalloway (Virginia Woolf, 1925)
3 H9 w( S) E1 Z/ @1 n G7 W2. To the Lighthouse (Virginia Woolf, 1927)
6 |# \( Z) B8 m# Y- M, d1. Middlemarch (George Eliot, 1874)$ }( _ Z' e3 P9 H
m! c/ x' z N ?3 `前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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' C- x: U6 ? s1 R' y! w( U |/ m呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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