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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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6 t0 j; w7 r4 a* ^; LBBC评出100大英国文学名著
I0 S' x j, r T; xhttp://www.bbc.com/culture/story ... test-british-novels8 |+ L2 Y- L- I; S9 a! _# z, g
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。0 z7 u) f& A3 N& B1 T
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100. The Code of the Woosters (PG Wodehouse, 1938)
: J2 F% N3 U1 Y I8 T" z" }99. There but for the (Ali Smith, 2011)2 ^# P7 D$ d! J) `
98. Under the Volcano (Malcolm Lowry,1947); @9 V/ [7 b! h( x' j
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
! u. W7 V2 p- {) M; _, j/ C y x$ L96. Memoirs of a Survivor (Doris Lessing, 1974)
: G: m& p: z9 M6 }2 _- K95. The Buddha of Suburbia (Hanif Kureishi, 1990)
9 B h/ W5 T4 C4 ? R; u) w( \( u$ f94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)3 M% s. ~$ I* b+ E. U( m0 P1 X: B6 O
93. Lord of the Flies (William Golding, 1954)
. t* G3 l4 ~ Q0 ?6 M6 j& v92. Cold Comfort Farm (Stella Gibbons, 1932)2 t$ _/ _( e. f! x; g3 F0 I# u
91. The Forsyte Saga (John Galsworthy, 1922)
! m) `2 U0 D4 w, i90. The Woman in White (Wilkie Collins, 1859)
& V/ o, F4 o. W( Y; w( R9 @4 W89. The Horse’s Mouth (Joyce Cary, 1944)
% X" @3 Y0 O; H" P2 S88. The Death of the Heart (Elizabeth Bowen, 1938)
" [4 E x, J {5 N$ r87. The Old Wives’ Tale (Arnold Bennett,1908)# _, f0 } y$ f. u' u
86. A Legacy (Sybille Bedford, 1956)9 O+ a6 j2 f$ O: p" B$ C3 b( ~ h
85. Regeneration Trilogy (Pat Barker, 1991-1995)$ \ t' V R: k0 H
84. Scoop (Evelyn Waugh, 1938)3 N- j* T2 F+ S4 i! J4 s
83. Barchester Towers (Anthony Trollope, 1857)
8 i* _/ H& [% T82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
/ x" b) a9 a+ s* J$ L5 a" a81. The Jewel in the Crown (Paul Scott, 1966)+ V+ @: f1 k" d
80. Excellent Women (Barbara Pym, 1952)
0 x' o- W/ T0 m, X- l! _79. His Dark Materials (Philip Pullman, 1995-2000)% I9 f5 a! F9 L0 j9 y
78. A House for Mr Biswas (VS Naipaul, 1961)' [3 @# b4 S' h% Q, ^ S
77. Of Human Bondage (W Somerset Maugham, 1915)) o6 w$ V4 m$ l" W
76. Small Island (Andrea Levy, 2004)
& t0 b( ^) ]+ ~0 A0 E* P75. Women in Love (DH Lawrence, 1920): x' S3 n! G X6 [6 m
74. The Mayor of Casterbridge (Thomas Hardy, 1886), [) x: H+ i0 d
73. The Blue Flower (Penelope Fitzgerald, 1995)5 L* k% s6 Q- X% ~) f" M+ V
72. The Heart of the Matter (Graham Greene, 1948)
5 |1 \6 _$ `0 j: u71. Old Filth (Jane Gardam, 2004)
! l4 A6 q+ e4 t8 j3 L70. Daniel Deronda (George Eliot, 1876)
9 e( G7 c, q) ]$ x. F69. Nostromo (Joseph Conrad, 1904)
/ d, j8 z* d4 ]' M' q( L/ I68. A Clockwork Orange (Anthony Burgess, 1962)
+ P: z0 p! F D: N4 a, V67. Crash (JG Ballard 1973): {4 P; q1 S: q3 W& N- }2 r
66. Sense and Sensibility (Jane Austen, 1811)% _) y) z' g/ p# C$ I3 R' V& r% [
65. Orlando (Virginia Woolf, 1928)6 D. `& Z( V, `9 S3 }+ ]0 W
64. The Way We Live Now (Anthony Trollope, 1875)
5 N" k% z. w$ ^8 @63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
# B! N" y8 |- S3 }% [62. Animal Farm (George Orwell, 1945)
8 m9 _5 q4 K5 @' o; D- [ c61. The Sea, The Sea (Iris Murdoch, 1978)) i" _4 w5 s. D! A( Q$ k" o
60. Sons and Lovers (DH Lawrence, 1913)# X) ^; N) G; ?9 r: m" a! l
59. The Line of Beauty (Alan Hollinghurst, 2004)
; }& W9 U5 K# h3 T2 h3 v58. Loving (Henry Green, 1945)6 x3 ^ u; {8 ^% H0 m$ b
57. Parade’s End (Ford Madox Ford, 1924-1928)5 ?& p6 h; O2 H% z
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)6 \) r3 q X/ S s5 ~' D+ x
55. Gulliver’s Travels (Jonathan Swift, 1726)! q9 r9 h" g6 [3 l" b/ I
54. NW (Zadie Smith, 2012)
7 M4 ?) g7 c. H, K" u. Y& A" ]( q53. Wide Sargasso Sea (Jean Rhys, 1966)8 Q6 K8 P& g8 z3 y9 t @: p: n6 u( H. p
52. New Grub Street (George Gissing, 1891)
3 K1 |0 V# M4 m51. Tess of the d’Urbervilles (Thomas Hardy, 1891)5 Q, H+ J/ J9 e; h$ D" O8 X
50. A Passage to India (EM Forster, 1924)0 y% w- l0 S1 l% v$ q
49. Possession (AS Byatt, 1990)! b+ K& x) A& e. o; a" W' _+ o
48. Lucky Jim (Kingsley Amis, 1954)% I! ?, }$ q. F2 Y
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)1 y3 _2 A# R& ^9 `$ K7 @8 H
46. Midnight’s Children (Salman Rushdie, 1981): P, _" ` L* W( d% L6 `8 Y4 r( j3 r
45. The Little Stranger (Sarah Waters, 2009)
: T; W7 d2 K$ G# K44. Wolf Hall (Hilary Mantel, 2009)
0 o0 i: |; ^8 P5 _43. The Swimming Pool Library (Alan Hollinghurst, 1988)3 p- y3 o T9 X6 z1 N
42. Brighton Rock (Graham Greene, 1938)8 |; W% H6 B5 @6 x" J7 H% \
41. Dombey and Son (Charles Dickens, 1848)& i" I2 Y% { l6 s7 k8 g! n
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)6 @1 e3 S W2 I& V
39. The Sense of an Ending (Julian Barnes, 2011)# V% ~9 }$ @9 C
38. The Passion (Jeanette Winterson, 1987)+ j; I* L% z- M' L4 q. c' ?( m* U
37. Decline and Fall (Evelyn Waugh, 1928)2 D' w; u, q4 s# k7 e2 ~1 [( n& O
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)! V/ J0 U+ M; n A1 }
35. Remainder (Tom McCarthy, 2005)
: S/ [6 i; q! z0 u9 s$ j0 _2 O0 x34. Never Let Me Go (Kazuo Ishiguro, 2005)* ^' l" ^( s+ H; t! y) m8 Y& l! u3 V
33. The Wind in the Willows (Kenneth Grahame, 1908)
* S n1 S, `3 M0 f/ W( X" P32. A Room with a View (EM Forster, 1908)- e# z3 E' ?1 o# i$ p! y
31. The End of the Affair (Graham Greene, 1951)! b; ^* w' f7 s* U
30. Moll Flanders (Daniel Defoe, 1722)
4 b6 j! x$ _* m6 U7 u, h! P5 d29. Brick Lane (Monica Ali, 2003)
" T; n6 u* L3 p, e2 v28. Villette (Charlotte Brontë, 1853), K8 U+ @5 s; @
27. Robinson Crusoe (Daniel Defoe, 1719)
6 y2 }# s8 `8 `6 [- A# ]; y8 e26. The Lord of the Rings (JRR Tolkien, 1954)
" j+ \( u7 f& n1 U. u, e" a25. White Teeth (Zadie Smith, 2000)
# ]* H" @ j" G, ^( f7 r7 G24. The Golden Notebook (Doris Lessing, 1962)3 k1 h% x: S) O9 `- @' A9 E5 \/ ?
23. Jude the Obscure (Thomas Hardy, 1895)$ H" E( A- S Z I h8 u/ e9 g! b0 `
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
$ u" P4 h# p" R21. Heart of Darkness (Joseph Conrad, 1899)
7 N! n t5 Y v* P20. Persuasion (Jane Austen, 1817)
& P4 l1 a3 t4 t9 y19. Emma (Jane Austen, 1815)& G" T7 v( q, r& ^. Z& `
18. Remains of the Day (Kazuo Ishiguro, 1989)1 a: J0 g4 Y/ j" x, u0 M; |
17. Howards End (EM Forster, 1910)
8 e& @. l' u C" Q [- p5 ?16. The Waves (Virginia Woolf, 1931)
, ?& m1 I* A* ]; ~2 Z0 {( {0 j. u' o6 W15. Atonement (Ian McEwan, 2001)/ {+ t" J+ y* x/ E! N( R
14. Clarissa (Samuel Richardson,1748)
. r7 K9 @$ Z5 }3 f5 X" b13. The Good Soldier (Ford Madox Ford, 1915)+ P( @3 V$ v3 _3 E) J* T0 {) e
12. Nineteen Eighty-Four (George Orwell, 1949)- T( ^* \+ j$ E/ n1 N* D6 `
11. Pride and Prejudice (Jane Austen, 1813)
! U/ J4 w7 O' ? {+ k10. Vanity Fair (William Makepeace Thackeray, 1848)
! I0 m2 g- @+ i; [& q- y3 Z+ _' ?$ E" K9. Frankenstein (Mary Shelley, 1818)
& l: E, Z/ M1 x3 D1 E% r* A( ~8. David Copperfield (Charles Dickens, 1850)& T' E3 M: z8 Z
7. Wuthering Heights (Emily Brontë, 1847)
/ n8 }- k0 L2 |" O+ S, p2 v. S+ s6. Bleak House (Charles Dickens, 1853)6 E+ g9 M" Y i3 R
5. Jane Eyre (Charlotte Brontë, 1847)& k1 L; b7 T% [1 d3 p3 S/ j
4. Great Expectations (Charles Dickens, 1861)
3 Y. C: x' x& ~, w3. Mrs. Dalloway (Virginia Woolf, 1925)) u, S9 n% \5 U9 _) ^2 T0 N
2. To the Lighthouse (Virginia Woolf, 1927)
6 O3 A! c, t% P0 ~1. Middlemarch (George Eliot, 1874)0 ]. E7 @; f/ I+ b9 }1 m8 Y
: M6 v Z0 D5 c0 b9 s! @, \+ z前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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5 k% l/ Y3 G% _7 f+ C, F3 ^呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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