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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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7 H3 }3 L4 k1 NBBC评出100大英国文学名著
9 |% A$ b: u2 Y* r/ ohttp://www.bbc.com/culture/story ... test-british-novels$ x- ?, S1 V' T) l; H+ w* P
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
$ ?) J/ l3 |' m4 Z99. There but for the (Ali Smith, 2011)
+ F1 x% _/ [0 B* @98. Under the Volcano (Malcolm Lowry,1947)
1 p K# M C/ H# m5 S( X97. The Chronicles of Narnia (CS Lewis, 1949-1954)2 C) s$ B) c& I! Z# A' F0 g
96. Memoirs of a Survivor (Doris Lessing, 1974)" _$ {* K: c0 Z2 F# J1 R
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
5 W( X' U& @9 x& V; F0 p; B94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)1 V V+ \, s' u+ X/ _6 v; d
93. Lord of the Flies (William Golding, 1954)
Z& f# i. D. _. A" c92. Cold Comfort Farm (Stella Gibbons, 1932)
; r( J- _8 O/ d7 H9 S2 `" a; W91. The Forsyte Saga (John Galsworthy, 1922)
, g' m. ] n* d& q' W; p" K90. The Woman in White (Wilkie Collins, 1859)2 F( k2 \7 `. |- X1 i
89. The Horse’s Mouth (Joyce Cary, 1944)
( y9 C0 F1 j% g2 l1 [88. The Death of the Heart (Elizabeth Bowen, 1938)# I h# `6 d' g
87. The Old Wives’ Tale (Arnold Bennett,1908)
" L& L1 \" p) e1 Z6 U! W86. A Legacy (Sybille Bedford, 1956)$ B r& d- \0 A0 A1 |% u
85. Regeneration Trilogy (Pat Barker, 1991-1995)8 U6 `0 @8 W' T! b. I+ w' T/ I# V
84. Scoop (Evelyn Waugh, 1938)! D: |7 z/ `: }- l8 |+ G
83. Barchester Towers (Anthony Trollope, 1857)
f$ B! H2 a% o2 c# S t82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)+ I$ n1 W; N9 D z3 Y
81. The Jewel in the Crown (Paul Scott, 1966)8 p# B0 e- t+ h0 l3 R; y- X0 Z
80. Excellent Women (Barbara Pym, 1952)$ @4 o4 z' S& a, \ h9 S+ p Q U/ f
79. His Dark Materials (Philip Pullman, 1995-2000)$ j r' k7 P! W, d
78. A House for Mr Biswas (VS Naipaul, 1961)
4 l0 ~& e5 s5 X, d5 I77. Of Human Bondage (W Somerset Maugham, 1915)
) e. {* t/ t+ ]# Q8 Q: {" t2 Z76. Small Island (Andrea Levy, 2004); i, D) u s5 Q6 |' r+ L
75. Women in Love (DH Lawrence, 1920)0 z- a& w- y, ~
74. The Mayor of Casterbridge (Thomas Hardy, 1886)# ?( l/ T; m0 t8 r
73. The Blue Flower (Penelope Fitzgerald, 1995)# o+ s; U+ T, m+ K+ a" O: x
72. The Heart of the Matter (Graham Greene, 1948)
# H+ l& R8 d9 R+ g4 T71. Old Filth (Jane Gardam, 2004) }& B4 v* i7 Z9 F1 i
70. Daniel Deronda (George Eliot, 1876)" f3 e* ]- e8 R9 ?2 \
69. Nostromo (Joseph Conrad, 1904)
' N# }. I: Q6 j) M68. A Clockwork Orange (Anthony Burgess, 1962)3 o9 @7 D; t4 \4 U
67. Crash (JG Ballard 1973)
6 M; H2 y$ C9 _, m9 H ~ }: i66. Sense and Sensibility (Jane Austen, 1811)" i7 V. k7 F% X, _1 [* |
65. Orlando (Virginia Woolf, 1928)% f( H% ~& s% ]1 ~& e
64. The Way We Live Now (Anthony Trollope, 1875)
- ~9 |" j$ l' A+ `$ E: I* v63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)6 T: O8 O5 }9 ^4 f
62. Animal Farm (George Orwell, 1945)
) X' p) d# u- f) M: _( v9 e61. The Sea, The Sea (Iris Murdoch, 1978)
8 i& z9 s- t& R& O0 V6 T Q$ t+ R) \60. Sons and Lovers (DH Lawrence, 1913)
! f+ V4 f: L" i59. The Line of Beauty (Alan Hollinghurst, 2004)
& t+ X1 a- \* c7 A6 U3 ?& R58. Loving (Henry Green, 1945)" r7 Q1 j! |, V+ Z& }$ Q/ C6 v, L
57. Parade’s End (Ford Madox Ford, 1924-1928)# O8 |2 M- b. @* Q# C. `
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
6 k& C& s3 B. L& A$ v; {55. Gulliver’s Travels (Jonathan Swift, 1726)
# o* W" h K' T6 s54. NW (Zadie Smith, 2012): N1 v) r2 E+ n0 `( I0 G
53. Wide Sargasso Sea (Jean Rhys, 1966)
. H2 F Y9 x4 X+ y5 J7 |% i52. New Grub Street (George Gissing, 1891)1 h7 S- o; w' I" o6 x$ a; _
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
) ^; j+ { ^) D4 ~- N50. A Passage to India (EM Forster, 1924)& e; f& m5 g/ G. M3 X' j, E
49. Possession (AS Byatt, 1990)
, [" V* G3 @: F) k4 q& |6 w: ?4 @48. Lucky Jim (Kingsley Amis, 1954)
+ Q# A8 z- }4 D# d) u% Q) m. \47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)3 [" k- s1 d& ?$ _+ T6 C
46. Midnight’s Children (Salman Rushdie, 1981)
; X( r1 n4 w3 e45. The Little Stranger (Sarah Waters, 2009)
3 b3 X7 {% o6 n! G44. Wolf Hall (Hilary Mantel, 2009)
7 y q: O) v* Y- B5 j/ F8 @43. The Swimming Pool Library (Alan Hollinghurst, 1988)
4 |& c4 p" G' Q2 L* K$ k42. Brighton Rock (Graham Greene, 1938) h/ E. T" ]1 v3 O) x4 P
41. Dombey and Son (Charles Dickens, 1848)% i$ R0 m$ q9 I. d+ r* q
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
; e0 R b( Y4 V. X39. The Sense of an Ending (Julian Barnes, 2011)* Q- o" J a3 A
38. The Passion (Jeanette Winterson, 1987)
5 A P, c6 G0 [4 g P+ q" u$ i37. Decline and Fall (Evelyn Waugh, 1928) ]: p. B- Z" }
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
1 V1 a/ D' B9 v35. Remainder (Tom McCarthy, 2005)1 M% r0 `: {& W( |, ~2 m
34. Never Let Me Go (Kazuo Ishiguro, 2005)6 @. _9 [) X, B: T9 |
33. The Wind in the Willows (Kenneth Grahame, 1908)
& T) I- `8 `: Q9 B3 Q- ?+ r2 p! W32. A Room with a View (EM Forster, 1908)
0 c' i" ?' c+ ?7 G31. The End of the Affair (Graham Greene, 1951), J; v* s3 ?3 d; U- l, N7 f
30. Moll Flanders (Daniel Defoe, 1722)' N1 V. _; q- Q- P" F0 K
29. Brick Lane (Monica Ali, 2003)! s- n" R' e' d5 S+ s) R& q0 P: z
28. Villette (Charlotte Brontë, 1853); [0 N: n* I4 D6 P, l6 m
27. Robinson Crusoe (Daniel Defoe, 1719)
4 z* n* ^2 S6 F% p26. The Lord of the Rings (JRR Tolkien, 1954)3 M& X# n* _. Z8 v, e
25. White Teeth (Zadie Smith, 2000), J/ M4 {4 b8 M* r+ k+ M2 p
24. The Golden Notebook (Doris Lessing, 1962)$ @) R- W/ e. C/ _2 W+ X) W$ u
23. Jude the Obscure (Thomas Hardy, 1895)- }! N' k( ]% _; W/ {/ ]
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)' N; d0 Z. K3 C, q$ y
21. Heart of Darkness (Joseph Conrad, 1899)& R. i9 D) N6 _
20. Persuasion (Jane Austen, 1817)
7 _2 B1 e6 x& i" X19. Emma (Jane Austen, 1815)- B8 e! s$ [8 L e) t4 p$ p. W
18. Remains of the Day (Kazuo Ishiguro, 1989), c/ \: ?2 D) |- a/ I
17. Howards End (EM Forster, 1910)
* s; ]- F6 l, h5 B16. The Waves (Virginia Woolf, 1931)$ ~" W) {1 D$ q7 N- `
15. Atonement (Ian McEwan, 2001)
: k7 Q1 H# X5 L5 G- Y14. Clarissa (Samuel Richardson,1748)
3 L3 v/ _( b. d7 F) s13. The Good Soldier (Ford Madox Ford, 1915), [0 Y9 h; E! ^8 j4 m; W
12. Nineteen Eighty-Four (George Orwell, 1949)$ i G$ [3 I. @; }
11. Pride and Prejudice (Jane Austen, 1813)# ], ?$ B$ p k8 S- h) E8 @
10. Vanity Fair (William Makepeace Thackeray, 1848)# H$ H8 t s9 z. l# b# `
9. Frankenstein (Mary Shelley, 1818)
1 `/ Y' t4 Y2 P. j. k. D8. David Copperfield (Charles Dickens, 1850)- w. e- J, C i1 S2 T
7. Wuthering Heights (Emily Brontë, 1847)# p. c& |- n% t- B+ x1 c* K# S6 f
6. Bleak House (Charles Dickens, 1853)
% x9 K) U! ~; L$ e9 ]$ f9 z, U5. Jane Eyre (Charlotte Brontë, 1847)
' R# i4 O- F( j4. Great Expectations (Charles Dickens, 1861)
S- G( ^4 l4 @/ R3. Mrs. Dalloway (Virginia Woolf, 1925)8 L0 ]7 b" O& e& J8 o5 V2 h
2. To the Lighthouse (Virginia Woolf, 1927)
1 |/ T3 d! d2 M: k% D! l% G- l1. Middlemarch (George Eliot, 1874)% g, A& l$ `% G1 m4 K& x
* |. }: y# _% _: A( ]前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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! M8 I7 I# U8 f% R7 G7 j呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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