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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 * \2 [. i, G7 s+ G
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BBC评出100大英国文学名著
/ q3 c! f. J+ G- o* Chttp://www.bbc.com/culture/story ... test-british-novels
7 U, {# O: [' f+ e9 [! a- z惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。; T f. A- t! x. a
: O- E& f8 H. ~: Y! A100. The Code of the Woosters (PG Wodehouse, 1938)4 J% n; P- h# J9 r! t+ N( \
99. There but for the (Ali Smith, 2011)
2 L- C8 }2 ~' [' R98. Under the Volcano (Malcolm Lowry,1947)
* v0 W" H# a1 R0 S; U* j }, F97. The Chronicles of Narnia (CS Lewis, 1949-1954)5 g i8 Y$ f5 Y
96. Memoirs of a Survivor (Doris Lessing, 1974); i( |. `% _. \6 A5 V5 M
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
9 K1 h+ G9 n9 Q+ H3 G! x, z( F94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)8 @" [ v Z m4 W
93. Lord of the Flies (William Golding, 1954)
9 x! R5 q+ F6 r! g4 X8 s92. Cold Comfort Farm (Stella Gibbons, 1932)9 f' q( U- W: i, k: [- L- _
91. The Forsyte Saga (John Galsworthy, 1922)! h& v. R U; W3 P
90. The Woman in White (Wilkie Collins, 1859)
7 T8 a& j$ c; h' o6 x3 u89. The Horse’s Mouth (Joyce Cary, 1944)" z& v* [$ `9 N1 c2 m8 T( L x
88. The Death of the Heart (Elizabeth Bowen, 1938)/ H3 i3 `" r3 z. N$ Z$ Q
87. The Old Wives’ Tale (Arnold Bennett,1908)
4 n; a) M" G* J. J( C- z86. A Legacy (Sybille Bedford, 1956)
5 G5 }+ u( H, F85. Regeneration Trilogy (Pat Barker, 1991-1995)0 w, j2 ~4 O1 H- j2 f
84. Scoop (Evelyn Waugh, 1938): ]5 ~1 z. m$ |0 N2 X
83. Barchester Towers (Anthony Trollope, 1857) g5 Z: t2 q. j4 J# J; Y6 v% E
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
1 I! u3 R+ `! t+ F" ^6 m81. The Jewel in the Crown (Paul Scott, 1966)
% V$ N( t/ C. C) A5 u80. Excellent Women (Barbara Pym, 1952)
0 _9 ^& `3 `$ m5 N5 Y: U+ u0 H79. His Dark Materials (Philip Pullman, 1995-2000)9 e9 W, \1 X+ E* T6 U- f
78. A House for Mr Biswas (VS Naipaul, 1961)
# t3 ` X4 f; x6 X6 I# S& B77. Of Human Bondage (W Somerset Maugham, 1915) p! ^9 T7 ]3 r" h3 T
76. Small Island (Andrea Levy, 2004)4 l# y% E" ?3 ` ^1 w
75. Women in Love (DH Lawrence, 1920)) E# v( E: I7 L- j5 U
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
& ?' P/ f' p7 @: P+ v. a8 a Z73. The Blue Flower (Penelope Fitzgerald, 1995). s& n5 G& Q: I1 N+ L
72. The Heart of the Matter (Graham Greene, 1948); t1 i2 S& K3 d. a h ?& g
71. Old Filth (Jane Gardam, 2004)' B* G! a" g: w& p2 ~' d
70. Daniel Deronda (George Eliot, 1876)
/ q" v" F6 a2 n; ~& ?$ F69. Nostromo (Joseph Conrad, 1904) X% Z% I, f B0 {& l ]2 E l, c
68. A Clockwork Orange (Anthony Burgess, 1962)! M. Q/ S; `" j; {# _( g, o
67. Crash (JG Ballard 1973)& T' X- n, B3 a; v: }# n
66. Sense and Sensibility (Jane Austen, 1811)" v4 b v& z' s, D2 n8 f6 R
65. Orlando (Virginia Woolf, 1928)- N( S3 j/ A$ t( J( v! t
64. The Way We Live Now (Anthony Trollope, 1875)
; \/ i8 R" y5 ~; o; ]63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)' j: s; N* U$ M5 S3 _5 {$ m9 X
62. Animal Farm (George Orwell, 1945), k- w( t# t1 T& C S! H% o5 g
61. The Sea, The Sea (Iris Murdoch, 1978)
8 |9 b! z% B5 x& Z r% s( i1 p60. Sons and Lovers (DH Lawrence, 1913)# X. K- A1 `7 |- x/ T; p4 w$ @/ E/ G
59. The Line of Beauty (Alan Hollinghurst, 2004)$ W6 Q& T* s- I# Q# ?# t' H/ }1 M
58. Loving (Henry Green, 1945)" y1 }- g0 @8 P! H" F: a
57. Parade’s End (Ford Madox Ford, 1924-1928)
P/ R* F2 V$ b5 a7 S% {5 V56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
0 p' q- V- g. u5 v3 u! e6 c! B55. Gulliver’s Travels (Jonathan Swift, 1726)
0 [( m; I4 D) j' x/ }. c ]: L54. NW (Zadie Smith, 2012)
4 L, n+ ]% x5 i4 s4 v. \53. Wide Sargasso Sea (Jean Rhys, 1966)! r- \* q; O* k) D2 ^9 q) m
52. New Grub Street (George Gissing, 1891)5 h2 v0 X" }6 ^( J, I5 T
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
6 v% `2 M, W* _; A6 \6 [50. A Passage to India (EM Forster, 1924)
+ m& i, R2 t" q- D3 X49. Possession (AS Byatt, 1990)6 [3 d% x( K/ I# R4 l
48. Lucky Jim (Kingsley Amis, 1954)/ |3 O3 C9 c: z3 [8 s; T6 ~: B
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)) U& [5 F' Q0 m' W% i1 c& L+ K7 i
46. Midnight’s Children (Salman Rushdie, 1981)
! {7 n2 f7 |: r/ C3 {45. The Little Stranger (Sarah Waters, 2009)
* s: }9 _8 v; ^) s: E8 y44. Wolf Hall (Hilary Mantel, 2009)7 h. m- x, d# t( a$ v: k
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
& u$ [) y1 n: i, f* ~42. Brighton Rock (Graham Greene, 1938)
0 Q; S; M. S9 L+ |( G+ j' V& i8 D41. Dombey and Son (Charles Dickens, 1848)
9 r; M% k2 a# H& \* z' d# `40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
5 v% C: ?& {" Z39. The Sense of an Ending (Julian Barnes, 2011)( M3 y" R# S. l X$ j# A0 b
38. The Passion (Jeanette Winterson, 1987)0 s( M& B4 b/ o: L7 V2 f; @
37. Decline and Fall (Evelyn Waugh, 1928) p/ V' F9 o7 `9 w& G: V' U
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
A3 g- G, g3 e35. Remainder (Tom McCarthy, 2005)& F2 P) }/ |: |% b4 p
34. Never Let Me Go (Kazuo Ishiguro, 2005)
$ ^0 A) O8 F; ~( W4 |: K8 B9 R33. The Wind in the Willows (Kenneth Grahame, 1908)$ g5 A+ `9 V! h( E
32. A Room with a View (EM Forster, 1908)+ C |1 z# H6 \9 o, z5 h
31. The End of the Affair (Graham Greene, 1951)9 A7 J# Q* v3 J% Q) T
30. Moll Flanders (Daniel Defoe, 1722)
4 f. M% b- T9 c% C29. Brick Lane (Monica Ali, 2003)
3 A f$ K* y" X' [, I28. Villette (Charlotte Brontë, 1853)
! e z+ O* O, s3 z27. Robinson Crusoe (Daniel Defoe, 1719)8 z" j2 r- z: w8 }
26. The Lord of the Rings (JRR Tolkien, 1954)
7 c) M1 ^8 T# Q+ G: G4 x: N' n' ^25. White Teeth (Zadie Smith, 2000)8 j7 F1 E' k5 k! U
24. The Golden Notebook (Doris Lessing, 1962)
) w7 k/ j& T6 u8 ^; i. r, z# k23. Jude the Obscure (Thomas Hardy, 1895)5 E7 i) ~1 V6 e+ p" T
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)& m0 Q6 \; w! N0 ]1 b+ I! n, {
21. Heart of Darkness (Joseph Conrad, 1899)0 k6 z4 S! ]+ e6 s" n
20. Persuasion (Jane Austen, 1817)
3 {6 D9 s& ~( J/ |6 C6 `19. Emma (Jane Austen, 1815)* i; n4 Y8 E( q; \, X7 m. P; E
18. Remains of the Day (Kazuo Ishiguro, 1989)" ~3 B8 j, Y7 B* C
17. Howards End (EM Forster, 1910); Z' \& U1 t" D" x
16. The Waves (Virginia Woolf, 1931)
( r3 B3 s! g5 e) P15. Atonement (Ian McEwan, 2001)
% p0 b% n, \# l, p; M14. Clarissa (Samuel Richardson,1748)
) `3 M s& [. a: K9 R. A5 G13. The Good Soldier (Ford Madox Ford, 1915)6 @9 R( p' o/ F' \
12. Nineteen Eighty-Four (George Orwell, 1949)
! Q) @* @$ }- k11. Pride and Prejudice (Jane Austen, 1813)) f8 c4 o- r* m) f3 P
10. Vanity Fair (William Makepeace Thackeray, 1848)
+ H7 p X& u" V7 `9. Frankenstein (Mary Shelley, 1818)3 x! N9 ^( [% b1 b4 W3 U
8. David Copperfield (Charles Dickens, 1850)* {7 L4 i- I) p8 n H" \
7. Wuthering Heights (Emily Brontë, 1847)- ^+ I+ Q1 ]$ e+ z0 C! D
6. Bleak House (Charles Dickens, 1853)1 M2 b; ^$ ]+ r' [% V0 I
5. Jane Eyre (Charlotte Brontë, 1847)
# V, {8 |4 O) m* w4. Great Expectations (Charles Dickens, 1861)
4 M& [7 R4 K% w7 f0 ^2 {3. Mrs. Dalloway (Virginia Woolf, 1925)
; `( F# D4 a; M; \- {2. To the Lighthouse (Virginia Woolf, 1927)
+ C* W9 R9 m6 l" h1. Middlemarch (George Eliot, 1874)
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8 `, Y5 J# {" K2 Y6 U; G+ N前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。0 H; b5 K1 j* {: {! f- U1 r
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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