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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ! L" Z, Y5 W9 l6 N4 f+ d# u" `- R
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BBC评出100大英国文学名著 m( U0 K" j$ T6 Z' k
http://www.bbc.com/culture/story ... test-british-novels
5 Y" i% d2 b0 w, U. z/ _惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。' }9 j1 x6 ] \3 o
) r+ t& ]: P6 X' @100. The Code of the Woosters (PG Wodehouse, 1938)
9 p* R" z6 |: O- T2 W' x1 a99. There but for the (Ali Smith, 2011)
4 r6 J7 G0 p( {98. Under the Volcano (Malcolm Lowry,1947)
' B5 m5 G8 U0 u ?7 K$ ?5 h7 V97. The Chronicles of Narnia (CS Lewis, 1949-1954)
9 o# ~# M Q/ o+ m' E" p96. Memoirs of a Survivor (Doris Lessing, 1974)+ |$ f7 ]/ A2 P( H
95. The Buddha of Suburbia (Hanif Kureishi, 1990)2 K* h+ {, e* c' R3 P
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824); f! q! I4 R) t4 _3 v$ [% {- [" z
93. Lord of the Flies (William Golding, 1954)
" S) V/ z! w) K92. Cold Comfort Farm (Stella Gibbons, 1932)
( F$ Y7 _ q1 U# ?/ i5 ^) S91. The Forsyte Saga (John Galsworthy, 1922)
5 e/ J- N {! _1 H& ]90. The Woman in White (Wilkie Collins, 1859)3 Z" ]: b3 w" c- B
89. The Horse’s Mouth (Joyce Cary, 1944)" b9 Z2 V! V# U6 {; y! Z/ G; L: j
88. The Death of the Heart (Elizabeth Bowen, 1938)/ m9 `2 d* m. O" W: V
87. The Old Wives’ Tale (Arnold Bennett,1908)
* D2 W" ^. m2 ~86. A Legacy (Sybille Bedford, 1956)/ l! f- f+ G/ k
85. Regeneration Trilogy (Pat Barker, 1991-1995)7 g; Q( _! y- W- N8 p1 a, ?
84. Scoop (Evelyn Waugh, 1938)/ X. X" C$ A8 v" \
83. Barchester Towers (Anthony Trollope, 1857)
( A: p+ b8 Z5 S82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)0 n- k- p Q- i' w( \0 C+ P
81. The Jewel in the Crown (Paul Scott, 1966)) m& L1 V0 w8 \6 A& W9 }2 f
80. Excellent Women (Barbara Pym, 1952)& T8 p6 _3 N! w2 o
79. His Dark Materials (Philip Pullman, 1995-2000)
) @8 m! S {1 C5 P8 A" q& |78. A House for Mr Biswas (VS Naipaul, 1961)3 B; {; k6 H. V' x7 }1 P$ F
77. Of Human Bondage (W Somerset Maugham, 1915)% { C7 A/ w% ]
76. Small Island (Andrea Levy, 2004)
/ J2 U# f5 }& C6 M& F+ ]- ~5 \75. Women in Love (DH Lawrence, 1920)/ R( @8 e, ^+ y! ^' L
74. The Mayor of Casterbridge (Thomas Hardy, 1886)# ]0 O0 }" J3 b* {' ^+ ^
73. The Blue Flower (Penelope Fitzgerald, 1995)" R$ w) C# h& i$ d; D' E7 b' E) q
72. The Heart of the Matter (Graham Greene, 1948)
6 C! F& m1 m6 J71. Old Filth (Jane Gardam, 2004)' s8 R7 V8 ~0 R" `1 y
70. Daniel Deronda (George Eliot, 1876)7 e) W" m/ s h' |0 ~7 d# o# J
69. Nostromo (Joseph Conrad, 1904)7 d0 H, g, D% K
68. A Clockwork Orange (Anthony Burgess, 1962)4 t" ?+ ~5 q* s
67. Crash (JG Ballard 1973)
6 Y" X: K8 \8 f4 i1 V) G9 g# @66. Sense and Sensibility (Jane Austen, 1811)
( g* f1 V( i) M65. Orlando (Virginia Woolf, 1928)
% K9 e% x' q+ M" l) v64. The Way We Live Now (Anthony Trollope, 1875)7 a% W; X% l- }7 ~
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)6 w( \; \3 I+ O
62. Animal Farm (George Orwell, 1945)$ B/ F5 N4 w1 H) g7 ~1 Z& ~
61. The Sea, The Sea (Iris Murdoch, 1978)
7 P/ P8 `/ L* H1 Q2 _60. Sons and Lovers (DH Lawrence, 1913)8 `8 V/ |$ X0 k* U6 I. d
59. The Line of Beauty (Alan Hollinghurst, 2004)# O2 ^8 ^5 C* {2 }1 B* l& \* N( l$ P
58. Loving (Henry Green, 1945)
8 h9 L( O0 }0 c; R$ ~! K$ E57. Parade’s End (Ford Madox Ford, 1924-1928)
4 f/ L7 r7 T/ v56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
$ w3 I6 h2 N) Z( Z m# Q1 j/ U55. Gulliver’s Travels (Jonathan Swift, 1726)
- ]+ |: f2 {0 z9 l54. NW (Zadie Smith, 2012)
$ E' }' B) Z: X7 a |( [ C, [" q2 {53. Wide Sargasso Sea (Jean Rhys, 1966) H1 H( q9 b+ ?
52. New Grub Street (George Gissing, 1891)$ x, w7 i' ]6 e- @& Y& s! z
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
6 {1 S6 J1 R; }4 m: z50. A Passage to India (EM Forster, 1924)4 x, J0 d2 @% v: v. C- E
49. Possession (AS Byatt, 1990)
; S6 M; ~9 A( _# J, t- n48. Lucky Jim (Kingsley Amis, 1954)
' |8 C0 Y: A( p; k47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
0 v' a. p4 I; n, c+ D% A46. Midnight’s Children (Salman Rushdie, 1981)0 ~8 a# S# @ h( L4 B$ y8 J- A% \
45. The Little Stranger (Sarah Waters, 2009)
9 [( ]- e! o2 [# ]( C% ]! g44. Wolf Hall (Hilary Mantel, 2009)
6 X) T# p, @8 F% T/ u, w3 D; G. Z& L43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* g' L/ n% ], r' D$ ?42. Brighton Rock (Graham Greene, 1938)
" r: C( f" J. H9 x O( P! i41. Dombey and Son (Charles Dickens, 1848)$ ?3 l2 }( Q% e0 [4 F5 R* N
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
6 n& f% s9 c/ T% s39. The Sense of an Ending (Julian Barnes, 2011)
$ _0 A4 a5 ^. j38. The Passion (Jeanette Winterson, 1987)
. P, l2 S/ C- u0 W37. Decline and Fall (Evelyn Waugh, 1928)
, c/ n4 P: I3 o- x# p8 }36. A Dance to the Music of Time (Anthony Powell, 1951-1975)3 j# w( M5 m0 G; W
35. Remainder (Tom McCarthy, 2005)( S1 ^9 _3 c0 @& ~0 N
34. Never Let Me Go (Kazuo Ishiguro, 2005)
. f! c$ Q' {, c9 r3 C0 P+ x33. The Wind in the Willows (Kenneth Grahame, 1908)' Z7 E; u5 O" N! I; H1 V* n
32. A Room with a View (EM Forster, 1908)
2 n: b' G9 c& K( Q, s( ^# M1 s$ Y31. The End of the Affair (Graham Greene, 1951)
6 x1 `8 R& m$ n- t: M) f30. Moll Flanders (Daniel Defoe, 1722)
7 d$ h4 ]* d6 \& w6 w8 L29. Brick Lane (Monica Ali, 2003)0 `4 L( D* n5 C8 b. r
28. Villette (Charlotte Brontë, 1853)* K7 B" N$ Q, F! G+ {; i8 B
27. Robinson Crusoe (Daniel Defoe, 1719)
/ ]2 C9 i0 v+ D26. The Lord of the Rings (JRR Tolkien, 1954): B' ~$ P, ?7 r+ C* H
25. White Teeth (Zadie Smith, 2000)
2 q( }$ ?5 G$ p24. The Golden Notebook (Doris Lessing, 1962)5 V0 n$ B9 v0 _8 {- h* R6 f
23. Jude the Obscure (Thomas Hardy, 1895)" n. K" _1 l* @9 {* ^
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
9 [) p0 P6 o* d& y" n& v+ K/ B! `21. Heart of Darkness (Joseph Conrad, 1899)0 X, t7 X% L3 d0 H+ I+ t' k+ b
20. Persuasion (Jane Austen, 1817)
6 C$ ~% D) s% M x+ e; g19. Emma (Jane Austen, 1815)
( u" q: q; C7 R* V+ q6 @18. Remains of the Day (Kazuo Ishiguro, 1989)
' m% U" o5 C; w$ K4 c F& T17. Howards End (EM Forster, 1910)
$ Q2 _- Y8 b7 |4 d16. The Waves (Virginia Woolf, 1931)
- B9 A# K" ]/ e: _15. Atonement (Ian McEwan, 2001)( S2 ^1 W& i, w0 |3 Q3 |
14. Clarissa (Samuel Richardson,1748)
- g7 B3 i+ M$ Q13. The Good Soldier (Ford Madox Ford, 1915): K/ ~2 d+ a) e: e- y
12. Nineteen Eighty-Four (George Orwell, 1949)
! `% D& x a$ D9 l: k7 d* d- k n11. Pride and Prejudice (Jane Austen, 1813)' C! j1 M9 }: E3 a: I* z- Y
10. Vanity Fair (William Makepeace Thackeray, 1848)% P7 {; l, b0 e1 ]6 x5 A0 \; S; Z( q
9. Frankenstein (Mary Shelley, 1818)
5 e/ R0 |) ^- `9 b5 ?2 o" N6 J% ?8. David Copperfield (Charles Dickens, 1850)
8 \: ~* p2 e5 F4 N0 u5 e7. Wuthering Heights (Emily Brontë, 1847)# \1 H% n- a; I% C1 q8 Y. U
6. Bleak House (Charles Dickens, 1853)
0 O, a9 R9 V8 ~$ |9 _5. Jane Eyre (Charlotte Brontë, 1847)
6 l7 [2 c8 r7 w2 k& [. {' i0 \1 z! Z4. Great Expectations (Charles Dickens, 1861)3 p; [3 B8 k: I; G4 W
3. Mrs. Dalloway (Virginia Woolf, 1925)! P( K! O" E4 g) q1 ]9 Y1 n/ L
2. To the Lighthouse (Virginia Woolf, 1927)1 o6 F4 \# {5 z) i& U' m
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。2 p, }9 j* J8 Y" D, L
i0 T" i& V( X( r" G呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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