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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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# L' M- v' P% i0 v- ]' HBBC评出100大英国文学名著
+ [: `* K# k/ u, k0 Zhttp://www.bbc.com/culture/story ... test-british-novels8 C) V2 i, T9 f, f* u
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
$ T+ [! c$ p: Y1 ?8 }; |99. There but for the (Ali Smith, 2011)) Z9 w. z6 U7 R0 o f
98. Under the Volcano (Malcolm Lowry,1947)
9 L7 b7 l' d2 m9 z97. The Chronicles of Narnia (CS Lewis, 1949-1954)
* r; C7 L+ P+ C96. Memoirs of a Survivor (Doris Lessing, 1974)- q$ o, E8 ?2 n( `3 Q
95. The Buddha of Suburbia (Hanif Kureishi, 1990)& S, C4 K- H& O1 W- t: q+ [1 q# v
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
4 \. K- b, d% j9 E3 A93. Lord of the Flies (William Golding, 1954)
( Y- r* n0 }4 b8 f0 ?3 K) r92. Cold Comfort Farm (Stella Gibbons, 1932)
- Y1 t4 n7 _2 D% v$ v0 L91. The Forsyte Saga (John Galsworthy, 1922)! S& T. j* E) G6 L# x
90. The Woman in White (Wilkie Collins, 1859)+ v! P' ?4 P0 {6 L9 d
89. The Horse’s Mouth (Joyce Cary, 1944)
+ k. W9 @( h, _% L/ I1 o88. The Death of the Heart (Elizabeth Bowen, 1938)
+ K" l6 M" R& K# }6 `; X' \$ }87. The Old Wives’ Tale (Arnold Bennett,1908)# x& Q7 P9 h9 x% f
86. A Legacy (Sybille Bedford, 1956) U, ~( J- O# {1 i: v! \; Y/ R
85. Regeneration Trilogy (Pat Barker, 1991-1995)4 [+ W8 s0 H: ?- Y b6 x
84. Scoop (Evelyn Waugh, 1938). Z+ r" |, ]* y( N" j
83. Barchester Towers (Anthony Trollope, 1857)) v. p$ Z4 r& E5 [+ V1 i
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)" @( V1 ]- W; N$ H1 V% f
81. The Jewel in the Crown (Paul Scott, 1966)6 b4 X# [# x, c
80. Excellent Women (Barbara Pym, 1952)- Q+ S) F( D1 a6 Z* s, {- U2 i
79. His Dark Materials (Philip Pullman, 1995-2000)
9 e" W! F6 Q5 a# ~78. A House for Mr Biswas (VS Naipaul, 1961)
3 [. p2 ~! n5 I# s6 x: G77. Of Human Bondage (W Somerset Maugham, 1915)) H7 e) ?" q8 i% X) r' O9 m5 g* e
76. Small Island (Andrea Levy, 2004)
. {5 y, q2 Y" I7 F75. Women in Love (DH Lawrence, 1920)
3 C8 @3 d: D+ x5 w6 F; F: A" p74. The Mayor of Casterbridge (Thomas Hardy, 1886)
?5 ^/ B( K L7 T73. The Blue Flower (Penelope Fitzgerald, 1995)
1 b7 l) W6 L. Q: U9 W0 y72. The Heart of the Matter (Graham Greene, 1948)" E. l0 ^. d. b9 n/ K6 M
71. Old Filth (Jane Gardam, 2004)) k `, g& ?8 A H/ Z$ a
70. Daniel Deronda (George Eliot, 1876)
- `! M% c, d3 O+ g- f! f69. Nostromo (Joseph Conrad, 1904)& }3 s# q# D; p3 w: E* m
68. A Clockwork Orange (Anthony Burgess, 1962)2 j' t. B* g$ q% T
67. Crash (JG Ballard 1973)
7 N) L/ u# h+ a66. Sense and Sensibility (Jane Austen, 1811)9 i. ~$ [6 v) O9 z0 I
65. Orlando (Virginia Woolf, 1928)
* k8 E7 U9 ~9 C64. The Way We Live Now (Anthony Trollope, 1875)
- q) U: b" M0 z63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)' ^% \6 u0 ^! J; q s0 S1 A9 t
62. Animal Farm (George Orwell, 1945)
8 z: w! |/ |' H- e61. The Sea, The Sea (Iris Murdoch, 1978). Z" z4 y/ Q+ j2 P4 g
60. Sons and Lovers (DH Lawrence, 1913)& Q! m% q' ?% [4 H
59. The Line of Beauty (Alan Hollinghurst, 2004)! W1 w. Q, W; y$ K& p* C% B, U' ] S
58. Loving (Henry Green, 1945)0 s! P+ B4 n: O- E
57. Parade’s End (Ford Madox Ford, 1924-1928)
$ @% s% Q2 q% o0 ~) N5 s2 X56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)$ `" ?2 g5 @% u' J, i
55. Gulliver’s Travels (Jonathan Swift, 1726)
0 @2 b6 a( T5 M54. NW (Zadie Smith, 2012)
' B/ ]7 x$ @7 p8 {; s53. Wide Sargasso Sea (Jean Rhys, 1966)
; B1 s, N# Z$ e52. New Grub Street (George Gissing, 1891)
& z7 @( _9 t# \1 i4 R% G51. Tess of the d’Urbervilles (Thomas Hardy, 1891)- [ g8 \8 y& S" T1 i& A4 H. M
50. A Passage to India (EM Forster, 1924)
0 I5 j' j$ N5 y6 ~% j# Q9 k$ h49. Possession (AS Byatt, 1990)
% k- F& r* p; h9 c1 V3 R48. Lucky Jim (Kingsley Amis, 1954)
$ B$ W, ~; e: i& r4 W47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
- S! _- |3 p# B46. Midnight’s Children (Salman Rushdie, 1981)
: m7 h. F# m: D- j2 O- O45. The Little Stranger (Sarah Waters, 2009)
$ J$ }- B5 j3 `4 ?7 a- L) s# a0 h44. Wolf Hall (Hilary Mantel, 2009)7 f* Y/ t1 e+ O! t/ P
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
& {& c' u" h+ D% c/ ^7 m% J/ D& T42. Brighton Rock (Graham Greene, 1938)
' G5 G" k( S: p0 c7 d, [# C4 X41. Dombey and Son (Charles Dickens, 1848)
0 G' h+ {- o# [; s; X40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)$ `" m$ s# Z5 d |7 R
39. The Sense of an Ending (Julian Barnes, 2011)
3 q3 J* m. ]: h3 d' F+ F38. The Passion (Jeanette Winterson, 1987)
0 R- l! n6 R0 Z9 F% @. F; r9 ^37. Decline and Fall (Evelyn Waugh, 1928)
/ t) I( Y0 _& a& h$ l) Q36. A Dance to the Music of Time (Anthony Powell, 1951-1975): T, j* g5 k( {' L6 f6 ~
35. Remainder (Tom McCarthy, 2005)! W V! q A& E [4 |
34. Never Let Me Go (Kazuo Ishiguro, 2005)
& e, |) ^% z* | }: s33. The Wind in the Willows (Kenneth Grahame, 1908)
: M7 S" I+ x3 z6 x4 r3 f, M! K32. A Room with a View (EM Forster, 1908)
) G! L/ E4 I3 Y( e9 x# N31. The End of the Affair (Graham Greene, 1951)
3 k8 {( g( a* k2 f# ~- J30. Moll Flanders (Daniel Defoe, 1722)
) j8 V: q2 w2 S' |8 [29. Brick Lane (Monica Ali, 2003)
6 u5 G5 b2 ^/ H- Q {8 p28. Villette (Charlotte Brontë, 1853)
4 i" }, X5 p0 J& A* ^27. Robinson Crusoe (Daniel Defoe, 1719)/ v/ T, f2 k% y0 `5 K
26. The Lord of the Rings (JRR Tolkien, 1954)
- x: B6 x8 F' J$ z; L; ?8 ^25. White Teeth (Zadie Smith, 2000)! W( r( o9 `6 z: O% G- C ^
24. The Golden Notebook (Doris Lessing, 1962)4 J- l( ]$ u6 ^: d2 H7 X) ^4 I
23. Jude the Obscure (Thomas Hardy, 1895)& o+ k& w' e3 w# a
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
) `- Y7 o3 Q4 O& M6 h21. Heart of Darkness (Joseph Conrad, 1899)
& Q. Z" T2 @5 @0 {- K20. Persuasion (Jane Austen, 1817)
$ W( u' X; z) {' h19. Emma (Jane Austen, 1815)$ j9 D2 y$ J* @# n5 R- r+ _5 l
18. Remains of the Day (Kazuo Ishiguro, 1989). f- _" y. O+ R# l7 b
17. Howards End (EM Forster, 1910)
4 @( s7 J2 {. c% x16. The Waves (Virginia Woolf, 1931)% I& \$ B A( D+ O
15. Atonement (Ian McEwan, 2001)
, S8 l) t3 N' f5 }: ]2 G2 l14. Clarissa (Samuel Richardson,1748)
) u/ z: x7 M, A( |6 V% ]. Q13. The Good Soldier (Ford Madox Ford, 1915)
0 M( m9 E" U" e! c# B) C) z# y" Q12. Nineteen Eighty-Four (George Orwell, 1949)" E. M' q& ^$ c5 [
11. Pride and Prejudice (Jane Austen, 1813); }3 d0 }1 L& k4 J4 E% N' u; [
10. Vanity Fair (William Makepeace Thackeray, 1848)
+ k( p! ~! a8 q {% B' v9. Frankenstein (Mary Shelley, 1818)
: f( d8 y6 L4 m5 p8. David Copperfield (Charles Dickens, 1850)
% S% Y2 T% g1 x/ {; W/ U8 N; W7. Wuthering Heights (Emily Brontë, 1847)- b! c4 m1 W! l: {% D* Q0 u
6. Bleak House (Charles Dickens, 1853)9 r; J# j9 j. D/ Z, t
5. Jane Eyre (Charlotte Brontë, 1847), n( m7 A: V5 l! _6 O
4. Great Expectations (Charles Dickens, 1861)- d) r- C5 U) N, Q* [
3. Mrs. Dalloway (Virginia Woolf, 1925)( u- A! w# G9 \5 O
2. To the Lighthouse (Virginia Woolf, 1927)) N1 O# k% f9 {9 j& C& i+ e3 q C
1. Middlemarch (George Eliot, 1874)# \, m5 |4 d; `! b
8 {, z; q6 i: S: j3 G前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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; Q1 Y, Z# x* I ]呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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