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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 , ?" B3 J$ ]2 W# B* t3 s
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BBC评出100大英国文学名著6 G, _/ }# X1 j$ Z! X. a, D7 q# K
http://www.bbc.com/culture/story ... test-british-novels% @7 \( ?; j! t) c, h/ j
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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+ `% l9 W3 @& L0 R6 w% ^1 O3 @8 ^5 R100. The Code of the Woosters (PG Wodehouse, 1938)3 |# c, M) R! h8 z5 {
99. There but for the (Ali Smith, 2011)
& \0 x1 }4 y5 ~, y0 B98. Under the Volcano (Malcolm Lowry,1947)
* j% B/ N8 F) T t# o2 v" q! r97. The Chronicles of Narnia (CS Lewis, 1949-1954)% }3 k( \1 W& y& U
96. Memoirs of a Survivor (Doris Lessing, 1974)6 I5 n- b I+ h( w" C B
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
0 g% T; I) W4 \0 F( S+ k94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
1 T9 c6 h! y" h% x* L93. Lord of the Flies (William Golding, 1954)
' X4 r& J3 |0 b. E, B. d92. Cold Comfort Farm (Stella Gibbons, 1932)
' K+ b9 k3 ~/ b8 L% D91. The Forsyte Saga (John Galsworthy, 1922)* a, k- W" _1 K7 ^6 w8 O6 V
90. The Woman in White (Wilkie Collins, 1859)
$ T0 v& Y( ?" S+ B) U9 k7 `89. The Horse’s Mouth (Joyce Cary, 1944)
* N! l7 Q/ y/ ]88. The Death of the Heart (Elizabeth Bowen, 1938)
) J# V5 q& ^" G8 T7 h- C87. The Old Wives’ Tale (Arnold Bennett,1908)
8 }1 n% Q! i% C) F86. A Legacy (Sybille Bedford, 1956)
?+ s% s X* v' T8 G( \) W85. Regeneration Trilogy (Pat Barker, 1991-1995)
4 H( X1 g! L n9 s' r& Z( s84. Scoop (Evelyn Waugh, 1938)7 e. {7 a [, J+ m, i
83. Barchester Towers (Anthony Trollope, 1857)5 D. R7 t3 i+ Z0 A
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)3 d D& @% p" i0 `: Q6 d8 S6 ]
81. The Jewel in the Crown (Paul Scott, 1966)3 a! e+ y; V* O, k: c
80. Excellent Women (Barbara Pym, 1952)
1 v7 G! y. S; L% I79. His Dark Materials (Philip Pullman, 1995-2000)
. p6 k1 g5 T$ K" N& e" e78. A House for Mr Biswas (VS Naipaul, 1961)+ ^/ K) }; W1 U* K
77. Of Human Bondage (W Somerset Maugham, 1915)
5 \: s6 [! n6 n76. Small Island (Andrea Levy, 2004)
* r& P1 ~, F1 ^& F7 g75. Women in Love (DH Lawrence, 1920)
9 T2 G6 o5 u3 U+ m74. The Mayor of Casterbridge (Thomas Hardy, 1886)
# T$ V! \4 Q" f$ o73. The Blue Flower (Penelope Fitzgerald, 1995) L# G% N' O& j" J4 R. [9 K' R
72. The Heart of the Matter (Graham Greene, 1948)
1 {" w; h- q8 A( X. j2 Y71. Old Filth (Jane Gardam, 2004)' c+ E* _4 M" s! o
70. Daniel Deronda (George Eliot, 1876)
# X( V0 F: v. S: d69. Nostromo (Joseph Conrad, 1904)' D L9 c( d) q
68. A Clockwork Orange (Anthony Burgess, 1962)
% J! ?- E5 E; @" T) L" i4 H67. Crash (JG Ballard 1973)& d$ M) [' s- e) {6 a# y
66. Sense and Sensibility (Jane Austen, 1811)' v; F* I, ]1 z9 i
65. Orlando (Virginia Woolf, 1928)
0 d1 f' B! A! |5 C2 B5 a64. The Way We Live Now (Anthony Trollope, 1875)
* l% O$ [, E: f) }63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)" j) O8 n& \2 P5 J% u0 F
62. Animal Farm (George Orwell, 1945)' {/ X# B. P) I! U
61. The Sea, The Sea (Iris Murdoch, 1978)
6 F2 \5 I% E4 f' A60. Sons and Lovers (DH Lawrence, 1913)+ E; g! C$ C+ W+ ?! e
59. The Line of Beauty (Alan Hollinghurst, 2004), [4 G$ ~% t) J) ]# k' l6 ~
58. Loving (Henry Green, 1945)
; F( B/ f) z; S( z; K57. Parade’s End (Ford Madox Ford, 1924-1928)
/ U) [5 [6 x; q56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985); J7 g9 @2 z; Z; p8 T; V
55. Gulliver’s Travels (Jonathan Swift, 1726)
! r1 q; Z7 G$ P6 \' M4 l9 g2 `54. NW (Zadie Smith, 2012)" |0 ^; \" J6 {0 F
53. Wide Sargasso Sea (Jean Rhys, 1966)
3 G* X6 t7 O# \* ~52. New Grub Street (George Gissing, 1891)
0 O( m5 h8 @; ~4 J5 G7 K, b0 k3 i: s51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
" t; ?2 @/ V7 C! P& K50. A Passage to India (EM Forster, 1924)0 F& ?+ g( p3 [- s$ V
49. Possession (AS Byatt, 1990)
, c+ `+ a+ g4 L# M$ P% a* m8 p. ~% N48. Lucky Jim (Kingsley Amis, 1954)8 g6 j) L' W8 m* u O
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)3 e0 w' [+ P2 n& o- P1 ?9 J# a
46. Midnight’s Children (Salman Rushdie, 1981): D, R5 ~/ m2 [: O |' I
45. The Little Stranger (Sarah Waters, 2009)
$ v2 W+ C+ @) ?& }44. Wolf Hall (Hilary Mantel, 2009)& y: }2 B7 Z" t
43. The Swimming Pool Library (Alan Hollinghurst, 1988)9 h' _" u$ I; c9 R+ S7 {0 H( j2 J! `
42. Brighton Rock (Graham Greene, 1938) q" X; j4 [6 ?; b- H0 A; b
41. Dombey and Son (Charles Dickens, 1848)& d# ?. e0 k# n. f8 A; Q" Y
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)2 A( |% {5 A9 [% A/ X; Y! j" W
39. The Sense of an Ending (Julian Barnes, 2011)( n1 `2 ?& L( H8 \" g: e
38. The Passion (Jeanette Winterson, 1987)* r8 C/ J P$ t) ^
37. Decline and Fall (Evelyn Waugh, 1928)
, W$ ]% H! {1 R1 }7 P/ X9 X, V36. A Dance to the Music of Time (Anthony Powell, 1951-1975)1 [: E$ r9 B; n F, M
35. Remainder (Tom McCarthy, 2005)
1 T9 s; H* Y9 m0 U/ B& d34. Never Let Me Go (Kazuo Ishiguro, 2005)
; e4 }" J$ L( q6 _+ B) g33. The Wind in the Willows (Kenneth Grahame, 1908)
/ N& X9 U! v4 \& C! R32. A Room with a View (EM Forster, 1908)- `3 E. S0 w( \ X. g
31. The End of the Affair (Graham Greene, 1951)
/ ]: W8 @6 ]/ J- ?" x30. Moll Flanders (Daniel Defoe, 1722)
% q( Q! |! ~/ N0 c- J: w4 J29. Brick Lane (Monica Ali, 2003)
3 X1 u& ?1 z; Z, }) D6 e$ B$ h28. Villette (Charlotte Brontë, 1853)
# T/ U* L( b! u5 i) _27. Robinson Crusoe (Daniel Defoe, 1719)/ A8 F, i* s4 q0 K% K# u! C
26. The Lord of the Rings (JRR Tolkien, 1954)
) P% A' j6 c3 H1 M7 Q; R; ~25. White Teeth (Zadie Smith, 2000)' Y2 u) T/ a9 k1 B6 _& ^- b
24. The Golden Notebook (Doris Lessing, 1962)- c8 B( \7 s- W' S
23. Jude the Obscure (Thomas Hardy, 1895)
: J0 T4 U4 X5 Z7 I22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
2 w2 ?" A' Q/ U: y) }+ {# `21. Heart of Darkness (Joseph Conrad, 1899)
/ k% U/ p- h. g$ O, g20. Persuasion (Jane Austen, 1817)
" {1 @# x/ W$ S4 C4 L% q0 l19. Emma (Jane Austen, 1815)
3 ^7 M3 k! I8 I1 l" F4 P18. Remains of the Day (Kazuo Ishiguro, 1989)
I# P. }) I2 T1 A2 V; I& g17. Howards End (EM Forster, 1910)+ ?% R! N, V- K+ L0 f: z. L
16. The Waves (Virginia Woolf, 1931)
6 u7 P5 t I v/ V15. Atonement (Ian McEwan, 2001)
6 H* y; t8 }- M% r4 j% A14. Clarissa (Samuel Richardson,1748)6 z! g9 P; |: U
13. The Good Soldier (Ford Madox Ford, 1915)
5 u, X' M9 s* r( V7 i12. Nineteen Eighty-Four (George Orwell, 1949)' u7 Q0 n! a' o: p$ B. ~7 c1 ~
11. Pride and Prejudice (Jane Austen, 1813)
7 ~5 O Y J: [3 `3 i* J10. Vanity Fair (William Makepeace Thackeray, 1848)
4 ]2 r7 p& x2 V) Z' M$ D& E2 L2 T& r' `9. Frankenstein (Mary Shelley, 1818)
* P3 n+ l3 u" r' w8. David Copperfield (Charles Dickens, 1850)
$ _% [2 l6 s2 B4 F0 ]- ^7. Wuthering Heights (Emily Brontë, 1847)
% M; `, b1 \- a; L6. Bleak House (Charles Dickens, 1853)* `$ W8 t6 G) {+ X3 v0 x
5. Jane Eyre (Charlotte Brontë, 1847)& A3 f& j* I* t+ p+ b$ n
4. Great Expectations (Charles Dickens, 1861)7 H5 F& m P9 ?( K6 e4 S
3. Mrs. Dalloway (Virginia Woolf, 1925)
* N1 y8 Q; r7 g0 ^, T+ B2. To the Lighthouse (Virginia Woolf, 1927)' G( l6 g2 {; C- T! w
1. Middlemarch (George Eliot, 1874)+ ]: h$ F7 g- I! d+ `, Z0 |* y2 c
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。4 A( ^, A! R' \
4 g( H! }% u( O( {" j$ \" H0 v7 x7 p呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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