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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
: v& U ?4 q0 g9 J# bhttp://www.bbc.com/culture/story ... test-british-novels
K$ J( {, V7 o8 n9 J% G惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)1 y& R; L. p* k; F" ?
99. There but for the (Ali Smith, 2011)
$ m& `; U6 Z; Z. Q; v98. Under the Volcano (Malcolm Lowry,1947)
+ f7 F: L; S6 v* B* C; P! o97. The Chronicles of Narnia (CS Lewis, 1949-1954)
' i: A. j, O, ~2 l* @96. Memoirs of a Survivor (Doris Lessing, 1974)$ `. s1 D7 h# p- D/ V+ |7 D
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
5 i8 w1 ]4 E8 k8 N- j& M: _94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
. x5 `' u; ]" Y) G& Y* o93. Lord of the Flies (William Golding, 1954)
# V- X4 Y3 n1 x8 o9 y3 I92. Cold Comfort Farm (Stella Gibbons, 1932)- m$ w" J* Z5 [$ g9 |& S
91. The Forsyte Saga (John Galsworthy, 1922)& a9 D# E6 K# k. k6 s8 O7 E
90. The Woman in White (Wilkie Collins, 1859)) g" Y n/ [1 B& o, S5 P
89. The Horse’s Mouth (Joyce Cary, 1944)
* [3 y6 ^3 R7 j- h+ C' s) R; L+ E88. The Death of the Heart (Elizabeth Bowen, 1938)3 J1 ?# f4 p8 f. [5 s6 e4 `
87. The Old Wives’ Tale (Arnold Bennett,1908)
7 H4 R8 n% k/ k8 v86. A Legacy (Sybille Bedford, 1956)
% c& G' v4 v9 A" ^- W8 v# s2 a85. Regeneration Trilogy (Pat Barker, 1991-1995) U9 `2 j$ p( [9 J" K
84. Scoop (Evelyn Waugh, 1938)
8 y# L2 Q8 |, ?7 d- \' x3 M83. Barchester Towers (Anthony Trollope, 1857)
1 v$ \( g' Q+ q% m- K, }82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
2 J+ N' Q( R) k2 P3 f( }' D81. The Jewel in the Crown (Paul Scott, 1966)- ~9 T4 k% M) _9 c: e
80. Excellent Women (Barbara Pym, 1952)
2 Y3 @( n* `4 J! ~7 ^* R8 u0 s79. His Dark Materials (Philip Pullman, 1995-2000)
$ h5 d# Q4 ^: h( P! m, ~2 |& o78. A House for Mr Biswas (VS Naipaul, 1961)
! _; i. I2 {- e) b77. Of Human Bondage (W Somerset Maugham, 1915)
0 `- R( Z" v$ s# z! x76. Small Island (Andrea Levy, 2004)
3 t- _3 N. @+ l2 R' u9 r75. Women in Love (DH Lawrence, 1920)9 B/ {! ~3 t: U- T( i8 K
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
7 L0 y7 b1 T4 v0 o, Q4 H1 H4 _1 s73. The Blue Flower (Penelope Fitzgerald, 1995)
) V& q' N) @2 @8 ?72. The Heart of the Matter (Graham Greene, 1948), z: A2 i6 U0 L0 T- k' ~4 o+ ?) w
71. Old Filth (Jane Gardam, 2004); a. B9 a8 F$ J1 {$ Y6 p+ P# v2 d
70. Daniel Deronda (George Eliot, 1876), z' c$ K& V, h( c0 W8 Y4 n% S
69. Nostromo (Joseph Conrad, 1904)) g: X0 c+ d) o2 N
68. A Clockwork Orange (Anthony Burgess, 1962)
6 Z1 b4 F- J& Z9 {3 j9 r67. Crash (JG Ballard 1973)
3 z# P; ^8 D3 ]4 @+ p; ?66. Sense and Sensibility (Jane Austen, 1811): \# F9 o0 x/ j7 [4 r
65. Orlando (Virginia Woolf, 1928)" b8 e/ C1 B6 s$ r' @$ v8 j
64. The Way We Live Now (Anthony Trollope, 1875)# _* w! B; |$ K v6 a
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)' X7 u1 _/ O7 D3 H! _
62. Animal Farm (George Orwell, 1945)1 p. ~$ K6 V6 `; ^' N
61. The Sea, The Sea (Iris Murdoch, 1978)
# h' e4 A8 G! G1 K. |- P60. Sons and Lovers (DH Lawrence, 1913)$ {" e2 c7 C: j/ a
59. The Line of Beauty (Alan Hollinghurst, 2004)
t$ \" Y% i2 f C4 M' [; l58. Loving (Henry Green, 1945)$ M R4 O% }5 G( ?/ l. u% @
57. Parade’s End (Ford Madox Ford, 1924-1928)
0 B2 w, o. d! V" r( A }2 A56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
5 y- N# K4 Q# w55. Gulliver’s Travels (Jonathan Swift, 1726)
+ ]6 h/ T: E& n; I! {) X( [( L54. NW (Zadie Smith, 2012)2 g: c' x: g) [% G4 E1 e3 \
53. Wide Sargasso Sea (Jean Rhys, 1966)
5 O4 s& J L s" P5 ^7 M52. New Grub Street (George Gissing, 1891)
0 V% C7 c; b# d; v/ |4 R51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
$ X z0 W {: ~2 ^6 F4 D50. A Passage to India (EM Forster, 1924)
) b/ O0 g6 w8 N) X! D! V1 R$ _5 _6 p49. Possession (AS Byatt, 1990)7 U7 O4 p! \; E9 y: n, i& ^
48. Lucky Jim (Kingsley Amis, 1954)
6 u/ f# }4 L8 X7 o/ X- g47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
`( `# \. V* y$ G; u9 U- |46. Midnight’s Children (Salman Rushdie, 1981); J6 L8 w+ {0 p9 {
45. The Little Stranger (Sarah Waters, 2009)% R( D W' j0 ?* |0 ~* L1 `& @
44. Wolf Hall (Hilary Mantel, 2009)
% x4 V1 {8 U; B8 ?8 u0 g; B43. The Swimming Pool Library (Alan Hollinghurst, 1988)
6 k) E( n% B* v2 [" F5 ?42. Brighton Rock (Graham Greene, 1938)5 x" k0 I0 @8 _) a
41. Dombey and Son (Charles Dickens, 1848)
! Z' [3 Q( R8 I( T; E+ e) a40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)4 f _/ [6 S! k* L" Y6 R
39. The Sense of an Ending (Julian Barnes, 2011)% y& y( M& Z- M6 m
38. The Passion (Jeanette Winterson, 1987)5 T; d; }+ Y/ A# B9 Y( T
37. Decline and Fall (Evelyn Waugh, 1928)
6 D3 ~6 C5 E. T3 E& G1 h36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
6 F7 f1 c0 I' O. j3 ?7 s35. Remainder (Tom McCarthy, 2005)
- Q r9 \! H$ G34. Never Let Me Go (Kazuo Ishiguro, 2005)1 I, L) R) m3 [% Y
33. The Wind in the Willows (Kenneth Grahame, 1908)9 p- L0 I1 Y" p' L7 O5 p
32. A Room with a View (EM Forster, 1908)
: g8 ]' b$ n/ F5 h6 R E# X31. The End of the Affair (Graham Greene, 1951); _/ U/ s4 }( N z
30. Moll Flanders (Daniel Defoe, 1722)
& o2 j/ z2 b7 k T3 @) n29. Brick Lane (Monica Ali, 2003)" V2 ]- A* Q4 V+ l+ W
28. Villette (Charlotte Brontë, 1853)( [, z% k3 m/ F5 ^$ k
27. Robinson Crusoe (Daniel Defoe, 1719)6 V% f* y! b3 D
26. The Lord of the Rings (JRR Tolkien, 1954)
, ^9 \3 ?* W5 Q* e25. White Teeth (Zadie Smith, 2000)9 Z0 w5 ]" a0 M
24. The Golden Notebook (Doris Lessing, 1962)
' V: G7 T4 k1 }; B* y' d5 R' G23. Jude the Obscure (Thomas Hardy, 1895)6 |( m6 l/ H9 q( w9 }
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
( e- U! o5 w4 Q" ?21. Heart of Darkness (Joseph Conrad, 1899)
+ F% E9 M1 x+ h0 r' P20. Persuasion (Jane Austen, 1817)+ M* W3 X& P1 w. z! i
19. Emma (Jane Austen, 1815)
. Z% q+ u% I# ~18. Remains of the Day (Kazuo Ishiguro, 1989)
2 t2 ~ n+ e7 b3 s/ C2 ^. T) y( z17. Howards End (EM Forster, 1910)
% j4 \( z3 h5 y* f6 ~4 W16. The Waves (Virginia Woolf, 1931)' `6 C9 |; e; C7 A/ U6 y4 }
15. Atonement (Ian McEwan, 2001)
- t) m: e" V7 r- n14. Clarissa (Samuel Richardson,1748)( Z/ d h- H1 v( V* o
13. The Good Soldier (Ford Madox Ford, 1915)
2 F2 h2 y O+ q- [- ]& _12. Nineteen Eighty-Four (George Orwell, 1949) s5 w& M0 r7 r6 u& E
11. Pride and Prejudice (Jane Austen, 1813)
) G( v: u% X6 z; v# O( B$ O10. Vanity Fair (William Makepeace Thackeray, 1848)
+ l- @9 k$ B' W9. Frankenstein (Mary Shelley, 1818)
4 ~5 W. ~" R4 i8. David Copperfield (Charles Dickens, 1850)
0 X" J1 D/ _; J! M/ {2 v7. Wuthering Heights (Emily Brontë, 1847)
- S8 {/ y) P# c* r7 F, [- X6. Bleak House (Charles Dickens, 1853)
8 W' q' m8 ^, P* k9 g3 n3 n9 Y5. Jane Eyre (Charlotte Brontë, 1847)5 A9 v& f! i5 ^: i
4. Great Expectations (Charles Dickens, 1861)
$ B0 o+ G1 C% u- \( P, u! _3. Mrs. Dalloway (Virginia Woolf, 1925)! @: w- a0 k" s# f9 `* s$ M3 M& q
2. To the Lighthouse (Virginia Woolf, 1927)
5 _/ q: M1 V; o( ]3 P* @6 u1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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