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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著2 X; ?5 Y4 S% s$ `6 S& b6 T
http://www.bbc.com/culture/story ... test-british-novels
) H6 @" l3 U( Q9 u$ |6 a惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。# W' K9 R; n- J* Y X$ p# R
e# O0 X/ q2 L2 s: G0 C. f, z7 w9 {7 g100. The Code of the Woosters (PG Wodehouse, 1938)
* N; M& ^% t9 M4 P, q5 K) v# \ Y99. There but for the (Ali Smith, 2011)8 @; e% G- I& z6 n5 X( d
98. Under the Volcano (Malcolm Lowry,1947)+ ]. M1 m; n. \9 ?/ o# K; J# ]
97. The Chronicles of Narnia (CS Lewis, 1949-1954)0 w& F8 U* r- k
96. Memoirs of a Survivor (Doris Lessing, 1974)! a! }4 a4 X# Q5 r- A
95. The Buddha of Suburbia (Hanif Kureishi, 1990)8 k5 i4 j" _: h& |9 @. C
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
, E7 N3 e: }& w/ |1 H) l93. Lord of the Flies (William Golding, 1954)
5 d. B3 Y8 M7 v92. Cold Comfort Farm (Stella Gibbons, 1932)
4 {8 m/ Y4 G4 E91. The Forsyte Saga (John Galsworthy, 1922)
9 K$ b! m" g+ k" e! D90. The Woman in White (Wilkie Collins, 1859)
4 S: D* F8 J, o) P. S! ]89. The Horse’s Mouth (Joyce Cary, 1944)$ W2 A" X0 j9 E1 |* Q# N- l
88. The Death of the Heart (Elizabeth Bowen, 1938)
' {0 t5 L1 z( ?9 z! Q2 X3 Z/ z% A7 E87. The Old Wives’ Tale (Arnold Bennett,1908)
. Z; {8 E8 D" f* ?7 I" W5 }86. A Legacy (Sybille Bedford, 1956)
& o! p# u: P8 w+ l1 }, {85. Regeneration Trilogy (Pat Barker, 1991-1995)* g* x" {4 R0 v- v
84. Scoop (Evelyn Waugh, 1938)
+ O- _% ]/ S. G# G2 X( Y2 L9 K. r7 V83. Barchester Towers (Anthony Trollope, 1857)- M% n/ [3 c5 y1 b! h6 i! J1 i
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)/ q% I3 _7 t/ Y1 v
81. The Jewel in the Crown (Paul Scott, 1966)
1 H! X' S7 P/ ]/ ?5 [80. Excellent Women (Barbara Pym, 1952). _/ C9 S# A6 p
79. His Dark Materials (Philip Pullman, 1995-2000)
7 \. s# @- W. C- S/ }78. A House for Mr Biswas (VS Naipaul, 1961)
* o+ M N) s$ W: r' C77. Of Human Bondage (W Somerset Maugham, 1915)
7 o( g/ d# ~) d& L3 j" ^76. Small Island (Andrea Levy, 2004)3 Q& Z+ X5 W: e8 t) n
75. Women in Love (DH Lawrence, 1920)* m7 S, o' r7 ]& F
74. The Mayor of Casterbridge (Thomas Hardy, 1886)1 M9 \7 Q& A: c- V0 Y8 C0 F
73. The Blue Flower (Penelope Fitzgerald, 1995)
7 Q8 Q' T7 d. e72. The Heart of the Matter (Graham Greene, 1948), H3 D4 c2 M0 L
71. Old Filth (Jane Gardam, 2004)
- b- d4 S v) m5 l) n W70. Daniel Deronda (George Eliot, 1876)
t6 r* A' Z' t3 S& \69. Nostromo (Joseph Conrad, 1904)
2 E/ p6 H# d/ D: U2 _* e68. A Clockwork Orange (Anthony Burgess, 1962)
M+ T, V, ?% e67. Crash (JG Ballard 1973)+ ^: D2 ~( ], U* e5 F6 c2 {5 x0 r
66. Sense and Sensibility (Jane Austen, 1811)% p+ K' c" I- { A3 y" z" a" f
65. Orlando (Virginia Woolf, 1928). r1 I( ^8 X. y
64. The Way We Live Now (Anthony Trollope, 1875): C+ e# o2 {- @ x' ~
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961), v+ Q/ q0 S) M3 ]% z! Z C
62. Animal Farm (George Orwell, 1945)
, O; @3 O! T0 X- S61. The Sea, The Sea (Iris Murdoch, 1978)
1 R9 M' ?& S- S" C0 m60. Sons and Lovers (DH Lawrence, 1913)
2 _- Z! P, }5 g& M59. The Line of Beauty (Alan Hollinghurst, 2004)) ~, s& s$ A* S3 I* L/ R% |4 F
58. Loving (Henry Green, 1945)8 J- V- j. u6 X8 C9 }" ~ H9 x) @, n6 h
57. Parade’s End (Ford Madox Ford, 1924-1928)
1 x8 E2 I; M$ J+ B& s56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
0 u m, H! v/ w( \55. Gulliver’s Travels (Jonathan Swift, 1726)
E" k: f% F- }6 {: A. P54. NW (Zadie Smith, 2012)2 K; f3 k$ U. B7 K$ m
53. Wide Sargasso Sea (Jean Rhys, 1966)
, {+ B+ S! ^* M+ p52. New Grub Street (George Gissing, 1891)* i$ @' ^( b Q1 b- ~) O) V
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
' v, n5 l; F* [( Q7 w8 ?# J50. A Passage to India (EM Forster, 1924)+ i( J/ f u5 k% N( Y6 A
49. Possession (AS Byatt, 1990)! h* G+ y& N) g' b3 Z$ n% Z W2 c2 a
48. Lucky Jim (Kingsley Amis, 1954)
+ q: C* W) V2 l7 s/ o47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
7 L2 T4 u2 g% D" B2 I46. Midnight’s Children (Salman Rushdie, 1981)1 [' P6 `# Y c/ B2 m( U0 a; N
45. The Little Stranger (Sarah Waters, 2009)
. Q6 W# V$ V% B. ]7 H3 i. ?44. Wolf Hall (Hilary Mantel, 2009)0 N9 |* X* C. ^) E) k5 t6 D6 h; q7 F
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
7 t a" Z; n+ w42. Brighton Rock (Graham Greene, 1938)
2 U% O$ Z) z8 J- z7 G41. Dombey and Son (Charles Dickens, 1848). }/ \: ~" O" A
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
0 Y) Z- v" V' ?39. The Sense of an Ending (Julian Barnes, 2011)* {/ D/ k1 w4 w: J) f( B0 ]
38. The Passion (Jeanette Winterson, 1987)
" G; w7 }0 ^) z- V U) {37. Decline and Fall (Evelyn Waugh, 1928)' n) d' h* d7 Z! E" X5 H
36. A Dance to the Music of Time (Anthony Powell, 1951-1975). B0 I- y6 E3 f3 N2 ?
35. Remainder (Tom McCarthy, 2005)
4 t7 @- _! V4 t34. Never Let Me Go (Kazuo Ishiguro, 2005), M |. x* s. ]. j+ f. w' |
33. The Wind in the Willows (Kenneth Grahame, 1908)- _9 Q' G h7 o+ Y1 H- `
32. A Room with a View (EM Forster, 1908); ?* V, F5 |( @* B) v, r
31. The End of the Affair (Graham Greene, 1951)) @$ K7 U1 y+ P% b" l5 L
30. Moll Flanders (Daniel Defoe, 1722)
& G0 _9 y6 u6 ?! s& `29. Brick Lane (Monica Ali, 2003)
/ C) Z) ]- U& ?2 x2 Q5 ?28. Villette (Charlotte Brontë, 1853)
' L, w3 n* j' M& f9 G27. Robinson Crusoe (Daniel Defoe, 1719). n# L: c! s) \3 u* h
26. The Lord of the Rings (JRR Tolkien, 1954)
* L/ `! I' g. B+ \" v2 n Z, ]25. White Teeth (Zadie Smith, 2000)* R) E8 k. i$ t
24. The Golden Notebook (Doris Lessing, 1962)- O. l( O( {4 ^5 x$ X+ g
23. Jude the Obscure (Thomas Hardy, 1895)% o+ c7 I6 s* w/ A- Y$ ~
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)* L$ [( z+ y9 F! \% Y0 W+ d
21. Heart of Darkness (Joseph Conrad, 1899)* E2 i. S2 B$ i% ?* j
20. Persuasion (Jane Austen, 1817)
# E" a& d. o: K" u1 e$ l19. Emma (Jane Austen, 1815)
& N+ |0 t! }( D1 m18. Remains of the Day (Kazuo Ishiguro, 1989)# P9 D' \% _2 N2 Z
17. Howards End (EM Forster, 1910) R7 d0 O8 L* C6 J( o
16. The Waves (Virginia Woolf, 1931)
% T3 T7 k4 l3 O3 W0 z. Z15. Atonement (Ian McEwan, 2001)
% F) Z( k2 W! r$ Y6 A* e* E14. Clarissa (Samuel Richardson,1748)
& m/ D7 u1 L6 m13. The Good Soldier (Ford Madox Ford, 1915)$ |) p% i$ }5 t4 ]8 y& O
12. Nineteen Eighty-Four (George Orwell, 1949)
! x6 g" y; t7 ?0 i. p11. Pride and Prejudice (Jane Austen, 1813)
( p s) q1 @/ L `10. Vanity Fair (William Makepeace Thackeray, 1848)
' {6 J$ i& c. H0 p* o9 c9 X5 s T9. Frankenstein (Mary Shelley, 1818)
. }4 W4 o% S# U7 v% e0 x8. David Copperfield (Charles Dickens, 1850); R; k; l2 j4 z: @$ u+ Y3 M; J
7. Wuthering Heights (Emily Brontë, 1847)
4 q8 a2 _+ G+ i6. Bleak House (Charles Dickens, 1853)! V, w: s: V$ h+ j
5. Jane Eyre (Charlotte Brontë, 1847): {7 F$ U* @5 g9 D t
4. Great Expectations (Charles Dickens, 1861)
9 ~ C1 U. t: K# d( o* N3. Mrs. Dalloway (Virginia Woolf, 1925)0 D' \8 D$ r. {
2. To the Lighthouse (Virginia Woolf, 1927)8 U8 d4 k9 ~ o9 K3 v
1. Middlemarch (George Eliot, 1874)) x ?! G6 C3 R# H" e; e5 F2 o
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。* b: A, @1 ?& E0 x2 T. W) P6 m; l
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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