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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 % h7 j: }) ?% [# \# L! P6 T1 D' X
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BBC评出100大英国文学名著 ~6 L4 q! q: m# G4 Q( x7 _
http://www.bbc.com/culture/story ... test-british-novels: u6 ~- d* [; d0 [ Q0 q' B
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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5 d8 s- Z P& I R; j; ^100. The Code of the Woosters (PG Wodehouse, 1938)
& h% [1 c5 t5 ?: c# l/ Y99. There but for the (Ali Smith, 2011)4 u+ c5 \1 N( v) A) y' z$ A
98. Under the Volcano (Malcolm Lowry,1947)
6 H% U8 K$ j" o% [3 w9 `0 {97. The Chronicles of Narnia (CS Lewis, 1949-1954)3 i0 q# z5 K* U" [0 k0 V
96. Memoirs of a Survivor (Doris Lessing, 1974)" P. A. \. `% u0 g
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
" S* m) M9 ^' z% C94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
' S3 i3 T) A# l u. M& C. _93. Lord of the Flies (William Golding, 1954)
8 y; m1 a! X' T4 i3 F' L92. Cold Comfort Farm (Stella Gibbons, 1932)
4 ]& L( ~0 u5 j- G7 G1 D+ r, o3 o91. The Forsyte Saga (John Galsworthy, 1922)
& j0 B3 } a _90. The Woman in White (Wilkie Collins, 1859); u+ w1 v; l! L" K* U4 T
89. The Horse’s Mouth (Joyce Cary, 1944)! \. r+ V- o5 Z: O
88. The Death of the Heart (Elizabeth Bowen, 1938)
5 h& E X. m- H( H" {87. The Old Wives’ Tale (Arnold Bennett,1908)6 T3 r6 ~* y Q( f, X9 C# ]# c
86. A Legacy (Sybille Bedford, 1956)/ J% R' ]$ h2 f# F
85. Regeneration Trilogy (Pat Barker, 1991-1995)& N$ o/ Z; u: ?$ b
84. Scoop (Evelyn Waugh, 1938)2 z3 ]$ u1 d8 m* z( [% e& H& N+ c
83. Barchester Towers (Anthony Trollope, 1857)1 m) J2 i1 T* \! ]$ \: q
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
$ D7 Z# J% Y( Y) f81. The Jewel in the Crown (Paul Scott, 1966)! I+ X* `+ N1 b/ _! V
80. Excellent Women (Barbara Pym, 1952)& I% m Z* K$ f& I8 i/ k' K) c h8 X
79. His Dark Materials (Philip Pullman, 1995-2000)
; I$ S& f6 b' [3 Y78. A House for Mr Biswas (VS Naipaul, 1961)3 ]4 i% Y* m. Y! e% L
77. Of Human Bondage (W Somerset Maugham, 1915)* ?# Z6 S8 F1 T7 \1 ^
76. Small Island (Andrea Levy, 2004)
8 ]' |2 S+ f( Q! ] C/ q75. Women in Love (DH Lawrence, 1920): \1 j# k) I. h0 j( S7 z) T
74. The Mayor of Casterbridge (Thomas Hardy, 1886)5 T8 z3 A( J* z4 y, B, [
73. The Blue Flower (Penelope Fitzgerald, 1995)+ }& z* b1 g8 q5 O
72. The Heart of the Matter (Graham Greene, 1948)
c1 l/ f I* L- S, L$ e$ ^71. Old Filth (Jane Gardam, 2004)
5 W9 l! _2 i, ~70. Daniel Deronda (George Eliot, 1876)
?8 V4 l! @7 a69. Nostromo (Joseph Conrad, 1904)2 J" W) R t# D7 [9 m( G/ l, c
68. A Clockwork Orange (Anthony Burgess, 1962)
, ?$ z; L/ x& X0 ~1 ^67. Crash (JG Ballard 1973)
. \% h9 N: A* r/ W66. Sense and Sensibility (Jane Austen, 1811)9 H6 c2 K9 M Y3 L! k
65. Orlando (Virginia Woolf, 1928)9 ]4 e+ _6 a- \3 K0 J
64. The Way We Live Now (Anthony Trollope, 1875)- b- a ?+ E$ y# Q. [' p8 Q U! \+ w
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)' l% \- z0 D7 w) j9 R* D
62. Animal Farm (George Orwell, 1945)
4 F* A. z+ m0 Q, a61. The Sea, The Sea (Iris Murdoch, 1978)
6 O9 J3 y# k: y" R60. Sons and Lovers (DH Lawrence, 1913)
8 X% H' a: f" I5 M t* e/ j59. The Line of Beauty (Alan Hollinghurst, 2004)$ S$ x6 p7 a" K, k
58. Loving (Henry Green, 1945)9 J; ]; k/ u3 P+ D1 V
57. Parade’s End (Ford Madox Ford, 1924-1928)
9 [* F& p+ Y) H56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)" }5 O/ i* k$ E' N! S" j) ]
55. Gulliver’s Travels (Jonathan Swift, 1726): F! m3 W2 {' Z; u, e
54. NW (Zadie Smith, 2012)
) N+ k9 w1 s5 `+ b53. Wide Sargasso Sea (Jean Rhys, 1966)0 \1 N: T* v: t8 S
52. New Grub Street (George Gissing, 1891)- e) z+ M& T& R) I( [1 [
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
]5 H6 W; G, U# h: c50. A Passage to India (EM Forster, 1924)! N3 I' C2 t( Q3 n- k8 [
49. Possession (AS Byatt, 1990)
0 r. V- j* n8 Y$ ^+ V& K6 [1 p48. Lucky Jim (Kingsley Amis, 1954)
5 n3 E3 ^2 \2 h& W47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
3 F4 F6 p4 X1 [3 H$ V46. Midnight’s Children (Salman Rushdie, 1981)" |3 Y$ h& J" E. f; j, X
45. The Little Stranger (Sarah Waters, 2009)4 q' }; B% c4 n# F
44. Wolf Hall (Hilary Mantel, 2009)
" B/ f: l; ~1 k3 H- L, [7 [43. The Swimming Pool Library (Alan Hollinghurst, 1988)
3 k1 x4 z2 Y c# m. E c42. Brighton Rock (Graham Greene, 1938)1 \2 v1 I4 Q- X8 \! j( i5 S
41. Dombey and Son (Charles Dickens, 1848)
2 e( Q1 ?! T, \- G40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)" r. K4 s& M, T) i+ `% Y
39. The Sense of an Ending (Julian Barnes, 2011)% |5 f7 t4 z: Y5 ?% L4 g0 G
38. The Passion (Jeanette Winterson, 1987)
. F( x4 M0 ^. y' U; z: ~37. Decline and Fall (Evelyn Waugh, 1928)& L* q: q! L/ u7 G0 ~2 K) K
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
+ i' x/ T" R! D2 T7 S* Q) m" c7 [35. Remainder (Tom McCarthy, 2005)9 y) D9 F$ ]6 @, s1 u e Y
34. Never Let Me Go (Kazuo Ishiguro, 2005)0 x2 W1 N( `* B& V4 c
33. The Wind in the Willows (Kenneth Grahame, 1908)( J/ v) q: @- P+ L
32. A Room with a View (EM Forster, 1908)
" `& ?1 o' j( p4 Q& G% O31. The End of the Affair (Graham Greene, 1951)
7 B, O) N8 f' ], _. l3 ?+ w30. Moll Flanders (Daniel Defoe, 1722)
3 w' I3 J5 C- `3 A4 _% r29. Brick Lane (Monica Ali, 2003)
0 X+ q/ k7 l, \+ ^$ |28. Villette (Charlotte Brontë, 1853)3 F$ |# b, E, I' x. e$ n+ X( ^
27. Robinson Crusoe (Daniel Defoe, 1719)
5 @4 g' u0 L4 O9 a/ {& t! C* t+ n1 Z3 T26. The Lord of the Rings (JRR Tolkien, 1954)
" w7 `' _& _) D7 l, f25. White Teeth (Zadie Smith, 2000)6 y& [+ @7 y) r6 _( ?) M! |5 N
24. The Golden Notebook (Doris Lessing, 1962)
- r5 q9 N1 w# c6 q# g23. Jude the Obscure (Thomas Hardy, 1895)
& o$ E) I1 D/ h1 i+ L* G+ T; X22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
4 o9 h% z$ v; W b21. Heart of Darkness (Joseph Conrad, 1899)
d% V0 d4 d& q$ W7 v20. Persuasion (Jane Austen, 1817)
; l: a0 u2 p3 Q: \; o. E0 P2 J f19. Emma (Jane Austen, 1815)2 {& H2 {$ g" T: O+ U1 a. ?/ H
18. Remains of the Day (Kazuo Ishiguro, 1989)
- M; j7 w3 i0 E- ]% h17. Howards End (EM Forster, 1910)+ @- `( x/ G1 c* u! k9 K
16. The Waves (Virginia Woolf, 1931)6 x* ^/ n0 H; ]- N Q* g3 ~
15. Atonement (Ian McEwan, 2001)
: f1 m; G3 L L+ f: O3 c9 A14. Clarissa (Samuel Richardson,1748)* ^' {9 I) A7 {1 |+ o
13. The Good Soldier (Ford Madox Ford, 1915); k7 Y0 C( x+ ?+ t# P
12. Nineteen Eighty-Four (George Orwell, 1949)
+ p; n1 n1 D8 g! G; I, ~11. Pride and Prejudice (Jane Austen, 1813)- q e( I% o7 M7 ^
10. Vanity Fair (William Makepeace Thackeray, 1848)* A( j% w3 M* \1 R: J* p! G9 d
9. Frankenstein (Mary Shelley, 1818)% C. `3 ], }7 u1 `) z' @" {
8. David Copperfield (Charles Dickens, 1850)4 b. K4 @( {: q) A7 _( P
7. Wuthering Heights (Emily Brontë, 1847)
# q1 }6 R+ g: m% O) f6. Bleak House (Charles Dickens, 1853)
5 e# N, Q% g# ~7 u! x" o5. Jane Eyre (Charlotte Brontë, 1847)
8 z" H2 p, I9 Q5 k# g5 z4 T1 d4. Great Expectations (Charles Dickens, 1861) ]+ B+ r% [0 i, M* e7 m. E
3. Mrs. Dalloway (Virginia Woolf, 1925)2 @' g8 B3 C: @ \" H
2. To the Lighthouse (Virginia Woolf, 1927)
0 q7 q! ]" _$ r+ K1. Middlemarch (George Eliot, 1874)
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! r5 m& N: j* T7 ]1 A- }前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。7 a% {& J. ~3 c% e# {) Z
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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