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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ' x+ ^/ d9 O: s7 d6 r6 t
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BBC评出100大英国文学名著
: a) E6 t/ A! P' i& f5 `6 ohttp://www.bbc.com/culture/story ... test-british-novels
% @. i: D! N1 g: w N7 |惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。1 d6 X; `% O% d& \
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100. The Code of the Woosters (PG Wodehouse, 1938)) T, D5 k L$ g- F6 l7 M% {
99. There but for the (Ali Smith, 2011)2 w* ?: \6 [6 M
98. Under the Volcano (Malcolm Lowry,1947)) @2 K; k# F9 m4 `, \& S
97. The Chronicles of Narnia (CS Lewis, 1949-1954)7 E3 b# y% J4 R- A" e& u3 ?
96. Memoirs of a Survivor (Doris Lessing, 1974)
7 |/ M' C+ @ a. H0 \ M95. The Buddha of Suburbia (Hanif Kureishi, 1990)
% W$ r( m7 n, q( I, k8 N; c: @94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
; M) W$ z' ]0 a* E8 Z93. Lord of the Flies (William Golding, 1954)% X; i1 _! W3 b/ t
92. Cold Comfort Farm (Stella Gibbons, 1932) U3 d4 t8 u# J [/ s& j8 b
91. The Forsyte Saga (John Galsworthy, 1922)! {& \8 ~4 x2 p7 E9 _( N( h Y
90. The Woman in White (Wilkie Collins, 1859)' v9 ]1 v: o7 C$ f
89. The Horse’s Mouth (Joyce Cary, 1944) X/ X1 @3 x6 v& h* {
88. The Death of the Heart (Elizabeth Bowen, 1938)) a, ^. ~6 ^1 {. R6 d
87. The Old Wives’ Tale (Arnold Bennett,1908)8 Y# Z' o' U. |( X! h+ d
86. A Legacy (Sybille Bedford, 1956)
& W. q0 E+ r3 P3 U85. Regeneration Trilogy (Pat Barker, 1991-1995)* g* N; w& m6 Q" M2 Q2 s" @8 A/ H
84. Scoop (Evelyn Waugh, 1938)
+ F6 X$ ~0 ^6 u! U6 k1 R4 \3 P83. Barchester Towers (Anthony Trollope, 1857)- D: v$ F; V! h) l" q$ s& t: N
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)! R4 ]- ]/ ]$ h' |+ u5 {9 E
81. The Jewel in the Crown (Paul Scott, 1966)8 i A! U# F, j0 _7 o
80. Excellent Women (Barbara Pym, 1952)
; R' c5 H" U+ `. U0 ]; o; G79. His Dark Materials (Philip Pullman, 1995-2000)
& B$ s6 c, b7 D3 F78. A House for Mr Biswas (VS Naipaul, 1961)
$ Z) t0 S- w5 W77. Of Human Bondage (W Somerset Maugham, 1915)& H2 `' c/ t: A6 [9 J$ P
76. Small Island (Andrea Levy, 2004)
$ Q, c m U5 G75. Women in Love (DH Lawrence, 1920)
: E+ j/ U$ S( Z8 B$ ]74. The Mayor of Casterbridge (Thomas Hardy, 1886)
}7 B; ~. K; H- r( c6 X73. The Blue Flower (Penelope Fitzgerald, 1995)$ `( z, x' O% h4 J; Q: h0 n" J& O
72. The Heart of the Matter (Graham Greene, 1948)' ]! l d' R4 X2 Z1 y
71. Old Filth (Jane Gardam, 2004)
7 E, H0 C5 N# T6 s70. Daniel Deronda (George Eliot, 1876)
* P) u4 g: j- S E @ [69. Nostromo (Joseph Conrad, 1904)! a; F# N1 M5 C* S- o9 v, m
68. A Clockwork Orange (Anthony Burgess, 1962)
! G4 U' l; i! N$ ^" r/ X4 e" u" D67. Crash (JG Ballard 1973) s1 V8 `% B8 E- w- _" n' q1 c& z
66. Sense and Sensibility (Jane Austen, 1811)9 s1 w. u: ?' l* Q( K J+ {) ]6 A
65. Orlando (Virginia Woolf, 1928)
) V+ F5 d/ ]& Z! K/ V64. The Way We Live Now (Anthony Trollope, 1875)
% \. D( Z% F; a! k, }: {: l: ^63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
q1 L; e* f7 }8 ^" o62. Animal Farm (George Orwell, 1945)
9 A c4 o! W- N0 x# L, M6 X5 y/ r61. The Sea, The Sea (Iris Murdoch, 1978)/ U: U' z% @7 y- g& @/ ?
60. Sons and Lovers (DH Lawrence, 1913)6 I- E. G: i! r$ k0 ?% o% i
59. The Line of Beauty (Alan Hollinghurst, 2004)6 N; @/ o) h. P) F
58. Loving (Henry Green, 1945)( R( @* Y! k H
57. Parade’s End (Ford Madox Ford, 1924-1928)
& ?5 a S4 m$ ]5 `56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
8 H8 b, B! B+ y+ W8 }55. Gulliver’s Travels (Jonathan Swift, 1726)0 b1 ~, @, ~6 y0 z0 j6 _
54. NW (Zadie Smith, 2012)
" g: ^ Z8 }0 {& g53. Wide Sargasso Sea (Jean Rhys, 1966)
: Z/ e! u$ J8 |' u' ?52. New Grub Street (George Gissing, 1891)
! P( {: e9 ?4 U' D( @/ w0 K! ?51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
0 A; C j0 g. j, m$ ~! j50. A Passage to India (EM Forster, 1924)
. L" J/ ] n- A1 ~- {& S5 c7 I49. Possession (AS Byatt, 1990)
, w) t! H5 v& l2 [$ S48. Lucky Jim (Kingsley Amis, 1954)
4 m, b; c9 I( I8 j$ F47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
7 T, d! u- ]0 P5 i8 u$ x/ Z6 k46. Midnight’s Children (Salman Rushdie, 1981)% q+ d% n# B5 s
45. The Little Stranger (Sarah Waters, 2009)
7 { F! d g( [1 B44. Wolf Hall (Hilary Mantel, 2009)' N {% W& s$ {: z6 T, `: t% J
43. The Swimming Pool Library (Alan Hollinghurst, 1988)1 E* o3 U1 P, {1 G' O- X
42. Brighton Rock (Graham Greene, 1938)
. {: V/ j$ g! A3 D/ I41. Dombey and Son (Charles Dickens, 1848)+ V0 D0 e K4 y. F
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)* b5 {7 }4 }5 T
39. The Sense of an Ending (Julian Barnes, 2011)
. x, E, L' h# T( W3 F38. The Passion (Jeanette Winterson, 1987)
3 Q) R1 H, U1 k% B, ^! c37. Decline and Fall (Evelyn Waugh, 1928)
) y. M5 ?2 I9 h36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
4 U1 t4 a, L7 ~% q- C35. Remainder (Tom McCarthy, 2005)
% X5 x) T: ?) F( p34. Never Let Me Go (Kazuo Ishiguro, 2005), A j" k$ l, Y: [9 _
33. The Wind in the Willows (Kenneth Grahame, 1908)- k6 N% A( j: E9 ^( A
32. A Room with a View (EM Forster, 1908) g, `0 ?4 k5 y3 P5 p T
31. The End of the Affair (Graham Greene, 1951)
) _4 k7 P0 `5 K30. Moll Flanders (Daniel Defoe, 1722)
. C. j" U- c. S, C29. Brick Lane (Monica Ali, 2003)3 T6 [* T, W& v i& s0 Y
28. Villette (Charlotte Brontë, 1853)- g( l/ f& H( W- H) @0 j
27. Robinson Crusoe (Daniel Defoe, 1719): T9 B- p6 U, w( A
26. The Lord of the Rings (JRR Tolkien, 1954)* F* T$ x" ^! { J6 V
25. White Teeth (Zadie Smith, 2000)
, {3 X3 S; e* Y/ M& w* e) }24. The Golden Notebook (Doris Lessing, 1962)
% v0 Z: \$ @; r( f& _. _23. Jude the Obscure (Thomas Hardy, 1895)
7 h7 \" W6 t% p' R C: ]" y22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
$ h# U3 f1 o, J) D21. Heart of Darkness (Joseph Conrad, 1899)
/ g' R4 Q- w$ o: J# Z20. Persuasion (Jane Austen, 1817)
- `% \1 g, f4 [1 T6 p) z19. Emma (Jane Austen, 1815)
7 ?3 L% H8 q3 X9 K+ x! k o, ]5 \18. Remains of the Day (Kazuo Ishiguro, 1989)
9 h! l& N5 G( d" ^( C& K2 X. {17. Howards End (EM Forster, 1910)( t/ @$ i; W o& Z( s' z
16. The Waves (Virginia Woolf, 1931)
: M% B" s [2 y% F) R15. Atonement (Ian McEwan, 2001)
8 m6 b( t# |. f3 ]# \14. Clarissa (Samuel Richardson,1748)
3 D) K( W& R% S! A13. The Good Soldier (Ford Madox Ford, 1915). ~9 R f2 H! g$ |( v3 J
12. Nineteen Eighty-Four (George Orwell, 1949)
2 ?9 e+ D, A9 j2 K; e& x5 a11. Pride and Prejudice (Jane Austen, 1813)* ~( [! Q& n$ \* l+ [6 [7 F' g* E
10. Vanity Fair (William Makepeace Thackeray, 1848)8 z z) u0 c! a1 H% b
9. Frankenstein (Mary Shelley, 1818)
! R; x0 l1 r% N6 M" K3 {8. David Copperfield (Charles Dickens, 1850)2 q- V7 z! K7 x
7. Wuthering Heights (Emily Brontë, 1847)
! c: E; ~5 Y% E7 N9 |# }, b6. Bleak House (Charles Dickens, 1853)
& o) s! V$ e/ r# ]9 v5. Jane Eyre (Charlotte Brontë, 1847)
* e M I6 f; }' I$ G4. Great Expectations (Charles Dickens, 1861)( q, y$ A; G) s
3. Mrs. Dalloway (Virginia Woolf, 1925)" A1 m! J4 G/ z5 y
2. To the Lighthouse (Virginia Woolf, 1927)
+ ]+ _0 `" S6 B2 Z7 @0 a, ?1. Middlemarch (George Eliot, 1874)
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0 D; h) J: X' `' x0 C" ]% f, M前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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