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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 , u& N: J; T+ k) V0 R
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BBC评出100大英国文学名著
& _4 X5 `3 S+ b. {$ s7 qhttp://www.bbc.com/culture/story ... test-british-novels4 s- D: X" X, U0 ?% X
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)* M& s6 n2 v: e; ]) n; v
99. There but for the (Ali Smith, 2011)2 N) e) E* \+ ?- k5 J4 h1 b: x
98. Under the Volcano (Malcolm Lowry,1947)
1 F. R8 Q& e9 Z6 ~ a7 O+ A+ I' K97. The Chronicles of Narnia (CS Lewis, 1949-1954)& a! _) g/ W+ p& [) @% I1 l- z
96. Memoirs of a Survivor (Doris Lessing, 1974), q8 K+ ?, l, @$ G$ }( k
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
% e% o* ^7 _* N94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)2 S1 i4 j" ^4 Z K6 t/ `# v6 P; E& E
93. Lord of the Flies (William Golding, 1954)
* h7 s; s- ]0 f# J5 x. h) ]. G92. Cold Comfort Farm (Stella Gibbons, 1932)
9 o6 R/ f7 ]1 h: E+ |91. The Forsyte Saga (John Galsworthy, 1922). G/ F: F4 v- |! ?1 ]
90. The Woman in White (Wilkie Collins, 1859)* M0 n k( Z6 O! X
89. The Horse’s Mouth (Joyce Cary, 1944)
7 h1 E. X4 b0 X4 F88. The Death of the Heart (Elizabeth Bowen, 1938)
' i- W% K3 ]0 f9 Z& u87. The Old Wives’ Tale (Arnold Bennett,1908)
5 _+ K/ C5 c. i( A86. A Legacy (Sybille Bedford, 1956)
( m- v8 y- F5 l9 o9 i' J& d1 _85. Regeneration Trilogy (Pat Barker, 1991-1995)
/ f$ ~, D8 Z# F- ~; z# u84. Scoop (Evelyn Waugh, 1938)" W2 r8 `+ v Q# V5 W7 J
83. Barchester Towers (Anthony Trollope, 1857)+ Y" v( h2 Y) E$ Z" ^4 H
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)( F! {; }+ t# P& H m( |4 |
81. The Jewel in the Crown (Paul Scott, 1966)$ k c# @% t# a8 E3 p; u! A! S$ m
80. Excellent Women (Barbara Pym, 1952)6 {, w. N% J$ x0 u/ Z3 P
79. His Dark Materials (Philip Pullman, 1995-2000)' F5 C, S \& }& ]: p0 d3 H
78. A House for Mr Biswas (VS Naipaul, 1961)6 l/ K3 a, B/ U" V$ |
77. Of Human Bondage (W Somerset Maugham, 1915)
8 g2 P8 U) F) c* e6 w7 ]$ w; J76. Small Island (Andrea Levy, 2004); P% @$ O0 F% v5 `
75. Women in Love (DH Lawrence, 1920)
1 Q, b' ]. m* V, b74. The Mayor of Casterbridge (Thomas Hardy, 1886)# z+ O- r( @, k/ N, j$ Z R/ \
73. The Blue Flower (Penelope Fitzgerald, 1995)
; m$ o4 e2 {+ H9 W# _3 u72. The Heart of the Matter (Graham Greene, 1948)
4 u% y7 |$ M$ M; |71. Old Filth (Jane Gardam, 2004)2 T" c, e! V, i
70. Daniel Deronda (George Eliot, 1876)5 V9 a, v: k% [1 z1 L6 `
69. Nostromo (Joseph Conrad, 1904)
& j* p) u# `+ I/ Z% y+ O, K68. A Clockwork Orange (Anthony Burgess, 1962)
) r+ v1 K1 X. V1 ?; b$ W, y67. Crash (JG Ballard 1973)+ c& K. {% _+ J$ V
66. Sense and Sensibility (Jane Austen, 1811)# j- A: g$ v/ ]& p
65. Orlando (Virginia Woolf, 1928)# a, T1 A# ?- R5 K! L# `
64. The Way We Live Now (Anthony Trollope, 1875)
7 ~+ N( u: _- m+ y1 o+ S+ c/ J1 W8 c1 p2 K63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
. E; Y$ U' t' E( h4 X7 L% t# D; }62. Animal Farm (George Orwell, 1945)
/ b6 C& r! M9 t& p61. The Sea, The Sea (Iris Murdoch, 1978)9 M- H+ C% j" y2 |
60. Sons and Lovers (DH Lawrence, 1913)/ j8 T% `0 G+ V* o, B
59. The Line of Beauty (Alan Hollinghurst, 2004)
6 N. k* U5 X6 U, y; g2 ?58. Loving (Henry Green, 1945)
* b/ u4 z9 J2 F# n/ X57. Parade’s End (Ford Madox Ford, 1924-1928)3 X' ]6 R, f' ]# h% D, h8 i
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
" H8 t; X# j0 |& e- c55. Gulliver’s Travels (Jonathan Swift, 1726)
3 X5 m: o5 J% f1 d) _54. NW (Zadie Smith, 2012)
* S- l; w# i; U- Q53. Wide Sargasso Sea (Jean Rhys, 1966)
* Y9 X$ ^) g& Y- s52. New Grub Street (George Gissing, 1891)% b8 y/ _, F# x, [9 d+ `" x
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)( \2 A' [7 ?" G5 k: E
50. A Passage to India (EM Forster, 1924)* w7 q( a* H k- f \8 ~9 _: E% ?
49. Possession (AS Byatt, 1990)
5 X) g( o* A8 u$ |$ Z48. Lucky Jim (Kingsley Amis, 1954)# l6 r8 n( V; b% S! n
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)) J% b0 l$ [2 C1 @4 i
46. Midnight’s Children (Salman Rushdie, 1981)
, H+ R9 h. }' {7 n45. The Little Stranger (Sarah Waters, 2009)9 H* K" ^5 Q3 a- X
44. Wolf Hall (Hilary Mantel, 2009)
( m+ t, N+ t1 `4 r& W43. The Swimming Pool Library (Alan Hollinghurst, 1988)
: E9 _! x0 H4 C" T2 I$ o0 R42. Brighton Rock (Graham Greene, 1938)
. |% `, G# }% Z& `41. Dombey and Son (Charles Dickens, 1848)
( M! F2 o- a( \. u# z8 R# F5 W40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)" J2 r9 n9 Z$ A0 K
39. The Sense of an Ending (Julian Barnes, 2011)
" u& g7 l4 m, b& {6 w( M38. The Passion (Jeanette Winterson, 1987)
+ E9 b. H. Z9 J1 d: y% O2 C2 R37. Decline and Fall (Evelyn Waugh, 1928)* B. X" L* c8 W5 w8 @
36. A Dance to the Music of Time (Anthony Powell, 1951-1975). K/ }1 V4 N; S
35. Remainder (Tom McCarthy, 2005)
. o/ ?. f# M9 x) ? w5 {34. Never Let Me Go (Kazuo Ishiguro, 2005)9 g3 W( V& ]! c" G$ h
33. The Wind in the Willows (Kenneth Grahame, 1908)- }6 m. x# Q$ \, F
32. A Room with a View (EM Forster, 1908)
- Q. _# v/ f% b1 g4 D5 d1 N, U31. The End of the Affair (Graham Greene, 1951)
! ~! _0 a' o: S5 i T30. Moll Flanders (Daniel Defoe, 1722)9 W# ~( e1 H( P- Z1 ^4 `7 B: \; i
29. Brick Lane (Monica Ali, 2003)
) O7 ^% k- d {28. Villette (Charlotte Brontë, 1853)
" |4 a& w' d) ? H27. Robinson Crusoe (Daniel Defoe, 1719) s$ b) N+ p/ G* v n3 d! T2 K
26. The Lord of the Rings (JRR Tolkien, 1954)
7 p4 t9 `3 m- i2 d25. White Teeth (Zadie Smith, 2000). q$ e9 | s6 C0 }& ~$ {
24. The Golden Notebook (Doris Lessing, 1962)
8 c9 _' v/ y/ J( t9 q# `1 ^23. Jude the Obscure (Thomas Hardy, 1895), t' _& v% w& g$ U* ~0 o% L
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)+ w. M2 Y- y, T. w1 H* p4 z
21. Heart of Darkness (Joseph Conrad, 1899): D) B2 [7 k5 q8 Y( x+ o, K$ |
20. Persuasion (Jane Austen, 1817)
- |6 X& ?1 F8 K# @3 @19. Emma (Jane Austen, 1815)$ L, X. p) d k9 t8 F6 v
18. Remains of the Day (Kazuo Ishiguro, 1989)) _6 E# S; P! ?$ t( X
17. Howards End (EM Forster, 1910)
+ _/ O$ t$ s! r7 |; l16. The Waves (Virginia Woolf, 1931)) _* m# v9 P% E$ A) G/ R# q& i) N
15. Atonement (Ian McEwan, 2001)
6 P6 I* _3 G1 I$ K" U# u14. Clarissa (Samuel Richardson,1748)$ h, H/ d/ U2 e. G$ ^3 v8 B) B
13. The Good Soldier (Ford Madox Ford, 1915)
- f3 s2 y/ V9 }5 t! D% @6 P12. Nineteen Eighty-Four (George Orwell, 1949)
" B- p' L2 F2 z3 M/ L11. Pride and Prejudice (Jane Austen, 1813)9 g3 y. X/ a% _# K2 M
10. Vanity Fair (William Makepeace Thackeray, 1848)
5 m9 W4 o5 h$ [0 K$ I+ e, k9 T f9. Frankenstein (Mary Shelley, 1818)
1 S: |/ h1 @7 R) A5 M8. David Copperfield (Charles Dickens, 1850)- F' G; c' w5 Q5 ?3 B
7. Wuthering Heights (Emily Brontë, 1847)- A. V# t- ~9 P& ^6 `
6. Bleak House (Charles Dickens, 1853)
% Q1 F0 G0 [9 a. |9 v# J$ q1 ]5. Jane Eyre (Charlotte Brontë, 1847)0 t! h7 o+ b4 X7 o: t p
4. Great Expectations (Charles Dickens, 1861)
$ K+ t5 r. ?- B0 U% r. ]3. Mrs. Dalloway (Virginia Woolf, 1925)# y6 T) @0 @/ _ }4 {4 l+ E
2. To the Lighthouse (Virginia Woolf, 1927)) y z$ K% Q6 t A% z% F* m; K
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。: h+ D; f; Z+ w4 ^9 ]5 w
* z" m; S5 L- \5 [/ {呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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