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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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5 `. _' A4 x, y, E2 |( l( @BBC评出100大英国文学名著
8 N. q2 k9 @; n- Uhttp://www.bbc.com/culture/story ... test-british-novels! S: a0 L/ f G+ _6 R
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。/ E8 m( L! o$ v* q: A$ B- Q6 S
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100. The Code of the Woosters (PG Wodehouse, 1938)$ |4 z! S( s2 E
99. There but for the (Ali Smith, 2011)
) j: P& ^+ t; D# Y: |98. Under the Volcano (Malcolm Lowry,1947); K9 C* x6 j2 ]9 }# B
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
7 p% k7 ^- Z L" f* [96. Memoirs of a Survivor (Doris Lessing, 1974)2 F" t. Y2 R! y. h+ q5 U
95. The Buddha of Suburbia (Hanif Kureishi, 1990)1 h' `2 ]% H7 \- n0 Z! A
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
0 h- n& ?' D2 i% ^6 M93. Lord of the Flies (William Golding, 1954)9 Y; C9 [7 q, L9 K. W- `: C, i
92. Cold Comfort Farm (Stella Gibbons, 1932)3 j$ p/ ?8 o! T
91. The Forsyte Saga (John Galsworthy, 1922)% Y. w; Y) n7 ?8 O4 I/ A
90. The Woman in White (Wilkie Collins, 1859)1 x" N& X: x3 U3 I# d
89. The Horse’s Mouth (Joyce Cary, 1944)
* k9 {9 C9 E+ `9 c2 Q2 k! \, B88. The Death of the Heart (Elizabeth Bowen, 1938)
; v( w$ _- c% Z3 {/ G% y( y# ~6 |87. The Old Wives’ Tale (Arnold Bennett,1908)9 p: P" O% W/ M# L( `4 I
86. A Legacy (Sybille Bedford, 1956)
3 l! E$ B2 C/ T$ K. r/ s( R8 e0 u85. Regeneration Trilogy (Pat Barker, 1991-1995)
& j! W% B/ D! f84. Scoop (Evelyn Waugh, 1938)/ P9 M0 i8 U5 s9 D# v( ]
83. Barchester Towers (Anthony Trollope, 1857)
W# \8 f$ j4 I# b' w1 t+ ~82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)3 M) E2 [4 `+ x8 d. V7 K7 x2 `
81. The Jewel in the Crown (Paul Scott, 1966)& {0 N5 `+ R7 m( w" o7 h
80. Excellent Women (Barbara Pym, 1952)1 s5 b% w' H, ]0 r; v S6 U
79. His Dark Materials (Philip Pullman, 1995-2000)8 U+ }; Y3 H: E) }+ P+ v
78. A House for Mr Biswas (VS Naipaul, 1961)
* L$ C' C7 s3 p5 j1 z$ P77. Of Human Bondage (W Somerset Maugham, 1915)
4 e6 D- @% {5 f7 @/ h76. Small Island (Andrea Levy, 2004)
: b0 U+ s" P& Z q75. Women in Love (DH Lawrence, 1920)3 w! |# s4 R) r8 Q7 X3 l$ p
74. The Mayor of Casterbridge (Thomas Hardy, 1886)) a7 r. t8 }. i D
73. The Blue Flower (Penelope Fitzgerald, 1995)# Y' S F$ t( @9 J) C6 a% l
72. The Heart of the Matter (Graham Greene, 1948)
# \/ G4 E5 M$ Z/ i1 h3 S71. Old Filth (Jane Gardam, 2004)
5 |9 i3 ?* P1 W( Y' { |70. Daniel Deronda (George Eliot, 1876)1 t* a* m2 D5 \! g' w0 Z7 d
69. Nostromo (Joseph Conrad, 1904)- n/ b6 W- C+ A' h, F% V5 Q3 z
68. A Clockwork Orange (Anthony Burgess, 1962)
e" X0 a! e3 U& g67. Crash (JG Ballard 1973)3 K T+ G( t [* @+ N& i
66. Sense and Sensibility (Jane Austen, 1811)& E% \8 w+ @5 d5 v0 d
65. Orlando (Virginia Woolf, 1928)
, T% i( y! Z% m/ S+ t3 [64. The Way We Live Now (Anthony Trollope, 1875)
6 k B- { ]. }6 U0 I8 j0 S# W63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)8 P' F" ^$ _ E# n- b3 X& K
62. Animal Farm (George Orwell, 1945)
2 i2 L* P, [6 |8 y8 S0 ~61. The Sea, The Sea (Iris Murdoch, 1978)
+ ~8 n8 c! K2 x60. Sons and Lovers (DH Lawrence, 1913)
9 S( M9 ^/ u( i" b59. The Line of Beauty (Alan Hollinghurst, 2004)
& z, y$ e" p# y0 n$ K# _58. Loving (Henry Green, 1945)
4 U0 N. L2 Y6 j. E+ V4 I) w0 m57. Parade’s End (Ford Madox Ford, 1924-1928)) Z1 S5 C) H! X* ~0 a
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985): G. r4 l* Y; i, \ m
55. Gulliver’s Travels (Jonathan Swift, 1726)
7 T4 Y% T: {6 ~. U# @ E6 _4 t6 D54. NW (Zadie Smith, 2012)
0 K4 G. L4 e) R6 \- {+ y- [4 n53. Wide Sargasso Sea (Jean Rhys, 1966)
% y4 v# W8 O: U4 t6 s7 O52. New Grub Street (George Gissing, 1891)$ [, [# L( B9 a' a/ ^1 @
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)! B4 P* [3 m, r# h8 Z* I, e
50. A Passage to India (EM Forster, 1924)- i- O6 x" h# t* g V2 G* b
49. Possession (AS Byatt, 1990)4 C8 o& E g2 g! F" A
48. Lucky Jim (Kingsley Amis, 1954)
Y* A# a# q3 Q9 \5 \47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759): j4 O6 m" @: {' s1 N+ y, j8 G# g
46. Midnight’s Children (Salman Rushdie, 1981)- h% P; g) `: U. f
45. The Little Stranger (Sarah Waters, 2009)% K5 r" O1 U- Q
44. Wolf Hall (Hilary Mantel, 2009)5 O7 p3 {. E: W, r" W
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
( U& T$ C9 x; p; L$ g42. Brighton Rock (Graham Greene, 1938)0 F: V& d. i* A/ ?0 G D
41. Dombey and Son (Charles Dickens, 1848)7 z, T& h1 ~) e3 Y# |
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)- b7 M' v" e" k! U5 R- n
39. The Sense of an Ending (Julian Barnes, 2011)
: f$ J( |" J, ~) ?38. The Passion (Jeanette Winterson, 1987)
" \+ v3 b% y: q( c/ ~" Y- d37. Decline and Fall (Evelyn Waugh, 1928)
. _8 j* y4 |: u$ m36. A Dance to the Music of Time (Anthony Powell, 1951-1975)* m/ D( h$ Z1 A2 P
35. Remainder (Tom McCarthy, 2005)
0 K4 V4 X# m' ~; f- [- q0 z4 p, D* n, U$ ^34. Never Let Me Go (Kazuo Ishiguro, 2005)
% q8 Y: s9 v$ e* F& m+ P4 P33. The Wind in the Willows (Kenneth Grahame, 1908)
' I" T5 Q/ z4 |0 j32. A Room with a View (EM Forster, 1908) I4 X# r' N# E
31. The End of the Affair (Graham Greene, 1951)8 `3 x0 u8 @; p! Z; G$ |; ~; l& l" H
30. Moll Flanders (Daniel Defoe, 1722)6 [- |4 x0 u w. s
29. Brick Lane (Monica Ali, 2003)
( [* b* F, @/ N' k28. Villette (Charlotte Brontë, 1853)
9 V o" V! }, p8 W0 @5 O1 G27. Robinson Crusoe (Daniel Defoe, 1719)
2 H) U* s5 Y& l# D7 C. H26. The Lord of the Rings (JRR Tolkien, 1954)3 K5 F2 m) k6 E
25. White Teeth (Zadie Smith, 2000), y" Z6 x4 ?0 E l
24. The Golden Notebook (Doris Lessing, 1962)" D+ F( o2 ]& T1 A% z% H/ ~
23. Jude the Obscure (Thomas Hardy, 1895)
/ p0 d# Q m8 _: B* S8 `22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
% t3 [% m) e6 T( ~, L8 w21. Heart of Darkness (Joseph Conrad, 1899)
- b3 I% p% }- P* [: G20. Persuasion (Jane Austen, 1817)
& [% H; H9 T3 Y; P5 b19. Emma (Jane Austen, 1815)
9 b8 ^9 u( T8 b. P) Q18. Remains of the Day (Kazuo Ishiguro, 1989)* b1 I5 O) d1 i: C( }
17. Howards End (EM Forster, 1910)3 t) [# X7 \# c6 h4 `8 _$ N
16. The Waves (Virginia Woolf, 1931)! F1 F2 v5 f% J
15. Atonement (Ian McEwan, 2001)
" }9 T. z& [" Q14. Clarissa (Samuel Richardson,1748)
) `& S+ e2 X1 ^1 y$ [! t5 @% o13. The Good Soldier (Ford Madox Ford, 1915)
6 E/ |3 \ k% b5 e& U12. Nineteen Eighty-Four (George Orwell, 1949)
5 B" @% g$ [) O% l7 f11. Pride and Prejudice (Jane Austen, 1813)
/ ^- ~9 k: ?, a1 ^$ j10. Vanity Fair (William Makepeace Thackeray, 1848)5 M) G' n A& U5 |. Z
9. Frankenstein (Mary Shelley, 1818)
+ a: ]& P! W/ E8. David Copperfield (Charles Dickens, 1850)
- E7 \. @% E) Z* l* T4 h7. Wuthering Heights (Emily Brontë, 1847)
/ J/ O& \* I6 o. S, L u6. Bleak House (Charles Dickens, 1853)# U# [. m+ Q+ y1 V- [
5. Jane Eyre (Charlotte Brontë, 1847)
! g! Q1 Q9 H; ?) Y* Y- L( `2 q4. Great Expectations (Charles Dickens, 1861) V ^- `8 d& E1 {: O M& j
3. Mrs. Dalloway (Virginia Woolf, 1925)
8 ]- J+ K- e( P+ l2 d0 i+ L. M2. To the Lighthouse (Virginia Woolf, 1927)* |* M9 j$ [2 L9 y! r
1. Middlemarch (George Eliot, 1874)% a; ~" E) K: ]" c, y* s! O @
- W) v2 @2 }( P: R前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。! {9 l6 o5 @( R, ^* N' Z5 L
. ]0 H2 d# Z# h) m% J7 @呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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