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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 5 U5 K( U+ @; E2 F R- Y2 C
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BBC评出100大英国文学名著9 |# Y9 s+ }0 X" Z. Y3 _
http://www.bbc.com/culture/story ... test-british-novels
% P1 V$ k; Q! U$ t惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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0 ~+ w! j4 C0 ^100. The Code of the Woosters (PG Wodehouse, 1938)6 e9 G( [4 a. j1 T9 ~5 e" S% _0 J0 l
99. There but for the (Ali Smith, 2011)
; [ s, M) k' c( R98. Under the Volcano (Malcolm Lowry,1947)
% Z2 k. P3 P; m# @; E; Y" k97. The Chronicles of Narnia (CS Lewis, 1949-1954)
3 e' Y" H: S) n" _# z3 E96. Memoirs of a Survivor (Doris Lessing, 1974)
& \( Y: H0 F+ m) a) D4 S, G95. The Buddha of Suburbia (Hanif Kureishi, 1990)% ^* G' Q; _ |& g+ }+ @
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
8 Y( ^6 ^( `) k( \93. Lord of the Flies (William Golding, 1954)# H, ]: s% T& @0 N$ O4 [+ W
92. Cold Comfort Farm (Stella Gibbons, 1932)3 n" i$ g5 x9 @/ U/ k4 a9 [5 J
91. The Forsyte Saga (John Galsworthy, 1922)% Y) Y2 h" R6 l$ B! H0 R
90. The Woman in White (Wilkie Collins, 1859)
. `& H( n$ t3 J* H) i* Y89. The Horse’s Mouth (Joyce Cary, 1944)
/ r$ C2 Q+ E0 y+ m7 S88. The Death of the Heart (Elizabeth Bowen, 1938)
6 M' K" O0 B/ n5 S Q3 c8 w. b% X3 b/ b87. The Old Wives’ Tale (Arnold Bennett,1908)
8 h/ j+ x1 v7 T: x, F8 G& y% B86. A Legacy (Sybille Bedford, 1956)- r% h: \9 ~" `" ~$ k- S
85. Regeneration Trilogy (Pat Barker, 1991-1995)! k) @/ j; ]; b9 U8 [4 W' E
84. Scoop (Evelyn Waugh, 1938). p' }2 @1 z9 K4 d4 N$ U9 v- E" `
83. Barchester Towers (Anthony Trollope, 1857)
! E6 o; J# y h+ o; X+ X2 V" h82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
" [+ k' {$ ` e* }81. The Jewel in the Crown (Paul Scott, 1966). @8 j B' i4 \
80. Excellent Women (Barbara Pym, 1952)
* N) k+ ?4 J$ H2 p$ X) W6 C79. His Dark Materials (Philip Pullman, 1995-2000)% O% g" O1 c% n* l3 ?- ~- }! Q3 i$ p
78. A House for Mr Biswas (VS Naipaul, 1961)
( _. `7 d+ F0 L2 ?$ A& n7 R77. Of Human Bondage (W Somerset Maugham, 1915)
3 d, M Z+ I7 N0 @# M' r* C2 H2 y# Z0 Z76. Small Island (Andrea Levy, 2004)- l( N& ^8 L/ D; b0 l% }
75. Women in Love (DH Lawrence, 1920)7 e3 c. v- K4 ]" |% w
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
7 ~8 ~: {1 p' c* }# D73. The Blue Flower (Penelope Fitzgerald, 1995)4 ~. y8 A* }1 x! J' q
72. The Heart of the Matter (Graham Greene, 1948)$ B- F: ?) [* ~
71. Old Filth (Jane Gardam, 2004); w, p5 X7 W) S; M
70. Daniel Deronda (George Eliot, 1876)! w& ], {5 t: {" m$ {- j/ }+ `: o
69. Nostromo (Joseph Conrad, 1904)
" ?$ {' f: p) i) P+ G% K: U3 h68. A Clockwork Orange (Anthony Burgess, 1962): _7 e8 @( `# ~) T5 G* J7 L( j2 }
67. Crash (JG Ballard 1973); i( i& h( v$ J
66. Sense and Sensibility (Jane Austen, 1811)
# B1 U$ x9 ]. I# ~ u: Y8 ?65. Orlando (Virginia Woolf, 1928)* I" ]" q+ k8 w! S3 F9 P& s1 N
64. The Way We Live Now (Anthony Trollope, 1875)+ }5 P8 Z: P! j: X" `4 ]% N( n2 y
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
. }. ^9 I/ p) M62. Animal Farm (George Orwell, 1945)
/ x" K9 J Y- m- V3 {* T9 i61. The Sea, The Sea (Iris Murdoch, 1978). _6 h F; T. ?
60. Sons and Lovers (DH Lawrence, 1913), l/ K+ \( Z8 [; w
59. The Line of Beauty (Alan Hollinghurst, 2004)- ~% U0 k" ] `( Q* W' ]
58. Loving (Henry Green, 1945)
8 L0 R4 X# s8 N T4 J2 f2 J57. Parade’s End (Ford Madox Ford, 1924-1928)9 a: m# d2 n! p' D5 {
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)5 {* {8 D6 {; r- ]1 e. s
55. Gulliver’s Travels (Jonathan Swift, 1726)* k2 X, d: D" m8 ^! D- j
54. NW (Zadie Smith, 2012)
# u1 D( p) k+ t( h; [53. Wide Sargasso Sea (Jean Rhys, 1966)
7 i* G2 e& E/ x8 u' R5 k5 G) K52. New Grub Street (George Gissing, 1891)
. s2 B1 j+ e9 j! }$ Z+ @51. Tess of the d’Urbervilles (Thomas Hardy, 1891)$ u- R( `' S! U- t" ^* m" k
50. A Passage to India (EM Forster, 1924)
: E6 [$ U$ @! a) ]49. Possession (AS Byatt, 1990)
: m* J6 W7 B# N- W48. Lucky Jim (Kingsley Amis, 1954)
3 w2 a+ b P# o! ^4 {47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)) c# Y& \( B6 b; M! [- W9 T- B
46. Midnight’s Children (Salman Rushdie, 1981)3 S3 V* W' U0 u8 p1 k
45. The Little Stranger (Sarah Waters, 2009)8 ?. S0 Z, U8 y; ?* s; u
44. Wolf Hall (Hilary Mantel, 2009)
6 k0 ]3 i: m' M9 ~; B- P+ Y9 J43. The Swimming Pool Library (Alan Hollinghurst, 1988)/ p, }1 ~" J) R0 [0 e: r
42. Brighton Rock (Graham Greene, 1938)
) \8 @* h3 u( b) B! z41. Dombey and Son (Charles Dickens, 1848)
4 @4 x/ D" n5 G; O: |8 D) r5 a& J40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)9 G$ P/ H$ K" G2 I) e# L* R
39. The Sense of an Ending (Julian Barnes, 2011)
2 E0 g0 S+ R) y+ U; b2 n38. The Passion (Jeanette Winterson, 1987)" I h9 _/ [4 E, Z
37. Decline and Fall (Evelyn Waugh, 1928)
/ w' U* u7 J& x8 o3 C36. A Dance to the Music of Time (Anthony Powell, 1951-1975)7 a) S% C0 l6 R
35. Remainder (Tom McCarthy, 2005)
% [) U; A4 d: V+ `( ], w. k34. Never Let Me Go (Kazuo Ishiguro, 2005)
2 ^1 o1 z# A+ t) p' @33. The Wind in the Willows (Kenneth Grahame, 1908)
$ I2 M1 n( ?' }' y7 O! B32. A Room with a View (EM Forster, 1908)
) n2 j& [5 f: v8 j- Q; l {31. The End of the Affair (Graham Greene, 1951)
. k/ ` f4 Q6 F6 ^3 J9 ~30. Moll Flanders (Daniel Defoe, 1722)2 N! L ~5 |& n+ [1 h/ K/ h6 j& Q
29. Brick Lane (Monica Ali, 2003)
+ `/ \7 s. O3 W7 C5 N3 v# w h28. Villette (Charlotte Brontë, 1853)2 W8 ?7 `) t" Q3 Z! m% I
27. Robinson Crusoe (Daniel Defoe, 1719)' W0 ?2 F4 M' B/ ~' p2 t+ j
26. The Lord of the Rings (JRR Tolkien, 1954)0 q; I# w8 i( z5 z# J) c
25. White Teeth (Zadie Smith, 2000); t g$ T$ m4 r' K1 D3 X& F0 i
24. The Golden Notebook (Doris Lessing, 1962)
/ y4 x+ Z* ?5 c: G5 c6 x23. Jude the Obscure (Thomas Hardy, 1895)( U* N- R, O$ O) x) n; k
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749). H. k0 I- Q% C4 d) ?
21. Heart of Darkness (Joseph Conrad, 1899)
[' N3 D1 p& D1 `( w20. Persuasion (Jane Austen, 1817)
! Q( G ~: B! [+ \- b+ |- R; b7 ~19. Emma (Jane Austen, 1815)
, [) r% I' c$ ?( E+ V* A; `* K18. Remains of the Day (Kazuo Ishiguro, 1989)
: e" G! s8 z: w0 R) l+ N8 L17. Howards End (EM Forster, 1910)
' c* n2 u" \ s3 H9 `16. The Waves (Virginia Woolf, 1931)
. N# i: f" L9 v9 r% d15. Atonement (Ian McEwan, 2001)
) o! D! E8 ^+ X' c14. Clarissa (Samuel Richardson,1748)
7 Q+ x; V. e; N' _13. The Good Soldier (Ford Madox Ford, 1915)# T# F1 u9 ]' v
12. Nineteen Eighty-Four (George Orwell, 1949)7 K0 L4 z/ H) u1 `' ^3 r
11. Pride and Prejudice (Jane Austen, 1813)5 _9 G# M9 e6 a# I3 p
10. Vanity Fair (William Makepeace Thackeray, 1848)
6 @& ^( U+ n j5 @9. Frankenstein (Mary Shelley, 1818)
, h' I' [1 n. H2 C+ p1 O9 B: B8. David Copperfield (Charles Dickens, 1850)
0 m' ^- e+ b" Y0 N7. Wuthering Heights (Emily Brontë, 1847)* t, W& u5 R: `0 h3 D2 M, ^$ E
6. Bleak House (Charles Dickens, 1853)
* i, u% M1 P$ [' s2 O! Q2 T. V- V5. Jane Eyre (Charlotte Brontë, 1847)
1 D, U* a: I7 {4 H4. Great Expectations (Charles Dickens, 1861)8 _1 p3 [( v2 {: R" R; W
3. Mrs. Dalloway (Virginia Woolf, 1925)
9 `8 u+ x- l0 W2. To the Lighthouse (Virginia Woolf, 1927)$ h& w4 J7 C4 ~
1. Middlemarch (George Eliot, 1874)1 Q# ]: A" ?) X8 |4 x7 S! l
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。7 K4 b3 G6 t; }- d, }4 x" ?% O
; {- D. w" q+ e; m1 {呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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