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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ! o' n6 P4 g+ ^9 `9 r- }" E
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BBC评出100大英国文学名著
+ G: c( o2 j$ h: }# ?9 ^4 ahttp://www.bbc.com/culture/story ... test-british-novels8 K; \' l2 H4 g& p0 q1 X s; s4 ~6 F
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。* B& \8 }8 u8 A) J
5 o; q3 q8 ~: E! v/ g7 N100. The Code of the Woosters (PG Wodehouse, 1938)8 C( o. Q' h1 I0 z* U
99. There but for the (Ali Smith, 2011)
+ Z- F p8 F5 x98. Under the Volcano (Malcolm Lowry,1947)
# p$ K! l9 \0 H' X97. The Chronicles of Narnia (CS Lewis, 1949-1954)
7 G: W. W. b) S- G' q# [96. Memoirs of a Survivor (Doris Lessing, 1974)
5 }" ]3 \- h7 E95. The Buddha of Suburbia (Hanif Kureishi, 1990)
1 v4 j1 V. @! H6 ^' [1 ?2 D94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
- A- R/ [% _7 @9 S8 z# R- _93. Lord of the Flies (William Golding, 1954)
) d$ Z$ u" P8 S7 _9 ?4 x, v92. Cold Comfort Farm (Stella Gibbons, 1932)
; ?6 A) k0 x% F; x* P g" r91. The Forsyte Saga (John Galsworthy, 1922)( l; e6 Q& U- l4 `7 e8 M
90. The Woman in White (Wilkie Collins, 1859)
3 \" P2 M/ |" h. @7 i0 ?89. The Horse’s Mouth (Joyce Cary, 1944)
) B2 b! Z6 O8 O1 }3 b88. The Death of the Heart (Elizabeth Bowen, 1938)+ {- P- n9 C% h1 t7 t: X
87. The Old Wives’ Tale (Arnold Bennett,1908)) J7 E/ b) R; f4 w
86. A Legacy (Sybille Bedford, 1956)
& B& ]9 _) o0 ^4 a/ `/ @85. Regeneration Trilogy (Pat Barker, 1991-1995)! X3 e, X3 X L& G
84. Scoop (Evelyn Waugh, 1938)+ |3 z- d$ {! S
83. Barchester Towers (Anthony Trollope, 1857)
+ g0 k- n+ u! \- f3 G& J, m, l82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)+ t+ L( M4 w# N
81. The Jewel in the Crown (Paul Scott, 1966)' f$ ^1 s' J& Y& j
80. Excellent Women (Barbara Pym, 1952)
) ~% ^2 j. \# P- P( a6 w79. His Dark Materials (Philip Pullman, 1995-2000)/ K4 Q; W Z9 {. x4 |4 I- \
78. A House for Mr Biswas (VS Naipaul, 1961)
1 S6 k, ^# K( [ r77. Of Human Bondage (W Somerset Maugham, 1915)' H8 i' S1 j$ O$ [8 n* k
76. Small Island (Andrea Levy, 2004)
! X7 A1 E" [5 x9 Y9 W- y75. Women in Love (DH Lawrence, 1920)- U5 r$ Z' H/ N, R$ L4 C3 `
74. The Mayor of Casterbridge (Thomas Hardy, 1886)9 v. K- s" A0 k0 D- l4 Q) ^# I
73. The Blue Flower (Penelope Fitzgerald, 1995)( C' @ n6 h7 g2 e7 _* C: f# I6 ~
72. The Heart of the Matter (Graham Greene, 1948). e1 n& |2 W- o; l" C- J6 |
71. Old Filth (Jane Gardam, 2004)5 K1 Q1 c* h# g& v1 p$ D0 Y
70. Daniel Deronda (George Eliot, 1876)
* h: p0 t! ~% U! x# `& G9 k7 a0 N69. Nostromo (Joseph Conrad, 1904)5 g2 R' q8 i& q+ c
68. A Clockwork Orange (Anthony Burgess, 1962)5 _/ h& O6 Y4 x1 l B; V
67. Crash (JG Ballard 1973)
3 y& o8 e7 x0 c) A. y66. Sense and Sensibility (Jane Austen, 1811)
$ u! ?8 r! G' M! O65. Orlando (Virginia Woolf, 1928)3 }- D0 g- l1 `! j
64. The Way We Live Now (Anthony Trollope, 1875)
( ^8 ?' {0 C; ]! K63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
$ U0 z5 C k4 ^9 m& ?. h! E' m) I62. Animal Farm (George Orwell, 1945)
% w7 D( a& V% E9 Q* W0 w( r9 ]61. The Sea, The Sea (Iris Murdoch, 1978)* ~) o( {5 C0 h; y
60. Sons and Lovers (DH Lawrence, 1913)) t8 ]% B8 N* c2 t0 P8 G: z1 H, w
59. The Line of Beauty (Alan Hollinghurst, 2004)1 E# f& D8 o- Y- x2 }& Z
58. Loving (Henry Green, 1945)/ X9 b6 W* ^ q' W: T/ ]
57. Parade’s End (Ford Madox Ford, 1924-1928)4 p s H8 @$ [' t; h/ P- R' w
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)+ \: S+ p0 ]# B: M9 ^
55. Gulliver’s Travels (Jonathan Swift, 1726)
/ h ~( F# X/ t8 j! F7 M2 t. y54. NW (Zadie Smith, 2012)
/ p9 |8 \* `8 W' j- d0 Z53. Wide Sargasso Sea (Jean Rhys, 1966)
X2 J3 [; o* z! C3 _8 v52. New Grub Street (George Gissing, 1891) C' l, @1 r* E! b
51. Tess of the d’Urbervilles (Thomas Hardy, 1891). i! R9 ?) f( b5 o
50. A Passage to India (EM Forster, 1924)% |8 v+ s; l1 ~ P
49. Possession (AS Byatt, 1990)+ G) m% F( R- A8 p6 u/ l) q
48. Lucky Jim (Kingsley Amis, 1954)
( F! v _% v' w4 G" \47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)( _9 G* r R$ Q* J( f
46. Midnight’s Children (Salman Rushdie, 1981)
, M: v% E O( f; w- u. [45. The Little Stranger (Sarah Waters, 2009). c p7 { i+ {% G* _9 k
44. Wolf Hall (Hilary Mantel, 2009)
4 W1 E$ u. Y; D1 g43. The Swimming Pool Library (Alan Hollinghurst, 1988)
0 o- R" ]" e( K O- |42. Brighton Rock (Graham Greene, 1938)
/ L. u1 n1 t- I41. Dombey and Son (Charles Dickens, 1848)
) h# W# M5 ~/ N1 r40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)$ _' k- i R7 L0 ~8 A5 g' A! L
39. The Sense of an Ending (Julian Barnes, 2011)
; t) I3 I3 b6 j2 s& w/ E3 T2 u38. The Passion (Jeanette Winterson, 1987)
: u! K# L5 S1 Q5 f37. Decline and Fall (Evelyn Waugh, 1928)2 ?4 n. T7 S. ]3 [" d
36. A Dance to the Music of Time (Anthony Powell, 1951-1975), o) S4 M- c9 }% Z
35. Remainder (Tom McCarthy, 2005)
% |" C) h- O1 [. ?6 y8 ~2 q7 ]34. Never Let Me Go (Kazuo Ishiguro, 2005)5 s6 Q; Y. }# ]; e. F( b( H
33. The Wind in the Willows (Kenneth Grahame, 1908)) h( h- F& p/ `% B
32. A Room with a View (EM Forster, 1908) ]& ?* ?" l. g: g) F8 [' T
31. The End of the Affair (Graham Greene, 1951)
H7 U0 p1 v9 S; C( M9 U4 ~30. Moll Flanders (Daniel Defoe, 1722)
3 _3 C+ E- I. k0 P% ^29. Brick Lane (Monica Ali, 2003)
( M" K6 L6 G- s _4 \' ]# U' u28. Villette (Charlotte Brontë, 1853)/ i: z2 ^0 y3 c. {* |
27. Robinson Crusoe (Daniel Defoe, 1719)" g4 e8 x: X( g* L& v( J+ ]
26. The Lord of the Rings (JRR Tolkien, 1954)/ O) X4 `; \0 f! P+ n3 w, [
25. White Teeth (Zadie Smith, 2000)4 I2 H, Q# n7 D
24. The Golden Notebook (Doris Lessing, 1962)# b) ?0 z5 _: V: y" \9 U
23. Jude the Obscure (Thomas Hardy, 1895)
, j, [+ S T; `% e: d22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
; O' T# o+ V" i21. Heart of Darkness (Joseph Conrad, 1899)" ~( [! k7 P: I8 O3 F
20. Persuasion (Jane Austen, 1817)
7 m, m4 `, e6 D1 f! _19. Emma (Jane Austen, 1815): b$ S1 u8 k8 W: t+ X/ q6 S
18. Remains of the Day (Kazuo Ishiguro, 1989)& P% I) A$ w, @/ ~( d0 z' s
17. Howards End (EM Forster, 1910)( z- }& z2 k, O3 h0 e$ }( o7 f
16. The Waves (Virginia Woolf, 1931)
+ @- f* R: `- e& H& H; B1 k3 A& q15. Atonement (Ian McEwan, 2001)$ K+ N7 g0 B; Y8 ~/ O. e) W+ h" I
14. Clarissa (Samuel Richardson,1748)
/ W& I. d% P6 E1 F5 C" L% o/ J13. The Good Soldier (Ford Madox Ford, 1915); o) {/ s; f7 J. _. C7 R
12. Nineteen Eighty-Four (George Orwell, 1949)
+ H$ ]3 O& {3 B( K! |# J7 {11. Pride and Prejudice (Jane Austen, 1813)4 J3 ^8 S, X }; t0 C
10. Vanity Fair (William Makepeace Thackeray, 1848)
1 R0 _! O% `! V+ `! C$ p9. Frankenstein (Mary Shelley, 1818)) ^* V7 c; A& B: r( J' W$ G
8. David Copperfield (Charles Dickens, 1850)$ S/ _4 y. Y3 y5 n4 x, w
7. Wuthering Heights (Emily Brontë, 1847)+ l2 a5 \7 U* L4 x
6. Bleak House (Charles Dickens, 1853). R m- z# H% ?8 c" V* ^( ]
5. Jane Eyre (Charlotte Brontë, 1847). M b, u! A" r+ ~* q7 H" x
4. Great Expectations (Charles Dickens, 1861)
% C9 u+ u7 Q7 \) b8 o5 u3. Mrs. Dalloway (Virginia Woolf, 1925)5 s4 P1 a$ Y, N/ g
2. To the Lighthouse (Virginia Woolf, 1927)- Y* m m1 S" W$ O( ~
1. Middlemarch (George Eliot, 1874)
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5 R. H4 Q h- _" V& j前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。* O+ m1 d6 a+ U" h$ L+ b
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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