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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 " q1 H% w# ^* M
( M1 _6 f0 j+ Z: ?" eBBC评出100大英国文学名著
" [% l0 f% _# t+ N5 J" O- K, X; x# Khttp://www.bbc.com/culture/story ... test-british-novels7 N# `" t7 S9 I' q) {0 z+ V) W
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。1 S! A. j* A0 j& \ D3 @. [, M Z% j
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100. The Code of the Woosters (PG Wodehouse, 1938)/ A3 h3 R1 V. {- w6 j* n+ W: m
99. There but for the (Ali Smith, 2011)( x" a2 D2 K2 e" p5 e
98. Under the Volcano (Malcolm Lowry,1947)
2 Q/ O5 y4 y) a* e- V! B$ Q6 ?97. The Chronicles of Narnia (CS Lewis, 1949-1954)& z6 G) h K) a* F9 u
96. Memoirs of a Survivor (Doris Lessing, 1974)0 o1 M1 |# T0 ` }
95. The Buddha of Suburbia (Hanif Kureishi, 1990)2 c6 q# ]. _: M% Q0 V9 j
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)% g. U1 E! [+ p: \; D
93. Lord of the Flies (William Golding, 1954)
& d7 y3 ?5 c& `92. Cold Comfort Farm (Stella Gibbons, 1932)
, q- O: q+ G4 r' a91. The Forsyte Saga (John Galsworthy, 1922)
1 s0 }3 T( U5 p( ~3 h! f) @, d; D6 r90. The Woman in White (Wilkie Collins, 1859)
3 J* U5 Z- h3 G: ^" n89. The Horse’s Mouth (Joyce Cary, 1944)
( Q. e! E6 [& p+ l5 O# t88. The Death of the Heart (Elizabeth Bowen, 1938)
0 o* x" p0 G7 \, ~; ~( `( K8 x87. The Old Wives’ Tale (Arnold Bennett,1908)
" C, m7 g& n. e9 m# k86. A Legacy (Sybille Bedford, 1956)
% r- f# M; b9 p+ {5 E# G @* V9 C85. Regeneration Trilogy (Pat Barker, 1991-1995)
( u$ Z* H8 f; \: C! n4 F84. Scoop (Evelyn Waugh, 1938) ?5 k: t+ p5 i; @
83. Barchester Towers (Anthony Trollope, 1857)
" m$ H+ h2 k$ ]0 X82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
3 [1 I1 g0 ?! w/ W( ]81. The Jewel in the Crown (Paul Scott, 1966), h$ C4 G/ E2 l+ [5 s. ]% a
80. Excellent Women (Barbara Pym, 1952)- p l4 f4 `# k% r9 b+ C
79. His Dark Materials (Philip Pullman, 1995-2000)/ ~1 |" f$ s, P2 A% M1 Q
78. A House for Mr Biswas (VS Naipaul, 1961), a: T% y) X: t
77. Of Human Bondage (W Somerset Maugham, 1915)
2 a- G9 y0 g8 }& h* c* q& n9 g76. Small Island (Andrea Levy, 2004)* \7 {0 R. x( A4 ?, c
75. Women in Love (DH Lawrence, 1920)3 K5 {; T& i1 r9 [* x" y
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
* x! I2 l& U$ A% b8 G% I3 P: l73. The Blue Flower (Penelope Fitzgerald, 1995)
0 ]; u( F2 H7 }6 h72. The Heart of the Matter (Graham Greene, 1948), y" P7 d, ~* r! W7 V
71. Old Filth (Jane Gardam, 2004); P; j) I; U! r
70. Daniel Deronda (George Eliot, 1876)0 J) H2 U8 V3 z7 M
69. Nostromo (Joseph Conrad, 1904)* b5 k* s/ \6 z" ~" r
68. A Clockwork Orange (Anthony Burgess, 1962)5 f1 E! X7 L8 D$ A/ b( @
67. Crash (JG Ballard 1973)
, ^. T5 T- ?9 {3 t66. Sense and Sensibility (Jane Austen, 1811)8 A5 k+ D+ c9 e) d% ] @$ n: j
65. Orlando (Virginia Woolf, 1928)3 T7 p, S7 [; u# p! l
64. The Way We Live Now (Anthony Trollope, 1875)$ S( {# [: Y8 e( I' C) q* ]$ P) e- `
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
; e* Q. F6 b3 w' m62. Animal Farm (George Orwell, 1945)$ S9 W+ C$ J+ _/ R# S. f* @- M
61. The Sea, The Sea (Iris Murdoch, 1978)
5 I/ |3 ?$ g z1 I- X# g3 q60. Sons and Lovers (DH Lawrence, 1913)
, l9 |; |; @" I59. The Line of Beauty (Alan Hollinghurst, 2004)) Q3 O# Y+ C# y! J1 ] |% z. l
58. Loving (Henry Green, 1945)8 F7 V2 l4 j1 z' U8 ~9 f+ u6 {4 N8 S
57. Parade’s End (Ford Madox Ford, 1924-1928). Q+ q' @. G! k) P4 v2 L/ Z
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
& \- c3 V( b4 G, X6 H55. Gulliver’s Travels (Jonathan Swift, 1726)
$ x! b! g6 }% h5 e# V8 j& L54. NW (Zadie Smith, 2012)( K9 M+ k! n6 I0 O# z6 j$ ^/ Y
53. Wide Sargasso Sea (Jean Rhys, 1966)
- m4 A* m0 d2 @# T52. New Grub Street (George Gissing, 1891), n: ~( S1 Q Q: ^
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
1 N( c% ^) h/ [# X" a. W* h/ F5 e; _5 P50. A Passage to India (EM Forster, 1924)
" y% i* l- Z3 x49. Possession (AS Byatt, 1990)' X5 D$ t1 z# g9 C
48. Lucky Jim (Kingsley Amis, 1954): C6 ]5 _! U. g
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
% `" C [ k9 X0 K46. Midnight’s Children (Salman Rushdie, 1981)# X9 Z# R3 @6 \9 J% D
45. The Little Stranger (Sarah Waters, 2009)
7 T: ?& l; x& ~; Z" k+ t- ?- l44. Wolf Hall (Hilary Mantel, 2009)
' s+ M+ e, e. a5 _1 L4 f43. The Swimming Pool Library (Alan Hollinghurst, 1988), ?* A) e! f0 ]( N3 d! i
42. Brighton Rock (Graham Greene, 1938)
0 W9 k r" _" _, S( _4 A. R3 s41. Dombey and Son (Charles Dickens, 1848)
; F, p* R* w4 q# {40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
' a0 R; f1 ]& g X/ }& t39. The Sense of an Ending (Julian Barnes, 2011)* j, Y0 I5 n9 V' e6 J4 f
38. The Passion (Jeanette Winterson, 1987)
- x7 c: V3 G$ L0 B$ R$ }2 L37. Decline and Fall (Evelyn Waugh, 1928)8 j& I8 G& B" n( v2 S
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
2 {" t, H. j5 d1 |0 E. H" ~9 v35. Remainder (Tom McCarthy, 2005)1 [4 r t1 w4 I. v4 M9 k
34. Never Let Me Go (Kazuo Ishiguro, 2005)( e( S# y4 _3 O2 D
33. The Wind in the Willows (Kenneth Grahame, 1908)
* y6 Y7 R9 u: Z- I32. A Room with a View (EM Forster, 1908)
9 j, f( m( I8 v; e3 ~ V. ?7 D31. The End of the Affair (Graham Greene, 1951)
. J- F2 ^8 f4 n8 b0 M1 C+ _6 U( w30. Moll Flanders (Daniel Defoe, 1722)4 Y) S2 h5 n- ~' c
29. Brick Lane (Monica Ali, 2003)) {4 k2 p3 F k/ e
28. Villette (Charlotte Brontë, 1853)7 D! K" N2 l* n4 S2 Z
27. Robinson Crusoe (Daniel Defoe, 1719)
1 `6 O2 ?: \, @0 m3 k2 A26. The Lord of the Rings (JRR Tolkien, 1954)5 f/ j/ a6 I9 @4 T! I) {5 i
25. White Teeth (Zadie Smith, 2000)
: b' t. D9 `$ }* |24. The Golden Notebook (Doris Lessing, 1962)
3 g: p0 o c# E- n9 ^23. Jude the Obscure (Thomas Hardy, 1895)* n+ S! D0 m" k7 ?2 X' ]
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
! ]& S& M! N+ V V5 n: |21. Heart of Darkness (Joseph Conrad, 1899)6 q1 ]8 v( S# ^7 [4 \- n
20. Persuasion (Jane Austen, 1817)
7 Q7 ~" F! b1 i! ^# |4 l+ F6 q19. Emma (Jane Austen, 1815)
9 {. T2 }" S4 l/ Q0 N18. Remains of the Day (Kazuo Ishiguro, 1989)
3 B. E/ ?3 a. ]& I4 @17. Howards End (EM Forster, 1910)
7 R j# h% g' X7 T6 g+ _16. The Waves (Virginia Woolf, 1931)7 E+ ]$ i8 |! }
15. Atonement (Ian McEwan, 2001)9 N( e$ f8 |4 W9 H: Q
14. Clarissa (Samuel Richardson,1748)" V* e5 q! j/ K6 k1 C N
13. The Good Soldier (Ford Madox Ford, 1915)( h" L; W1 A/ s; @% m
12. Nineteen Eighty-Four (George Orwell, 1949)- ^; j7 N1 n8 i- V' M; g# M+ t
11. Pride and Prejudice (Jane Austen, 1813)
1 |# i q5 P4 e10. Vanity Fair (William Makepeace Thackeray, 1848)/ c+ c- O( K$ z
9. Frankenstein (Mary Shelley, 1818)
+ b4 E" `. t/ z# g* `8 s8. David Copperfield (Charles Dickens, 1850)
9 L2 {% v. I5 ~& O3 U- t' M7. Wuthering Heights (Emily Brontë, 1847)
$ l# c# g3 @* O# d+ R N P6. Bleak House (Charles Dickens, 1853)
. \9 e4 I# Y8 S4 a2 l( u) ?. A5. Jane Eyre (Charlotte Brontë, 1847)% O3 d( O1 L# _
4. Great Expectations (Charles Dickens, 1861). N' k& `) H9 z4 R
3. Mrs. Dalloway (Virginia Woolf, 1925)
1 @" l: K% ?% f& t0 Q4 N3 F2. To the Lighthouse (Virginia Woolf, 1927)* M, R! S) `* c/ D, h: R2 B
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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# i$ P% D) q6 C呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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