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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ; r5 ]8 _, q+ v
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BBC评出100大英国文学名著6 g9 e9 k7 r" B/ N# n4 o, a& h
http://www.bbc.com/culture/story ... test-british-novels" ?0 Y: F% e/ K" d' p
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。1 p# S9 R/ h7 ]6 l w' [
8 H0 B8 H; x3 d$ V" a9 M' K" a! I100. The Code of the Woosters (PG Wodehouse, 1938)! G# c9 i& h/ ? X. _& H* R& v
99. There but for the (Ali Smith, 2011)
+ W1 U5 p$ ?4 B, {8 M) _* c8 k98. Under the Volcano (Malcolm Lowry,1947)
6 d! X' e* B' L: M. p: p97. The Chronicles of Narnia (CS Lewis, 1949-1954)
- `; b( `! }. B) T96. Memoirs of a Survivor (Doris Lessing, 1974). I+ I4 G* Z. n# E- e# j+ @
95. The Buddha of Suburbia (Hanif Kureishi, 1990) }- e' W) r2 s: @9 I0 _
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824), b- Y+ ^: [7 b: c* y
93. Lord of the Flies (William Golding, 1954) M8 l6 h' Y# r6 {- O2 C( C7 E, W d" q
92. Cold Comfort Farm (Stella Gibbons, 1932)
! x6 T8 k# e) U# D [* B. P91. The Forsyte Saga (John Galsworthy, 1922)
' h7 r' n, C7 ~- Q. a' B5 w1 Z90. The Woman in White (Wilkie Collins, 1859)2 u, p7 g' n7 E2 T' h' g4 u4 U7 L
89. The Horse’s Mouth (Joyce Cary, 1944)
6 ^; H. @8 L6 d& \$ ~% `88. The Death of the Heart (Elizabeth Bowen, 1938)" \! v$ d* v# Y4 r6 F
87. The Old Wives’ Tale (Arnold Bennett,1908)% X: O, y# g3 J; x7 B. W8 K/ r
86. A Legacy (Sybille Bedford, 1956)
1 C/ a7 B1 z W8 g5 G# T85. Regeneration Trilogy (Pat Barker, 1991-1995): a: ~0 j, ]) s$ d* ?7 J- ~% q1 T
84. Scoop (Evelyn Waugh, 1938)
& o) [) g* P v83. Barchester Towers (Anthony Trollope, 1857)6 w' X7 U. v: Y( Y; o. z' q7 n B
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)# ~) y3 g# S# `9 g% F
81. The Jewel in the Crown (Paul Scott, 1966)
% K0 u7 }5 l) g) V7 i80. Excellent Women (Barbara Pym, 1952)
0 ~2 B" \ _# Q1 D( v" V79. His Dark Materials (Philip Pullman, 1995-2000)# ?/ D- m# L) t7 s( K
78. A House for Mr Biswas (VS Naipaul, 1961); V b3 _& i8 y A S$ ]3 E
77. Of Human Bondage (W Somerset Maugham, 1915)
; b. z% w$ W* ~, l0 P" M# V7 L6 a76. Small Island (Andrea Levy, 2004)
( X& N$ e3 z' W/ C9 m& p$ O5 |( x75. Women in Love (DH Lawrence, 1920)6 M6 g$ k! N: W. K W% T# P0 p
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
, \/ z5 T7 U1 g% Z7 B, X4 b# [73. The Blue Flower (Penelope Fitzgerald, 1995)
' P/ a+ t6 t6 E72. The Heart of the Matter (Graham Greene, 1948)
/ X& b8 L/ h. ]8 j! Y+ g; x71. Old Filth (Jane Gardam, 2004)8 c0 T# n6 l) }: ?
70. Daniel Deronda (George Eliot, 1876)" `# X; Z2 n+ C
69. Nostromo (Joseph Conrad, 1904)
1 [& X" M: ?2 V! O1 K1 a68. A Clockwork Orange (Anthony Burgess, 1962)1 d6 f" B7 Q T
67. Crash (JG Ballard 1973)
d2 T, o4 a2 E9 ^, C. g, w66. Sense and Sensibility (Jane Austen, 1811)
1 H* \. }) a/ g9 J5 G% V65. Orlando (Virginia Woolf, 1928)8 F0 t8 R% W5 A/ f3 o
64. The Way We Live Now (Anthony Trollope, 1875)* u2 O2 x. |$ |0 d& z* J
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
( ?8 V/ c- t2 X- S9 W62. Animal Farm (George Orwell, 1945)% w. L0 |) i* N C/ g- `
61. The Sea, The Sea (Iris Murdoch, 1978)! q# a: j r( g' {4 m
60. Sons and Lovers (DH Lawrence, 1913)" D( e: P+ ^7 t
59. The Line of Beauty (Alan Hollinghurst, 2004)
5 H* [8 t4 M. G58. Loving (Henry Green, 1945)' ?$ {. z( ]# } p$ s; Z# g2 W
57. Parade’s End (Ford Madox Ford, 1924-1928)' G: f- F% D: {, V3 v' ]7 _1 Q" k9 W
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)3 e h i7 E+ O6 I
55. Gulliver’s Travels (Jonathan Swift, 1726)
6 _) @' _! X7 C, a8 |% W54. NW (Zadie Smith, 2012)
0 K( w B6 i$ s7 v: f53. Wide Sargasso Sea (Jean Rhys, 1966)
3 r3 q2 b% c! }* T0 P52. New Grub Street (George Gissing, 1891)
& \. v9 z0 Z# S9 C4 ]+ _51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
0 I6 X7 V. @* }* r9 d50. A Passage to India (EM Forster, 1924)
. u7 B& {) j0 T2 M" I! z/ h4 C& f49. Possession (AS Byatt, 1990)6 h! @ y3 q. v- S
48. Lucky Jim (Kingsley Amis, 1954)
/ G& v" ~* u& w47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)5 G: x( j' C! I: m: A) |
46. Midnight’s Children (Salman Rushdie, 1981)/ o m0 b* V5 c9 H, F$ {6 h& s. |, m
45. The Little Stranger (Sarah Waters, 2009)
* m- |$ R$ d. E6 O44. Wolf Hall (Hilary Mantel, 2009)' Y/ G7 f" F* v
43. The Swimming Pool Library (Alan Hollinghurst, 1988)- K" Z7 o2 T" A. \
42. Brighton Rock (Graham Greene, 1938)- a5 {- J! R. I. u& C( x
41. Dombey and Son (Charles Dickens, 1848)
& W1 q* a$ Z) n/ A/ u }40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
7 n/ i/ o- f& ]: ]6 N. l9 b- X39. The Sense of an Ending (Julian Barnes, 2011)
* f2 n2 }: A- ^, a2 S, r$ V38. The Passion (Jeanette Winterson, 1987)
. X* w1 o' L9 j* k# \$ z37. Decline and Fall (Evelyn Waugh, 1928)1 j9 w; J8 W6 ^& s6 D
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
# N$ g& ~( P4 p) T8 V4 G35. Remainder (Tom McCarthy, 2005)2 t: T( x& m7 ~
34. Never Let Me Go (Kazuo Ishiguro, 2005)
' F( K0 l: R; t+ N/ @33. The Wind in the Willows (Kenneth Grahame, 1908)
0 G9 L' u6 w6 x32. A Room with a View (EM Forster, 1908)6 u6 Z8 Q* m6 @* e
31. The End of the Affair (Graham Greene, 1951)% d. O, n/ ^, c$ X/ s; I3 ^
30. Moll Flanders (Daniel Defoe, 1722)& ^7 J, S* c/ i2 a9 U
29. Brick Lane (Monica Ali, 2003)2 i) N- r. M6 E. G1 o+ X
28. Villette (Charlotte Brontë, 1853)9 q |8 y$ w6 Y7 o
27. Robinson Crusoe (Daniel Defoe, 1719)$ i4 X+ h0 t# l" _% g0 c4 B" w
26. The Lord of the Rings (JRR Tolkien, 1954)) i. h, M% R9 o+ [
25. White Teeth (Zadie Smith, 2000)
2 h$ u. ?: b ~; [24. The Golden Notebook (Doris Lessing, 1962)
" a7 H. ^! u# }% w( X6 F23. Jude the Obscure (Thomas Hardy, 1895)% _% F2 F- E6 V0 U
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)( N# K# ~3 B9 l5 o$ F
21. Heart of Darkness (Joseph Conrad, 1899)* B; T* f2 A+ P4 z8 S) o# o2 ^
20. Persuasion (Jane Austen, 1817)6 X9 `8 K+ b- @# L B
19. Emma (Jane Austen, 1815)/ z/ N: \7 l8 h' b+ u6 i
18. Remains of the Day (Kazuo Ishiguro, 1989) w( A4 s; g" a: l( L
17. Howards End (EM Forster, 1910)
( a6 M* ]# j: W; O) q- Y6 A16. The Waves (Virginia Woolf, 1931)
3 |% @+ ^/ R8 V: H0 @2 s5 }15. Atonement (Ian McEwan, 2001)
, ~' z' a" x% V0 d& Q# ^14. Clarissa (Samuel Richardson,1748)0 _% f% I6 O2 W7 o8 d2 z9 V
13. The Good Soldier (Ford Madox Ford, 1915)0 D* Q/ ]% ~7 d! k+ W
12. Nineteen Eighty-Four (George Orwell, 1949)6 }7 }4 ~& P8 y! r
11. Pride and Prejudice (Jane Austen, 1813)' U' j; `: o* R) r! L( R
10. Vanity Fair (William Makepeace Thackeray, 1848)" e7 x1 U; {) V
9. Frankenstein (Mary Shelley, 1818)
, R' J) B+ B5 l! [1 [8. David Copperfield (Charles Dickens, 1850)
. T* r* v# N# \$ [8 V W7. Wuthering Heights (Emily Brontë, 1847)
7 l( A' i' ] P2 V* y3 x6. Bleak House (Charles Dickens, 1853)
# C6 y* Z7 {; m8 L4 L- U- Q' J& }( s5. Jane Eyre (Charlotte Brontë, 1847)
9 m/ L, f% @, F+ n% K2 s3 }4. Great Expectations (Charles Dickens, 1861)
2 l, |; z2 E. I1 J/ r3. Mrs. Dalloway (Virginia Woolf, 1925)
) S1 D$ c. D9 y2. To the Lighthouse (Virginia Woolf, 1927)& h' M0 r. Y0 E% P7 s6 Y
1. Middlemarch (George Eliot, 1874): T# X' l: ~( k' `% e; z
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。7 f; a' {$ h; i
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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