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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著 C y% x( E( r6 {/ J' ^. Q3 j7 K
http://www.bbc.com/culture/story ... test-british-novels+ K" R/ m* {- v9 ~ c3 H
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
$ F( r h" Y$ _' M: `99. There but for the (Ali Smith, 2011) c% ~% T; J5 j: o' J) Z
98. Under the Volcano (Malcolm Lowry,1947)
0 c5 T# f( U+ r9 w. X/ A2 ]97. The Chronicles of Narnia (CS Lewis, 1949-1954)
4 n9 T% Y4 c0 d( U, s5 Q; ^96. Memoirs of a Survivor (Doris Lessing, 1974)* J8 i j" \1 N0 s* w; R; g
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
, k' I8 i% `/ D; H; x$ o* z94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! e2 X O8 |; K- ]: q93. Lord of the Flies (William Golding, 1954)
9 s; y' w7 a! Y9 X5 W( f92. Cold Comfort Farm (Stella Gibbons, 1932), z9 ~& R1 A5 }
91. The Forsyte Saga (John Galsworthy, 1922)4 h& W! o' S; Z) o6 T6 g
90. The Woman in White (Wilkie Collins, 1859)' v& S, U' e$ ~3 r
89. The Horse’s Mouth (Joyce Cary, 1944)' w/ Y. U/ } J4 q
88. The Death of the Heart (Elizabeth Bowen, 1938)1 d- x4 Q- D6 Q) b( Y9 D
87. The Old Wives’ Tale (Arnold Bennett,1908)
1 e/ r x9 T' E- ]86. A Legacy (Sybille Bedford, 1956). L# w1 z6 D0 g% F4 N) d
85. Regeneration Trilogy (Pat Barker, 1991-1995)
. F, t4 @2 S1 l1 F: Q84. Scoop (Evelyn Waugh, 1938)
6 x7 R2 K4 q7 ?1 c83. Barchester Towers (Anthony Trollope, 1857)0 j0 C0 }* d# O
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
' ?( ?! O0 o! t$ I( Q81. The Jewel in the Crown (Paul Scott, 1966)
5 S8 k; Q9 y5 V4 [6 A80. Excellent Women (Barbara Pym, 1952)
# H7 H& ]4 j% I/ }6 _79. His Dark Materials (Philip Pullman, 1995-2000)
: V6 B3 M9 i3 a% M+ E& O- `78. A House for Mr Biswas (VS Naipaul, 1961)
4 ~* _9 W) U( n7 q( @77. Of Human Bondage (W Somerset Maugham, 1915), T3 s- z' c5 ~
76. Small Island (Andrea Levy, 2004)& N& [! M$ l! H" e; Z7 L, I
75. Women in Love (DH Lawrence, 1920)& S5 S" c3 ^; v) @5 g
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
* a+ J* Y f. c; Z: U. k73. The Blue Flower (Penelope Fitzgerald, 1995); l6 p+ P3 k$ i0 S+ v
72. The Heart of the Matter (Graham Greene, 1948)
# V+ R" L. J1 m9 X71. Old Filth (Jane Gardam, 2004)4 {' P" o! J- m6 d, w6 ^9 W# c
70. Daniel Deronda (George Eliot, 1876)
& k9 k" ~: E1 I$ l1 E. j, Z69. Nostromo (Joseph Conrad, 1904), R2 I8 j, \1 z! B/ j3 H+ I
68. A Clockwork Orange (Anthony Burgess, 1962)
6 Q3 }# T% ^) D67. Crash (JG Ballard 1973)
9 ?! q# a3 U3 y! F66. Sense and Sensibility (Jane Austen, 1811)4 j5 O) j0 o6 d2 R0 |; r/ T
65. Orlando (Virginia Woolf, 1928)
0 c$ i, q$ l9 K) [64. The Way We Live Now (Anthony Trollope, 1875)
1 P; M/ K; ?; z+ ~4 h8 [63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
/ q, ~2 j8 i% n# r62. Animal Farm (George Orwell, 1945); o/ O5 K, L2 ~
61. The Sea, The Sea (Iris Murdoch, 1978)
* ]0 D3 Z1 z5 Y- n& A+ [& l# I8 d60. Sons and Lovers (DH Lawrence, 1913)
0 x5 R, A; X1 R, J59. The Line of Beauty (Alan Hollinghurst, 2004)
! Q8 H6 X7 I1 L7 y c! @; A58. Loving (Henry Green, 1945)
7 K. K8 O* H: g& g4 |57. Parade’s End (Ford Madox Ford, 1924-1928)
$ ?$ n# t4 w5 n+ z, p3 W* l: r K! g56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
* m3 _3 k- q( x( j2 G55. Gulliver’s Travels (Jonathan Swift, 1726)/ A D- ~! \8 p, I+ v7 P
54. NW (Zadie Smith, 2012)
0 ~. u9 u2 |6 {8 O! ]/ v53. Wide Sargasso Sea (Jean Rhys, 1966)/ K# D0 B) E% H3 i8 \8 W! C! G/ ?6 c
52. New Grub Street (George Gissing, 1891)
; T4 V4 Y4 D) m% L. `51. Tess of the d’Urbervilles (Thomas Hardy, 1891)' h4 |% A! n C
50. A Passage to India (EM Forster, 1924)) C; ]) D: Z6 v& J
49. Possession (AS Byatt, 1990)
5 S2 x: [( s3 T) R8 {48. Lucky Jim (Kingsley Amis, 1954)4 L$ h# m# \4 v: L& E+ j% M8 U/ }
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)0 m% Z5 P4 r* E# Z. m
46. Midnight’s Children (Salman Rushdie, 1981); a3 X5 Z: X* x4 K- z, U
45. The Little Stranger (Sarah Waters, 2009), e, y9 v& ]# p3 c3 ?( o
44. Wolf Hall (Hilary Mantel, 2009)
3 ^8 h, z/ \( t+ N2 X7 `$ V43. The Swimming Pool Library (Alan Hollinghurst, 1988)8 ~+ ?. F; R* ^/ |, w( v
42. Brighton Rock (Graham Greene, 1938)3 E0 {' i5 z/ D, P. {0 K
41. Dombey and Son (Charles Dickens, 1848)
- L! J, N: n) m; w5 |$ W+ A) q40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)/ y) u+ P. ]; d# o8 y/ \5 v' l& q
39. The Sense of an Ending (Julian Barnes, 2011)5 X# g& s" z1 y) Z1 c- ~
38. The Passion (Jeanette Winterson, 1987)
7 _$ }7 M& u1 }$ |4 }+ G37. Decline and Fall (Evelyn Waugh, 1928)
) B I) U4 ?# {. C7 W) ?3 ?36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
1 g4 V, e$ f* z% q5 v) y2 A7 c: l- S7 {35. Remainder (Tom McCarthy, 2005)3 Q/ F! s5 r" P
34. Never Let Me Go (Kazuo Ishiguro, 2005)
6 ?( E6 M9 h. ]0 o+ b33. The Wind in the Willows (Kenneth Grahame, 1908), \4 v2 Q# s- [* {$ j; D" i( p# z
32. A Room with a View (EM Forster, 1908). X E+ y" A Y {( P
31. The End of the Affair (Graham Greene, 1951)
& K% p6 @2 l' K7 }7 a30. Moll Flanders (Daniel Defoe, 1722): R7 L5 H; ^6 ~8 Y
29. Brick Lane (Monica Ali, 2003)$ u4 d# p: F) T/ [: M( q/ U
28. Villette (Charlotte Brontë, 1853)
k; B0 [: F$ X27. Robinson Crusoe (Daniel Defoe, 1719)
0 |" u( ?3 H& `, n: V6 V( K26. The Lord of the Rings (JRR Tolkien, 1954)
6 r" O4 w6 X6 s+ J& d8 d4 F25. White Teeth (Zadie Smith, 2000)
8 P& v! i) W- w. d! a% z( V24. The Golden Notebook (Doris Lessing, 1962)0 a" S, U. }) F7 ^% q4 L
23. Jude the Obscure (Thomas Hardy, 1895)
" R9 m8 B2 l3 p9 I6 D7 R5 a: x @22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)' N8 a8 L; A) X2 Z. b
21. Heart of Darkness (Joseph Conrad, 1899)
9 a" o3 B" u; g% I20. Persuasion (Jane Austen, 1817)0 J; ]0 v1 Z2 i, r# v* C
19. Emma (Jane Austen, 1815)
' ?0 ^ z" i2 K) {1 L3 y; N; j18. Remains of the Day (Kazuo Ishiguro, 1989)6 ~1 J x$ k8 O$ H$ Y2 n7 J
17. Howards End (EM Forster, 1910)
! d% F( g$ t/ \16. The Waves (Virginia Woolf, 1931)+ s. ]2 t7 M" h! ^# t
15. Atonement (Ian McEwan, 2001)
* q' S( `' x/ V" v$ d14. Clarissa (Samuel Richardson,1748)
0 ?: i$ V6 f0 a: L' L, e13. The Good Soldier (Ford Madox Ford, 1915)
0 b5 c+ |/ H' T. {3 I12. Nineteen Eighty-Four (George Orwell, 1949)" T: d9 ~( o8 ^
11. Pride and Prejudice (Jane Austen, 1813)
/ P/ {" j# x, G5 V10. Vanity Fair (William Makepeace Thackeray, 1848)
- I% T% e8 g# F9. Frankenstein (Mary Shelley, 1818) z8 S/ H) G9 X" W6 g: Z5 p
8. David Copperfield (Charles Dickens, 1850)4 c( _* d7 P9 I$ \) |6 F) b& h
7. Wuthering Heights (Emily Brontë, 1847) j% i. q3 N- R/ A7 }3 A
6. Bleak House (Charles Dickens, 1853)
# `# D: k6 c7 s# ?! ]0 n/ p9 h; {5. Jane Eyre (Charlotte Brontë, 1847)
. k" l* d2 i/ z0 r) H# H1 k1 V0 k! g4. Great Expectations (Charles Dickens, 1861)3 p7 }0 [) `5 B! ?# I
3. Mrs. Dalloway (Virginia Woolf, 1925): g1 M2 T6 m. d0 M# K
2. To the Lighthouse (Virginia Woolf, 1927)
' ~5 t+ T. h4 J2 v1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。3 h5 n& i1 r( [
3 c! `' F0 z# p) ~* T1 n* W呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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