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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 7 j5 P* |5 ~# E" j
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BBC评出100大英国文学名著
+ w! i+ K. H5 N- @9 z4 z Khttp://www.bbc.com/culture/story ... test-british-novels
2 U! T. ]/ a: T& [9 U& b, G惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。, g% z) S( c* h- _4 v" G
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100. The Code of the Woosters (PG Wodehouse, 1938)
. v$ m3 n' T$ w. _; _99. There but for the (Ali Smith, 2011)- {. g% W; p8 B. @# {
98. Under the Volcano (Malcolm Lowry,1947)* B/ `3 |) N1 |
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
' Y; ?7 a! q* [+ y96. Memoirs of a Survivor (Doris Lessing, 1974)
4 \3 D7 @. v+ S) t' t+ P% [95. The Buddha of Suburbia (Hanif Kureishi, 1990) o9 c$ M: F9 O& H" F
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)5 S7 A% U0 l4 X" U- {# I
93. Lord of the Flies (William Golding, 1954)
. n3 h. ^. D) O) j92. Cold Comfort Farm (Stella Gibbons, 1932)
$ k) ^7 j) f2 L; N3 F" k( O' R91. The Forsyte Saga (John Galsworthy, 1922)
% B1 W. p$ K, B' t. e& j) j' Y' m90. The Woman in White (Wilkie Collins, 1859) Y' s, G, Y! N9 t
89. The Horse’s Mouth (Joyce Cary, 1944)
6 D* w6 V7 }) a* d7 a88. The Death of the Heart (Elizabeth Bowen, 1938)0 D5 g' ~' P' t9 o* s5 d) _9 b
87. The Old Wives’ Tale (Arnold Bennett,1908)
# f6 K: ^3 N P2 m+ [. r86. A Legacy (Sybille Bedford, 1956)
$ A- ^6 t9 ? e5 \1 P85. Regeneration Trilogy (Pat Barker, 1991-1995)
. Q& Y2 e' ]' j2 t7 h O84. Scoop (Evelyn Waugh, 1938)
1 J; V/ @* I' H. i; q* m83. Barchester Towers (Anthony Trollope, 1857)4 q! w8 P _% j/ J8 g
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
) Z; H4 Z9 H7 S- |! B, ]81. The Jewel in the Crown (Paul Scott, 1966)
5 n4 i9 _& j9 J& u80. Excellent Women (Barbara Pym, 1952)* ?! y7 z& n- D& u$ C
79. His Dark Materials (Philip Pullman, 1995-2000)
- ]+ y0 \% A- l: N+ y1 z8 b78. A House for Mr Biswas (VS Naipaul, 1961)
- X9 j Q, Y6 o% t: T/ k+ u77. Of Human Bondage (W Somerset Maugham, 1915)" T X/ M* V9 a) o
76. Small Island (Andrea Levy, 2004)
1 c; I( V) g! w/ w9 C* a75. Women in Love (DH Lawrence, 1920)
, g) _( S$ l T1 O; D" q: `74. The Mayor of Casterbridge (Thomas Hardy, 1886)0 ` b, e6 J0 ?/ e* T
73. The Blue Flower (Penelope Fitzgerald, 1995)
, Z2 f5 @& x2 T, l3 `72. The Heart of the Matter (Graham Greene, 1948)
* s% k% l9 r2 [6 b1 h# [71. Old Filth (Jane Gardam, 2004)
5 {; T+ V# A5 N7 \- I7 t4 f* C70. Daniel Deronda (George Eliot, 1876)
( e, c1 E( K, {, D% J7 B# y: \69. Nostromo (Joseph Conrad, 1904)
$ }" o( ~5 S8 a7 d6 k68. A Clockwork Orange (Anthony Burgess, 1962)
! i: `( l& k, w4 R67. Crash (JG Ballard 1973)
! G6 ?( c0 s/ D% x* P U: {, J, d66. Sense and Sensibility (Jane Austen, 1811)# N* v" _0 K" [7 P. V& k( V
65. Orlando (Virginia Woolf, 1928)
. B7 ^* Q" G! O5 l1 r2 a64. The Way We Live Now (Anthony Trollope, 1875)
- s" u! g- \$ s7 i. `63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)7 V: C7 D8 M) O) ~! R
62. Animal Farm (George Orwell, 1945)
( N/ I, }1 }& B) U" ?* n61. The Sea, The Sea (Iris Murdoch, 1978)
4 {' A, v/ f* r q% V60. Sons and Lovers (DH Lawrence, 1913)
0 e7 w# `/ k( w; S' k! b59. The Line of Beauty (Alan Hollinghurst, 2004)
7 [( Y8 p5 c0 _5 N. h4 B58. Loving (Henry Green, 1945)8 M8 d% i! ~- Z- x' b
57. Parade’s End (Ford Madox Ford, 1924-1928)
: f4 ~/ Q3 U) n, N4 B56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
: z7 i2 w: j. i8 j3 R: k55. Gulliver’s Travels (Jonathan Swift, 1726); b* p ^. w+ q4 w+ M# ^& q
54. NW (Zadie Smith, 2012)0 l* V3 s% \4 ?8 G. k! U/ o
53. Wide Sargasso Sea (Jean Rhys, 1966)2 l4 z5 D) N: O9 X
52. New Grub Street (George Gissing, 1891)
$ x/ B" a# n q2 T5 s51. Tess of the d’Urbervilles (Thomas Hardy, 1891)# k0 z/ s: p) s
50. A Passage to India (EM Forster, 1924)
! C% [) |' z- m/ l' n2 B2 ?# e49. Possession (AS Byatt, 1990)
4 z* r( U# S5 w# k. Z! c4 c- Z48. Lucky Jim (Kingsley Amis, 1954)
1 U6 w, R5 a8 F! ^' w+ |47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)- p) r* a2 }* z7 x+ d) h
46. Midnight’s Children (Salman Rushdie, 1981)7 q5 ?# w, h( w$ `
45. The Little Stranger (Sarah Waters, 2009)
% ?6 b7 n! u) O, }5 K9 K44. Wolf Hall (Hilary Mantel, 2009)
; E3 \9 I) O8 A; B! ?* u: x6 ?43. The Swimming Pool Library (Alan Hollinghurst, 1988)( M- z9 t8 z' T' _9 [1 `% m
42. Brighton Rock (Graham Greene, 1938)- w' D: I3 A3 U* E/ I2 S% g* p
41. Dombey and Son (Charles Dickens, 1848)# `, H: X4 x( v
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)! A& p+ N! {; P3 W2 w1 W3 c
39. The Sense of an Ending (Julian Barnes, 2011)1 I& B; e# z4 W1 c! E
38. The Passion (Jeanette Winterson, 1987)
. y$ L5 |) S" z& z( |% J. |7 e37. Decline and Fall (Evelyn Waugh, 1928)
( c( ^' X! v. \" t; D5 a5 ^/ }" q36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
3 V5 [# ^$ e+ l35. Remainder (Tom McCarthy, 2005)! T9 r- X' I5 j+ d: y
34. Never Let Me Go (Kazuo Ishiguro, 2005)5 j; W$ O7 ] ]; ~! z+ K
33. The Wind in the Willows (Kenneth Grahame, 1908) P7 C/ {9 v9 V
32. A Room with a View (EM Forster, 1908)
/ N# ]- ], J; N/ q( n4 ~' B31. The End of the Affair (Graham Greene, 1951)3 c+ m) P3 r# T+ ~( k/ w
30. Moll Flanders (Daniel Defoe, 1722)6 \# @8 \9 v( \! v; g
29. Brick Lane (Monica Ali, 2003)
+ P# d: @6 e" v0 F# ^28. Villette (Charlotte Brontë, 1853)( Q( y0 n- L$ l
27. Robinson Crusoe (Daniel Defoe, 1719)
( A1 q* U% l" e7 D( O26. The Lord of the Rings (JRR Tolkien, 1954)* o7 B' _- R. |( h+ X9 x: w
25. White Teeth (Zadie Smith, 2000)* _3 o6 f( y9 w V! F% F$ C
24. The Golden Notebook (Doris Lessing, 1962)# Z2 c+ A- b+ A
23. Jude the Obscure (Thomas Hardy, 1895); K$ L/ ^. X: D
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
7 S" s, ]5 P( D/ n21. Heart of Darkness (Joseph Conrad, 1899)! k" d8 P1 Y- m6 a
20. Persuasion (Jane Austen, 1817)
! r! [* p, d/ F! g5 x19. Emma (Jane Austen, 1815)7 f$ [. H$ {/ w- S8 ?
18. Remains of the Day (Kazuo Ishiguro, 1989)
* @% K8 c9 o6 o! ]! H! `6 \+ k, a17. Howards End (EM Forster, 1910)* r* e+ g" y& L( _+ i) s
16. The Waves (Virginia Woolf, 1931)
& U. K6 a2 n' [4 N6 N4 B15. Atonement (Ian McEwan, 2001)
* X3 Y+ W7 I0 P2 h0 h14. Clarissa (Samuel Richardson,1748)
. J1 U* Y: J3 X4 S# B# G13. The Good Soldier (Ford Madox Ford, 1915)
& D Y9 v9 o7 D3 y; Z12. Nineteen Eighty-Four (George Orwell, 1949)0 ~6 A$ V5 @7 E; A$ B' X7 M
11. Pride and Prejudice (Jane Austen, 1813)3 ]2 Q: V6 p6 W! n% F* E- {
10. Vanity Fair (William Makepeace Thackeray, 1848)
' U& U+ n7 I; `# R6 Y5 w& j e9. Frankenstein (Mary Shelley, 1818)
. Y, v: g+ [& x7 W1 t/ c4 v8. David Copperfield (Charles Dickens, 1850)# o2 l2 m1 O f8 z; t8 W- V, p
7. Wuthering Heights (Emily Brontë, 1847)6 D( C- N. w, s" \
6. Bleak House (Charles Dickens, 1853)
. t# {" S% D) C" C0 V! K) M% _5. Jane Eyre (Charlotte Brontë, 1847)) L' z' B+ P1 j) a6 d" Y) T6 G
4. Great Expectations (Charles Dickens, 1861)
8 r3 ]8 [6 |3 W3. Mrs. Dalloway (Virginia Woolf, 1925)/ h& C# j( f2 U* P9 T. I/ T
2. To the Lighthouse (Virginia Woolf, 1927)
( w4 M2 l( Q$ o1. Middlemarch (George Eliot, 1874), U. f8 f; H# ?& x3 ?
0 Y) d n# x+ J& t; X+ _前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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