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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 7 R4 X3 Y, b+ ]1 A
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BBC评出100大英国文学名著
A7 H# t$ A. H6 g4 z2 ~+ B B: R8 ahttp://www.bbc.com/culture/story ... test-british-novels
1 C, g" \$ ?. R7 @; B) Q惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。. u$ j; Z n' [2 b' M/ w) z- Z
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100. The Code of the Woosters (PG Wodehouse, 1938)
( _6 _0 P' t, e) m8 C1 v99. There but for the (Ali Smith, 2011)- `2 L1 T. u* r N2 [/ \
98. Under the Volcano (Malcolm Lowry,1947)
4 t6 Y2 i5 j, A' o( Z" ], d. _2 D97. The Chronicles of Narnia (CS Lewis, 1949-1954)
' `$ o( J% I! {; i8 S0 I" }7 [96. Memoirs of a Survivor (Doris Lessing, 1974)6 p0 J: i7 ^' f8 C0 r; K
95. The Buddha of Suburbia (Hanif Kureishi, 1990)1 S( z* F4 a, |) S
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
; b# u2 K" t0 ?5 `8 M0 V93. Lord of the Flies (William Golding, 1954)' ]& q/ V9 @7 l# y- L# k: {% I0 I% ~
92. Cold Comfort Farm (Stella Gibbons, 1932)
' j6 q8 ~1 K k. w0 J; e6 |91. The Forsyte Saga (John Galsworthy, 1922)
; b$ g1 Y* L- e90. The Woman in White (Wilkie Collins, 1859)
" |5 k7 Y4 D8 }; ~7 p3 `( \89. The Horse’s Mouth (Joyce Cary, 1944)
, }% H5 Q A$ p V88. The Death of the Heart (Elizabeth Bowen, 1938)
' e, v& y n, j! V$ T( Y: ~# g87. The Old Wives’ Tale (Arnold Bennett,1908)
. I$ t9 w8 K9 T( ]9 I1 \86. A Legacy (Sybille Bedford, 1956)
# ]/ D# i+ j! p& K85. Regeneration Trilogy (Pat Barker, 1991-1995)
6 {1 d% L; Y- F84. Scoop (Evelyn Waugh, 1938)
* w5 {0 ]4 ~. ^: C( N% Z4 O+ Q83. Barchester Towers (Anthony Trollope, 1857)
8 [( s% j) S& _7 h6 h, q& v( Y82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
. R) y8 T$ c. |) g) x2 z81. The Jewel in the Crown (Paul Scott, 1966)" o# H9 z& r0 X0 P
80. Excellent Women (Barbara Pym, 1952). v# l$ T6 ]; t" U
79. His Dark Materials (Philip Pullman, 1995-2000)% E2 y& S. _! C7 D* k6 A
78. A House for Mr Biswas (VS Naipaul, 1961)$ m. _1 B( }2 W& I: k r6 ?
77. Of Human Bondage (W Somerset Maugham, 1915)
- P- r% e% q0 D0 M76. Small Island (Andrea Levy, 2004)* l; `& y; [, X" X- _5 |. {, Q8 H
75. Women in Love (DH Lawrence, 1920): `" m9 e3 ^ j' g
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
S+ e2 |. Y. H$ l! ~7 ?. i$ w5 o73. The Blue Flower (Penelope Fitzgerald, 1995)* |9 H% F) u% r
72. The Heart of the Matter (Graham Greene, 1948)
/ K. B- _3 Z5 P3 I+ K( o1 I" D0 c71. Old Filth (Jane Gardam, 2004): s' w! ]% W/ I. |
70. Daniel Deronda (George Eliot, 1876)
5 @% b3 v. s# `/ X69. Nostromo (Joseph Conrad, 1904)- k% Y$ s- D" A- G6 |' ~9 X, _
68. A Clockwork Orange (Anthony Burgess, 1962)
7 n6 l# n* a1 I5 z9 R, E0 t67. Crash (JG Ballard 1973)
, D" L3 d* j0 R! C U/ V/ l: _66. Sense and Sensibility (Jane Austen, 1811)2 i2 M; k* i/ r* [) `
65. Orlando (Virginia Woolf, 1928): L/ Y! V& q; a/ z9 \6 C7 L$ C( G
64. The Way We Live Now (Anthony Trollope, 1875)+ y5 |2 I) \2 }9 W
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
" M! P) l2 O# |& D+ E r2 V4 w' V62. Animal Farm (George Orwell, 1945)
c9 @3 i; s2 N! X0 ~) f% A61. The Sea, The Sea (Iris Murdoch, 1978)
, O- Z7 A! i; s4 y2 o) J60. Sons and Lovers (DH Lawrence, 1913)4 J+ H/ [7 w8 f& m7 k( O& G; N' c
59. The Line of Beauty (Alan Hollinghurst, 2004)8 |" s4 m% b* j7 G: t
58. Loving (Henry Green, 1945)
$ a3 E8 g/ X' S8 ^- j: n( R+ Y57. Parade’s End (Ford Madox Ford, 1924-1928)7 G5 |7 U1 w1 ? e# s( y; i; @
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)$ W# A* L, ?1 C) G
55. Gulliver’s Travels (Jonathan Swift, 1726)" R1 J& ?* K! W4 O
54. NW (Zadie Smith, 2012)
" E% E: g- H: i9 H53. Wide Sargasso Sea (Jean Rhys, 1966). |2 A5 _7 i3 K) @6 e
52. New Grub Street (George Gissing, 1891)+ _) e* N2 K9 h- ~2 A1 T3 P4 j
51. Tess of the d’Urbervilles (Thomas Hardy, 1891), R9 K' v5 {2 a
50. A Passage to India (EM Forster, 1924)
# Z, J9 w% R0 {( F8 c1 R7 Q! T/ t49. Possession (AS Byatt, 1990)( K L$ e4 ^5 L! f: ~ ~
48. Lucky Jim (Kingsley Amis, 1954)# R1 e! }4 F( A! J
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)4 W4 [+ R0 ^* ?! |, W/ {" p+ B
46. Midnight’s Children (Salman Rushdie, 1981)9 H/ I& s0 N2 a3 a: s' o* y+ O7 z% Z* V# _
45. The Little Stranger (Sarah Waters, 2009)
- Y+ [( x/ N4 h- S44. Wolf Hall (Hilary Mantel, 2009)
" C: g7 ^- i& {6 Y0 d4 A( w( O) S43. The Swimming Pool Library (Alan Hollinghurst, 1988), S" y, A9 \, `% ^/ A$ K
42. Brighton Rock (Graham Greene, 1938)
( E: l5 `) t& A) V9 {: ^. ?3 G41. Dombey and Son (Charles Dickens, 1848)# ?9 T b$ z* t' F, f; x5 E. ~! d2 k0 H
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865): o/ ^; c9 `: {# Y$ |
39. The Sense of an Ending (Julian Barnes, 2011)7 x: z& `5 l" j2 J: z+ I/ O
38. The Passion (Jeanette Winterson, 1987)* M& `) o) A4 g9 D
37. Decline and Fall (Evelyn Waugh, 1928): ]4 A6 ~& R. U5 a/ l
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)2 }4 S! M z5 i" h/ b: I" j& G. [
35. Remainder (Tom McCarthy, 2005)2 R/ u" o7 h' {6 u& P- e
34. Never Let Me Go (Kazuo Ishiguro, 2005)9 l2 |5 B3 T# ?! }5 \ G$ O! h& |
33. The Wind in the Willows (Kenneth Grahame, 1908)& E/ b" g/ ?' N8 j* [
32. A Room with a View (EM Forster, 1908)
% R% H4 J3 L; k' n31. The End of the Affair (Graham Greene, 1951)
1 Y2 v1 ?; s5 x" [, q+ u6 m5 A3 j30. Moll Flanders (Daniel Defoe, 1722)
# h0 r- q+ c7 d, z' r+ w29. Brick Lane (Monica Ali, 2003)
, m0 ~* W9 P+ t1 O% S28. Villette (Charlotte Brontë, 1853), b c" B. ?$ o
27. Robinson Crusoe (Daniel Defoe, 1719)
$ d' i" h6 _6 S1 P6 n @# G/ }26. The Lord of the Rings (JRR Tolkien, 1954)
. A2 k, x0 _8 v! C9 F& h" w25. White Teeth (Zadie Smith, 2000)' o4 t P: I C2 A
24. The Golden Notebook (Doris Lessing, 1962); b0 v2 }' K3 k8 W3 k; n2 s0 o/ n
23. Jude the Obscure (Thomas Hardy, 1895)
" X1 Z2 r) `5 t: a1 X1 x22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
$ D. r; C3 |2 _' Y; U* b, m Z21. Heart of Darkness (Joseph Conrad, 1899)
/ D, q0 H; e$ U- O20. Persuasion (Jane Austen, 1817): s5 G' g7 y, \, T' Y5 w$ ^
19. Emma (Jane Austen, 1815)
: S8 m/ X& H% I8 E2 w% L; Z8 t. K18. Remains of the Day (Kazuo Ishiguro, 1989)
# s. M- z6 k' W% Z! {/ M17. Howards End (EM Forster, 1910)
$ M: p: ^; L- F9 k9 k) ?& F16. The Waves (Virginia Woolf, 1931)
" d0 _4 o/ L7 h) H# y15. Atonement (Ian McEwan, 2001)) y7 H6 {& J. H9 z
14. Clarissa (Samuel Richardson,1748)0 d& |- r' U$ T' o5 R* t
13. The Good Soldier (Ford Madox Ford, 1915)
% \3 A4 y: Y$ U9 L* H/ W12. Nineteen Eighty-Four (George Orwell, 1949)9 I- U) ^0 N H/ k
11. Pride and Prejudice (Jane Austen, 1813)
0 ^4 d2 c- Q1 L' U10. Vanity Fair (William Makepeace Thackeray, 1848)2 p; g( g; q* A m* A; k) A- F% X
9. Frankenstein (Mary Shelley, 1818). z" l4 W$ E# o. r0 }1 ^+ I" T7 `
8. David Copperfield (Charles Dickens, 1850)( R/ g! O9 m2 _: p+ t
7. Wuthering Heights (Emily Brontë, 1847)
6 z) v# l6 I. ]: f" O" p* q6. Bleak House (Charles Dickens, 1853)
! P3 E8 @6 t" \) k R+ C ]+ P# ~5. Jane Eyre (Charlotte Brontë, 1847)/ z4 U6 C. u" S2 A* u. f' j5 o
4. Great Expectations (Charles Dickens, 1861)! M( q! m8 X: m' p
3. Mrs. Dalloway (Virginia Woolf, 1925)
$ m4 b7 d2 d7 ?8 \9 G. `1 c4 R& H2. To the Lighthouse (Virginia Woolf, 1927)
! X1 P1 U) c& }" J( w1. Middlemarch (George Eliot, 1874)+ d; a& b' b$ h. A3 u0 h
8 s$ k5 d% r& ?* ]% ^前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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