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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ; Z2 w; W% t8 P. P
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BBC评出100大英国文学名著- W8 }! `. I S1 K" j" m0 H7 |* q
http://www.bbc.com/culture/story ... test-british-novels; k0 v( R/ B7 i1 f* {* A
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。. O% r. D# i5 R1 M! Y7 n
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100. The Code of the Woosters (PG Wodehouse, 1938)
6 y; W$ a, y: q3 u2 I99. There but for the (Ali Smith, 2011)7 ~6 ]% v. }: x$ `7 d& ~
98. Under the Volcano (Malcolm Lowry,1947)0 ^, c" H4 @4 R# Y. M0 y+ ^+ w9 N
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
2 y% J& t1 q$ L* \7 ^96. Memoirs of a Survivor (Doris Lessing, 1974)
7 N, d* n$ R$ N3 e; y3 s95. The Buddha of Suburbia (Hanif Kureishi, 1990)7 Z+ Y* a: P! ~& j
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)7 r9 L) a; C- J- o! O6 @# y" b
93. Lord of the Flies (William Golding, 1954)
5 a& l0 t' k/ A9 b+ v3 L+ d+ ?; i6 F92. Cold Comfort Farm (Stella Gibbons, 1932)
2 ?5 I* b v B4 f/ O7 m, @91. The Forsyte Saga (John Galsworthy, 1922)" ]" @8 K# e3 a; h- {: B1 C; z
90. The Woman in White (Wilkie Collins, 1859)
0 r) k! g# i" z89. The Horse’s Mouth (Joyce Cary, 1944)
3 f* F' s/ o0 w88. The Death of the Heart (Elizabeth Bowen, 1938)4 d4 X) K" y7 c8 L
87. The Old Wives’ Tale (Arnold Bennett,1908)
: L2 Z/ L& W; {' C2 F" C86. A Legacy (Sybille Bedford, 1956)* z: K$ I. Z: a
85. Regeneration Trilogy (Pat Barker, 1991-1995)
! W( C, t+ B" Q1 E# G, j0 L: m84. Scoop (Evelyn Waugh, 1938)
. k; b* s! n9 k2 f+ @83. Barchester Towers (Anthony Trollope, 1857)
6 u( z: v- r& o& M& W82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
4 p/ J* A5 c, I, H3 p* B) k1 K; y81. The Jewel in the Crown (Paul Scott, 1966)
+ v5 v' G* |8 H) n& k" T" r80. Excellent Women (Barbara Pym, 1952)" S% J1 J/ ]- g% h& d+ a) E) }- \
79. His Dark Materials (Philip Pullman, 1995-2000), X' D0 i% D. \$ i% n5 E0 t- f
78. A House for Mr Biswas (VS Naipaul, 1961)7 h0 \! T' [$ J
77. Of Human Bondage (W Somerset Maugham, 1915)
1 g. V7 `6 d, Y+ P6 C76. Small Island (Andrea Levy, 2004)
; n+ c, Y# v. a5 n0 g: u75. Women in Love (DH Lawrence, 1920)7 H& ^2 p k5 @* p# j2 k6 T& E
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
* e6 n! N% Q% i3 T: i1 A% b73. The Blue Flower (Penelope Fitzgerald, 1995); N% r# s& X2 N( i; ^% i
72. The Heart of the Matter (Graham Greene, 1948)
; t. F8 `' a, B0 s. f71. Old Filth (Jane Gardam, 2004)
- m7 K9 ?0 \6 i. C0 c$ z0 l70. Daniel Deronda (George Eliot, 1876)
5 L1 J! x& A3 K9 A4 ^69. Nostromo (Joseph Conrad, 1904)7 e" ~5 n6 `5 Q/ N( d
68. A Clockwork Orange (Anthony Burgess, 1962)7 ^* U' Q: r. K& }3 w5 W) `
67. Crash (JG Ballard 1973)2 N, d4 W( ]4 s3 h+ ^3 s, d
66. Sense and Sensibility (Jane Austen, 1811)
* P7 n1 W2 W! L2 q8 U; v. J65. Orlando (Virginia Woolf, 1928)* X5 l9 a- K+ s M! c0 |: _7 k1 v
64. The Way We Live Now (Anthony Trollope, 1875)
" t- x5 v! e) _63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
0 ]# a& v* t6 B7 g) U+ W62. Animal Farm (George Orwell, 1945)
/ |; e5 K9 {) k ^/ O7 u/ [61. The Sea, The Sea (Iris Murdoch, 1978)2 |7 a& g/ A: i/ H! a
60. Sons and Lovers (DH Lawrence, 1913)% ^; c Z" {& k5 ]
59. The Line of Beauty (Alan Hollinghurst, 2004)5 {5 t1 e' T" p" F' o
58. Loving (Henry Green, 1945)
2 O; \ {7 w0 I) [57. Parade’s End (Ford Madox Ford, 1924-1928); V& H! |7 u% M
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)' O' x* \2 l( y9 [7 q
55. Gulliver’s Travels (Jonathan Swift, 1726)" y6 x9 R% E( m( A h* J9 T& Z
54. NW (Zadie Smith, 2012)
1 x3 J6 R- M) `53. Wide Sargasso Sea (Jean Rhys, 1966)2 Z- m0 }" x& \( u
52. New Grub Street (George Gissing, 1891)
6 U0 Z' M. d( u8 y7 K$ I1 ?51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
0 R& k& l5 Q4 F2 \3 `) w2 q50. A Passage to India (EM Forster, 1924)
9 N6 c$ z# x9 v4 U" ?, @5 d! P49. Possession (AS Byatt, 1990)
# r4 E: Q2 ^9 B" ^8 i8 ^: u# W48. Lucky Jim (Kingsley Amis, 1954)7 F% J7 C! [& q
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)/ }+ `% W5 N% ?* q T" s' \; h$ c
46. Midnight’s Children (Salman Rushdie, 1981)
1 N' T( k% b. X! W0 W9 n45. The Little Stranger (Sarah Waters, 2009); [8 J2 d. J. _8 S/ M& w4 r- c0 N8 U
44. Wolf Hall (Hilary Mantel, 2009)
4 P% f9 @" w. ]$ L43. The Swimming Pool Library (Alan Hollinghurst, 1988)
/ N# f' f( F0 c42. Brighton Rock (Graham Greene, 1938)
( I0 w4 x4 Q/ w6 _' ]1 y% i5 }41. Dombey and Son (Charles Dickens, 1848); R7 h* y" {, W) W" r# g7 @8 W: C
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)- @' \$ r- O5 t' `. Q" Y6 W
39. The Sense of an Ending (Julian Barnes, 2011)
2 E7 h1 p( L) H3 U2 b. ?) s1 ]38. The Passion (Jeanette Winterson, 1987)
% M- |0 j* X2 K37. Decline and Fall (Evelyn Waugh, 1928). i( ~% l+ W! C- [' d7 q
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)2 Y( U" V7 _* c% D
35. Remainder (Tom McCarthy, 2005)3 f9 J+ W9 F0 j5 z* T' l9 e
34. Never Let Me Go (Kazuo Ishiguro, 2005)
. H5 u3 M( U9 D% H& a33. The Wind in the Willows (Kenneth Grahame, 1908)
9 o* D3 d% N* C1 K* X% {# w0 t32. A Room with a View (EM Forster, 1908)
: }" a, z' L' _2 G2 O7 n31. The End of the Affair (Graham Greene, 1951)" U% p3 L" C% r% ?9 i( y9 h
30. Moll Flanders (Daniel Defoe, 1722)) z' [# P" @0 ?; Z
29. Brick Lane (Monica Ali, 2003)6 H9 Y2 k4 X) Q. u$ l
28. Villette (Charlotte Brontë, 1853)
6 p/ l; v1 L: Z: U27. Robinson Crusoe (Daniel Defoe, 1719)
# R! }2 X6 Q3 O26. The Lord of the Rings (JRR Tolkien, 1954)
8 m9 k9 B2 v9 n. s) c25. White Teeth (Zadie Smith, 2000)) Y( @2 P6 v5 Y4 ?2 T
24. The Golden Notebook (Doris Lessing, 1962)
0 H. ]' G6 T) ]5 L) \- Y23. Jude the Obscure (Thomas Hardy, 1895)
- }1 S' e$ ^3 h e* a. y; A* |22. The History of Tom Jones, a Foundling (Henry Fielding, 1749); O d+ Q3 n1 `6 ^ z
21. Heart of Darkness (Joseph Conrad, 1899)
5 _: S- v" F( }$ n& P20. Persuasion (Jane Austen, 1817)9 h; p" F# M5 v- T6 q8 S
19. Emma (Jane Austen, 1815)
2 f0 M; R9 z. I; B) s0 @18. Remains of the Day (Kazuo Ishiguro, 1989)
R. g( O2 ~$ U4 O17. Howards End (EM Forster, 1910)
0 d) U* t u6 ^0 `1 } S16. The Waves (Virginia Woolf, 1931)
j2 C9 c( t" C5 K# P15. Atonement (Ian McEwan, 2001)/ c3 j- V3 _% H" y% r/ _2 `
14. Clarissa (Samuel Richardson,1748). L( M: U3 C% X
13. The Good Soldier (Ford Madox Ford, 1915) d4 ^: L5 B6 Y/ L) E1 P) @5 j
12. Nineteen Eighty-Four (George Orwell, 1949)
$ q2 O5 Q# ^4 R) Y0 v- N11. Pride and Prejudice (Jane Austen, 1813)
/ \# ]# |; \% e" q) i9 e6 D10. Vanity Fair (William Makepeace Thackeray, 1848)# [, j3 U: p# Y1 S+ K9 s5 R
9. Frankenstein (Mary Shelley, 1818)
1 Z* l/ M; q% |2 Z8. David Copperfield (Charles Dickens, 1850). k* A* }4 W# I; r) n( {6 B3 A
7. Wuthering Heights (Emily Brontë, 1847)1 I: J) R9 U+ u% X' X- m5 n
6. Bleak House (Charles Dickens, 1853)5 H& G9 Q8 V; u5 X8 f
5. Jane Eyre (Charlotte Brontë, 1847), F) K- d: c3 p! I6 O
4. Great Expectations (Charles Dickens, 1861)
! ?% d$ Q! @5 [" G3. Mrs. Dalloway (Virginia Woolf, 1925)
8 W$ A8 l! E% o2. To the Lighthouse (Virginia Woolf, 1927)
9 Z. }7 W( h' b" M ]' m7 Q1. Middlemarch (George Eliot, 1874)# }3 @* f. d+ [
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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5 Q8 L" f. o3 F0 i* Y. u! F呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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