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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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8 m( W; Z9 g6 N& P" BBBC评出100大英国文学名著' c( f3 }- j$ b+ p( `8 M
http://www.bbc.com/culture/story ... test-british-novels" D5 s2 W) j% j1 Q
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。6 z1 K$ N; U1 _4 X- `2 y, @
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100. The Code of the Woosters (PG Wodehouse, 1938): j; f' l. S5 L* R4 n, v( v
99. There but for the (Ali Smith, 2011)' W0 ^- ]5 v" W; ~# ^. y9 r$ D
98. Under the Volcano (Malcolm Lowry,1947)- M/ a0 I4 H# [( O* o+ @ ]
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
6 o' E3 U/ i" {$ ?' v: S96. Memoirs of a Survivor (Doris Lessing, 1974)
8 Q) Y2 H9 V4 P! k0 w7 k1 X95. The Buddha of Suburbia (Hanif Kureishi, 1990)
+ y/ I5 S- Z" ?94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)0 _: r5 q0 Q& S1 d3 y
93. Lord of the Flies (William Golding, 1954) g+ ?0 t9 j* r9 p5 j; J
92. Cold Comfort Farm (Stella Gibbons, 1932)7 J# l' u' K; n+ [: I
91. The Forsyte Saga (John Galsworthy, 1922)2 f* |6 z' k% i% ^- c
90. The Woman in White (Wilkie Collins, 1859)
V9 k6 f$ l- F3 ~/ @89. The Horse’s Mouth (Joyce Cary, 1944)) f) J9 f3 A- r
88. The Death of the Heart (Elizabeth Bowen, 1938)) k7 J$ P9 x/ R1 A( f; L k
87. The Old Wives’ Tale (Arnold Bennett,1908)) d& f3 l- @# q& n$ v
86. A Legacy (Sybille Bedford, 1956)
& I7 G6 [0 a! {85. Regeneration Trilogy (Pat Barker, 1991-1995)
% J! ~ H1 M: q3 Z8 L. z8 x* L8 [84. Scoop (Evelyn Waugh, 1938)2 `0 q' X" I7 F m8 U0 R7 c$ I$ e
83. Barchester Towers (Anthony Trollope, 1857)' ]) M* q9 s2 ~0 f8 G& r' Z
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
- X4 u% L" `- p; L9 U1 ?% d* q81. The Jewel in the Crown (Paul Scott, 1966)
- v; x* c% s) ~: G* ?# d" Y80. Excellent Women (Barbara Pym, 1952)
# ~4 s. d8 F8 x% R# ?0 k79. His Dark Materials (Philip Pullman, 1995-2000)2 t( t; t9 ~- @' i+ c- E( H
78. A House for Mr Biswas (VS Naipaul, 1961) J; f0 ?6 z: z* U# C" }- e/ `! g
77. Of Human Bondage (W Somerset Maugham, 1915)
5 u/ W0 a( Q( P' H: |4 b$ W76. Small Island (Andrea Levy, 2004)
5 M6 ^( c; V, _0 h) y/ ?75. Women in Love (DH Lawrence, 1920)- b; u5 |% {* k: s
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
! ]6 I- h# F$ V1 O* i2 U, ]/ K73. The Blue Flower (Penelope Fitzgerald, 1995): |2 E: f* _ J$ L6 ]% |
72. The Heart of the Matter (Graham Greene, 1948)) K( n' O. @6 g0 C
71. Old Filth (Jane Gardam, 2004)
' s% P7 q5 P, g; g* z70. Daniel Deronda (George Eliot, 1876)
2 H; Y! f. ^/ o# \8 U69. Nostromo (Joseph Conrad, 1904)! v7 z* u; G5 `4 K
68. A Clockwork Orange (Anthony Burgess, 1962)
% `. i& [$ r+ @5 ^67. Crash (JG Ballard 1973)0 p' ]: Z+ A3 M4 X: g9 W: h4 w
66. Sense and Sensibility (Jane Austen, 1811)9 }4 f: h! X2 a/ Z4 E8 ]
65. Orlando (Virginia Woolf, 1928)# t( T" N% t$ `5 u" F
64. The Way We Live Now (Anthony Trollope, 1875)+ @$ P/ m4 o6 S( w
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961), R) I% e4 O) K0 N+ V. |# w
62. Animal Farm (George Orwell, 1945)
6 k( P( B/ g# e( k1 k61. The Sea, The Sea (Iris Murdoch, 1978)
1 L z+ I+ Z& w, p' d" N4 I" E: Q, z60. Sons and Lovers (DH Lawrence, 1913), h6 i! n* |0 M. u/ d
59. The Line of Beauty (Alan Hollinghurst, 2004)
4 U" v1 C1 `3 T) ]- D2 {; _58. Loving (Henry Green, 1945)& v8 H, H' d6 Q, ]
57. Parade’s End (Ford Madox Ford, 1924-1928)2 r3 P1 W' \* R. n4 z8 Q
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
- s( n7 w/ |2 q. e k55. Gulliver’s Travels (Jonathan Swift, 1726)
+ S3 x( ?9 n% v. X+ e54. NW (Zadie Smith, 2012)
- X& K' n- P2 z53. Wide Sargasso Sea (Jean Rhys, 1966)
. @& ~; t* O: K7 c1 v# w52. New Grub Street (George Gissing, 1891)6 y( N/ _- w7 e3 R& d& z
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
; j- A- P' G( F" d7 A% y% g8 e50. A Passage to India (EM Forster, 1924)
6 u: D8 V& H2 k# ^( b4 @49. Possession (AS Byatt, 1990) C4 P7 f. p1 E# [9 @7 g8 B7 p/ z
48. Lucky Jim (Kingsley Amis, 1954)
% `, U9 A: U6 x4 H2 n: V1 y& i47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
& k! n4 ^5 v8 D" \46. Midnight’s Children (Salman Rushdie, 1981)# ~3 s6 Y% M+ q4 N6 k2 I7 f& B
45. The Little Stranger (Sarah Waters, 2009)
6 P+ x7 E3 \: V" K' ?44. Wolf Hall (Hilary Mantel, 2009)
0 L B3 Z" d1 f7 _0 \. D43. The Swimming Pool Library (Alan Hollinghurst, 1988)
0 t: }3 Z& Q7 I; Y) K42. Brighton Rock (Graham Greene, 1938)
; H3 ?% ]2 V: f9 o( f$ I41. Dombey and Son (Charles Dickens, 1848) n1 O6 |0 L/ Z; `& @6 _
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)7 g( k* }6 n# q) \ j1 o. X
39. The Sense of an Ending (Julian Barnes, 2011)! \/ h L9 @$ K3 e
38. The Passion (Jeanette Winterson, 1987)2 p6 X+ ~" E7 U/ n5 M( o! A
37. Decline and Fall (Evelyn Waugh, 1928)- F \3 @8 p1 X; }( f* u
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
- ?8 f/ K. ^1 N& [35. Remainder (Tom McCarthy, 2005)
6 p( m# ?: J- U% {34. Never Let Me Go (Kazuo Ishiguro, 2005)0 w; P( }' X z. N8 _7 q' C
33. The Wind in the Willows (Kenneth Grahame, 1908)
' z( n! {; c% o- Y6 E1 U32. A Room with a View (EM Forster, 1908)" O+ x3 e4 D; I, s
31. The End of the Affair (Graham Greene, 1951). g$ Q& _: z- n) w
30. Moll Flanders (Daniel Defoe, 1722)- M* n6 s- T3 m, r6 J. \/ U, g
29. Brick Lane (Monica Ali, 2003)
1 H( L0 C/ ]- p+ i# @28. Villette (Charlotte Brontë, 1853)
% T6 l: ]+ E, B. q9 `27. Robinson Crusoe (Daniel Defoe, 1719)
) k* i8 X6 i3 X9 N" o4 O6 D26. The Lord of the Rings (JRR Tolkien, 1954)
! F& C7 l% n8 j5 j6 H- _6 x( O25. White Teeth (Zadie Smith, 2000)
5 R) J+ @6 N0 a% w+ R4 C' X24. The Golden Notebook (Doris Lessing, 1962)
+ L9 J4 Q7 Z% ^& u- X$ I* n23. Jude the Obscure (Thomas Hardy, 1895)5 N1 w& w( y+ n2 \
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)% L) u) `# ]- y1 p: f: }5 R
21. Heart of Darkness (Joseph Conrad, 1899)
1 x* ~# k: l8 T& m20. Persuasion (Jane Austen, 1817)
" S. u- C9 I7 s' G6 m" P9 C. |19. Emma (Jane Austen, 1815)8 r4 O/ g8 J/ h i
18. Remains of the Day (Kazuo Ishiguro, 1989)) s8 g e, N$ Y) }
17. Howards End (EM Forster, 1910), y/ [9 ^$ S4 ^
16. The Waves (Virginia Woolf, 1931)
, u' [. z3 O I4 Q$ |8 O# ~15. Atonement (Ian McEwan, 2001)
* K" ?2 a1 L* ]1 \14. Clarissa (Samuel Richardson,1748)
0 A; U7 G" Y+ Y! i13. The Good Soldier (Ford Madox Ford, 1915)2 @2 `$ V+ C7 k: Q: K ^$ w1 o* w
12. Nineteen Eighty-Four (George Orwell, 1949)
0 N& N$ k8 y! Z! \11. Pride and Prejudice (Jane Austen, 1813)" K! S, U+ V2 ]$ X& U
10. Vanity Fair (William Makepeace Thackeray, 1848)3 p, O. ~$ {) I7 ~4 D6 R1 l
9. Frankenstein (Mary Shelley, 1818)
( c" e/ k: j. T2 Z5 g8. David Copperfield (Charles Dickens, 1850)
# n5 `- ~( r; J3 M7 K( x( J! l7. Wuthering Heights (Emily Brontë, 1847)
8 |4 R+ N o- c& |7 p6. Bleak House (Charles Dickens, 1853)
0 r. @: C B. l4 J2 @5 Z t5. Jane Eyre (Charlotte Brontë, 1847), i+ T% N4 C5 E1 [
4. Great Expectations (Charles Dickens, 1861)
4 E9 m# g z; W" m% K5 ~3. Mrs. Dalloway (Virginia Woolf, 1925). C8 Q/ e, I U! P
2. To the Lighthouse (Virginia Woolf, 1927)8 Y1 y! g8 W M0 I r
1. Middlemarch (George Eliot, 1874) w+ z5 ?2 o$ `' [+ d% B
& p3 m5 N y% o& h S. C前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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