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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 : Q7 q/ ~- O8 E0 K
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BBC评出100大英国文学名著3 v, z4 X( }4 w
http://www.bbc.com/culture/story ... test-british-novels' V# g4 `! B& ]9 Q
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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0 q- |( O% d. f5 A, e100. The Code of the Woosters (PG Wodehouse, 1938)
: ]' A9 D& H/ T. i3 c6 B/ Q99. There but for the (Ali Smith, 2011)
: U% f, V+ s; g& F. p98. Under the Volcano (Malcolm Lowry,1947)
5 y6 `. i6 S! Q; O; ?# D. t" A97. The Chronicles of Narnia (CS Lewis, 1949-1954)
8 S8 z" L2 \" y; P96. Memoirs of a Survivor (Doris Lessing, 1974)0 U5 d! B, S# e5 {. d) N8 {
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
% t' m/ \* U, v' V94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)3 h- J( m/ S) m4 `
93. Lord of the Flies (William Golding, 1954)
( Q$ R5 v3 I# m4 c0 C! T92. Cold Comfort Farm (Stella Gibbons, 1932)
1 ^# S5 o8 g! x91. The Forsyte Saga (John Galsworthy, 1922)
) P" O6 s7 r; r90. The Woman in White (Wilkie Collins, 1859)& t r1 [: r/ Q8 e3 M+ X$ F
89. The Horse’s Mouth (Joyce Cary, 1944)
) W: a5 ?' p" |7 Q8 n2 n1 _2 I88. The Death of the Heart (Elizabeth Bowen, 1938)
" ?% |: _% L: ?! q+ M7 B4 \: @87. The Old Wives’ Tale (Arnold Bennett,1908) o6 l5 h3 ^5 c7 U/ u7 e
86. A Legacy (Sybille Bedford, 1956)0 P1 t& N! C. O3 ?6 k R
85. Regeneration Trilogy (Pat Barker, 1991-1995)2 j9 Q4 m9 _# b' g& e$ y6 ?
84. Scoop (Evelyn Waugh, 1938)
! w2 u; x/ }3 Y83. Barchester Towers (Anthony Trollope, 1857)# H& K& _! {. l4 s" X5 o
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
3 s* `: B+ R* k: Q7 m8 T81. The Jewel in the Crown (Paul Scott, 1966) I* J8 f2 _9 d9 \. ]
80. Excellent Women (Barbara Pym, 1952)
5 \ n4 O& Y% b% @9 A V79. His Dark Materials (Philip Pullman, 1995-2000)
, {/ z I. s- ^/ b' i78. A House for Mr Biswas (VS Naipaul, 1961) ?3 x$ i0 h9 t/ g( O% ~
77. Of Human Bondage (W Somerset Maugham, 1915)
. H. g5 M# T6 O$ P) E3 K* y* ^$ w76. Small Island (Andrea Levy, 2004)
; B5 k7 A: u, A% S2 q1 d/ p75. Women in Love (DH Lawrence, 1920)
0 g& C6 U- b- }8 `1 |5 {+ S74. The Mayor of Casterbridge (Thomas Hardy, 1886)+ n$ F/ K9 x, z8 R# X$ w% u
73. The Blue Flower (Penelope Fitzgerald, 1995)& I" M7 l; d) M! a+ I
72. The Heart of the Matter (Graham Greene, 1948)& R( s2 o9 B4 H
71. Old Filth (Jane Gardam, 2004)
) i k1 x4 _% v2 \2 O. _# z70. Daniel Deronda (George Eliot, 1876)
3 Z: M) f8 Z3 Q& @0 [, P69. Nostromo (Joseph Conrad, 1904)9 E% Q7 m6 d* U& W/ B
68. A Clockwork Orange (Anthony Burgess, 1962)
* L1 Y& C$ e4 A5 q' k' R0 K67. Crash (JG Ballard 1973)
: K" W3 j8 F+ c4 v F6 ?66. Sense and Sensibility (Jane Austen, 1811)/ ~! p( S: p" c4 q* B G
65. Orlando (Virginia Woolf, 1928)
: e" _) `* H8 M/ U6 Z64. The Way We Live Now (Anthony Trollope, 1875)
, F8 Y: y0 l e' B$ g% A63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
$ \8 T- P6 A, g- i6 D62. Animal Farm (George Orwell, 1945)& p: c* _7 L; U
61. The Sea, The Sea (Iris Murdoch, 1978)0 j1 e' R: e/ P1 U+ Y
60. Sons and Lovers (DH Lawrence, 1913)
# w) B( o; q. X, F+ h* @59. The Line of Beauty (Alan Hollinghurst, 2004)/ G, ~7 K" R/ n; ?
58. Loving (Henry Green, 1945)
, _) x+ ]' V/ Z i$ y& q! j57. Parade’s End (Ford Madox Ford, 1924-1928)
7 ^( w/ L9 P0 J2 g/ g" h4 ~56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
" [. k' P$ A1 F55. Gulliver’s Travels (Jonathan Swift, 1726)
0 q8 e3 f; k- S* o3 I54. NW (Zadie Smith, 2012)6 P' b0 z- X3 p) |+ B6 P. F
53. Wide Sargasso Sea (Jean Rhys, 1966)( S" e- m" m0 A: e/ a% E( c
52. New Grub Street (George Gissing, 1891)
9 B: P: k) z7 g2 h. \3 x1 z0 S51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
3 d3 g" O% w9 G4 U8 R50. A Passage to India (EM Forster, 1924)
# a5 V$ L% H3 U- o7 Y- Z; {2 M49. Possession (AS Byatt, 1990)
+ ~: w$ N/ }4 H# `48. Lucky Jim (Kingsley Amis, 1954)# x4 q% Y' Z! i; ^' S
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)) k1 Q: g/ c' C# Q& c8 \/ B4 j
46. Midnight’s Children (Salman Rushdie, 1981)
2 x- T# K; g7 \0 ~, r- }( X! b* o45. The Little Stranger (Sarah Waters, 2009)
4 o6 g8 H+ ]0 @* \2 V' C44. Wolf Hall (Hilary Mantel, 2009)7 C& i% }' v( G! j9 W
43. The Swimming Pool Library (Alan Hollinghurst, 1988). U: h' P. u" `8 Y3 l" X$ |
42. Brighton Rock (Graham Greene, 1938)
' x- B w) r/ V6 Y4 [8 }' t41. Dombey and Son (Charles Dickens, 1848), |3 P- d9 R0 {" F9 b
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
5 | Y# S2 L: p, U& q h39. The Sense of an Ending (Julian Barnes, 2011)
* j9 I9 Z; g4 ], z, m4 {: l2 V* [38. The Passion (Jeanette Winterson, 1987)
7 {7 t1 u) G! B( j37. Decline and Fall (Evelyn Waugh, 1928)
; }) ]+ y6 G# W& _% l2 h3 ~5 M, R/ _36. A Dance to the Music of Time (Anthony Powell, 1951-1975)% H7 F: {. o/ }3 F
35. Remainder (Tom McCarthy, 2005)5 S! Z" F# p6 u: Z8 ~& n
34. Never Let Me Go (Kazuo Ishiguro, 2005): i' H I# A& E6 D+ R1 \# s( L
33. The Wind in the Willows (Kenneth Grahame, 1908)
, n# U) D! W$ i3 E32. A Room with a View (EM Forster, 1908)3 n& D+ v1 b" F3 G% |+ [' d
31. The End of the Affair (Graham Greene, 1951)/ l( r% b/ {4 X9 b
30. Moll Flanders (Daniel Defoe, 1722)
+ p( ?, d$ j2 @29. Brick Lane (Monica Ali, 2003)1 u! B3 f2 s/ H, }% n( j1 ?& a
28. Villette (Charlotte Brontë, 1853)1 x4 b$ C* c( K
27. Robinson Crusoe (Daniel Defoe, 1719), w. K" d* [4 b5 h1 u6 }/ p8 Q# F! s
26. The Lord of the Rings (JRR Tolkien, 1954)
% O$ |- ]1 J; R+ C4 Y: [8 q! ]25. White Teeth (Zadie Smith, 2000)
4 k4 R4 O5 |& N6 I24. The Golden Notebook (Doris Lessing, 1962)
5 t' s0 W$ O8 W1 t5 l ^23. Jude the Obscure (Thomas Hardy, 1895)
" i$ j" R' V# M! B22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
0 q" @7 p9 X- f Y/ M6 ?9 q2 k21. Heart of Darkness (Joseph Conrad, 1899)
* d* {- O% P/ z+ m* y20. Persuasion (Jane Austen, 1817) c0 W: w5 d( K ~5 B
19. Emma (Jane Austen, 1815)
1 e" k( j8 b4 r$ X# E18. Remains of the Day (Kazuo Ishiguro, 1989)# V- I& N: P3 Q
17. Howards End (EM Forster, 1910)
' D9 I+ c# W% \7 O1 ]9 G' n% e& Z16. The Waves (Virginia Woolf, 1931)
0 R( b( A% {8 Q0 G9 c15. Atonement (Ian McEwan, 2001)6 I2 O: O' r4 C' P0 m
14. Clarissa (Samuel Richardson,1748)
8 |& T/ K1 F, `4 I: f, ~13. The Good Soldier (Ford Madox Ford, 1915)
3 U7 _ ]5 D3 s' R2 @# C- {& B12. Nineteen Eighty-Four (George Orwell, 1949)
& y5 }' y5 Y- E5 O6 Y11. Pride and Prejudice (Jane Austen, 1813)0 G W" {+ a" R8 w! z! ^; A: w
10. Vanity Fair (William Makepeace Thackeray, 1848)
5 I" I. K8 b! V9. Frankenstein (Mary Shelley, 1818)
# q+ Y/ U6 X, r5 a8. David Copperfield (Charles Dickens, 1850)' U2 S+ J, J' M' O
7. Wuthering Heights (Emily Brontë, 1847)
7 L+ t' \0 \# v/ ]2 `% z6 d6. Bleak House (Charles Dickens, 1853)
& N/ [: T5 ?, H! w* X1 |/ O R2 h9 H# Z5. Jane Eyre (Charlotte Brontë, 1847)
1 N: T) w& G% e4 x- R4. Great Expectations (Charles Dickens, 1861)& l4 |8 J: g# n9 o) F- h" s
3. Mrs. Dalloway (Virginia Woolf, 1925) \9 E" z! p! h$ ^5 |: X; g
2. To the Lighthouse (Virginia Woolf, 1927)7 k# H) W5 z, D# u# r; `
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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/ c) a) Z0 y7 e; D呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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