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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ) H; Z D( h% A% n6 _
( b. R) a8 O/ {, m% |1 \BBC评出100大英国文学名著8 s' G+ I7 V2 V+ P) a4 Y; y( I
http://www.bbc.com/culture/story ... test-british-novels; Z+ M8 O0 }4 Q$ }. K
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。; j) f) A$ X9 ]6 G @" I1 e
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100. The Code of the Woosters (PG Wodehouse, 1938)& g; T; n( @$ |$ f" S
99. There but for the (Ali Smith, 2011)
0 p0 a5 a; G( @/ N) a$ ~98. Under the Volcano (Malcolm Lowry,1947)
5 t; i& @4 U; J" p6 j! n2 ]97. The Chronicles of Narnia (CS Lewis, 1949-1954)
) Y3 V* ^: W& F1 F1 r5 n; C. O96. Memoirs of a Survivor (Doris Lessing, 1974)9 q1 W4 v# C0 {
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
3 K& D* Q4 T2 r/ p. _0 s94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)& @% T1 s5 N( u: w+ p) D
93. Lord of the Flies (William Golding, 1954)
4 Y/ q3 i8 L0 z e8 Z92. Cold Comfort Farm (Stella Gibbons, 1932)
9 r5 R8 o7 f, N91. The Forsyte Saga (John Galsworthy, 1922)
/ j# M0 i m; s( r90. The Woman in White (Wilkie Collins, 1859)$ f0 o+ Q/ f* |: P S1 z& }
89. The Horse’s Mouth (Joyce Cary, 1944)# e! N2 L6 f4 l3 `$ d
88. The Death of the Heart (Elizabeth Bowen, 1938), }5 `1 H" Q6 w3 y+ s& { R
87. The Old Wives’ Tale (Arnold Bennett,1908)
( x4 S% L$ Y2 @% T% ~5 d7 i9 h86. A Legacy (Sybille Bedford, 1956)2 D& Z k# z; o p5 s! X5 J# h0 @
85. Regeneration Trilogy (Pat Barker, 1991-1995)7 @) H I) N7 S2 _5 d- z% c+ z3 T
84. Scoop (Evelyn Waugh, 1938)
9 u5 Y3 h1 j( ` j/ z) f83. Barchester Towers (Anthony Trollope, 1857)7 Q8 ~, q7 p9 ~6 K/ @; |) x
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)+ w/ C% h9 v* x* F, w4 ^
81. The Jewel in the Crown (Paul Scott, 1966)) N& ?- F) a) O" x
80. Excellent Women (Barbara Pym, 1952)
# l' ~" z7 H R, k$ w9 C79. His Dark Materials (Philip Pullman, 1995-2000)
0 A% n! s$ k9 a \1 J: I7 b78. A House for Mr Biswas (VS Naipaul, 1961)0 d4 ^% |0 ^& c, l6 V/ F
77. Of Human Bondage (W Somerset Maugham, 1915), A" y8 M* b. E; H; _+ Y
76. Small Island (Andrea Levy, 2004)+ P5 n( o! v# a. a6 r2 ?
75. Women in Love (DH Lawrence, 1920)
8 W* s; t% ^6 y4 D# p! q3 I. z' z74. The Mayor of Casterbridge (Thomas Hardy, 1886)4 a; I5 J9 e$ _. C( `
73. The Blue Flower (Penelope Fitzgerald, 1995)& y- e; c( ?$ j2 k& g9 Q5 m
72. The Heart of the Matter (Graham Greene, 1948)5 d5 _, A" s5 {: `/ s) i
71. Old Filth (Jane Gardam, 2004)( D* x' q( ]& }$ l e1 E9 P! ~1 r
70. Daniel Deronda (George Eliot, 1876)
/ w) l5 I$ m9 `# q, V# p69. Nostromo (Joseph Conrad, 1904)
+ F% L6 x) E' x6 L! }$ e68. A Clockwork Orange (Anthony Burgess, 1962)1 v0 D( @& |, k/ `* r2 o6 v9 e3 i: Y( A
67. Crash (JG Ballard 1973)
2 F, X2 {8 x- B L& X$ W" C" u66. Sense and Sensibility (Jane Austen, 1811)4 n, C7 W6 e( _
65. Orlando (Virginia Woolf, 1928)
6 `. W; F" o* {- `+ ?64. The Way We Live Now (Anthony Trollope, 1875)
- D( d. @6 G, \, v. Z! d& c63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)1 c% u. S6 {# O: ]3 Y# D: j
62. Animal Farm (George Orwell, 1945)/ _7 u4 L% d9 y8 r7 T
61. The Sea, The Sea (Iris Murdoch, 1978)! b$ ^' y4 J0 h( Q9 N. l
60. Sons and Lovers (DH Lawrence, 1913)9 [7 l5 P0 M; ?' B9 I
59. The Line of Beauty (Alan Hollinghurst, 2004)
. l# h' w, K: l6 p- g$ r. f/ N58. Loving (Henry Green, 1945)
4 z/ K. |. S, f- o8 o57. Parade’s End (Ford Madox Ford, 1924-1928)
5 {3 V: l- H: M8 e4 r, b' s/ d. f56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
7 C( i; p$ J- {; w g55. Gulliver’s Travels (Jonathan Swift, 1726)- G8 u+ D+ e3 Z- G
54. NW (Zadie Smith, 2012)
. E5 n9 y6 M" W; Y4 N# y. o53. Wide Sargasso Sea (Jean Rhys, 1966) r- c2 k3 I1 y& s2 x, A W7 s4 b4 X2 v
52. New Grub Street (George Gissing, 1891)- O/ h! `) _1 z0 e/ Q
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
% I( X; l4 Q* G0 |& i# a. {% ^" }50. A Passage to India (EM Forster, 1924)# X% U/ n0 f1 c, \- q+ C! @
49. Possession (AS Byatt, 1990)
' x' f2 \5 @8 }) x! O% a48. Lucky Jim (Kingsley Amis, 1954)
# `% E' [# W0 w) j4 s8 d: y47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)7 F- ]7 K1 f# R$ |2 g1 u9 s
46. Midnight’s Children (Salman Rushdie, 1981)
' ~5 n `- j4 u* g45. The Little Stranger (Sarah Waters, 2009)0 W- ^# Z: H. N. ~5 t) [
44. Wolf Hall (Hilary Mantel, 2009): t. j5 p% E# S/ a- Y
43. The Swimming Pool Library (Alan Hollinghurst, 1988)/ i" l* N) I& \+ Q, P
42. Brighton Rock (Graham Greene, 1938)
( [% }3 c* y. Y5 V9 `0 ?) X" p41. Dombey and Son (Charles Dickens, 1848) ~2 r" ^: `# M0 y9 ?# \
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)* F ^( Q3 g6 C m0 I0 K7 \6 o, A
39. The Sense of an Ending (Julian Barnes, 2011)* A' L" Z; u* B3 n
38. The Passion (Jeanette Winterson, 1987)
% {% J* w3 I* ~: N' }( N6 k37. Decline and Fall (Evelyn Waugh, 1928)
$ ~. y. U; F% {0 w) @36. A Dance to the Music of Time (Anthony Powell, 1951-1975)# M7 v- I$ y* T/ Q! u
35. Remainder (Tom McCarthy, 2005)
) g% E7 j( J- K: ]6 |/ X) c34. Never Let Me Go (Kazuo Ishiguro, 2005)
& |4 Y2 n- l" b" |- r4 h) Q33. The Wind in the Willows (Kenneth Grahame, 1908)
" Z9 i" r$ m3 P( {6 @+ O32. A Room with a View (EM Forster, 1908)# t5 j7 Q- i0 b7 e+ r
31. The End of the Affair (Graham Greene, 1951)
% ]5 S* {1 V" A4 o5 {30. Moll Flanders (Daniel Defoe, 1722)! |& Y9 G, o% ^- P3 {
29. Brick Lane (Monica Ali, 2003)5 r% o2 c$ U# v, w' O
28. Villette (Charlotte Brontë, 1853)
1 h3 J1 ?$ J6 h8 g27. Robinson Crusoe (Daniel Defoe, 1719)
- o& d& W. [9 b/ b26. The Lord of the Rings (JRR Tolkien, 1954)6 z" W9 B+ M; p- V
25. White Teeth (Zadie Smith, 2000)
$ V# _9 m& G0 \$ k24. The Golden Notebook (Doris Lessing, 1962)
7 _: O0 I- v0 q% Y- I' \6 W" M23. Jude the Obscure (Thomas Hardy, 1895)
6 `" e) k- ?( `) W) {22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
9 \5 Z* c6 W$ y" Y' f! |5 \21. Heart of Darkness (Joseph Conrad, 1899)
3 f% {( Z! f R4 r! J; o20. Persuasion (Jane Austen, 1817)
0 N" h( ?) @+ }) G# E19. Emma (Jane Austen, 1815)# v4 U1 I [+ y7 y0 D, }3 d
18. Remains of the Day (Kazuo Ishiguro, 1989)$ X2 k* @5 q& B: f M h
17. Howards End (EM Forster, 1910)5 F& u5 P8 v1 B% @- I# i3 ~
16. The Waves (Virginia Woolf, 1931)7 P' r c% Q8 C+ i) j- b4 A
15. Atonement (Ian McEwan, 2001)
+ [" k Z) ^4 P' A* ?% P3 e14. Clarissa (Samuel Richardson,1748)% V! x" G$ Z$ m% v4 Y1 W& X8 b. L
13. The Good Soldier (Ford Madox Ford, 1915)) E! K: Q6 x& m2 C: k8 @
12. Nineteen Eighty-Four (George Orwell, 1949) O- I1 E- A0 @7 e% R3 ]/ x
11. Pride and Prejudice (Jane Austen, 1813)
6 o$ H* { ?; e- {10. Vanity Fair (William Makepeace Thackeray, 1848)
9 N, Z0 b! U% P6 r: Q9. Frankenstein (Mary Shelley, 1818)
( q% C3 d# }" f( p8. David Copperfield (Charles Dickens, 1850)( \8 C7 k7 Q; r
7. Wuthering Heights (Emily Brontë, 1847); F3 _1 @0 k* M4 _
6. Bleak House (Charles Dickens, 1853)
* ~- _# K. X/ P9 [5. Jane Eyre (Charlotte Brontë, 1847)- G0 r T7 ]1 U( P5 u+ A
4. Great Expectations (Charles Dickens, 1861)1 p3 G. f. E6 M7 R
3. Mrs. Dalloway (Virginia Woolf, 1925)8 |& U' h6 Y) k
2. To the Lighthouse (Virginia Woolf, 1927)4 A5 t# Y8 O5 Q8 k
1. Middlemarch (George Eliot, 1874)
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! }3 g4 T S- p( |, _ ^7 `1 ?1 ~' t前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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) z- F i9 H3 |& [. |呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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