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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 - o Z( y$ x+ Z/ i* ]. [6 R5 e5 Y
* }5 B/ v% N6 M% xBBC评出100大英国文学名著( \2 ]8 H3 c) Q6 T' g" k0 u
http://www.bbc.com/culture/story ... test-british-novels
% ?& K" P+ h. J- ~- y r4 M惭愧得很,听说过一小半名字,读过听说过的一小半,最惭愧的是,前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
5 Z! b* A" T: f' U99. There but for the (Ali Smith, 2011)
[5 N2 Z3 m: L, r0 j9 G98. Under the Volcano (Malcolm Lowry,1947)
) Q: k, n& k- p& G7 @97. The Chronicles of Narnia (CS Lewis, 1949-1954), n6 V5 Z7 @3 F6 {& C
96. Memoirs of a Survivor (Doris Lessing, 1974)8 A( v* ^$ S3 n! {" i1 m
95. The Buddha of Suburbia (Hanif Kureishi, 1990)# U9 U) i+ q1 y/ h3 z! ~
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)$ p. N$ G, N0 f D; Z& T
93. Lord of the Flies (William Golding, 1954)
+ {- ~. Z* g' J3 |- Z1 W& N92. Cold Comfort Farm (Stella Gibbons, 1932)
# A1 Q) c" v- R% s* r4 k91. The Forsyte Saga (John Galsworthy, 1922)
1 F& d& U% y# Y8 o9 t& l: B90. The Woman in White (Wilkie Collins, 1859) T) Y; I9 ~2 O9 z8 Z
89. The Horse’s Mouth (Joyce Cary, 1944)) i+ i" N& X% m5 p* q% _" f+ Y' O
88. The Death of the Heart (Elizabeth Bowen, 1938)$ ~1 F7 ]( h8 L5 L0 c
87. The Old Wives’ Tale (Arnold Bennett,1908)
9 M+ G) n0 }, J! E! I& o86. A Legacy (Sybille Bedford, 1956)
) `' y: g# a& D- U2 W/ R85. Regeneration Trilogy (Pat Barker, 1991-1995) q8 e# t9 d3 |4 i5 [+ D
84. Scoop (Evelyn Waugh, 1938)
2 n4 i7 Z$ e' C d83. Barchester Towers (Anthony Trollope, 1857): p- N+ |; N8 {1 F* H% X
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
* p8 d3 M7 v; x* t4 o; a81. The Jewel in the Crown (Paul Scott, 1966)
) S1 Q3 `. M, c& i8 }6 q80. Excellent Women (Barbara Pym, 1952)5 s$ ]* M. {0 y4 v W; x. A3 N
79. His Dark Materials (Philip Pullman, 1995-2000)
) T; }' y/ R0 c) a! M* v* U3 M78. A House for Mr Biswas (VS Naipaul, 1961)
5 r$ [+ }' t) ^, c2 s# ^77. Of Human Bondage (W Somerset Maugham, 1915)( h9 i' @& I: E! |
76. Small Island (Andrea Levy, 2004)
4 r8 W v2 E6 c9 `4 ? ?$ k5 m75. Women in Love (DH Lawrence, 1920)6 j4 D- T% |. V
74. The Mayor of Casterbridge (Thomas Hardy, 1886)# L& E8 P' [6 W% L9 U, ^8 i J
73. The Blue Flower (Penelope Fitzgerald, 1995)
" D5 L3 d% [" F' E' U: x72. The Heart of the Matter (Graham Greene, 1948)
! z3 z W4 _6 |71. Old Filth (Jane Gardam, 2004)/ l0 M9 n5 L6 L* Y
70. Daniel Deronda (George Eliot, 1876)
3 @/ ]1 O/ {9 I69. Nostromo (Joseph Conrad, 1904)! w9 q7 I* y( n# s1 F
68. A Clockwork Orange (Anthony Burgess, 1962)
& ]9 v3 F# V( s- J67. Crash (JG Ballard 1973)
) i0 U; [1 [, j66. Sense and Sensibility (Jane Austen, 1811)/ [: f6 o% U1 `! ? x" [
65. Orlando (Virginia Woolf, 1928)& f& C! B0 n. J+ \& i6 p4 q- m
64. The Way We Live Now (Anthony Trollope, 1875)# N1 M2 ^4 y1 g) R0 ]4 s. ~
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)' R" {8 v7 n8 s) J( s9 q
62. Animal Farm (George Orwell, 1945)
) h; d. c$ S( F* j7 g1 ]61. The Sea, The Sea (Iris Murdoch, 1978)# E5 Y9 ]8 t, q" z2 C. _8 P
60. Sons and Lovers (DH Lawrence, 1913)
0 Q* e' P) o, C c' i: y* S59. The Line of Beauty (Alan Hollinghurst, 2004)
, i) H, ]+ Z9 [" l; \5 ~: ]58. Loving (Henry Green, 1945)
7 c, T2 Y J! L. m ~3 K# x) Y/ p57. Parade’s End (Ford Madox Ford, 1924-1928)4 s' [5 a4 m8 h4 t
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)" P5 g6 o, {5 f7 M/ i# W. U' K
55. Gulliver’s Travels (Jonathan Swift, 1726)% h; @* Z- Y1 D4 g" O; n
54. NW (Zadie Smith, 2012)& I, t% P, K5 Y8 y7 h% s- m# |$ c
53. Wide Sargasso Sea (Jean Rhys, 1966)/ q3 ^: u/ s! i3 k7 D; O
52. New Grub Street (George Gissing, 1891)9 p5 W* _$ B2 t/ @0 ]1 `0 g( _2 z
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)5 b* `; A! L$ E0 x4 H3 E3 }3 H
50. A Passage to India (EM Forster, 1924)
$ k& r% Z4 M/ \ z5 @8 m# C, Y49. Possession (AS Byatt, 1990): _$ `0 f, M, e; x6 z, `" |
48. Lucky Jim (Kingsley Amis, 1954)6 w, X4 c; M% F$ G, K, l! ^# ~% j4 E
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
$ L8 ~# I0 g' h46. Midnight’s Children (Salman Rushdie, 1981), `5 c4 _( [' r4 m0 H5 ]8 |
45. The Little Stranger (Sarah Waters, 2009)
, {1 P% Y& z6 H4 u3 U( f3 y3 G44. Wolf Hall (Hilary Mantel, 2009)
c, U1 [$ P- U' }5 d' I/ y43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* @, ^% ^; u5 j42. Brighton Rock (Graham Greene, 1938)( \9 q, `% T5 a2 x! }" Y- }: l
41. Dombey and Son (Charles Dickens, 1848)+ _8 r4 ]; R. e& t
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
, O% R) V8 U; p& K39. The Sense of an Ending (Julian Barnes, 2011). j4 W+ |+ g; x
38. The Passion (Jeanette Winterson, 1987)4 b3 y! Y f' o4 \1 T1 p& f8 p
37. Decline and Fall (Evelyn Waugh, 1928)
2 i! P8 t. @' C$ e$ B5 E) E# g36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
& ]# R+ o, a3 f( ?) ~3 }' s1 z35. Remainder (Tom McCarthy, 2005)
7 g( z. k' S5 u* t: ]% e4 k! z34. Never Let Me Go (Kazuo Ishiguro, 2005)
8 ~7 }# X$ h ], {33. The Wind in the Willows (Kenneth Grahame, 1908)
6 o8 ]" y3 w4 b6 n$ g32. A Room with a View (EM Forster, 1908)
; `6 S5 V* _) o( T$ s4 A31. The End of the Affair (Graham Greene, 1951)/ Q: \% T* d( Q8 I. f" x
30. Moll Flanders (Daniel Defoe, 1722)0 ^3 M9 y7 {% _8 V
29. Brick Lane (Monica Ali, 2003)
0 o; G% D5 R/ h' Z! t+ T3 [) J9 W, x28. Villette (Charlotte Brontë, 1853)
' X) a/ u) d- M5 a27. Robinson Crusoe (Daniel Defoe, 1719)
3 N2 n# D; ?: Q \/ Z% m* r' e1 t26. The Lord of the Rings (JRR Tolkien, 1954)
+ O: K- p# K; W" O, e8 }! P25. White Teeth (Zadie Smith, 2000); x' g; @* l! ~
24. The Golden Notebook (Doris Lessing, 1962)2 L8 W7 V; ?* [0 B
23. Jude the Obscure (Thomas Hardy, 1895)
" Z8 @) y$ U! f$ B N; _22. The History of Tom Jones, a Foundling (Henry Fielding, 1749); G' o3 U, Z& J0 k8 Z
21. Heart of Darkness (Joseph Conrad, 1899)
, s3 l0 Z7 K* o9 W6 s. \20. Persuasion (Jane Austen, 1817): x& |/ |0 |' a
19. Emma (Jane Austen, 1815)
6 y! @" R& ]4 @* \. }/ x+ z9 S18. Remains of the Day (Kazuo Ishiguro, 1989)
/ i1 W# E# |/ A _- F& i, z6 O7 R17. Howards End (EM Forster, 1910)
3 H4 J6 V0 d( F16. The Waves (Virginia Woolf, 1931)
5 j* l( ?4 x) k15. Atonement (Ian McEwan, 2001)9 q/ c' m+ D' ^/ w7 _2 {5 b
14. Clarissa (Samuel Richardson,1748)
o, \: C' P4 i$ P% f% ]13. The Good Soldier (Ford Madox Ford, 1915)# j& D" x8 b2 _$ s
12. Nineteen Eighty-Four (George Orwell, 1949)
0 u. B, W0 b6 T+ a. n+ ~: S# s2 }11. Pride and Prejudice (Jane Austen, 1813)
7 ^& h. z4 ]6 y+ `7 H1 }10. Vanity Fair (William Makepeace Thackeray, 1848)0 B' J( a e: Q4 s( [( @$ u
9. Frankenstein (Mary Shelley, 1818): ^& d8 C+ g1 `2 P8 G4 i
8. David Copperfield (Charles Dickens, 1850)
h' F9 s; s9 {9 }; a3 |7. Wuthering Heights (Emily Brontë, 1847)' g0 q9 r0 a% c1 v
6. Bleak House (Charles Dickens, 1853)
, c+ M1 V+ W' N/ D7 \$ p' S. ]5. Jane Eyre (Charlotte Brontë, 1847)
$ o4 l) F/ ~) Q5 n- O* m# j4. Great Expectations (Charles Dickens, 1861)
7 p+ r; H. c$ p" O5 D! T$ w3. Mrs. Dalloway (Virginia Woolf, 1925)
& _8 ]2 W, M5 D0 y- y& d2. To the Lighthouse (Virginia Woolf, 1927)
3 d1 r. @" }; H' \2 H1. Middlemarch (George Eliot, 1874)# |0 g: o4 I$ A9 Y6 _: Z% T( w6 y
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前10里只有狄更斯(远大前程、Bleak House(中文译名是什么?)、大卫·科波菲尔)和萨克雷(名利场)是男作家,其他都是女的:乔治·艾略特(本名Mary Ann Evans,用男性化的笔名)、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话,也有一半是女作家的作品,加上简·奥斯汀。全部100部作品中,也有40%是女作家的作品。只有狄更斯(远大前程、Bleak House)、大卫·科波菲尔、Dombey and Son)、奥斯汀(傲慢与偏见、爱玛、Persuasion、感觉与情感)、沃尔芙(To The Lighthouse、Mrs Dalloway、The Waves、Orlando)有四部作品入选,又是两个女作家。这是相当高的女作家比例。
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呃,这里全部是英国作家的作品,而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的,其中没有英国人,纯粹是从外国人(美国、加拿大、澳大利亚、丹麦、印度)的角度来评的。很有意思的评比法。 |
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