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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 + Y6 ]2 b3 q, Y$ r( C
& d" i( c9 a: H6 T' r, ]8 y: x, YBBC评出100大英国文学名著
2 u3 S) ^" t* l" P! c8 khttp://www.bbc.com/culture/story ... test-british-novels5 N' B C" ~8 f
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。) ~) P/ w! r5 \" b
5 l: G( b6 X( \& [+ B' g
100. The Code of the Woosters (PG Wodehouse, 1938)
9 H9 ^9 A- h6 x& U# }/ R; M99. There but for the (Ali Smith, 2011). p/ L& G# d) Z9 z, m( @/ C- T
98. Under the Volcano (Malcolm Lowry,1947)5 m/ Q7 C: C& d/ [9 B! ]' A: p W
97. The Chronicles of Narnia (CS Lewis, 1949-1954)9 V& d4 w* C. c6 W' Q
96. Memoirs of a Survivor (Doris Lessing, 1974)/ r( s8 V3 `% X; y6 Z3 y& g
95. The Buddha of Suburbia (Hanif Kureishi, 1990)$ X" N; [; {; l3 H9 C4 m, {
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
. b5 B. ^9 e1 ]! }( o93. Lord of the Flies (William Golding, 1954)4 l) E! b) \( s1 X
92. Cold Comfort Farm (Stella Gibbons, 1932)
& C# M; ]8 x0 y1 T# L91. The Forsyte Saga (John Galsworthy, 1922)
! u1 X& S8 X0 H5 `- S% V2 f90. The Woman in White (Wilkie Collins, 1859)0 U5 B. a0 D5 d5 P9 p8 P
89. The Horse’s Mouth (Joyce Cary, 1944)
( z8 a0 ?. n7 X8 {' I; p88. The Death of the Heart (Elizabeth Bowen, 1938)( G. j8 v$ O. }8 a1 b' h2 {
87. The Old Wives’ Tale (Arnold Bennett,1908)/ `+ Y% m* g7 z9 r' m3 }* v
86. A Legacy (Sybille Bedford, 1956)
' M' t; m% f4 D0 }85. Regeneration Trilogy (Pat Barker, 1991-1995)6 p. {) X0 V3 A5 p# z8 e! a
84. Scoop (Evelyn Waugh, 1938)! p, S, \) o7 Z) r$ ~
83. Barchester Towers (Anthony Trollope, 1857)7 |9 F& a- P" B) o V
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)5 w: S& Z8 p( h+ @! R- c- o$ L
81. The Jewel in the Crown (Paul Scott, 1966)
2 E7 v0 Q* G3 K) e4 N0 \3 B0 L" @80. Excellent Women (Barbara Pym, 1952)
" e- y! _, C9 J$ J8 j; [; V' y, y79. His Dark Materials (Philip Pullman, 1995-2000): B7 h: {6 [, j
78. A House for Mr Biswas (VS Naipaul, 1961)
5 p) `: x2 }, \+ p H77. Of Human Bondage (W Somerset Maugham, 1915)0 f% Y C5 I8 Q% T/ d `
76. Small Island (Andrea Levy, 2004)
; D2 F {& z1 H2 t. u75. Women in Love (DH Lawrence, 1920)$ |( N0 } k+ D2 n7 A2 @1 y* W& B: Y
74. The Mayor of Casterbridge (Thomas Hardy, 1886); h' |' q: i5 _4 _
73. The Blue Flower (Penelope Fitzgerald, 1995): x& R+ Z; x+ E% [4 u* Z
72. The Heart of the Matter (Graham Greene, 1948)
; O' h! m* C( o2 f0 y71. Old Filth (Jane Gardam, 2004)" _$ L0 {# y/ e$ ~
70. Daniel Deronda (George Eliot, 1876); ^! s+ W6 j4 Q$ {, T
69. Nostromo (Joseph Conrad, 1904)% i( x- r4 R. w0 S% H( A1 c
68. A Clockwork Orange (Anthony Burgess, 1962)
+ e: C+ m8 B$ {; G7 v67. Crash (JG Ballard 1973)
, g8 K( c- }& R, |6 M66. Sense and Sensibility (Jane Austen, 1811). w& u% ?: |- P" B
65. Orlando (Virginia Woolf, 1928) W3 d1 H" J" ~# z6 U2 d+ g3 i8 r
64. The Way We Live Now (Anthony Trollope, 1875)' G3 p" W: B! k1 t4 F M
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
& d3 M; V% f5 C' d) ^( u# p, a62. Animal Farm (George Orwell, 1945)9 ~4 _$ i& N M5 ^' f9 k, G( h" t
61. The Sea, The Sea (Iris Murdoch, 1978)
; w6 V1 l+ N* P8 S4 v, {60. Sons and Lovers (DH Lawrence, 1913)
7 d. O; r2 T$ [( e1 D( u+ p59. The Line of Beauty (Alan Hollinghurst, 2004)
9 U% M* T7 ]' r58. Loving (Henry Green, 1945)
& K+ A0 g! \$ T7 c) E% Y57. Parade’s End (Ford Madox Ford, 1924-1928)
# S( w* O" I, ?2 j# J. ]56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)6 \! q# @' s2 q s4 y
55. Gulliver’s Travels (Jonathan Swift, 1726)
, T+ d, r) g. r7 g8 `3 v5 r6 j54. NW (Zadie Smith, 2012)
1 y" P# o. |" k53. Wide Sargasso Sea (Jean Rhys, 1966)8 p1 j" U9 w9 W: F0 }) x
52. New Grub Street (George Gissing, 1891)
. Y' N( \5 k) Q2 |3 `51. Tess of the d’Urbervilles (Thomas Hardy, 1891)# w* ~; v8 W$ c' p) D, v
50. A Passage to India (EM Forster, 1924)
9 L# b& O! k5 m3 p7 }49. Possession (AS Byatt, 1990)- Y* g2 n. r# ?! |
48. Lucky Jim (Kingsley Amis, 1954)0 j! c/ `9 o: ?8 e+ D" f' T, ?
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
0 ^8 ^; n$ y+ R0 D: j" X+ a46. Midnight’s Children (Salman Rushdie, 1981)
0 e4 @/ `8 q7 ~45. The Little Stranger (Sarah Waters, 2009)3 `) c$ h8 F) {( W4 Y
44. Wolf Hall (Hilary Mantel, 2009)" M, M) O1 a& e* [" j. K
43. The Swimming Pool Library (Alan Hollinghurst, 1988)7 I+ E! C2 D$ G0 b
42. Brighton Rock (Graham Greene, 1938)% ]6 g7 `+ [6 l0 E' X
41. Dombey and Son (Charles Dickens, 1848)
/ X: p% W2 R/ A6 g40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)/ k+ I; }) H n* W, P% A( C
39. The Sense of an Ending (Julian Barnes, 2011). j; z% j2 o# t: ]
38. The Passion (Jeanette Winterson, 1987)
x/ {7 T" b- ?" u( s) f+ E37. Decline and Fall (Evelyn Waugh, 1928)% h0 Q& W' U! X5 y) u" c/ @; I
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
( X/ v t3 c4 P6 m$ N+ F35. Remainder (Tom McCarthy, 2005)
* [% ]/ Q R5 G$ o* w- }34. Never Let Me Go (Kazuo Ishiguro, 2005), K4 C6 {- o: j1 g; G5 L: a
33. The Wind in the Willows (Kenneth Grahame, 1908)
) \7 n( v3 h6 }32. A Room with a View (EM Forster, 1908)
- E$ s2 }- v% f31. The End of the Affair (Graham Greene, 1951)8 u& z2 s9 D2 E1 W8 s. O d3 Q
30. Moll Flanders (Daniel Defoe, 1722)
# T' H) E& d- s% H0 c29. Brick Lane (Monica Ali, 2003), g9 D& c& U) r8 h. g9 h
28. Villette (Charlotte Brontë, 1853)* h6 o3 X4 c4 X9 X5 F4 i% C% @
27. Robinson Crusoe (Daniel Defoe, 1719)- n F5 S; i5 f6 L
26. The Lord of the Rings (JRR Tolkien, 1954)9 O0 Y! R$ ] l3 B! c# R0 X; }
25. White Teeth (Zadie Smith, 2000): \) D* g5 z8 m- @
24. The Golden Notebook (Doris Lessing, 1962)( u g) V" l, \) }
23. Jude the Obscure (Thomas Hardy, 1895)
0 C; }2 E8 L4 G9 ?7 P4 Q22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
& r4 ]$ `3 E% c21. Heart of Darkness (Joseph Conrad, 1899)% z3 ~0 r/ q+ U k6 j6 L% \5 {
20. Persuasion (Jane Austen, 1817)
+ E' Z3 m6 [6 ^19. Emma (Jane Austen, 1815)
" z8 F# |5 y2 O3 V4 F$ P) x: i18. Remains of the Day (Kazuo Ishiguro, 1989)4 o5 l( L7 ?2 u$ A+ |# v4 p. y+ i
17. Howards End (EM Forster, 1910)( p1 V Z, J# N/ n! N# C7 |6 N: \
16. The Waves (Virginia Woolf, 1931)6 ] o, _0 z6 G4 g1 n
15. Atonement (Ian McEwan, 2001)# t$ s" K/ B4 B0 K% \ G: K; x
14. Clarissa (Samuel Richardson,1748)7 `- q* N. i6 H# S
13. The Good Soldier (Ford Madox Ford, 1915)
7 \2 g' w4 h& L, f; [1 e12. Nineteen Eighty-Four (George Orwell, 1949)
6 B+ \, _6 t" l4 z! l$ p/ w11. Pride and Prejudice (Jane Austen, 1813)' s% {* J4 ?! `! k1 I, M6 ~
10. Vanity Fair (William Makepeace Thackeray, 1848)
0 p3 \" s; H1 E$ g% G9. Frankenstein (Mary Shelley, 1818)
F+ ]5 A; v- E* s) K8. David Copperfield (Charles Dickens, 1850)
% i! I9 `- g( D7 \7 c; c9 ~4 A! e4 J7. Wuthering Heights (Emily Brontë, 1847)+ k7 v& H" t+ w/ ~& e
6. Bleak House (Charles Dickens, 1853) Z% n& ~, _" J3 u2 U
5. Jane Eyre (Charlotte Brontë, 1847)
0 Y4 L3 x+ A1 w) M. A# H! S4. Great Expectations (Charles Dickens, 1861)
4 d" ? N: g7 Z0 {( b' V3. Mrs. Dalloway (Virginia Woolf, 1925)4 \7 C, f$ v7 ^+ Q- v
2. To the Lighthouse (Virginia Woolf, 1927)
& y) I, z9 j9 K3 c: @9 q( t* d' o1. Middlemarch (George Eliot, 1874)/ T! i4 l, P) V5 h
4 ~3 {0 R* l5 A d( x前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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1 a+ Q; g& j; h8 b呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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