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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 , H9 o& ?" @8 e0 h
5 g. N; S: N i3 D6 D N+ \. J. OBBC评出100大英国文学名著5 _2 G" f4 k2 T8 c5 l) _
http://www.bbc.com/culture/story ... test-british-novels5 {/ G$ a1 t9 Z: S+ g
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。+ x+ d$ T, C, ?7 P9 ~, A0 V+ z
$ r3 ~5 i E& p* f1 S/ o7 ~100. The Code of the Woosters (PG Wodehouse, 1938)
9 z4 n; b" C; |; V0 ~$ N99. There but for the (Ali Smith, 2011)
( ~8 S- y8 e! e' r' e. u98. Under the Volcano (Malcolm Lowry,1947)+ i1 z- v1 F, M$ h, I2 _$ m
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
! K7 F% I u7 O& [1 i96. Memoirs of a Survivor (Doris Lessing, 1974)
, q9 c8 Y- B: i; V1 `5 Z95. The Buddha of Suburbia (Hanif Kureishi, 1990)8 S1 Y8 y' D9 K
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
) X- b( b7 ?! R' g g, a# K* j0 ^93. Lord of the Flies (William Golding, 1954)( [6 n: q) }1 X' e! s+ o* `& l. u' i
92. Cold Comfort Farm (Stella Gibbons, 1932), [$ X9 B; o% x# v3 ~, a& @& E, U- U: X
91. The Forsyte Saga (John Galsworthy, 1922)
d, [$ G* l4 l& q) P7 o' e90. The Woman in White (Wilkie Collins, 1859)
& F2 c) x4 {) q: P1 c89. The Horse’s Mouth (Joyce Cary, 1944)+ E% m& ]6 J& q8 e& \7 Q$ R) s: q% U
88. The Death of the Heart (Elizabeth Bowen, 1938)9 ?$ Z5 a8 I* @. z+ X- C/ b9 O% R' u
87. The Old Wives’ Tale (Arnold Bennett,1908)
) ?' V, E2 C5 [# [" g: U \8 y! _86. A Legacy (Sybille Bedford, 1956), H" U3 ]" |0 Q P3 \; w g
85. Regeneration Trilogy (Pat Barker, 1991-1995)# V- W0 s4 D5 v9 P* c$ d; h( a
84. Scoop (Evelyn Waugh, 1938)
6 x, [& v d5 |# A83. Barchester Towers (Anthony Trollope, 1857)5 ]2 I* D5 A: s: g' c
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)& W8 Q, `0 v+ @2 I$ ?0 m% x+ x9 w
81. The Jewel in the Crown (Paul Scott, 1966)
% c" P; a! n$ ?9 ^( s8 ]80. Excellent Women (Barbara Pym, 1952)0 h: ^! s) b" m( O3 a
79. His Dark Materials (Philip Pullman, 1995-2000)0 X) ?! ], f9 }) w, [8 ^
78. A House for Mr Biswas (VS Naipaul, 1961)8 t/ s+ @4 `8 M2 z6 `7 r
77. Of Human Bondage (W Somerset Maugham, 1915)
, l0 y& U5 N3 [" i" T0 s9 d" p% o76. Small Island (Andrea Levy, 2004)& m" w& m& Q( j3 L
75. Women in Love (DH Lawrence, 1920)1 A/ h# g% o4 m1 ~
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
6 w$ v4 A. `) b. o- ^1 V73. The Blue Flower (Penelope Fitzgerald, 1995)# S/ H. s0 b6 p% o+ u0 A! j2 S) @
72. The Heart of the Matter (Graham Greene, 1948): _% O S! x E
71. Old Filth (Jane Gardam, 2004)
" H7 V% f6 Y$ @! F! y" n70. Daniel Deronda (George Eliot, 1876)
8 V- g6 l+ O6 C3 h69. Nostromo (Joseph Conrad, 1904)
8 g8 |+ ~4 I: n ^; f% u9 | @68. A Clockwork Orange (Anthony Burgess, 1962)( C- u& ^0 g- J# {0 p$ C: l0 `5 \
67. Crash (JG Ballard 1973); X, B" F! ^( d
66. Sense and Sensibility (Jane Austen, 1811)* A$ t/ {+ Z. l. P& ~7 h6 ?/ _6 y
65. Orlando (Virginia Woolf, 1928)* t9 Y% V0 _5 N* G5 Z* l+ z6 T$ W' s
64. The Way We Live Now (Anthony Trollope, 1875): O. y9 p7 e @) `: W% G3 W
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
W5 D2 v! T. p. [# k k4 ]62. Animal Farm (George Orwell, 1945)# W/ G @" _1 k2 |! o
61. The Sea, The Sea (Iris Murdoch, 1978)3 ]9 w( e- p7 F0 ~5 W" m2 Y8 i
60. Sons and Lovers (DH Lawrence, 1913)- `; `2 @) L( i
59. The Line of Beauty (Alan Hollinghurst, 2004)
4 T; {8 z* i$ `4 d* A% c# f* F58. Loving (Henry Green, 1945)
8 `+ E2 H! h* I- L' M# E8 l$ e) P! E57. Parade’s End (Ford Madox Ford, 1924-1928)$ V k- Z" v7 c' G# E4 ]
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)1 @9 G% _& m' S) b/ S6 S. X n! ? F
55. Gulliver’s Travels (Jonathan Swift, 1726)
. w. J! c' F" I$ J, z. ?54. NW (Zadie Smith, 2012)/ K+ i0 O* N- R! P% y
53. Wide Sargasso Sea (Jean Rhys, 1966)# ^! O* ?8 ^6 c, T: T: ]
52. New Grub Street (George Gissing, 1891)% c& A. |* ?) M/ ]5 s9 S
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)+ k: v' E8 N& Y0 z9 m
50. A Passage to India (EM Forster, 1924)4 a" P C; E+ |
49. Possession (AS Byatt, 1990)
) E' ]4 S$ ~7 X P) _; j B5 C; C48. Lucky Jim (Kingsley Amis, 1954), L& W5 q( C$ S. ~1 X5 E
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)6 ]1 U+ f2 ^0 q/ e3 e8 e
46. Midnight’s Children (Salman Rushdie, 1981)
0 Z) ^& c2 w+ } ]45. The Little Stranger (Sarah Waters, 2009)6 a% ` h. X, F
44. Wolf Hall (Hilary Mantel, 2009): x' v ?' H7 o. m
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
5 A6 z7 `* c7 G* K! m42. Brighton Rock (Graham Greene, 1938)% Y4 V! D# J2 X/ S
41. Dombey and Son (Charles Dickens, 1848)2 j) h: b' I: l6 r* C
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
, S2 r2 f6 m: p( q6 `$ g39. The Sense of an Ending (Julian Barnes, 2011)( ]- f& X1 e! I' V' J4 j
38. The Passion (Jeanette Winterson, 1987)
H% s/ m! H5 k' D3 P+ j4 B! ~37. Decline and Fall (Evelyn Waugh, 1928)* M5 ?% k: U* R) n) @4 Z: Q
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
% d+ m$ s6 F, B( Z1 E7 D% u% n35. Remainder (Tom McCarthy, 2005)
3 E4 t6 H2 l0 B( Y+ U" c34. Never Let Me Go (Kazuo Ishiguro, 2005)
+ r0 \5 _! n3 b+ Z# @ d+ Q33. The Wind in the Willows (Kenneth Grahame, 1908)% E& I1 B1 d( G+ ?- O0 |
32. A Room with a View (EM Forster, 1908)
9 D: M% L/ r/ i31. The End of the Affair (Graham Greene, 1951)" h+ y- A9 J2 m9 A! N
30. Moll Flanders (Daniel Defoe, 1722)2 _; B: ^0 P9 d8 X4 x V
29. Brick Lane (Monica Ali, 2003)$ e! I) A8 K. X" B; r; A$ n
28. Villette (Charlotte Brontë, 1853)* o) n% g: Y6 J
27. Robinson Crusoe (Daniel Defoe, 1719)
4 ^- B1 a' e" d& `1 m [: x26. The Lord of the Rings (JRR Tolkien, 1954)
3 p( C$ L. C; {1 G$ }* H25. White Teeth (Zadie Smith, 2000)' p0 s/ {! ?% q( G: y: U
24. The Golden Notebook (Doris Lessing, 1962)
* e6 H8 O; d3 t* n23. Jude the Obscure (Thomas Hardy, 1895)
1 c0 z" X9 g1 Q4 n! K# T& ]22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
/ ]2 i( I [9 L9 k. @21. Heart of Darkness (Joseph Conrad, 1899). i) r: s+ O! m: C
20. Persuasion (Jane Austen, 1817)
6 t, T0 ^* q4 U0 Y" r6 ]0 R19. Emma (Jane Austen, 1815)
" S, O' r7 f ~0 ^( g' `18. Remains of the Day (Kazuo Ishiguro, 1989)
/ q0 \ Q& S8 K g17. Howards End (EM Forster, 1910)/ j/ R) u" @% H& W, W% ]9 a
16. The Waves (Virginia Woolf, 1931)
- ~0 f O2 B( u" ?# M15. Atonement (Ian McEwan, 2001)5 R; G8 _8 ^8 X* J6 _; D9 F: ~
14. Clarissa (Samuel Richardson,1748). I' a9 O7 d' j" b2 q
13. The Good Soldier (Ford Madox Ford, 1915)/ G8 Q* y$ G- X M! ~
12. Nineteen Eighty-Four (George Orwell, 1949)
- M6 m0 i4 g7 I. I; M( M11. Pride and Prejudice (Jane Austen, 1813)
) U# O0 m# i: h* w. V10. Vanity Fair (William Makepeace Thackeray, 1848)- X* a$ g/ k( k p
9. Frankenstein (Mary Shelley, 1818)9 n, t) \" c3 M+ |: e- K
8. David Copperfield (Charles Dickens, 1850)
0 ?" h1 |; I6 P/ z) d% Z7. Wuthering Heights (Emily Brontë, 1847)5 c& q( N+ w/ T, ^
6. Bleak House (Charles Dickens, 1853)
& T+ x. b! a- z( }5. Jane Eyre (Charlotte Brontë, 1847)
( \/ }9 Y7 `7 `/ c3 v4 o* O6 p4. Great Expectations (Charles Dickens, 1861)
- P; B. I; i G$ X+ c7 v, i' |3. Mrs. Dalloway (Virginia Woolf, 1925)
: L* t* W3 b9 e: t3 `2. To the Lighthouse (Virginia Woolf, 1927)
# y0 F% a5 H* t1. Middlemarch (George Eliot, 1874)
7 ~* Q7 O, W7 s1 @& l
$ j, v# B& s( l前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。: s- q* I5 J$ x! g9 p
/ r7 F, X0 r7 M3 m4 d0 p4 {! U1 X3 R呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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