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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 9 N- ~% W, K6 c% M, D. x
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BBC评出100大英国文学名著8 i6 B6 L3 V1 X( @- p; S
http://www.bbc.com/culture/story ... test-british-novels$ Y" L: C( F, f4 s! j, B" @" u
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)7 T1 F" ]9 I+ A6 w
99. There but for the (Ali Smith, 2011)
" N3 H* `3 r) U, i4 f& f4 M98. Under the Volcano (Malcolm Lowry,1947)+ w( C6 u k9 ?% H0 R$ r* c6 R
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
6 t. Q# o/ U- K. L" x96. Memoirs of a Survivor (Doris Lessing, 1974)
+ N7 i) a' Z; }0 j' K* s95. The Buddha of Suburbia (Hanif Kureishi, 1990)
4 d8 m& h+ a! p) V; ~, O" G94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
% G! M( g: A+ V# l8 |0 g" f93. Lord of the Flies (William Golding, 1954)3 d" L$ v1 v* D
92. Cold Comfort Farm (Stella Gibbons, 1932)
/ f% B; {( P- r6 z0 e( ] z91. The Forsyte Saga (John Galsworthy, 1922)
1 D0 R S" w9 y90. The Woman in White (Wilkie Collins, 1859)
& d* H! a8 @7 m9 l7 f9 Y! U2 G9 {& F89. The Horse’s Mouth (Joyce Cary, 1944), j+ g! u) {% n6 t
88. The Death of the Heart (Elizabeth Bowen, 1938)
3 J" D; D' y# o+ s" K9 V87. The Old Wives’ Tale (Arnold Bennett,1908)
) {# b8 s6 A- v0 k. i86. A Legacy (Sybille Bedford, 1956); \8 W1 x$ @( \# ?8 I) `
85. Regeneration Trilogy (Pat Barker, 1991-1995)' N7 x& R' W8 T& P' r& R6 Y, J8 Z
84. Scoop (Evelyn Waugh, 1938)
9 H% c ?( _) L. \$ C83. Barchester Towers (Anthony Trollope, 1857)- ~& m/ d/ W" u7 b# ?% ?) s
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
% _ q d/ R* e( ^% q3 o/ w81. The Jewel in the Crown (Paul Scott, 1966)+ F# _& r3 R. L) v1 o! S& A
80. Excellent Women (Barbara Pym, 1952)
5 v k+ i5 K, B/ c, v8 n6 F4 Y79. His Dark Materials (Philip Pullman, 1995-2000)
" T- v9 z! R5 X8 \78. A House for Mr Biswas (VS Naipaul, 1961)
9 Z. m' o: [& L: p77. Of Human Bondage (W Somerset Maugham, 1915)
" G' S: X2 U$ V0 b0 k* n76. Small Island (Andrea Levy, 2004)
) H& ~7 A% ~0 A2 v1 F8 M' w75. Women in Love (DH Lawrence, 1920)( q0 m% T4 e% n" q) W# [
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
) |* i, s4 S! a/ n" Y) ]* v" D73. The Blue Flower (Penelope Fitzgerald, 1995) C5 [5 z( E& x h2 E
72. The Heart of the Matter (Graham Greene, 1948)0 c1 y* j; }" O7 f: `% ]. O
71. Old Filth (Jane Gardam, 2004)
) w4 t4 X2 W7 {1 {7 G, J8 p70. Daniel Deronda (George Eliot, 1876)# `- [+ Y8 N( c
69. Nostromo (Joseph Conrad, 1904), f/ c3 E J/ P3 D2 T" G# ^2 W; w
68. A Clockwork Orange (Anthony Burgess, 1962). n7 h* V$ F' N
67. Crash (JG Ballard 1973)
) F/ {5 E4 H0 ]/ Q66. Sense and Sensibility (Jane Austen, 1811)) q4 t0 R+ u1 |. c/ x; U* F
65. Orlando (Virginia Woolf, 1928)' d8 M$ n! ~ S
64. The Way We Live Now (Anthony Trollope, 1875)2 M! C" U9 }+ u( z: }' [: l
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)0 d( p& V8 y7 I4 L: y
62. Animal Farm (George Orwell, 1945)/ F& e. C- x7 H
61. The Sea, The Sea (Iris Murdoch, 1978)' y: I" | e5 B% ~4 K/ U* L
60. Sons and Lovers (DH Lawrence, 1913): ^7 J* `6 C# l
59. The Line of Beauty (Alan Hollinghurst, 2004)- P3 ^1 r# z5 B9 I
58. Loving (Henry Green, 1945)+ l" S' C4 A; h
57. Parade’s End (Ford Madox Ford, 1924-1928)7 r3 i4 A/ I; z) Y, d% r! E6 D! k
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)1 y. \9 |- Z, Y3 x1 B
55. Gulliver’s Travels (Jonathan Swift, 1726)
' @2 a+ J) c; r; l O0 S54. NW (Zadie Smith, 2012)
. n! G+ d: H8 F; x53. Wide Sargasso Sea (Jean Rhys, 1966)
$ R3 p- J1 r3 G7 q7 }. M52. New Grub Street (George Gissing, 1891)
( d0 M4 m" a6 y$ S- h# i! }4 M, E/ M0 w51. Tess of the d’Urbervilles (Thomas Hardy, 1891)/ y3 a9 ^5 z+ l5 c' {9 G _" `4 f
50. A Passage to India (EM Forster, 1924)
! ~( K5 s2 d& B2 _0 ?: R49. Possession (AS Byatt, 1990)/ s4 W( X5 c' B8 G
48. Lucky Jim (Kingsley Amis, 1954)
3 |# N" I7 C# c) @# G- o47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)7 |. C' H, _0 t, t* E* l/ Z& o
46. Midnight’s Children (Salman Rushdie, 1981)* y+ ?& t( F* d6 O. X! A# L6 h
45. The Little Stranger (Sarah Waters, 2009)
7 J# {, e7 |* Y7 h! }+ Z0 d- B; w44. Wolf Hall (Hilary Mantel, 2009)
; j$ h$ S- B6 l2 b43. The Swimming Pool Library (Alan Hollinghurst, 1988)9 H6 u: a! p" E1 Z
42. Brighton Rock (Graham Greene, 1938)
D, a/ {/ V5 ]3 X41. Dombey and Son (Charles Dickens, 1848)
- |4 y- ^4 Q0 p4 }40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
; G3 n9 [: t: T/ O) _4 y39. The Sense of an Ending (Julian Barnes, 2011)
" f! R1 m5 i' e' _38. The Passion (Jeanette Winterson, 1987)
9 b5 x5 R% i( N9 h% T8 a37. Decline and Fall (Evelyn Waugh, 1928)# F3 l) D2 u' u( [3 G* h5 w. x
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
6 `9 c0 c0 o- p3 j4 ?35. Remainder (Tom McCarthy, 2005)
& c0 V7 s3 O. W% d7 l/ c34. Never Let Me Go (Kazuo Ishiguro, 2005)/ a1 {! t" j3 E1 I5 X
33. The Wind in the Willows (Kenneth Grahame, 1908)& d) \0 p. c" {) O, h
32. A Room with a View (EM Forster, 1908)
1 x* ]( Y- r4 {31. The End of the Affair (Graham Greene, 1951)2 \$ E7 j: _' e* ~8 @
30. Moll Flanders (Daniel Defoe, 1722)
+ n$ n3 ~" z$ F2 h) N r$ q1 C29. Brick Lane (Monica Ali, 2003)
4 {5 m$ z7 m) f8 p28. Villette (Charlotte Brontë, 1853)7 s' D, W7 L/ t" `
27. Robinson Crusoe (Daniel Defoe, 1719)
( k$ z; v6 ]& q. G' N8 C26. The Lord of the Rings (JRR Tolkien, 1954)
/ U$ z; |" l' K- p. P% c1 a1 B25. White Teeth (Zadie Smith, 2000)/ y6 [) Y" h( n3 J9 X
24. The Golden Notebook (Doris Lessing, 1962)
6 a* q* _9 T/ ]' U% Z23. Jude the Obscure (Thomas Hardy, 1895)
/ t- Z1 M1 ]( I. [% L, i$ a22. The History of Tom Jones, a Foundling (Henry Fielding, 1749); l) Y. f$ O- x
21. Heart of Darkness (Joseph Conrad, 1899)$ K, X. i' B n! i. c9 R
20. Persuasion (Jane Austen, 1817)
6 c: J: p( ?7 ?$ o4 C9 a- u19. Emma (Jane Austen, 1815)
# b5 D$ h/ U3 D8 t" B18. Remains of the Day (Kazuo Ishiguro, 1989); o) e- j0 B$ J( Z: w0 W/ n
17. Howards End (EM Forster, 1910)
d8 F( a2 D2 O4 k7 s r16. The Waves (Virginia Woolf, 1931)
" B4 d9 ]" d9 a# m3 l15. Atonement (Ian McEwan, 2001)
% m4 c* ]9 ^! i1 t0 |14. Clarissa (Samuel Richardson,1748)
+ h6 U; k3 g% b" K' Q13. The Good Soldier (Ford Madox Ford, 1915)5 f4 n; c) x3 a1 c! G
12. Nineteen Eighty-Four (George Orwell, 1949)8 w2 l( K9 }% c0 ]* ?# s) a
11. Pride and Prejudice (Jane Austen, 1813)$ d1 k' z# e3 B* j$ l
10. Vanity Fair (William Makepeace Thackeray, 1848)
6 q+ a; ?8 ^- f6 {! W9. Frankenstein (Mary Shelley, 1818)7 C! D9 r3 l8 K( y* N5 H
8. David Copperfield (Charles Dickens, 1850)
' z, b# y+ o2 G; l7. Wuthering Heights (Emily Brontë, 1847)3 a5 y) T$ x2 i7 S
6. Bleak House (Charles Dickens, 1853), J2 k" g! Q1 Z" k1 r% F, x6 }
5. Jane Eyre (Charlotte Brontë, 1847)
) y+ }& @* j, S9 f0 a" i- {4. Great Expectations (Charles Dickens, 1861)/ j) f* k0 d9 Y& E; D: y
3. Mrs. Dalloway (Virginia Woolf, 1925)& S6 N$ H8 n8 y$ a2 f. s3 A
2. To the Lighthouse (Virginia Woolf, 1927)
# ~8 }2 G. G* ^7 l! U1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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