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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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- a; _; |6 T. Y; D9 r+ NBBC评出100大英国文学名著. d' Z2 Q1 j7 i& @8 y
http://www.bbc.com/culture/story ... test-british-novels6 T, f l8 q! c( z# C u, @
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938). X0 r3 m. ^6 p- X+ ~8 ~: B O
99. There but for the (Ali Smith, 2011)
' x+ Y) O0 e: N98. Under the Volcano (Malcolm Lowry,1947)
( }. D5 ^7 Y. }& X- H- F97. The Chronicles of Narnia (CS Lewis, 1949-1954)
: Q3 `+ v w8 a! H2 ?6 Y96. Memoirs of a Survivor (Doris Lessing, 1974). _. V# |2 `- \( S
95. The Buddha of Suburbia (Hanif Kureishi, 1990)1 L6 J& B# f$ P, O
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
$ m$ w4 W% v: \, v# L9 P93. Lord of the Flies (William Golding, 1954)# R0 p$ l2 ?" b$ [
92. Cold Comfort Farm (Stella Gibbons, 1932)) _+ x% U+ T+ @, D# _% l
91. The Forsyte Saga (John Galsworthy, 1922)$ R9 N6 J! a1 p, w' w7 W. d
90. The Woman in White (Wilkie Collins, 1859)% _: }( M s* F2 E B m; H) A m9 w
89. The Horse’s Mouth (Joyce Cary, 1944)
5 S/ t6 R* o4 [& }88. The Death of the Heart (Elizabeth Bowen, 1938)0 O W M1 f) v, F/ n4 `9 S2 o
87. The Old Wives’ Tale (Arnold Bennett,1908)3 l$ g7 H6 f9 u" n& }
86. A Legacy (Sybille Bedford, 1956): v* R+ Z1 a* J6 G/ h
85. Regeneration Trilogy (Pat Barker, 1991-1995)" s$ q3 f1 k+ B. {/ \" l) {. L
84. Scoop (Evelyn Waugh, 1938)
$ y# R- a% x! @/ o6 n |! t: X83. Barchester Towers (Anthony Trollope, 1857)$ b6 W, T8 z: O! u0 @
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
6 N* ?' x1 B% k$ d3 ~% l% F( j9 r7 H81. The Jewel in the Crown (Paul Scott, 1966)* |. {7 v$ V5 V( A4 I5 Y$ \
80. Excellent Women (Barbara Pym, 1952)
# C" R4 M+ k) c" O+ S79. His Dark Materials (Philip Pullman, 1995-2000)3 y5 t- Y; ~' u. F$ T7 o! E
78. A House for Mr Biswas (VS Naipaul, 1961)" [/ G8 K- \" W! S& l9 g: i9 J
77. Of Human Bondage (W Somerset Maugham, 1915)
7 V: w) g$ m' f" l1 t76. Small Island (Andrea Levy, 2004)+ z, U3 A( f$ z: l. P5 i) R: ~3 I' P
75. Women in Love (DH Lawrence, 1920)
% u h, s2 e( Z& j+ t- h7 i74. The Mayor of Casterbridge (Thomas Hardy, 1886)3 ^; q; z& O. m" Q% }
73. The Blue Flower (Penelope Fitzgerald, 1995)
0 E* z' x, U/ X72. The Heart of the Matter (Graham Greene, 1948)
% O4 Q. S0 o5 Y9 K) o" @( ^6 j71. Old Filth (Jane Gardam, 2004)
# x- G- x- V' g8 H S70. Daniel Deronda (George Eliot, 1876)# r5 q8 S8 Z4 w, T4 n8 i; B* L
69. Nostromo (Joseph Conrad, 1904)
1 X: {" z! @) M: q9 s3 ?68. A Clockwork Orange (Anthony Burgess, 1962)" F) [7 b* i% f, Z+ @
67. Crash (JG Ballard 1973)
$ x0 }5 w" U9 @) H8 d; O/ s! O! e66. Sense and Sensibility (Jane Austen, 1811)8 S) \; Z" B. r% x) `' g
65. Orlando (Virginia Woolf, 1928)
/ Z; z5 W- ~8 R- S1 h64. The Way We Live Now (Anthony Trollope, 1875)2 A2 P* N; z+ b, A1 v
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
% _. f A5 {, C0 `. T62. Animal Farm (George Orwell, 1945)
4 a, N E! t8 [ {& i! h61. The Sea, The Sea (Iris Murdoch, 1978)
0 [' a7 K- D+ x$ K% @60. Sons and Lovers (DH Lawrence, 1913)
$ Q4 u. y) e: T% X) ^59. The Line of Beauty (Alan Hollinghurst, 2004)
4 H6 q s+ I$ l3 d8 O0 @+ H5 Z1 T4 C58. Loving (Henry Green, 1945)) g! J `1 A% A" \: m+ p
57. Parade’s End (Ford Madox Ford, 1924-1928)$ I. d1 Y; A J& S
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
, u e2 ~6 ?" N55. Gulliver’s Travels (Jonathan Swift, 1726)# B3 Q* m, w! J9 ^
54. NW (Zadie Smith, 2012)1 @. X, ]+ _6 }
53. Wide Sargasso Sea (Jean Rhys, 1966)
5 _1 }$ ?* K8 g. E& t s3 ~% ^52. New Grub Street (George Gissing, 1891)4 I; d, G3 s; H5 T9 w) U4 Z. u# e' i
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)/ B$ E$ G% w, W' L
50. A Passage to India (EM Forster, 1924)
* R" `$ S8 s% e- T. x49. Possession (AS Byatt, 1990)- y% n s7 K3 ^+ z" x0 d3 x6 V
48. Lucky Jim (Kingsley Amis, 1954)
3 V! ?3 `9 I7 g4 j6 Z( w# [47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)) ?6 w% J* [4 Y% P/ C# G- G* C4 ?
46. Midnight’s Children (Salman Rushdie, 1981)& D2 b7 r8 P2 |1 ^0 j
45. The Little Stranger (Sarah Waters, 2009)
{3 R9 Z' e k$ S( c- ]& F44. Wolf Hall (Hilary Mantel, 2009)
$ I$ H/ x- Y' C* m0 O0 R6 H2 i. F* c, s43. The Swimming Pool Library (Alan Hollinghurst, 1988)) S5 K6 x3 E( N& b/ R9 x+ S0 J
42. Brighton Rock (Graham Greene, 1938). O% }3 s: J* x) h
41. Dombey and Son (Charles Dickens, 1848)
4 q1 G1 a* A- M/ M40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
( l& ]7 \5 o7 U7 i39. The Sense of an Ending (Julian Barnes, 2011)3 w& T0 W N& u+ m8 b/ w9 C
38. The Passion (Jeanette Winterson, 1987)9 t4 q* p" n& L& c
37. Decline and Fall (Evelyn Waugh, 1928)
1 N: \# I; a8 `8 P& P- q2 g1 i36. A Dance to the Music of Time (Anthony Powell, 1951-1975)( p* a. ~! X: m/ F4 \
35. Remainder (Tom McCarthy, 2005)
/ \& a: b' A. S- `6 S) @# C' k& C+ {34. Never Let Me Go (Kazuo Ishiguro, 2005)
! @. A( {8 Y' K" M33. The Wind in the Willows (Kenneth Grahame, 1908); m. {" i( W% q8 g8 H
32. A Room with a View (EM Forster, 1908)
$ ^1 [8 m0 F! l1 }" _31. The End of the Affair (Graham Greene, 1951)6 ?4 |9 a4 m7 @0 o( E
30. Moll Flanders (Daniel Defoe, 1722)+ S2 I' r5 L; G4 Q( r+ D# |
29. Brick Lane (Monica Ali, 2003)$ J M* E8 y* ~: w
28. Villette (Charlotte Brontë, 1853)
) G9 q3 P2 H: q/ N' [27. Robinson Crusoe (Daniel Defoe, 1719)& m' \: { d$ {, G, K2 w
26. The Lord of the Rings (JRR Tolkien, 1954)
1 u0 f' _2 z' y+ \% a4 c& K25. White Teeth (Zadie Smith, 2000)
8 s, y1 ?$ J; F24. The Golden Notebook (Doris Lessing, 1962)
+ F3 a& m+ s' E6 i23. Jude the Obscure (Thomas Hardy, 1895)/ j9 @6 L7 a% p" B# I1 J( ?5 Y
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749); e# l/ r. C( _0 G
21. Heart of Darkness (Joseph Conrad, 1899)
: P4 @8 l1 \4 y4 p7 N( s20. Persuasion (Jane Austen, 1817)
9 [" ?- u# T: u, e, E# c19. Emma (Jane Austen, 1815)
) |1 d. v, |/ ?: ~" p4 q& S18. Remains of the Day (Kazuo Ishiguro, 1989)
8 Z: j* o1 d1 k9 e/ B! g" Q. e17. Howards End (EM Forster, 1910)4 y+ B7 B1 r1 G
16. The Waves (Virginia Woolf, 1931)
9 p3 B% ~ a" e+ ?: g6 S; B15. Atonement (Ian McEwan, 2001)
- r* a( y E& o/ K' S14. Clarissa (Samuel Richardson,1748)
/ ?* W$ R: C; A6 H) V7 h1 r$ a8 K% G; ~13. The Good Soldier (Ford Madox Ford, 1915)% O3 K" Z: B, N! _
12. Nineteen Eighty-Four (George Orwell, 1949)3 Q) {0 w9 L2 s
11. Pride and Prejudice (Jane Austen, 1813)
. J& j; j! _) h9 B/ ?+ R" k4 i10. Vanity Fair (William Makepeace Thackeray, 1848)# C' `5 z9 t7 A* D9 [+ v! G8 D: K
9. Frankenstein (Mary Shelley, 1818)9 S- U, ?7 t4 {' A1 f7 I
8. David Copperfield (Charles Dickens, 1850)
; r& a0 g- N n. I$ N7. Wuthering Heights (Emily Brontë, 1847)
) w9 g# q' E8 ~1 E6. Bleak House (Charles Dickens, 1853), S9 r# _! S# \8 _3 ~. O
5. Jane Eyre (Charlotte Brontë, 1847)
m# N1 g" h+ j% q4. Great Expectations (Charles Dickens, 1861)
2 X0 Y6 ?( s+ ?1 c3. Mrs. Dalloway (Virginia Woolf, 1925)
x! M2 h" _4 k6 c3 `2. To the Lighthouse (Virginia Woolf, 1927)# Q5 ~/ r. v& n' T$ z; N
1. Middlemarch (George Eliot, 1874)6 t) A8 i5 O+ h9 Z/ T7 R
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。0 P+ t" W$ J Y! R9 D
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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