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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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7 ]5 b* n% U: V& V# c; iBBC评出100大英国文学名著! f7 g' {2 v% Q# Z w
http://www.bbc.com/culture/story ... test-british-novels% ?0 u# @5 W# l! u
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。5 X# y+ S2 w0 _) }
# W2 }/ ~/ {: g' c: K4 }8 L4 X. y100. The Code of the Woosters (PG Wodehouse, 1938)3 K! w( k! o4 J- K/ h8 B, T4 g
99. There but for the (Ali Smith, 2011)
/ J* B! C% A9 h; r0 G98. Under the Volcano (Malcolm Lowry,1947)9 ~! ~+ ^# l& r( e$ C& M. D
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
) m6 ]' `3 g5 d2 Y" g96. Memoirs of a Survivor (Doris Lessing, 1974)) }% W% s, I3 U
95. The Buddha of Suburbia (Hanif Kureishi, 1990)2 Q' X( h, x- H T% t/ ?: u5 ^
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
3 D! _; V8 O0 S. w/ L' y93. Lord of the Flies (William Golding, 1954)3 l1 ~+ b4 ^* A$ f
92. Cold Comfort Farm (Stella Gibbons, 1932)
7 j5 ~% m$ C! b& ?91. The Forsyte Saga (John Galsworthy, 1922)/ }6 N: c2 \ V* ^- @# F
90. The Woman in White (Wilkie Collins, 1859)
2 Q( Y+ G$ s# V% C1 p( V; |89. The Horse’s Mouth (Joyce Cary, 1944)7 [+ ?$ M* `+ ~0 F: ?8 y& S
88. The Death of the Heart (Elizabeth Bowen, 1938)% y* }, A( O9 N9 _. S
87. The Old Wives’ Tale (Arnold Bennett,1908)' ?7 I. l' n9 V
86. A Legacy (Sybille Bedford, 1956)
4 d9 R; {7 z# h( H9 X7 Y% F; y85. Regeneration Trilogy (Pat Barker, 1991-1995)
: x# m j: F2 `8 P4 Q3 Q# H84. Scoop (Evelyn Waugh, 1938)
M( i y, e# C% E83. Barchester Towers (Anthony Trollope, 1857)/ r O8 k X. h" t' }
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012), U5 h) O6 c% v/ M1 A. D" E
81. The Jewel in the Crown (Paul Scott, 1966)+ ?) g9 J. Z4 c0 `6 g
80. Excellent Women (Barbara Pym, 1952)
4 Y+ M& T n; o: w, G79. His Dark Materials (Philip Pullman, 1995-2000). ]" C! V* q- ?) X# h/ Q! ?" E
78. A House for Mr Biswas (VS Naipaul, 1961)
8 m2 v' x" g$ e77. Of Human Bondage (W Somerset Maugham, 1915)" s# o% c0 d) j, t
76. Small Island (Andrea Levy, 2004), _) p1 J; H5 x( K+ M
75. Women in Love (DH Lawrence, 1920)
% X- Z' A$ X% J+ l8 \, h74. The Mayor of Casterbridge (Thomas Hardy, 1886)6 G( |7 M% u- T4 n
73. The Blue Flower (Penelope Fitzgerald, 1995)
2 V3 `( e! T& u# L- c4 x72. The Heart of the Matter (Graham Greene, 1948)4 S& p; W; ~# q% Z9 ?% [# |
71. Old Filth (Jane Gardam, 2004)$ L. c5 P# k9 Y) g7 s- y
70. Daniel Deronda (George Eliot, 1876)5 [( J: k) N+ i3 g, `
69. Nostromo (Joseph Conrad, 1904)4 d: p, x, }5 d
68. A Clockwork Orange (Anthony Burgess, 1962)7 }* ^2 v5 ~4 \/ ^9 u5 a- J
67. Crash (JG Ballard 1973)
9 `$ i5 J7 H& {8 L, O- a' L66. Sense and Sensibility (Jane Austen, 1811): x5 n2 y2 `7 z8 @9 g
65. Orlando (Virginia Woolf, 1928)
+ \# b/ D# s& P* v9 w! r1 b64. The Way We Live Now (Anthony Trollope, 1875)8 m' h4 W' x* ^: Z+ C
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961), \1 u$ t: a, L) k; ?
62. Animal Farm (George Orwell, 1945)+ A. P/ u* y3 |: x0 G
61. The Sea, The Sea (Iris Murdoch, 1978)
1 E* D: C' X6 A60. Sons and Lovers (DH Lawrence, 1913)7 W6 J1 G& y; B+ S3 D# D
59. The Line of Beauty (Alan Hollinghurst, 2004)$ X6 c2 B ^7 z6 g+ B) ^
58. Loving (Henry Green, 1945)4 h; s- @3 c2 s# _ w9 I
57. Parade’s End (Ford Madox Ford, 1924-1928)5 w3 P5 E7 I2 k1 Z
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)) ]2 I. L& H+ a/ G. S
55. Gulliver’s Travels (Jonathan Swift, 1726)9 o. g9 Q2 b( w8 R* |8 O! E
54. NW (Zadie Smith, 2012)- a7 \2 W* @9 s8 t( J/ k6 W* J
53. Wide Sargasso Sea (Jean Rhys, 1966)
0 e2 @3 X8 @6 q3 R5 }% K1 T/ ^52. New Grub Street (George Gissing, 1891), {6 s) L- M; v6 N8 m/ d
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)6 x' X! p" Q/ s" n+ W9 y8 e
50. A Passage to India (EM Forster, 1924)0 H! l' J2 m+ D' B' Q* \+ u" \5 O
49. Possession (AS Byatt, 1990)4 D; ?3 v* a- ]& Z* ^
48. Lucky Jim (Kingsley Amis, 1954)! M5 H" C- ]7 Q& Q3 } O! S
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
6 c0 R4 e* Q- p/ o* r$ J46. Midnight’s Children (Salman Rushdie, 1981): j: y* v/ L, H' m( ? D0 V) s- i# a) N
45. The Little Stranger (Sarah Waters, 2009)8 D; e+ V. s! r* T
44. Wolf Hall (Hilary Mantel, 2009). `' A7 J7 q7 M4 Y9 V- O
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
, V+ Q Z2 }* X$ d# e- a42. Brighton Rock (Graham Greene, 1938)" R+ t9 m. F$ |- s/ h l
41. Dombey and Son (Charles Dickens, 1848)
8 m+ j# W6 y: A5 ]5 y40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
5 o/ f7 c& v: {( `39. The Sense of an Ending (Julian Barnes, 2011)
$ o' {( |$ Z6 r/ d38. The Passion (Jeanette Winterson, 1987)0 ^- p/ ?5 u3 d8 O4 ~
37. Decline and Fall (Evelyn Waugh, 1928)% H$ ?- A. p# H. Q
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
8 c$ \1 R; K* Y1 W" ^/ ~7 O35. Remainder (Tom McCarthy, 2005) }9 p) D A" X/ Q3 d, e" H9 {
34. Never Let Me Go (Kazuo Ishiguro, 2005)
& P) Y+ s R9 y% i. X33. The Wind in the Willows (Kenneth Grahame, 1908)
; i: [, R) G6 P1 Z0 K! U32. A Room with a View (EM Forster, 1908)2 O" n: {# _4 \! a& _+ t- a
31. The End of the Affair (Graham Greene, 1951)
8 K* v& S/ m5 A: p/ ?" x; f30. Moll Flanders (Daniel Defoe, 1722)
3 b" i$ A) e. v29. Brick Lane (Monica Ali, 2003)
3 s" t c- i5 ^& n28. Villette (Charlotte Brontë, 1853)
5 I# W% e5 H1 Q5 \- g! o! O27. Robinson Crusoe (Daniel Defoe, 1719)
. N3 O5 A# n; H& g: ^26. The Lord of the Rings (JRR Tolkien, 1954)
9 V* W" i7 a6 I/ O" K7 M25. White Teeth (Zadie Smith, 2000), Z+ I) z' M/ W) E: Z _* Y+ Q% R
24. The Golden Notebook (Doris Lessing, 1962)
/ |% `; m7 l4 g$ K3 i23. Jude the Obscure (Thomas Hardy, 1895)
+ I, u9 [ A8 c7 e7 l& e22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
$ ]3 A' ^, N% C$ C) [$ L21. Heart of Darkness (Joseph Conrad, 1899)* l% I" j1 Z2 J
20. Persuasion (Jane Austen, 1817)
6 B. L" b: h5 [19. Emma (Jane Austen, 1815)
+ c2 y1 Q5 r, C* x% L18. Remains of the Day (Kazuo Ishiguro, 1989)
% W, F4 M$ C1 c! Q& K* T17. Howards End (EM Forster, 1910)
6 E r* |) d9 f4 W6 f. K! \16. The Waves (Virginia Woolf, 1931)
$ w6 K9 l3 m8 x& n9 d3 z! R15. Atonement (Ian McEwan, 2001)7 W! {0 I# S' P& f, n! ?
14. Clarissa (Samuel Richardson,1748)
+ Y* @9 o* ^' o$ G6 d- O13. The Good Soldier (Ford Madox Ford, 1915)
! \" u- g0 S' t. w5 W+ k12. Nineteen Eighty-Four (George Orwell, 1949)6 c: O: T9 I" V! R! o
11. Pride and Prejudice (Jane Austen, 1813)
' W% g# P) r5 H/ v: ]10. Vanity Fair (William Makepeace Thackeray, 1848), ]/ w0 F# X& P' ?. @
9. Frankenstein (Mary Shelley, 1818)* b( Y5 E- Y2 I0 x5 H
8. David Copperfield (Charles Dickens, 1850); m0 U. _! m) v2 }# f; R& ]5 K: I) Q
7. Wuthering Heights (Emily Brontë, 1847)6 f6 d, c! T. [" Z; B! W$ G3 r% {3 F
6. Bleak House (Charles Dickens, 1853)
! k! p9 P, X' b' ?0 i8 B1 }5. Jane Eyre (Charlotte Brontë, 1847)
4 f! F* G z8 V4. Great Expectations (Charles Dickens, 1861)
$ [4 f& ` c" p& h" E4 w3. Mrs. Dalloway (Virginia Woolf, 1925)
7 e* Z! L9 n: z7 F3 m2. To the Lighthouse (Virginia Woolf, 1927)5 e4 W, T D. O- X- O7 A0 Z# Z) f
1. Middlemarch (George Eliot, 1874)8 L E0 f. K3 ~% ~5 F$ G
7 X% d6 f; D$ v前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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