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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著# `7 o( f; k8 n9 F" j
http://www.bbc.com/culture/story ... test-british-novels
$ T/ o! ^/ N. f7 q: j6 t惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。. e# d% }/ y* ]3 [% |6 O9 s. ~
n' B/ U" E; D% v100. The Code of the Woosters (PG Wodehouse, 1938)( b @8 B, o4 X( F/ ~) \( H
99. There but for the (Ali Smith, 2011)$ V5 C8 z* b# }4 j" w
98. Under the Volcano (Malcolm Lowry,1947)
, _8 h L2 l6 p0 {' o97. The Chronicles of Narnia (CS Lewis, 1949-1954)
' s! x, O0 D* B3 T% L96. Memoirs of a Survivor (Doris Lessing, 1974)! k) [% X3 ]/ b0 b& M$ V2 g7 u
95. The Buddha of Suburbia (Hanif Kureishi, 1990)* S/ g2 F) @) p& v& A- G L% Q) O
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)5 h6 X' w2 M0 K; ?- R& P4 [
93. Lord of the Flies (William Golding, 1954)) ~6 \& t% t' ?' Y: j- F' `
92. Cold Comfort Farm (Stella Gibbons, 1932)
+ K4 P& f% { ]" R z$ e, [91. The Forsyte Saga (John Galsworthy, 1922)
]% n- I/ h4 `90. The Woman in White (Wilkie Collins, 1859)' h4 a" L7 w. F) P
89. The Horse’s Mouth (Joyce Cary, 1944) F; {: `- ?- Y% G8 z5 ^6 J& M. ~
88. The Death of the Heart (Elizabeth Bowen, 1938)
+ f* E. t7 p$ H; p& T# | |6 L6 e87. The Old Wives’ Tale (Arnold Bennett,1908)% U) E1 h _6 `3 L' v; y' q2 d1 c, K
86. A Legacy (Sybille Bedford, 1956)
+ P2 G" P4 ]2 v, o" I3 X( @ e& R1 t. y85. Regeneration Trilogy (Pat Barker, 1991-1995)% e X. c& m. e) H9 e! U# }" Y
84. Scoop (Evelyn Waugh, 1938)
/ L0 p8 c3 U* f1 j( N+ g83. Barchester Towers (Anthony Trollope, 1857)( ]) p$ ]7 N# B& k9 [* f
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
1 Z% \! T I- {81. The Jewel in the Crown (Paul Scott, 1966)
$ T9 h! ~3 D t: E80. Excellent Women (Barbara Pym, 1952)5 B7 l9 W# e0 k" i, k
79. His Dark Materials (Philip Pullman, 1995-2000)3 F7 t3 n8 P# n. T+ T
78. A House for Mr Biswas (VS Naipaul, 1961). P6 I9 B; T4 G8 `
77. Of Human Bondage (W Somerset Maugham, 1915)( B0 g( f7 D6 A
76. Small Island (Andrea Levy, 2004)
6 c- X6 e$ G6 V+ p) f3 N e75. Women in Love (DH Lawrence, 1920)- a* g$ h9 o' N% L$ J
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
. x0 W) _9 Y) H: j/ J9 p73. The Blue Flower (Penelope Fitzgerald, 1995)
4 g; \+ K; E+ ?4 e72. The Heart of the Matter (Graham Greene, 1948)$ s6 s y4 O/ O- s0 D
71. Old Filth (Jane Gardam, 2004)
6 s. Y% e. W" x8 {( G70. Daniel Deronda (George Eliot, 1876)
" A5 l" E! m8 E8 d" o/ O69. Nostromo (Joseph Conrad, 1904)# J' N0 U# r% z; y' }
68. A Clockwork Orange (Anthony Burgess, 1962)
/ q) c. m! F1 ]8 H1 U67. Crash (JG Ballard 1973)
, I$ _3 B( B/ e1 k) {" f! R% g7 E66. Sense and Sensibility (Jane Austen, 1811)0 b8 n2 s$ n# B. S* Q
65. Orlando (Virginia Woolf, 1928)
% g: z; f9 V' O) ]& v) z64. The Way We Live Now (Anthony Trollope, 1875)/ ~4 J. R* J& b! q9 |2 R8 ^% Q
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)7 d8 _3 G7 p, B9 G' N, M( z: y
62. Animal Farm (George Orwell, 1945)
, J1 V$ S) w# {2 H61. The Sea, The Sea (Iris Murdoch, 1978)
" g" i- a# y" X; |% B; X, m60. Sons and Lovers (DH Lawrence, 1913)
% P( E) ], n8 x: a8 s59. The Line of Beauty (Alan Hollinghurst, 2004)
1 N4 E* U5 `+ w, B9 M7 w* R58. Loving (Henry Green, 1945)5 n; L! n1 u0 B& I! f7 L8 R
57. Parade’s End (Ford Madox Ford, 1924-1928)) d E$ P+ p' h" D8 h0 U8 h, J
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
* ?2 ^5 p' J" U3 w( U& A+ x55. Gulliver’s Travels (Jonathan Swift, 1726)
! _' y# d. b& d3 P/ e54. NW (Zadie Smith, 2012)3 U# K3 _0 D! y4 Y- i6 t. ?
53. Wide Sargasso Sea (Jean Rhys, 1966)7 L5 ]0 B, S+ D- E
52. New Grub Street (George Gissing, 1891)
9 d1 A: ~% d8 |: m% p( [51. Tess of the d’Urbervilles (Thomas Hardy, 1891)' P) J9 m% V, N" f& x5 Z4 b
50. A Passage to India (EM Forster, 1924)" t& q. K$ Z3 p
49. Possession (AS Byatt, 1990)
3 T6 ^5 g6 s' m" D48. Lucky Jim (Kingsley Amis, 1954)5 q( E7 ^- N' i; N( x) O
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)2 X( A4 K1 W5 H) D
46. Midnight’s Children (Salman Rushdie, 1981). A$ ?6 V% V# R1 M) M
45. The Little Stranger (Sarah Waters, 2009)
' l3 d( x) N. |8 k44. Wolf Hall (Hilary Mantel, 2009)
( r, m; g2 _& D0 A43. The Swimming Pool Library (Alan Hollinghurst, 1988)3 @1 e* H6 A; T. |7 Q6 \' q2 }
42. Brighton Rock (Graham Greene, 1938); \! }2 {9 X: {7 k, H2 f0 Y. q
41. Dombey and Son (Charles Dickens, 1848) j" U2 t- i8 f* v1 l# N
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
. u5 M( P) j. f. O* {# r) J39. The Sense of an Ending (Julian Barnes, 2011)) \: G. h7 H8 k" x; a7 o1 Q j; D
38. The Passion (Jeanette Winterson, 1987)! }; i) u+ T' a) [. M# y) h L! M' v
37. Decline and Fall (Evelyn Waugh, 1928)6 I( p. h4 L; L. `% D! v1 P! h h& [
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)0 p) C6 ?. F* h, L+ b: I& l$ X2 Q
35. Remainder (Tom McCarthy, 2005). q3 |9 C9 n. E1 t8 x o) l1 ~
34. Never Let Me Go (Kazuo Ishiguro, 2005)
/ U0 v/ J( G4 [33. The Wind in the Willows (Kenneth Grahame, 1908)' f! d( c4 o! D% ^
32. A Room with a View (EM Forster, 1908)% c% V# R+ l. _ ]
31. The End of the Affair (Graham Greene, 1951)
3 u. s( y( Z( A& w* f30. Moll Flanders (Daniel Defoe, 1722)
- a! r& H' A5 \* O2 `0 m29. Brick Lane (Monica Ali, 2003)" R% h6 _( o, X2 T( M
28. Villette (Charlotte Brontë, 1853)
( b! D* y, C0 ~1 s H+ f' p$ }27. Robinson Crusoe (Daniel Defoe, 1719) S9 y- P# c. c: t' K
26. The Lord of the Rings (JRR Tolkien, 1954)0 G# w& O2 }) z T4 W0 H
25. White Teeth (Zadie Smith, 2000); ]5 A0 p8 i6 A( V% T+ H, Y
24. The Golden Notebook (Doris Lessing, 1962)
. v5 x4 Y8 l. N" j23. Jude the Obscure (Thomas Hardy, 1895)4 T( O: y: p$ x% s$ ]0 r! a3 e
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)3 c( ~* x' ~5 s# ?
21. Heart of Darkness (Joseph Conrad, 1899)% |, G9 Z. y/ L. z A/ T
20. Persuasion (Jane Austen, 1817)5 Y2 L e' Q' W1 | K, t) ?0 I& u9 {
19. Emma (Jane Austen, 1815)
$ C" h7 q& s) [- G3 [; K18. Remains of the Day (Kazuo Ishiguro, 1989)
7 A: ^9 I/ U! Y4 |# `& S17. Howards End (EM Forster, 1910)
/ W' _1 y# }( Y16. The Waves (Virginia Woolf, 1931)- T/ q! P, X/ y, G
15. Atonement (Ian McEwan, 2001)
2 f; t! j2 z9 F2 G$ h3 z0 L14. Clarissa (Samuel Richardson,1748)
% Q) n% {- `$ K13. The Good Soldier (Ford Madox Ford, 1915)' z- E! E5 ^: x+ P
12. Nineteen Eighty-Four (George Orwell, 1949)
; y0 a; A; F" c( A5 E2 [! Z8 Y11. Pride and Prejudice (Jane Austen, 1813)# q8 `' o! c% b) u8 L
10. Vanity Fair (William Makepeace Thackeray, 1848). o* k Y+ O& U$ v! l1 i
9. Frankenstein (Mary Shelley, 1818) [1 p* v! \2 A/ Q* V8 \# S
8. David Copperfield (Charles Dickens, 1850)
r% Z0 Z' w9 U" C: Q7. Wuthering Heights (Emily Brontë, 1847)
# b3 r( m p% Z/ \- u6. Bleak House (Charles Dickens, 1853)
% M" e4 q; u; T$ N9 r5. Jane Eyre (Charlotte Brontë, 1847)
! A( ~6 q# |! f4. Great Expectations (Charles Dickens, 1861)* f+ Y) S, o+ c0 U2 X
3. Mrs. Dalloway (Virginia Woolf, 1925)7 h9 v: r+ R- @
2. To the Lighthouse (Virginia Woolf, 1927)$ g' D+ V2 `( ]& f1 R9 y0 K4 e5 Z
1. Middlemarch (George Eliot, 1874)
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, o2 I/ O+ Q6 u. o前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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