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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 0 e6 V5 _9 C- s5 j* ^
; H' b! [' W. H6 ~# UBBC评出100大英国文学名著8 L! i5 v; O$ N6 `% t
http://www.bbc.com/culture/story ... test-british-novels4 W3 o" X* D% `- r+ e
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)% Z+ e# }1 ^ j& m+ e; q- d
99. There but for the (Ali Smith, 2011)+ ?# D3 a6 S r2 l2 C/ V/ }
98. Under the Volcano (Malcolm Lowry,1947)$ Z! }2 E9 c. N+ D* T
97. The Chronicles of Narnia (CS Lewis, 1949-1954)2 \" e- [, P0 d! p L, v6 {
96. Memoirs of a Survivor (Doris Lessing, 1974)* `" z2 S' e1 J- t- G5 B9 ?- ?
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
$ t, d" O! e7 L) B2 s; g94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)& \5 |. i; N, `8 \, x
93. Lord of the Flies (William Golding, 1954)
' x+ C- }9 ?* S! ]+ p" I3 u9 E* w$ h92. Cold Comfort Farm (Stella Gibbons, 1932)
9 c% [9 [$ z9 a; _/ X91. The Forsyte Saga (John Galsworthy, 1922)7 X7 A. O1 J7 w, R, [; q
90. The Woman in White (Wilkie Collins, 1859)
7 A" H4 b- D1 @ h* k89. The Horse’s Mouth (Joyce Cary, 1944)
5 V9 ?7 q' n. I$ d! C. i0 g88. The Death of the Heart (Elizabeth Bowen, 1938)& f( l+ J4 Q, l6 a+ e( V
87. The Old Wives’ Tale (Arnold Bennett,1908)
8 x# n& ?8 |' l6 l86. A Legacy (Sybille Bedford, 1956)
d. _2 W! X: b$ s7 c85. Regeneration Trilogy (Pat Barker, 1991-1995); u% Y: q' j+ m! I
84. Scoop (Evelyn Waugh, 1938)
% W; H5 X, @2 u! M83. Barchester Towers (Anthony Trollope, 1857)/ [ k2 j4 p9 G% @6 L. J1 p
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
8 \% V8 u0 q9 R# Y2 M2 ^81. The Jewel in the Crown (Paul Scott, 1966)# ^; }5 E& k: ^
80. Excellent Women (Barbara Pym, 1952)
$ X1 @' [- q6 H& a4 L, G5 I79. His Dark Materials (Philip Pullman, 1995-2000)+ N. X5 C# W& {3 [6 \/ F* T Z! k) h
78. A House for Mr Biswas (VS Naipaul, 1961)
" e" ~: Y/ H$ R6 `7 D) N77. Of Human Bondage (W Somerset Maugham, 1915)
) S4 @5 P, v$ W- [( h' d76. Small Island (Andrea Levy, 2004)
* {( T6 h# M3 K0 d+ d5 p75. Women in Love (DH Lawrence, 1920)3 m: {0 c6 v; k9 }
74. The Mayor of Casterbridge (Thomas Hardy, 1886)7 T; z B [* X z8 ]
73. The Blue Flower (Penelope Fitzgerald, 1995)& R2 | B j0 N/ |' @
72. The Heart of the Matter (Graham Greene, 1948)8 Z3 W/ r8 L% q9 ]# x X s
71. Old Filth (Jane Gardam, 2004)
" [5 k# y2 w0 a& J1 r) D70. Daniel Deronda (George Eliot, 1876)4 r/ L2 a& t8 P6 B3 R% ]" b) X3 w, l
69. Nostromo (Joseph Conrad, 1904)
. a4 D/ ?' R* E) t7 o7 d1 ?0 v68. A Clockwork Orange (Anthony Burgess, 1962)
, {0 b& y1 e1 D; L5 L! }' U, ?5 j67. Crash (JG Ballard 1973)
. h- o5 d$ S" w) J9 H66. Sense and Sensibility (Jane Austen, 1811)
2 J$ X* f! z3 L5 U! N+ E! e65. Orlando (Virginia Woolf, 1928)& a4 v% A1 x D3 i
64. The Way We Live Now (Anthony Trollope, 1875)
# L! E. E1 p) S3 b, d4 |3 s7 L63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
" b6 w8 ?& O4 x' m4 R; ~62. Animal Farm (George Orwell, 1945)
5 ?. p; {6 m q) ~8 e61. The Sea, The Sea (Iris Murdoch, 1978)7 O g! M# s: |7 J% R+ C& k
60. Sons and Lovers (DH Lawrence, 1913)' C. ~) {; S2 N* k2 w# `
59. The Line of Beauty (Alan Hollinghurst, 2004)
5 H/ S z1 U6 i5 h+ f1 F) W58. Loving (Henry Green, 1945) H# F# {1 [" H
57. Parade’s End (Ford Madox Ford, 1924-1928)3 M" j2 j$ N; n+ l. w2 p
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)* V0 m/ Q6 a: @% n4 c C
55. Gulliver’s Travels (Jonathan Swift, 1726)
( g/ Z6 O# ~8 q0 k7 y; W% p54. NW (Zadie Smith, 2012)
* G; K- l. {- n% p5 D3 `2 F( T! F53. Wide Sargasso Sea (Jean Rhys, 1966)
" s3 q& a- L+ }$ ?. |52. New Grub Street (George Gissing, 1891)3 L! q+ x2 z( }0 ~0 l
51. Tess of the d’Urbervilles (Thomas Hardy, 1891). M" F6 o1 h) ^' I8 m7 `& Z1 m- `8 {
50. A Passage to India (EM Forster, 1924)
- l1 M6 K( D: u5 J8 T49. Possession (AS Byatt, 1990)
; l% X4 W6 |- k1 @4 t48. Lucky Jim (Kingsley Amis, 1954)
5 w9 n& o# R2 }* B: s {$ v9 i. X% H47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
8 Z: Z6 R& B t) D$ c46. Midnight’s Children (Salman Rushdie, 1981)3 y6 f1 d/ s$ K- L$ f0 J% |5 d
45. The Little Stranger (Sarah Waters, 2009)
- G F1 M" J" n" Q! ]) O* l44. Wolf Hall (Hilary Mantel, 2009)! f, ?+ M1 |( ^) w* [$ \ q. P+ D
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
- C% f, Q3 O% }1 | s$ l# H42. Brighton Rock (Graham Greene, 1938)
) m5 a5 x/ Q9 X# t41. Dombey and Son (Charles Dickens, 1848)# t9 L+ z) m0 `
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)' q; M9 [& ~- B0 W
39. The Sense of an Ending (Julian Barnes, 2011)2 y0 i W9 Y0 U# ?. e
38. The Passion (Jeanette Winterson, 1987)
8 i. d+ Q t% M1 l' h37. Decline and Fall (Evelyn Waugh, 1928)
8 Q M3 u3 q' J- V* w- L36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
& x5 o2 z" P9 a* P9 M35. Remainder (Tom McCarthy, 2005)* B0 z" M1 A) L' O
34. Never Let Me Go (Kazuo Ishiguro, 2005)/ b1 Q ^5 e" K: E3 J- j6 g9 V
33. The Wind in the Willows (Kenneth Grahame, 1908)
" j- R9 G9 H) ?) i/ o' H5 k+ m5 k32. A Room with a View (EM Forster, 1908); F0 \6 e) A. i4 a0 I
31. The End of the Affair (Graham Greene, 1951)
* N! X2 o+ T2 Z9 ^30. Moll Flanders (Daniel Defoe, 1722)5 |' p* e! g8 z2 x; d! ?& q
29. Brick Lane (Monica Ali, 2003)) ?- U1 z8 Z# N; `7 V9 A( P7 V$ `
28. Villette (Charlotte Brontë, 1853)/ e& q8 j! |, x! Y( [( G
27. Robinson Crusoe (Daniel Defoe, 1719)/ v8 }$ ?, \! ~' u! |" N
26. The Lord of the Rings (JRR Tolkien, 1954)
) U E( W! w# z3 \25. White Teeth (Zadie Smith, 2000)
. I, o8 u9 E2 K. w24. The Golden Notebook (Doris Lessing, 1962)
/ ]8 M# `' m, M% q- V) w0 |; Y23. Jude the Obscure (Thomas Hardy, 1895)
7 [( Z# c; [+ Y22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
# r t; h( b# m9 b/ `5 r7 ~/ `21. Heart of Darkness (Joseph Conrad, 1899)- b' ?* D1 R2 E E! T$ S
20. Persuasion (Jane Austen, 1817)
1 p# L" \1 q, u+ [" {: b19. Emma (Jane Austen, 1815)
6 Y. b; W* B4 O. S2 o5 T* T3 E# r18. Remains of the Day (Kazuo Ishiguro, 1989)# z* o* s7 u; t7 G: y8 w
17. Howards End (EM Forster, 1910)
+ S# r1 m) m1 T- q$ ]0 \! d8 u16. The Waves (Virginia Woolf, 1931)
# d0 F& z( d. M" w15. Atonement (Ian McEwan, 2001)
' S4 n3 H$ D7 ]' g: U1 J8 p# I# d; k14. Clarissa (Samuel Richardson,1748)1 o$ N5 p4 X: T+ F
13. The Good Soldier (Ford Madox Ford, 1915)
" b; [* f. g- `% U12. Nineteen Eighty-Four (George Orwell, 1949)
9 |& l, V, A! d5 u( L! p! M- F6 f11. Pride and Prejudice (Jane Austen, 1813)4 |2 w: Z# x2 x& v7 q3 q
10. Vanity Fair (William Makepeace Thackeray, 1848)4 ?& R5 l' b4 s3 I$ i
9. Frankenstein (Mary Shelley, 1818); c6 j, O; P; L
8. David Copperfield (Charles Dickens, 1850)
( T" F) y V! B0 t% F# C7. Wuthering Heights (Emily Brontë, 1847)
, o9 j% Q- M' W7 Y6. Bleak House (Charles Dickens, 1853)
5 F A8 ?6 Z" \2 n; b5. Jane Eyre (Charlotte Brontë, 1847)0 P7 @. Y I- p2 h: v
4. Great Expectations (Charles Dickens, 1861)1 G$ z5 B/ Z! U5 U6 }
3. Mrs. Dalloway (Virginia Woolf, 1925)
, h1 |! E( E7 n" V+ [# z8 {2. To the Lighthouse (Virginia Woolf, 1927)5 {6 b+ q: E N& [7 [2 J2 `
1. Middlemarch (George Eliot, 1874)! o- I: Z9 D$ P1 a& S5 w
0 P/ h3 [5 K- _前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。( X' @8 j) L' W9 N. o* S
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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