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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
' t' g: g- D9 Nhttp://www.bbc.com/culture/story ... test-british-novels1 o: O) w4 @7 U& p) c8 B. |
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。7 G- r* {; ?0 {9 p1 F
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100. The Code of the Woosters (PG Wodehouse, 1938)$ @" C2 V4 V& X3 ^( }6 n; o
99. There but for the (Ali Smith, 2011)
: M4 `: s$ y1 r6 ]1 J. X. Q98. Under the Volcano (Malcolm Lowry,1947)& M' I H1 m { T" q9 e
97. The Chronicles of Narnia (CS Lewis, 1949-1954)8 g2 y r! c# b( p: f! W1 t* T
96. Memoirs of a Survivor (Doris Lessing, 1974)
( b/ b* \/ E+ ?" t95. The Buddha of Suburbia (Hanif Kureishi, 1990)% R, k$ N8 E$ N+ m" |1 \* K
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
1 r" Y+ Z1 G5 G; _, \- l: B5 ?" ]93. Lord of the Flies (William Golding, 1954)' t2 v7 N8 x: Z# [' `
92. Cold Comfort Farm (Stella Gibbons, 1932)
+ A, Y$ f, {, C+ j( Z. u% m91. The Forsyte Saga (John Galsworthy, 1922)4 n+ b( _7 `- M o2 c
90. The Woman in White (Wilkie Collins, 1859)
F% n* }6 w$ }89. The Horse’s Mouth (Joyce Cary, 1944)" j* @3 h4 b% V) ]
88. The Death of the Heart (Elizabeth Bowen, 1938)
( Q2 T- s" Q) Y& j4 w3 c ^7 `87. The Old Wives’ Tale (Arnold Bennett,1908)8 {: q- U, r, d
86. A Legacy (Sybille Bedford, 1956)
. W: @" C+ w4 C6 D85. Regeneration Trilogy (Pat Barker, 1991-1995)7 g# W3 x3 p# _* P' H
84. Scoop (Evelyn Waugh, 1938)
! j2 \9 k! i9 R) ]0 j% V) Q83. Barchester Towers (Anthony Trollope, 1857)* _/ @ z: g) P$ c3 f5 `
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)- i6 j9 b: I O+ T9 P% m5 W
81. The Jewel in the Crown (Paul Scott, 1966)
& Y* a4 ?0 ?0 q80. Excellent Women (Barbara Pym, 1952)7 w- }& K4 Y7 I7 k
79. His Dark Materials (Philip Pullman, 1995-2000)4 @. `0 ^- L( j) }4 n
78. A House for Mr Biswas (VS Naipaul, 1961)
& q$ C( R& _) |2 G77. Of Human Bondage (W Somerset Maugham, 1915)
- v! H/ m- _. Q8 t% N' v76. Small Island (Andrea Levy, 2004)
5 e: _8 I3 R, @+ @8 R75. Women in Love (DH Lawrence, 1920)1 o8 v! t; ]4 |: V4 M& s% Y
74. The Mayor of Casterbridge (Thomas Hardy, 1886): h4 @; u& j9 [# O, L/ `" u4 X+ C/ Y
73. The Blue Flower (Penelope Fitzgerald, 1995)* @! X8 q8 O+ z3 l
72. The Heart of the Matter (Graham Greene, 1948)
: k Y6 e$ }0 u' R71. Old Filth (Jane Gardam, 2004)5 A% t4 {% Z( L/ r s7 ^
70. Daniel Deronda (George Eliot, 1876)& Q6 N" j' h$ U1 g# ~$ a
69. Nostromo (Joseph Conrad, 1904)
# x V- O: C! p Q% ~$ ~& i- S68. A Clockwork Orange (Anthony Burgess, 1962)
: `# M& g7 W9 Q/ o4 h( B, Y67. Crash (JG Ballard 1973)
: ?& L- C% I7 }$ @2 `2 m4 X! m66. Sense and Sensibility (Jane Austen, 1811)& f7 }, }7 u4 I9 Z) f/ @" F
65. Orlando (Virginia Woolf, 1928)
& i9 i8 S8 h. S$ w/ q- g7 h64. The Way We Live Now (Anthony Trollope, 1875)
9 X5 e' o6 B( @4 C- Z6 p: B8 e63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
: B$ ?& a5 V3 R1 t& s62. Animal Farm (George Orwell, 1945). I* S: i% k6 E5 L! u$ u6 c9 i
61. The Sea, The Sea (Iris Murdoch, 1978)
+ v" r1 C2 U% g0 C$ j X5 h60. Sons and Lovers (DH Lawrence, 1913)4 n: f2 h0 V- {" D
59. The Line of Beauty (Alan Hollinghurst, 2004)
2 T: Q' w/ |; x& v+ K% _+ C7 G58. Loving (Henry Green, 1945)
- t% j2 `9 e7 b# X7 l+ q( n57. Parade’s End (Ford Madox Ford, 1924-1928)
2 q: ?9 y' c9 l/ ]+ o/ @( n' l56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)/ v3 D% ]* A9 H6 n, `$ O
55. Gulliver’s Travels (Jonathan Swift, 1726)
* {0 A5 C6 S) e" v$ `! `54. NW (Zadie Smith, 2012)5 l, _0 O( ?% U8 ~
53. Wide Sargasso Sea (Jean Rhys, 1966)
0 ]2 H' O. p* G+ O# `52. New Grub Street (George Gissing, 1891)
$ z* k0 L- s7 ~0 i7 |% d51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
J2 M; p$ [2 A7 v" |& i3 U, e50. A Passage to India (EM Forster, 1924)
& U- e6 j! h# U1 U& f6 d" u" u49. Possession (AS Byatt, 1990)
" ^0 s. [1 X! ]- m5 O48. Lucky Jim (Kingsley Amis, 1954)
! ]( } t3 f ^" K47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)2 ^+ I e3 ~" q" c# k# c
46. Midnight’s Children (Salman Rushdie, 1981)0 q B$ z( A3 N1 S @
45. The Little Stranger (Sarah Waters, 2009)
% _1 @' N! h+ D f6 j44. Wolf Hall (Hilary Mantel, 2009)
. ]1 V0 L5 i% O/ n% G- o# e43. The Swimming Pool Library (Alan Hollinghurst, 1988)
2 H0 C0 S" e# Q9 Y* D7 P42. Brighton Rock (Graham Greene, 1938)8 B0 _+ e7 e1 \5 W& d1 _7 W2 ?
41. Dombey and Son (Charles Dickens, 1848)
/ S/ h; U' N! c+ w40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
5 I+ J0 s- u0 T, |3 Z9 u39. The Sense of an Ending (Julian Barnes, 2011)
& S f7 O0 t/ d) `6 |38. The Passion (Jeanette Winterson, 1987)
. j0 _, e7 g1 U! T7 Q. [37. Decline and Fall (Evelyn Waugh, 1928)+ D0 q$ L4 a. G) ^0 Z1 m
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
, b! W" x/ d n35. Remainder (Tom McCarthy, 2005)' [# H3 C! d7 c9 a4 L' w5 E
34. Never Let Me Go (Kazuo Ishiguro, 2005)
3 k4 [+ q _+ ?( K# T; ]9 {' ]' w33. The Wind in the Willows (Kenneth Grahame, 1908)% h; t6 K# M: S3 ]
32. A Room with a View (EM Forster, 1908) v) E4 M) ?9 n2 ]5 M2 d: U
31. The End of the Affair (Graham Greene, 1951)* W# A* q. J0 d
30. Moll Flanders (Daniel Defoe, 1722)
' r t, |) {7 n29. Brick Lane (Monica Ali, 2003)6 X9 U! ~, l+ A! B2 J- e9 o
28. Villette (Charlotte Brontë, 1853)
. H! }$ z g; W$ _+ W. `27. Robinson Crusoe (Daniel Defoe, 1719)+ \' m1 K9 K1 Z! ?* l$ F) ~% N
26. The Lord of the Rings (JRR Tolkien, 1954)
6 ^( b3 ~: v8 Y+ y25. White Teeth (Zadie Smith, 2000)
2 B- S2 R8 t8 } ~( |$ e' I24. The Golden Notebook (Doris Lessing, 1962)
( t& q# f/ Z7 W% L, V ~( d23. Jude the Obscure (Thomas Hardy, 1895)
1 h, @0 {( B8 ~- _22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)) L' o1 `, h( V; f
21. Heart of Darkness (Joseph Conrad, 1899)# X) e% c7 v# m# g: h/ w2 E
20. Persuasion (Jane Austen, 1817)3 o" U2 R: J u+ U; H1 L0 @4 R
19. Emma (Jane Austen, 1815)/ \3 i! D$ C; s7 a9 E) C
18. Remains of the Day (Kazuo Ishiguro, 1989) R2 V4 R) `7 q$ Y
17. Howards End (EM Forster, 1910)+ Y( F/ H+ J- z7 x
16. The Waves (Virginia Woolf, 1931), ]* G; z( [* X, \9 I
15. Atonement (Ian McEwan, 2001)
2 ~" W) J$ C+ Y0 h4 A+ U14. Clarissa (Samuel Richardson,1748)# U( h" t, N) f! \1 y4 [
13. The Good Soldier (Ford Madox Ford, 1915); X* @' M# j2 K
12. Nineteen Eighty-Four (George Orwell, 1949)& T2 G. t/ d ~6 f6 ^ O) u
11. Pride and Prejudice (Jane Austen, 1813)
& K: }& m! G# u10. Vanity Fair (William Makepeace Thackeray, 1848)
/ R1 m$ \# C3 Q: f( X' d9. Frankenstein (Mary Shelley, 1818)% W- z! F: o% W5 m9 O- r
8. David Copperfield (Charles Dickens, 1850). _ W. j) j. r* W
7. Wuthering Heights (Emily Brontë, 1847)- ?4 Y: `% n" G# O4 [, S
6. Bleak House (Charles Dickens, 1853) a, t# G2 s7 [
5. Jane Eyre (Charlotte Brontë, 1847)
0 t% v* h3 C5 u% B3 V/ {4. Great Expectations (Charles Dickens, 1861)7 @4 A8 S) k2 I, D) h' i1 @* ]
3. Mrs. Dalloway (Virginia Woolf, 1925)
4 N0 j1 n A. \8 A2. To the Lighthouse (Virginia Woolf, 1927)
8 F, [3 I0 d8 t$ d" G" B( z1. Middlemarch (George Eliot, 1874)& T9 \* A* u! u2 x+ ^* d5 W% O
& M& e2 m3 ^) {前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。/ @: m( p' x1 S2 {9 E" {: k
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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