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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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0 T% s j: w# X! c- K& \2 }BBC评出100大英国文学名著
* a' L8 N6 R% ^* p) Phttp://www.bbc.com/culture/story ... test-british-novels+ y8 r: p$ B9 D( G
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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3 Z! o8 P" f/ `2 q2 I# S; c6 ^2 h100. The Code of the Woosters (PG Wodehouse, 1938)& U. {; J# f4 ^9 \! G
99. There but for the (Ali Smith, 2011)
4 N* J: u b+ O7 e2 k98. Under the Volcano (Malcolm Lowry,1947)% s t, z+ `+ N
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
" i& `4 J4 j) b# K& r" X& h6 ?& ]96. Memoirs of a Survivor (Doris Lessing, 1974)
$ A6 d0 K. t- ]* V2 E95. The Buddha of Suburbia (Hanif Kureishi, 1990)
. ?+ k3 Q% E- d8 \1 K) y7 C' o# |94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
8 X' I8 {( f$ h- C) c! x93. Lord of the Flies (William Golding, 1954)7 E% X+ g4 k2 U& N# P& p
92. Cold Comfort Farm (Stella Gibbons, 1932)) w. ]; N" m4 \8 u$ d( a
91. The Forsyte Saga (John Galsworthy, 1922)2 E/ O2 u" j( A
90. The Woman in White (Wilkie Collins, 1859)0 Q6 `0 k+ H7 x7 W5 X) l
89. The Horse’s Mouth (Joyce Cary, 1944)
( J( I! A5 N) d4 }+ n$ X' @, Y88. The Death of the Heart (Elizabeth Bowen, 1938)
! f6 S; ^8 s+ V1 D" u87. The Old Wives’ Tale (Arnold Bennett,1908)( ^8 @" {2 _# V) h5 }9 _' ?1 s* G) {
86. A Legacy (Sybille Bedford, 1956)
; N% K8 A8 O* S. ]/ V$ ?85. Regeneration Trilogy (Pat Barker, 1991-1995)
2 F" n2 U0 I+ ~% f; x: V6 S84. Scoop (Evelyn Waugh, 1938)4 M. W9 ]2 Q% N/ M: Z
83. Barchester Towers (Anthony Trollope, 1857)0 F' ^. Z; E' u. G6 Z9 F5 d3 k
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
& V% f) M" R1 H! s b, V) c81. The Jewel in the Crown (Paul Scott, 1966)
( @4 H0 @7 g5 F80. Excellent Women (Barbara Pym, 1952)
8 E* q2 c3 e$ Q6 n3 y! K7 J79. His Dark Materials (Philip Pullman, 1995-2000); ]5 P6 r! m$ n. ?' v, c' d
78. A House for Mr Biswas (VS Naipaul, 1961)
3 k: R9 u3 o6 ]/ g. u* U$ P77. Of Human Bondage (W Somerset Maugham, 1915): Y* A; W, c+ H, ^% H8 E* ~
76. Small Island (Andrea Levy, 2004)' q8 U( q! K, _/ s% R
75. Women in Love (DH Lawrence, 1920)8 L5 n- w: p8 K$ `6 E& w4 d
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
& p; j, F4 i. {$ F v, h0 m73. The Blue Flower (Penelope Fitzgerald, 1995)
4 e" W l8 H2 @6 a" B( m72. The Heart of the Matter (Graham Greene, 1948)
. y1 I9 t8 ?0 X b71. Old Filth (Jane Gardam, 2004)( O8 S- u/ C6 @# I& B
70. Daniel Deronda (George Eliot, 1876)
6 f3 W8 k8 k1 w6 {6 N) D5 N" u4 o8 c$ q69. Nostromo (Joseph Conrad, 1904)
% ]) c+ G# w& _! m4 K9 J3 b68. A Clockwork Orange (Anthony Burgess, 1962)
. m, g8 j$ g" n; ]- ^8 b67. Crash (JG Ballard 1973)
! F( V H8 ]+ ~ w1 y; r5 P66. Sense and Sensibility (Jane Austen, 1811)4 N c0 S* f+ u0 ?* t; X2 K6 G6 Y
65. Orlando (Virginia Woolf, 1928)" N8 [8 s$ Y, A8 C2 c& P
64. The Way We Live Now (Anthony Trollope, 1875)
# A l- q% V# J* T/ ~63. The Prime of Miss Jean Brodie (Muriel Spark, 1961), ]+ ^6 r1 \/ o' f: J3 F
62. Animal Farm (George Orwell, 1945)( n w- ^; {( V, F' y. `8 a% L4 T! O
61. The Sea, The Sea (Iris Murdoch, 1978)
+ L" f; `5 ?( W% B60. Sons and Lovers (DH Lawrence, 1913); O% X3 p* T, u5 O1 p w* d% U1 ^
59. The Line of Beauty (Alan Hollinghurst, 2004)
% u* j- O& g s5 s58. Loving (Henry Green, 1945)
) M, U: ^1 c. `) Y. R57. Parade’s End (Ford Madox Ford, 1924-1928)
+ R5 A. Q; a' c. _56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
0 K, a' G+ b V5 `55. Gulliver’s Travels (Jonathan Swift, 1726)
Q, W, U9 Q+ N4 O/ I0 s54. NW (Zadie Smith, 2012)( E* M0 V4 Y$ v6 j3 w% N
53. Wide Sargasso Sea (Jean Rhys, 1966)+ \* z; v9 S, C M& U
52. New Grub Street (George Gissing, 1891)
3 m" l" _4 ~* I0 l51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
4 r# r# l3 g5 }( I" y8 T50. A Passage to India (EM Forster, 1924)
1 ~/ g( d! `0 ^: ]6 @49. Possession (AS Byatt, 1990)
) G+ L1 z8 f4 H5 V" ]" `9 H8 ~48. Lucky Jim (Kingsley Amis, 1954)
9 S8 u) h. k* I n, l5 b47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)) k6 j: k1 |" q$ t9 r
46. Midnight’s Children (Salman Rushdie, 1981), Q0 N: F. f F7 }/ I. K
45. The Little Stranger (Sarah Waters, 2009)
& M! x# A' J; c44. Wolf Hall (Hilary Mantel, 2009)7 V; ^2 g1 ^ }# v5 J
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
D9 ?* B6 l0 ~4 k F' X1 F42. Brighton Rock (Graham Greene, 1938)# @6 e6 F2 f1 Y% Y* n# O1 z6 p
41. Dombey and Son (Charles Dickens, 1848)1 U9 \; B% C- i: H' |% r' }
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
2 d5 D% ~9 @1 q- H+ K* ]. T6 H0 p39. The Sense of an Ending (Julian Barnes, 2011); ]5 J" t2 C. R7 d3 R
38. The Passion (Jeanette Winterson, 1987)" u1 e) V) e8 i) y
37. Decline and Fall (Evelyn Waugh, 1928)
9 G0 L5 P/ r& W& e: `) u36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
. A5 X9 ]7 d+ ?; j. \35. Remainder (Tom McCarthy, 2005)
( |* G: e/ Q% y+ F. K34. Never Let Me Go (Kazuo Ishiguro, 2005)
4 n" { i! [6 N8 f* a6 q9 y& \- |33. The Wind in the Willows (Kenneth Grahame, 1908)
, O1 J+ S6 h( u) Z: i32. A Room with a View (EM Forster, 1908)
: @! d; T; }! a31. The End of the Affair (Graham Greene, 1951)
5 ?& k& d( S/ b/ I2 D2 @" \30. Moll Flanders (Daniel Defoe, 1722)
7 N0 n0 T4 Z, y+ |3 @$ z+ a5 I29. Brick Lane (Monica Ali, 2003)9 ~6 Y5 l6 o3 R$ p
28. Villette (Charlotte Brontë, 1853)) s1 a' R0 H5 `/ e* t2 k
27. Robinson Crusoe (Daniel Defoe, 1719)% I% _ a2 h6 y6 C- h! H
26. The Lord of the Rings (JRR Tolkien, 1954)
9 X& ~! A$ ?9 E4 S3 ]9 S- N8 [25. White Teeth (Zadie Smith, 2000)$ o0 }) @$ R' ]
24. The Golden Notebook (Doris Lessing, 1962)# |4 P1 }3 S& _9 a7 V \
23. Jude the Obscure (Thomas Hardy, 1895)
# [1 V" W2 ^% J; A$ `22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
. f- t4 w9 Z$ ]( ^, P21. Heart of Darkness (Joseph Conrad, 1899), c; d4 g( A/ Y* g P. _
20. Persuasion (Jane Austen, 1817)4 j! }# ]7 c* }% D( k/ L( J: ~6 k i
19. Emma (Jane Austen, 1815)
+ C0 o5 r; e* j18. Remains of the Day (Kazuo Ishiguro, 1989)
: b: I: {/ E0 _9 P5 q: I/ K17. Howards End (EM Forster, 1910): V5 z5 p, E" ]/ C* b% T
16. The Waves (Virginia Woolf, 1931)6 M& O( ^' P0 N# a: x3 Y
15. Atonement (Ian McEwan, 2001)
+ B% m+ F6 k5 y, }4 }, H3 m# _14. Clarissa (Samuel Richardson,1748)" z) t: u$ `" c& ~
13. The Good Soldier (Ford Madox Ford, 1915)0 x1 V/ S0 L i5 F
12. Nineteen Eighty-Four (George Orwell, 1949)
2 X- w0 g; T- m7 t0 R+ M11. Pride and Prejudice (Jane Austen, 1813)$ ?; J8 j" ?$ { X# ~2 a# x1 T
10. Vanity Fair (William Makepeace Thackeray, 1848)0 `4 @9 |- \$ R5 y& c
9. Frankenstein (Mary Shelley, 1818)5 n- q& f7 ]5 K. `6 [% K/ M; N1 n' q
8. David Copperfield (Charles Dickens, 1850)
) Z4 O/ |; ?3 O; E7. Wuthering Heights (Emily Brontë, 1847)5 {* m3 f& `/ a- x# {" r% @! K
6. Bleak House (Charles Dickens, 1853)* L: x! V( x: G H* d
5. Jane Eyre (Charlotte Brontë, 1847)
# O. h( r/ Q% }. P% J1 E6 w4. Great Expectations (Charles Dickens, 1861)
1 ~- o9 C/ I* [4 C+ ] o3. Mrs. Dalloway (Virginia Woolf, 1925)
, ]0 n" e; {8 `3 q2. To the Lighthouse (Virginia Woolf, 1927)! c, C$ u8 Z/ ] @4 e
1. Middlemarch (George Eliot, 1874) z4 G k4 f* O+ E
6 q; O. D- X# I4 q7 {" s6 t前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。7 S: F# |! |3 P N, d
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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