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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著& \+ j; s( ]" x/ ]& _; {4 K
http://www.bbc.com/culture/story ... test-british-novels' A+ y. B. F: ?
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。- |- o3 U1 L. T; n
# @1 Z+ n9 F9 @100. The Code of the Woosters (PG Wodehouse, 1938)7 M7 V% O# C$ X9 r4 {' z' ?
99. There but for the (Ali Smith, 2011)( F9 `2 Q) y3 j( }
98. Under the Volcano (Malcolm Lowry,1947)- y/ ~2 w% A b2 `$ X* q
97. The Chronicles of Narnia (CS Lewis, 1949-1954): J$ a2 B8 W9 b O1 a5 L4 d
96. Memoirs of a Survivor (Doris Lessing, 1974); E% Y/ e; A W; t
95. The Buddha of Suburbia (Hanif Kureishi, 1990) j( l0 u3 A( d+ W9 X1 H$ t
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)9 L) x9 `# V8 }9 J
93. Lord of the Flies (William Golding, 1954)
; j* q1 J$ x D7 i92. Cold Comfort Farm (Stella Gibbons, 1932)
& L( U6 ~6 `8 {91. The Forsyte Saga (John Galsworthy, 1922)
% V* O' X* j" R& B& m* D1 {( C90. The Woman in White (Wilkie Collins, 1859)
) K0 e; y% x; R3 |2 [7 o89. The Horse’s Mouth (Joyce Cary, 1944)
* H- @) }( c5 G88. The Death of the Heart (Elizabeth Bowen, 1938)) Z# `; q2 Z! ~( b! }& ^5 h
87. The Old Wives’ Tale (Arnold Bennett,1908)4 B" l- J2 j/ \$ w
86. A Legacy (Sybille Bedford, 1956)
2 u) q) G2 ~6 t U85. Regeneration Trilogy (Pat Barker, 1991-1995)
' n: @% w; l0 ~2 t3 c/ R84. Scoop (Evelyn Waugh, 1938)
7 ]$ r7 m% z3 P- P83. Barchester Towers (Anthony Trollope, 1857)
2 ^# P c( |8 k+ c1 m82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)' u7 l) M9 T% F1 E5 o! y; z
81. The Jewel in the Crown (Paul Scott, 1966)) P9 M; R: P: m4 S
80. Excellent Women (Barbara Pym, 1952)
1 v! }6 g( F/ w9 J1 B$ n79. His Dark Materials (Philip Pullman, 1995-2000)" q" [6 g! Z: A% A3 E. {, z: F
78. A House for Mr Biswas (VS Naipaul, 1961)
0 |; n5 C9 \- Y77. Of Human Bondage (W Somerset Maugham, 1915) _4 N) J" ], K
76. Small Island (Andrea Levy, 2004)
" y7 Q' Z9 q9 \* q% S8 v" a* I ?75. Women in Love (DH Lawrence, 1920)# u4 }! r1 x0 p8 X# o
74. The Mayor of Casterbridge (Thomas Hardy, 1886)' D3 D8 c% O# N2 t$ J8 e$ o
73. The Blue Flower (Penelope Fitzgerald, 1995)- T- i- z) k9 p" t+ W
72. The Heart of the Matter (Graham Greene, 1948)
- I9 R) H: }9 s+ ~+ X71. Old Filth (Jane Gardam, 2004)6 Z# N+ _6 F7 a% u
70. Daniel Deronda (George Eliot, 1876)( N8 W( R0 z% E3 B6 x% t
69. Nostromo (Joseph Conrad, 1904)2 K6 k2 X: W! y2 }
68. A Clockwork Orange (Anthony Burgess, 1962)
! |/ J' ]% M) Y1 I67. Crash (JG Ballard 1973)
' B [# l' i9 M! d& U66. Sense and Sensibility (Jane Austen, 1811)
f& F& Z* F' f0 W- |% r65. Orlando (Virginia Woolf, 1928)
$ d- L7 q1 E, U5 ?' _64. The Way We Live Now (Anthony Trollope, 1875)- j4 Q- e# Z% `- x
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)' p4 s1 F* N# ]
62. Animal Farm (George Orwell, 1945)
0 [3 [6 Y# N% n8 \6 J" o0 B61. The Sea, The Sea (Iris Murdoch, 1978)
m+ j3 e7 s t% N4 [60. Sons and Lovers (DH Lawrence, 1913)
1 S, s2 A% }! G* F% X59. The Line of Beauty (Alan Hollinghurst, 2004)
" |" l9 p! f- W8 ?* ?58. Loving (Henry Green, 1945)
9 M& L0 Q/ |+ P6 X0 m6 N57. Parade’s End (Ford Madox Ford, 1924-1928)2 m! v( R) ^' @* T
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
7 z8 i( M6 C7 v; l$ ~55. Gulliver’s Travels (Jonathan Swift, 1726)9 C# ?2 o; {2 w' M
54. NW (Zadie Smith, 2012)7 ^1 ~7 ]4 f" X: u0 K; ]- Z
53. Wide Sargasso Sea (Jean Rhys, 1966)7 I. J6 r# w1 q" P
52. New Grub Street (George Gissing, 1891)
8 Z& e0 `' f# k0 [8 p P5 h51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
) e6 o! S" K" G/ S Q50. A Passage to India (EM Forster, 1924)3 i. i" Q- a; }) r
49. Possession (AS Byatt, 1990)
7 v1 L9 i' P5 i7 A48. Lucky Jim (Kingsley Amis, 1954)
5 @; b1 t" b' j) z47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759): U. x/ M" `. T6 t
46. Midnight’s Children (Salman Rushdie, 1981); x# n) w# m1 ^
45. The Little Stranger (Sarah Waters, 2009)
8 s8 u! F( g6 z. a44. Wolf Hall (Hilary Mantel, 2009)
. U5 ~& O, D* C j# y4 z43. The Swimming Pool Library (Alan Hollinghurst, 1988)
6 {0 L1 E* p+ }3 M42. Brighton Rock (Graham Greene, 1938)
" w, K3 O# ^- E- ~$ a6 z41. Dombey and Son (Charles Dickens, 1848)- a2 }/ `4 J) m$ [/ B2 N
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865): {9 M5 a- U- v- B8 U! B! r
39. The Sense of an Ending (Julian Barnes, 2011)
: {+ z4 J- Y" p38. The Passion (Jeanette Winterson, 1987)
1 t( E. I& }1 _2 O; v/ d37. Decline and Fall (Evelyn Waugh, 1928)8 G( j! W; \4 E; J
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
$ l3 ]" K& r5 a: m D9 v7 e6 t2 \35. Remainder (Tom McCarthy, 2005)
; e* K( {! S: P& N5 B% ]34. Never Let Me Go (Kazuo Ishiguro, 2005)
8 \/ I) r, F2 |7 r( h% @- X33. The Wind in the Willows (Kenneth Grahame, 1908) q1 t7 ?9 z5 i; ^5 ?4 }
32. A Room with a View (EM Forster, 1908)
) u4 G3 B( J ~! t31. The End of the Affair (Graham Greene, 1951)6 k7 S R: N/ K/ e/ X/ O' a
30. Moll Flanders (Daniel Defoe, 1722)) M# s X- [; Z0 h+ Z
29. Brick Lane (Monica Ali, 2003)! z3 d; y5 t& E! n! L0 K+ V
28. Villette (Charlotte Brontë, 1853)
2 m. ~. @4 E# e5 @9 E, j27. Robinson Crusoe (Daniel Defoe, 1719)
" l3 o, R" c7 \, l. {0 b5 b26. The Lord of the Rings (JRR Tolkien, 1954)
' N8 {3 P' V$ a! M! H: ?4 g$ a; N25. White Teeth (Zadie Smith, 2000)" m2 h- x5 a+ @9 z: _7 i$ B h, D
24. The Golden Notebook (Doris Lessing, 1962)5 ~+ r/ h* e0 U' ]( z0 L
23. Jude the Obscure (Thomas Hardy, 1895)
/ ?0 j, Y# Q/ S) P! z( j* X22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
- h8 I+ m' q1 k# T- Q4 \/ w# L) v21. Heart of Darkness (Joseph Conrad, 1899)9 t4 i- z5 `0 e8 P( Z5 J- r/ f S
20. Persuasion (Jane Austen, 1817)2 M; }/ \0 Z9 `$ ]7 a
19. Emma (Jane Austen, 1815)
. Z- Q) F& M/ ]7 a! D% F; i! e18. Remains of the Day (Kazuo Ishiguro, 1989)
6 k5 p& ]$ f# _3 P/ W% ]) B. \17. Howards End (EM Forster, 1910)0 f- d# D# Q1 \- \/ m* t: C" r
16. The Waves (Virginia Woolf, 1931)9 k1 V- H6 j" M3 ]8 ^% C/ p( o
15. Atonement (Ian McEwan, 2001)) Z+ b" e/ f3 Y, Q! \
14. Clarissa (Samuel Richardson,1748)) c: o9 a Z9 a3 k6 l- ]/ j% Z4 ]5 U
13. The Good Soldier (Ford Madox Ford, 1915)! H8 f) {( `" B+ e3 ]1 N3 E5 b
12. Nineteen Eighty-Four (George Orwell, 1949)
% R) h3 o n4 i4 z: X4 z' E+ T2 H11. Pride and Prejudice (Jane Austen, 1813)
- h* e5 h/ J& |* Z, f, Q L10. Vanity Fair (William Makepeace Thackeray, 1848)0 S5 j" ~% m4 `" T* z+ n9 Y
9. Frankenstein (Mary Shelley, 1818)7 h7 {* z: t, ]2 @/ M3 Q9 X8 a
8. David Copperfield (Charles Dickens, 1850)
y$ g) ~9 @# t% V! B" @7. Wuthering Heights (Emily Brontë, 1847)
& p4 `2 I0 o4 b; A" A6. Bleak House (Charles Dickens, 1853)
/ U z1 X' M/ v- [) p! B' z# L5. Jane Eyre (Charlotte Brontë, 1847)
) `5 N' H, Z% u: F2 ]4. Great Expectations (Charles Dickens, 1861)
A/ U4 f" k1 ]+ [9 P5 W3. Mrs. Dalloway (Virginia Woolf, 1925)2 ?! N& q% p2 M$ \3 C0 W
2. To the Lighthouse (Virginia Woolf, 1927)
% b' I5 e1 [+ `1. Middlemarch (George Eliot, 1874)$ c: O& S, M1 F" R# F, }; y0 B
5 o& e+ i! ^2 i/ l! Z: k' V) m前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。! F9 ?; B" Q9 l) |. [$ ^
" N6 i1 O" _1 L& d9 c( w呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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