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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著+ M5 z" K* G1 b& n7 A* B9 B, g
http://www.bbc.com/culture/story ... test-british-novels. R( H s: y; E. m8 h# S+ l! _, K
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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$ h3 i( w+ Z7 ~2 x100. The Code of the Woosters (PG Wodehouse, 1938)
0 t# C @3 K D @1 S8 ^- @99. There but for the (Ali Smith, 2011)0 { _" t4 b4 M6 M
98. Under the Volcano (Malcolm Lowry,1947)
/ p' c3 t( ^# h97. The Chronicles of Narnia (CS Lewis, 1949-1954)# d9 ?, d4 ~+ A' C) `& s1 h
96. Memoirs of a Survivor (Doris Lessing, 1974)
! V( g7 X0 d/ L# R: {# o" s95. The Buddha of Suburbia (Hanif Kureishi, 1990)
) k; |7 }/ {: x+ E94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824) a1 T6 S8 U4 t; W( d+ Q
93. Lord of the Flies (William Golding, 1954)& Y* {% F# b. l' y/ c
92. Cold Comfort Farm (Stella Gibbons, 1932)" C% J8 ~( ?# A5 g* |
91. The Forsyte Saga (John Galsworthy, 1922)
4 w, N5 z3 D# A$ p90. The Woman in White (Wilkie Collins, 1859)# s/ `4 U& r: H1 x# e! r; y
89. The Horse’s Mouth (Joyce Cary, 1944)
8 b! s- ^6 M3 ~* |& B: Z) Z88. The Death of the Heart (Elizabeth Bowen, 1938)
! Q, N0 O3 M. {2 Y% {/ n8 o87. The Old Wives’ Tale (Arnold Bennett,1908); [. t2 A \3 p: [
86. A Legacy (Sybille Bedford, 1956)
0 k7 b$ S; q( y# d" d85. Regeneration Trilogy (Pat Barker, 1991-1995)
9 v/ Q+ k2 E1 l' K* t84. Scoop (Evelyn Waugh, 1938); |- ]2 g7 J9 j
83. Barchester Towers (Anthony Trollope, 1857)- j7 [. N" F' `7 S0 _7 S' d4 W
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)8 u- Q" \& f+ `6 S
81. The Jewel in the Crown (Paul Scott, 1966)( f9 E* I1 K" [' F
80. Excellent Women (Barbara Pym, 1952)
% B7 L' g& r1 z79. His Dark Materials (Philip Pullman, 1995-2000)0 T7 t8 s9 C7 J2 {
78. A House for Mr Biswas (VS Naipaul, 1961)
p/ Z2 B* { `% ~ [% v77. Of Human Bondage (W Somerset Maugham, 1915)$ D0 ^- {$ A% |/ A
76. Small Island (Andrea Levy, 2004)% J9 j- w4 F/ D7 d
75. Women in Love (DH Lawrence, 1920)9 R7 K% h- Z6 [* o$ l% q" A
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
/ J6 q4 F4 Z/ E6 Z4 L73. The Blue Flower (Penelope Fitzgerald, 1995)
. ^0 |' k9 r1 O! g9 ?$ g! T j72. The Heart of the Matter (Graham Greene, 1948)
1 Q: M+ L( u5 P3 S# @ {71. Old Filth (Jane Gardam, 2004)
/ F1 H4 R: i0 [' A" O3 p' m70. Daniel Deronda (George Eliot, 1876)
C5 T. W" |# R; c; |# `69. Nostromo (Joseph Conrad, 1904)$ {0 p" [0 E% P9 R5 n5 L
68. A Clockwork Orange (Anthony Burgess, 1962)* m; W$ x! F4 w% K/ r* ]7 M3 `
67. Crash (JG Ballard 1973)) C: V: H& U: L: g
66. Sense and Sensibility (Jane Austen, 1811)
" R% b0 Y+ v2 G- c65. Orlando (Virginia Woolf, 1928)/ @. w F, V" S
64. The Way We Live Now (Anthony Trollope, 1875)
. _5 c$ u: R$ ~8 o4 C( Q! J k63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
2 t6 f. \4 U2 X6 S V62. Animal Farm (George Orwell, 1945), P2 e: `0 W+ k
61. The Sea, The Sea (Iris Murdoch, 1978)4 d* F: h% f, l& h
60. Sons and Lovers (DH Lawrence, 1913)
$ N, `; ~5 _( d59. The Line of Beauty (Alan Hollinghurst, 2004)
& J; K0 U" Z& B9 S5 k58. Loving (Henry Green, 1945)1 c, N4 c! ~6 a+ i& e$ @( `
57. Parade’s End (Ford Madox Ford, 1924-1928)1 y9 s$ }+ b3 g' V+ Z, d: ~; o! ~: k: [
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985). o6 z0 \6 ~6 u8 {
55. Gulliver’s Travels (Jonathan Swift, 1726)
9 m0 m/ K/ Z$ k) ]2 @3 h& I54. NW (Zadie Smith, 2012)& S$ K' S( s+ v# q% a" Z, G
53. Wide Sargasso Sea (Jean Rhys, 1966)
: _+ f; Q" s# l52. New Grub Street (George Gissing, 1891)/ s& P! B) a4 T5 |
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)4 h9 Q. d+ g) f8 R
50. A Passage to India (EM Forster, 1924)1 t* [" k. t+ d8 E( v
49. Possession (AS Byatt, 1990)
G! K1 b; _/ E. N: Y: @3 h48. Lucky Jim (Kingsley Amis, 1954): S" H5 J( j9 e- t" ~4 r/ a
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)5 |. e! `0 b1 i1 t1 q* Z
46. Midnight’s Children (Salman Rushdie, 1981)' f5 m, E! C6 W' R4 e3 i% @; a
45. The Little Stranger (Sarah Waters, 2009)) y$ S7 A: N2 e7 w1 }" y
44. Wolf Hall (Hilary Mantel, 2009)
8 l% }, C8 s. Z$ i( g43. The Swimming Pool Library (Alan Hollinghurst, 1988)6 _ b6 d0 Q0 U7 V0 t* P& f9 Q
42. Brighton Rock (Graham Greene, 1938)
& Q/ }+ N3 U4 W5 I1 A0 T41. Dombey and Son (Charles Dickens, 1848); F/ g9 [" [# ?3 Y+ y/ F2 B6 x O
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
9 I; p$ E+ e7 J" R2 s39. The Sense of an Ending (Julian Barnes, 2011)' f N8 b; {' J( _! P8 O
38. The Passion (Jeanette Winterson, 1987)
7 q1 g$ |6 i6 e2 ?1 n37. Decline and Fall (Evelyn Waugh, 1928); S) O. d! q9 c7 g8 }$ [
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)! W' V, ]& O' E$ L; n, k ~+ F1 j
35. Remainder (Tom McCarthy, 2005)
0 G# n4 e4 C5 f9 J, h34. Never Let Me Go (Kazuo Ishiguro, 2005)4 M3 @! j! ~7 g+ e4 ]6 G: x
33. The Wind in the Willows (Kenneth Grahame, 1908)% J4 b3 ]& l2 |# e5 I
32. A Room with a View (EM Forster, 1908)
* Z+ X# o* P" u$ l$ E& Z# n1 A31. The End of the Affair (Graham Greene, 1951)
& \ N1 V" j" p8 x; q1 M30. Moll Flanders (Daniel Defoe, 1722): ^3 F; a- \0 O1 w1 r5 ^7 k
29. Brick Lane (Monica Ali, 2003)
) z0 A! h% Z7 n28. Villette (Charlotte Brontë, 1853)
& r7 W! q; f$ Z/ x) e27. Robinson Crusoe (Daniel Defoe, 1719)
: \' Q5 _: F$ p$ e26. The Lord of the Rings (JRR Tolkien, 1954)5 D0 X e& N. }% M# t9 d3 m
25. White Teeth (Zadie Smith, 2000)3 ]0 O/ B6 C+ K+ c. s3 e
24. The Golden Notebook (Doris Lessing, 1962). `$ @& W* }+ O. O1 }5 h8 a" {
23. Jude the Obscure (Thomas Hardy, 1895)
1 h T/ o4 N$ C+ \) {* {' {: h22. The History of Tom Jones, a Foundling (Henry Fielding, 1749); @0 J. x" j- ~1 Z& O
21. Heart of Darkness (Joseph Conrad, 1899)' e1 E" _; w( q# ?1 h% P' }
20. Persuasion (Jane Austen, 1817)
2 d" ^. }, w+ G# X19. Emma (Jane Austen, 1815)2 y" g6 G* |: E- |! n) t/ ?
18. Remains of the Day (Kazuo Ishiguro, 1989)
9 g& g( J( u8 d: {" j1 U. c/ \2 P17. Howards End (EM Forster, 1910)4 Z6 \" G! O" \$ Z' u% m
16. The Waves (Virginia Woolf, 1931)- }5 k5 x& U' ~
15. Atonement (Ian McEwan, 2001)4 d% A1 {, L2 T# Z
14. Clarissa (Samuel Richardson,1748)
# p( Y! N6 l" l. J13. The Good Soldier (Ford Madox Ford, 1915)+ T u8 ~: A6 H/ N+ S
12. Nineteen Eighty-Four (George Orwell, 1949)
- c: C$ [( ]% ^0 j2 h0 Y, N1 L11. Pride and Prejudice (Jane Austen, 1813)
^; j) ^! d* i) C$ \10. Vanity Fair (William Makepeace Thackeray, 1848)
+ M) o8 H2 d, d; P4 K9. Frankenstein (Mary Shelley, 1818)
% Q. w. V, `! c+ v7 L6 b8. David Copperfield (Charles Dickens, 1850)
$ t! u; @( [8 S/ I# b7. Wuthering Heights (Emily Brontë, 1847)0 k% G' F+ L9 k" o) q) {4 C0 S6 n
6. Bleak House (Charles Dickens, 1853)
. V2 i( G. \" l5. Jane Eyre (Charlotte Brontë, 1847)( y3 ]3 P8 F( K" c4 l/ w
4. Great Expectations (Charles Dickens, 1861)7 K, O% H: A: q
3. Mrs. Dalloway (Virginia Woolf, 1925). o& y6 u$ F( i1 C9 g
2. To the Lighthouse (Virginia Woolf, 1927)! \+ g, }" f, ~. k6 E7 k6 q
1. Middlemarch (George Eliot, 1874)# ^ H" A( F: n W: M! ^; G
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。. q7 j" W1 p& z" O; s
5 S& ?$ }( ^; D5 C* y: I% F呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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