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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 4 _7 b) z, r8 A& |7 H! f) ?( ~
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BBC评出100大英国文学名著# n5 h1 p3 s |
http://www.bbc.com/culture/story ... test-british-novels
: _4 M2 q O, y5 P& f; f惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。; H Q$ U! u. i7 F. F8 {
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100. The Code of the Woosters (PG Wodehouse, 1938)! R$ Y5 ~$ M1 f& [4 W
99. There but for the (Ali Smith, 2011)0 v# F7 ]% n8 x& Q5 D+ q7 a
98. Under the Volcano (Malcolm Lowry,1947)+ s# _- i2 E% V
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
, [1 J" Z9 k5 h7 T9 P96. Memoirs of a Survivor (Doris Lessing, 1974)
, i7 w0 X! t* O) g( t* Y95. The Buddha of Suburbia (Hanif Kureishi, 1990)$ p& L/ \/ z' K' C5 r) p
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
7 B% Q+ {$ A ]! G93. Lord of the Flies (William Golding, 1954)/ T1 _+ D& m5 @% _/ r
92. Cold Comfort Farm (Stella Gibbons, 1932)6 k" N4 S f% W) l
91. The Forsyte Saga (John Galsworthy, 1922)- H1 K8 _& T8 @! y6 v3 e7 ^ f
90. The Woman in White (Wilkie Collins, 1859)
4 y" j+ s b8 X* d) t' P% T89. The Horse’s Mouth (Joyce Cary, 1944)! o- r$ w: x+ `0 \
88. The Death of the Heart (Elizabeth Bowen, 1938)8 t; ~. e5 ~0 L: k4 l; L
87. The Old Wives’ Tale (Arnold Bennett,1908)
; C2 P/ {3 \' }& i86. A Legacy (Sybille Bedford, 1956)
5 ^4 h1 ^3 Q4 V4 ~7 w+ E3 h6 t85. Regeneration Trilogy (Pat Barker, 1991-1995)0 G( U5 Q3 V! W$ M4 b J# k
84. Scoop (Evelyn Waugh, 1938)7 b9 l5 S. j% O, s7 a [ a
83. Barchester Towers (Anthony Trollope, 1857)9 h% r! p, u8 p ^" R
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)# t0 x% j3 ]6 A
81. The Jewel in the Crown (Paul Scott, 1966)5 _6 I; `. \* e3 `! G! E
80. Excellent Women (Barbara Pym, 1952)
; ^ T4 R F% r/ N& h79. His Dark Materials (Philip Pullman, 1995-2000)9 K: P, a+ @9 ?* q8 `8 a
78. A House for Mr Biswas (VS Naipaul, 1961)
+ C \5 ?* o3 c77. Of Human Bondage (W Somerset Maugham, 1915)
* U5 g$ {' O9 Y; d0 w9 A76. Small Island (Andrea Levy, 2004)
4 v9 Q( ^* X5 o75. Women in Love (DH Lawrence, 1920)8 y8 t% b! A: F( I+ ~( \+ d$ a
74. The Mayor of Casterbridge (Thomas Hardy, 1886)$ H" O7 x1 G9 G& q' z/ F2 S
73. The Blue Flower (Penelope Fitzgerald, 1995): B8 w! Q5 e6 v; t
72. The Heart of the Matter (Graham Greene, 1948); [2 n! x9 R. ?# Q4 L t5 F% t. R
71. Old Filth (Jane Gardam, 2004)
& o. D) z' {/ s0 e70. Daniel Deronda (George Eliot, 1876)1 \& T8 y0 x- b/ `
69. Nostromo (Joseph Conrad, 1904)
3 U# L5 o# o1 F1 \% q68. A Clockwork Orange (Anthony Burgess, 1962)
" h- h* T+ H. J67. Crash (JG Ballard 1973)
1 v7 s1 r) M+ x# Y66. Sense and Sensibility (Jane Austen, 1811)
& k* L5 Q+ T1 n& M) b% j! M65. Orlando (Virginia Woolf, 1928)
6 @2 A* T5 v; K* x/ s: |8 p% r64. The Way We Live Now (Anthony Trollope, 1875)
2 W' o J9 _7 B' X: I! l0 H63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
/ O! a D; |! Z! _62. Animal Farm (George Orwell, 1945)' ^$ S' P/ c5 v+ }
61. The Sea, The Sea (Iris Murdoch, 1978)1 c+ N: R+ l( a3 r" Z* k* r! o
60. Sons and Lovers (DH Lawrence, 1913)3 g6 Y0 f: L( ~) p' ], Q' A' v# h
59. The Line of Beauty (Alan Hollinghurst, 2004); B$ a2 f! b* b
58. Loving (Henry Green, 1945)1 w k9 l/ d* ?4 f% b1 x5 B8 l
57. Parade’s End (Ford Madox Ford, 1924-1928)
' U: e4 M- | g5 c7 N( Z9 V56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)/ L# j6 P9 f% S: ]8 m
55. Gulliver’s Travels (Jonathan Swift, 1726)1 H; h6 S$ o" f% H
54. NW (Zadie Smith, 2012)
4 E7 j" `' f+ }# Q! N; P53. Wide Sargasso Sea (Jean Rhys, 1966)
8 J- |; t/ h# } X# |: N4 E52. New Grub Street (George Gissing, 1891)
3 H; v( R! ?- P/ @; P J1 C8 i2 X51. Tess of the d’Urbervilles (Thomas Hardy, 1891)) Q, N+ L. D0 j' ~$ |/ ?
50. A Passage to India (EM Forster, 1924)
- b/ J- G* r" q- x( e' v4 u, [49. Possession (AS Byatt, 1990)3 Y1 A# x" j9 O) C) B
48. Lucky Jim (Kingsley Amis, 1954)
, F' F* V* S0 C' c47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)& T0 j& }% C) y. ~* }3 T1 u
46. Midnight’s Children (Salman Rushdie, 1981)
. `: {4 ~5 @# B; u! B45. The Little Stranger (Sarah Waters, 2009)
+ x; T! K) _, V7 g$ p# e: j44. Wolf Hall (Hilary Mantel, 2009)
9 o" `2 i" v0 n+ x: a0 |) ?! z43. The Swimming Pool Library (Alan Hollinghurst, 1988)/ H, }* R( f( n& n# S" @
42. Brighton Rock (Graham Greene, 1938)# x) R+ [$ N) X( W* R# n
41. Dombey and Son (Charles Dickens, 1848)$ v$ M. X' B6 O
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
! R" e+ |- L: j7 S39. The Sense of an Ending (Julian Barnes, 2011)4 C1 X7 u' F& [
38. The Passion (Jeanette Winterson, 1987)
6 `; G6 a2 {; E3 l0 T37. Decline and Fall (Evelyn Waugh, 1928)3 ^% E2 C. \6 Y* }. b" s p
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
, z) b: Z) w; o3 J6 C35. Remainder (Tom McCarthy, 2005)
4 d5 X3 r* s0 j5 e34. Never Let Me Go (Kazuo Ishiguro, 2005)
* P$ H( E0 E: M; c33. The Wind in the Willows (Kenneth Grahame, 1908)
5 P: z0 {' @0 n( @' W32. A Room with a View (EM Forster, 1908)6 x' f$ {3 X; \
31. The End of the Affair (Graham Greene, 1951)
! B" l6 t i& V5 @2 i6 b6 {7 j30. Moll Flanders (Daniel Defoe, 1722)
9 o, y- n# J7 B29. Brick Lane (Monica Ali, 2003)
# _, v) V' k! Q4 a2 H0 F5 v! [28. Villette (Charlotte Brontë, 1853)2 D$ a0 }" Q% d0 g( h
27. Robinson Crusoe (Daniel Defoe, 1719)
- ]% N' r: T" F/ D, G26. The Lord of the Rings (JRR Tolkien, 1954)) h* g+ Y/ o( v
25. White Teeth (Zadie Smith, 2000)
7 d1 h" x: l* U* [8 \" j24. The Golden Notebook (Doris Lessing, 1962)
. G& }2 J3 N1 E: [/ Y$ y; N" Q23. Jude the Obscure (Thomas Hardy, 1895)
" R# i4 D9 a6 U9 c ?22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)* k0 `0 a( S) }6 w
21. Heart of Darkness (Joseph Conrad, 1899)! X8 O; B/ C4 D# v$ |* z1 _& M
20. Persuasion (Jane Austen, 1817)
/ R) G% r; J! `$ ^+ n19. Emma (Jane Austen, 1815)0 W$ s2 S8 x* {6 D7 o
18. Remains of the Day (Kazuo Ishiguro, 1989); q6 z9 O' e2 k6 c
17. Howards End (EM Forster, 1910)
3 X. ?, m8 N6 W- @2 n$ k! t16. The Waves (Virginia Woolf, 1931)% z8 G7 J5 V! Y& I* L# w3 c8 g
15. Atonement (Ian McEwan, 2001)0 K2 Q0 l+ x5 G
14. Clarissa (Samuel Richardson,1748)
& @ u4 s0 k# D$ D! ?/ A* T b13. The Good Soldier (Ford Madox Ford, 1915), P6 K5 B o$ }- V6 ~8 G
12. Nineteen Eighty-Four (George Orwell, 1949)) b/ o' Z+ |- O$ X, M2 w; n# l
11. Pride and Prejudice (Jane Austen, 1813)1 d, E& a* y/ P; {8 u4 O3 N( x
10. Vanity Fair (William Makepeace Thackeray, 1848)
6 e: ^3 X' x2 `# B6 V9. Frankenstein (Mary Shelley, 1818)
{2 E) z( F& A( ]4 ]* x8. David Copperfield (Charles Dickens, 1850)
6 m; s, w3 e/ H! Q7. Wuthering Heights (Emily Brontë, 1847)
& N/ } q. i5 f6 f6. Bleak House (Charles Dickens, 1853)
# P* Y8 s; z) A; n: y" j4 o4 A' k5. Jane Eyre (Charlotte Brontë, 1847). q$ G7 E; [1 Y' X8 G
4. Great Expectations (Charles Dickens, 1861)
* x5 ^1 T% h. W3. Mrs. Dalloway (Virginia Woolf, 1925)* j) ~0 L# m' r9 R' E- m
2. To the Lighthouse (Virginia Woolf, 1927)
: t( _% c7 g* X! L. B4 }) I& g1. Middlemarch (George Eliot, 1874)
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# n; o$ k% M$ `) T# ~前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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