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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
/ M9 }! [$ U, i; ahttp://www.bbc.com/culture/story ... test-british-novels
0 N" `6 k& O1 L( c4 _! Y. T惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。- u8 [ a5 |: I% V) ]- n
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100. The Code of the Woosters (PG Wodehouse, 1938)
; g- f4 X/ U0 \6 ? d99. There but for the (Ali Smith, 2011)6 s1 j- M' D, ]$ [8 b
98. Under the Volcano (Malcolm Lowry,1947)* s- A" v9 I _ C4 N& w; ^! S
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
v. E) h6 L! J* W3 `' L96. Memoirs of a Survivor (Doris Lessing, 1974): C' E5 D/ O$ k, W, [
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
5 T: J, H- M0 p3 b- ^94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)! T$ i5 b8 M; T( j; [4 x
93. Lord of the Flies (William Golding, 1954)1 N2 @' S; _1 F# @. x+ a
92. Cold Comfort Farm (Stella Gibbons, 1932)0 r0 C2 Y' i3 a' q! ^% U
91. The Forsyte Saga (John Galsworthy, 1922); f% A* T5 }2 u0 \3 R8 V+ m* `
90. The Woman in White (Wilkie Collins, 1859)% u' T/ d% D8 s ~
89. The Horse’s Mouth (Joyce Cary, 1944)5 v2 l* g9 l( X8 ?
88. The Death of the Heart (Elizabeth Bowen, 1938)
2 s+ L5 b# ]# T/ X7 ]87. The Old Wives’ Tale (Arnold Bennett,1908)- i% h- O- V. v, V$ a
86. A Legacy (Sybille Bedford, 1956)
4 h! D. H! a! ]9 I1 j1 p85. Regeneration Trilogy (Pat Barker, 1991-1995)
v5 Q" R+ p$ v+ {4 P. z0 C1 n: w84. Scoop (Evelyn Waugh, 1938)
" \( i$ I6 u$ E83. Barchester Towers (Anthony Trollope, 1857)2 N/ W, d9 D# P8 U
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)" @* c2 `. y6 p7 f, D9 f6 S, c" `
81. The Jewel in the Crown (Paul Scott, 1966)) J2 I: d& F5 s; R
80. Excellent Women (Barbara Pym, 1952)% R9 ^2 H# u2 p" \' o o4 r) @
79. His Dark Materials (Philip Pullman, 1995-2000)
3 P+ [7 _2 i- S5 c5 B78. A House for Mr Biswas (VS Naipaul, 1961)
" @# R0 m5 ~7 {7 Z- z2 L77. Of Human Bondage (W Somerset Maugham, 1915)
. ^, C5 m s6 C; _) C76. Small Island (Andrea Levy, 2004)# ^2 {- F& R/ D& N- I7 ~+ j
75. Women in Love (DH Lawrence, 1920)
3 B4 Z# h( g! k$ R74. The Mayor of Casterbridge (Thomas Hardy, 1886)( }4 a6 E5 T- i8 |( e; b, w/ d$ b
73. The Blue Flower (Penelope Fitzgerald, 1995)
3 {$ p3 \4 s5 C/ v$ q( m72. The Heart of the Matter (Graham Greene, 1948)! G8 P$ J- Z2 l) }6 y2 Y! I# l
71. Old Filth (Jane Gardam, 2004)6 f2 D( Q' e! A, t0 J
70. Daniel Deronda (George Eliot, 1876)0 @$ s5 C+ X. q/ K1 n6 c- e
69. Nostromo (Joseph Conrad, 1904)& j/ n. F7 e9 H, c' n1 \
68. A Clockwork Orange (Anthony Burgess, 1962)9 \2 U. H$ s( l: _1 ]9 k
67. Crash (JG Ballard 1973)
4 @: \8 ^2 I$ h6 E1 }+ m9 q3 ~66. Sense and Sensibility (Jane Austen, 1811)) \$ U* I# h; j3 j3 ~
65. Orlando (Virginia Woolf, 1928)
/ p$ w% F/ n3 k* B' N/ B64. The Way We Live Now (Anthony Trollope, 1875)0 p" I' l7 C) |+ j$ M% W
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)$ b: X- E( z6 n) M/ T. s
62. Animal Farm (George Orwell, 1945)
( {' D' U3 m& a9 v61. The Sea, The Sea (Iris Murdoch, 1978)
# w2 p4 N8 B5 T! M- [' d* {60. Sons and Lovers (DH Lawrence, 1913)* Q. Q3 I3 C- D) q6 {; R( G# K
59. The Line of Beauty (Alan Hollinghurst, 2004)* d. S9 W/ T* t& q
58. Loving (Henry Green, 1945)! W% n) p6 C2 p6 f6 Q
57. Parade’s End (Ford Madox Ford, 1924-1928)
& X9 d+ }8 S! x56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985) r7 S: c# ]% j
55. Gulliver’s Travels (Jonathan Swift, 1726)8 C( F( ?9 s. [5 ], f# _( U& D U
54. NW (Zadie Smith, 2012)& f9 M# C) o# h; [
53. Wide Sargasso Sea (Jean Rhys, 1966)
0 N7 x4 s) y! b k52. New Grub Street (George Gissing, 1891)
" u, {3 `" H+ o) N51. Tess of the d’Urbervilles (Thomas Hardy, 1891): I: Y/ [+ w1 }2 c
50. A Passage to India (EM Forster, 1924); \, ?+ D7 ?& x2 A1 Z& Y
49. Possession (AS Byatt, 1990)% A! T s6 h/ S9 f2 D m
48. Lucky Jim (Kingsley Amis, 1954)9 r9 p8 Q$ Q' z3 ~! d F+ H9 w
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
, X' J$ e! A9 z& |: E1 w( G7 @46. Midnight’s Children (Salman Rushdie, 1981)9 `4 @9 b& I) ?3 T5 A1 J; \" Q
45. The Little Stranger (Sarah Waters, 2009)
& u' _+ p: Q. j" P) Z44. Wolf Hall (Hilary Mantel, 2009)
4 H/ Z! |' m# a" s43. The Swimming Pool Library (Alan Hollinghurst, 1988)/ K$ n1 }% l0 A1 W, a
42. Brighton Rock (Graham Greene, 1938)
& }9 W3 b; c$ N) t41. Dombey and Son (Charles Dickens, 1848)( w& z! c- J4 g1 W
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)$ {* X( J3 M) [5 h5 E# C" G
39. The Sense of an Ending (Julian Barnes, 2011)$ p. j1 e6 n- ~" @' p
38. The Passion (Jeanette Winterson, 1987)6 _9 r+ }* S$ _3 o8 T; i
37. Decline and Fall (Evelyn Waugh, 1928)2 z0 Y3 m/ ^; h! V2 E
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)6 `( k5 ~ _0 r
35. Remainder (Tom McCarthy, 2005)
" d6 C& z$ e6 D- w" Z* s" k34. Never Let Me Go (Kazuo Ishiguro, 2005)
( [1 p G e: S33. The Wind in the Willows (Kenneth Grahame, 1908)+ M7 N6 a5 B6 l
32. A Room with a View (EM Forster, 1908)( y( [% S1 g! r: {$ K
31. The End of the Affair (Graham Greene, 1951)3 X7 |: a0 K1 e7 K/ u
30. Moll Flanders (Daniel Defoe, 1722)+ ~" V# M: J# u; U0 R
29. Brick Lane (Monica Ali, 2003)$ B) ]! O; |4 R
28. Villette (Charlotte Brontë, 1853)
3 t6 G" s2 m! _3 y3 q. b' F27. Robinson Crusoe (Daniel Defoe, 1719)
3 L* g9 g; U- n' [# z& l' P1 u: j26. The Lord of the Rings (JRR Tolkien, 1954)
' |6 W' [( \9 L) o# J! N5 c4 u9 ?25. White Teeth (Zadie Smith, 2000)
" p, T- D6 }. m6 Q24. The Golden Notebook (Doris Lessing, 1962)
' R" J8 n. e* s23. Jude the Obscure (Thomas Hardy, 1895)
1 q `7 f4 v% F, A# m: h22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)0 L; m! _) ?! S; |' h4 D/ B+ `
21. Heart of Darkness (Joseph Conrad, 1899)
7 |. {3 v# P9 \, G2 d20. Persuasion (Jane Austen, 1817): F& J: h" h8 c3 t& Z. s3 U
19. Emma (Jane Austen, 1815): S5 r9 F' w/ ]
18. Remains of the Day (Kazuo Ishiguro, 1989)
1 G# L; N/ q7 N* h; ]( _6 J( n17. Howards End (EM Forster, 1910), k- j2 e5 K( n2 r5 `
16. The Waves (Virginia Woolf, 1931)
( e6 G6 F" s a( w2 P. h0 l15. Atonement (Ian McEwan, 2001)+ C2 ]; o7 i3 r* b3 e0 C
14. Clarissa (Samuel Richardson,1748)
* u/ d7 z ^ ^+ o/ T: Y13. The Good Soldier (Ford Madox Ford, 1915)
4 G2 k& V; E: o0 e12. Nineteen Eighty-Four (George Orwell, 1949)& s6 e/ D0 t$ G; V1 {/ L
11. Pride and Prejudice (Jane Austen, 1813)) P8 O* A( h4 _2 A
10. Vanity Fair (William Makepeace Thackeray, 1848)7 v" k* G) Q6 b0 k
9. Frankenstein (Mary Shelley, 1818)
5 M F( X% t% n; ~3 A8. David Copperfield (Charles Dickens, 1850)7 Z% W$ a @3 g
7. Wuthering Heights (Emily Brontë, 1847)$ Z" ~$ y' C1 _' K. t2 }# J
6. Bleak House (Charles Dickens, 1853)
R9 \+ J; t1 Z4 l5. Jane Eyre (Charlotte Brontë, 1847)- Q3 Q) g# P, R; [9 d6 T% {
4. Great Expectations (Charles Dickens, 1861)2 H* M3 R2 g- E8 f' v* k- k
3. Mrs. Dalloway (Virginia Woolf, 1925)9 ^! U. c3 b5 l& }8 e2 N
2. To the Lighthouse (Virginia Woolf, 1927)
1 n9 r0 D' z5 y$ z5 A. Y9 D1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。7 Q% H: X3 r5 C1 T$ m
- r3 L3 M3 g; {! H! I呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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