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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 7 J8 L1 L+ L2 G6 [$ v
# Y* N# y! ~. P* ~( H* MBBC评出100大英国文学名著
3 R# P% v/ m9 F3 @* P8 i bhttp://www.bbc.com/culture/story ... test-british-novels3 B4 F; s8 I: A
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。2 W& J7 x4 o" P7 f/ I h
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100. The Code of the Woosters (PG Wodehouse, 1938)
" a* t' y$ ]! J99. There but for the (Ali Smith, 2011)
" D) S$ @; C# a, I: ^2 _" R98. Under the Volcano (Malcolm Lowry,1947)4 Y- ]' X; J3 i! z
97. The Chronicles of Narnia (CS Lewis, 1949-1954), b. c: j, v* c4 A
96. Memoirs of a Survivor (Doris Lessing, 1974)* n7 I$ F9 Q3 }: K
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
* ~+ s$ X' F# w o' R# q& n% G94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! R+ A5 D1 \1 G1 s$ y2 z+ I93. Lord of the Flies (William Golding, 1954)
, f) ?& q% Z: H1 A1 u6 i" |92. Cold Comfort Farm (Stella Gibbons, 1932)
( c o) G- t- `5 {91. The Forsyte Saga (John Galsworthy, 1922)
9 v. t+ L6 X" U3 v4 ?" E# N" Q90. The Woman in White (Wilkie Collins, 1859): {6 l$ \% K% R7 A: G7 w" C
89. The Horse’s Mouth (Joyce Cary, 1944)2 y* q0 B/ i$ l
88. The Death of the Heart (Elizabeth Bowen, 1938)
3 k4 n, z( N+ F- c5 Q9 [% }87. The Old Wives’ Tale (Arnold Bennett,1908)5 m* I- |$ {9 O S( x
86. A Legacy (Sybille Bedford, 1956)5 @+ t$ O; R6 f" r5 E
85. Regeneration Trilogy (Pat Barker, 1991-1995)
3 ]- _4 |2 S) S* u84. Scoop (Evelyn Waugh, 1938): l. Y4 d5 H# |- o, `4 k
83. Barchester Towers (Anthony Trollope, 1857)
) O+ p& T; _( c7 \0 O! R82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)9 S/ ~7 L7 D# g; c
81. The Jewel in the Crown (Paul Scott, 1966)
7 E) m+ v0 |# B% f80. Excellent Women (Barbara Pym, 1952)
0 \; t- A/ o6 X. W6 b& m79. His Dark Materials (Philip Pullman, 1995-2000) D; H, |/ J$ b! U- J
78. A House for Mr Biswas (VS Naipaul, 1961)
/ Y6 |5 j% s9 p) s77. Of Human Bondage (W Somerset Maugham, 1915)
. c1 p% r0 ]' T% @6 _: E; e/ _76. Small Island (Andrea Levy, 2004)
! j4 r- R3 i- D75. Women in Love (DH Lawrence, 1920)# }, Z* B: L; f. I& z
74. The Mayor of Casterbridge (Thomas Hardy, 1886)1 ]5 G. c6 H# W( X" Y5 ~
73. The Blue Flower (Penelope Fitzgerald, 1995)' z) M& C. j: [) S7 ]9 d
72. The Heart of the Matter (Graham Greene, 1948)2 B5 C1 Y* K2 J
71. Old Filth (Jane Gardam, 2004)
4 X/ l2 Q, G1 q# d6 {70. Daniel Deronda (George Eliot, 1876)* }. q7 S; W* R- d E8 y
69. Nostromo (Joseph Conrad, 1904)
4 n9 e& p u9 q* z% S2 H68. A Clockwork Orange (Anthony Burgess, 1962)1 r7 j; |0 L+ `* z
67. Crash (JG Ballard 1973)
) f# l% b$ W4 D7 l# j' e66. Sense and Sensibility (Jane Austen, 1811)
" G; [/ X i/ }- G65. Orlando (Virginia Woolf, 1928)
- q$ E0 o U0 O2 h3 K64. The Way We Live Now (Anthony Trollope, 1875)
; R) }/ G1 Q& @: w* C; ~) B+ y63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
/ e$ H6 T/ S% l# F% N& L# e0 |) P: J& J- {62. Animal Farm (George Orwell, 1945)3 C7 `' D5 X* a: h
61. The Sea, The Sea (Iris Murdoch, 1978)* T8 f" N Z: p
60. Sons and Lovers (DH Lawrence, 1913)9 h @4 G0 v7 v4 x
59. The Line of Beauty (Alan Hollinghurst, 2004). I1 s- c( @# l; V, \
58. Loving (Henry Green, 1945). h1 U. d. {/ f) ?8 `0 [
57. Parade’s End (Ford Madox Ford, 1924-1928): z7 p s: [" O1 k
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
! o. ~1 p: Q9 i# e! |- ^' ^* v55. Gulliver’s Travels (Jonathan Swift, 1726)9 |- S5 t' @% v; q5 e3 r
54. NW (Zadie Smith, 2012)9 G% }: O* b/ E+ X
53. Wide Sargasso Sea (Jean Rhys, 1966)& x# p9 `- T! B) K: @
52. New Grub Street (George Gissing, 1891)
! ~6 C5 Z6 A3 o- X51. Tess of the d’Urbervilles (Thomas Hardy, 1891)2 U) C) Q0 D$ u6 J4 y
50. A Passage to India (EM Forster, 1924)
8 A8 K( [. A4 D4 x49. Possession (AS Byatt, 1990)
5 v7 E* s8 `& t2 [8 K$ K48. Lucky Jim (Kingsley Amis, 1954)4 I5 d0 e0 [# S5 ^
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)! _+ U; c% k' m; D2 \: J4 G M" `
46. Midnight’s Children (Salman Rushdie, 1981)
2 V6 b {* C# w5 J, _) J& W45. The Little Stranger (Sarah Waters, 2009)
1 @# T0 G6 q0 I) s- i! n44. Wolf Hall (Hilary Mantel, 2009)
5 W' \% V5 `$ g% S43. The Swimming Pool Library (Alan Hollinghurst, 1988)" e) [& L( u/ b4 N, R9 Z* S
42. Brighton Rock (Graham Greene, 1938)
/ X* c" h2 m3 ^6 A* r41. Dombey and Son (Charles Dickens, 1848)% B3 W1 H% \) S
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
+ f9 t' v/ _3 B3 p- ^! l$ Q. J39. The Sense of an Ending (Julian Barnes, 2011)" l& p2 q5 \- O' }$ t
38. The Passion (Jeanette Winterson, 1987)
8 r) f7 K5 M% t& G* k+ h; K; r2 r6 `8 D* ]37. Decline and Fall (Evelyn Waugh, 1928)6 e, [- ]) w3 _5 [2 |8 v6 k. n$ d& K
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)6 n, T% ?+ Z0 s5 P/ J7 A
35. Remainder (Tom McCarthy, 2005)
- m8 L; {# X b3 U( A, I/ D34. Never Let Me Go (Kazuo Ishiguro, 2005)5 G$ ]* }" z+ D2 ^) z" ?/ e h
33. The Wind in the Willows (Kenneth Grahame, 1908)3 _. r+ `, Q `( `3 R8 _/ X; q) j
32. A Room with a View (EM Forster, 1908)
8 W! q4 Y3 b J4 V! }31. The End of the Affair (Graham Greene, 1951)
2 }+ d4 D9 L( f3 z9 N) ^7 p5 K30. Moll Flanders (Daniel Defoe, 1722)/ g( [7 J$ v! k2 [( y$ i! x+ N# s/ H
29. Brick Lane (Monica Ali, 2003)- O# k/ v1 ]# R1 k: D
28. Villette (Charlotte Brontë, 1853)) A( [2 Z% |! U9 O% N: z+ y
27. Robinson Crusoe (Daniel Defoe, 1719)
2 M2 i, P( n* J2 n" W5 _9 s26. The Lord of the Rings (JRR Tolkien, 1954)/ G: C6 Q- z) ~4 J5 A% j X
25. White Teeth (Zadie Smith, 2000)
' Y& B. P, F/ ]7 \24. The Golden Notebook (Doris Lessing, 1962)- e" i% }3 P1 Y6 b! m2 k1 U
23. Jude the Obscure (Thomas Hardy, 1895)6 q; o/ D8 O' S( K, l I7 g
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
; @' e/ G4 f; C21. Heart of Darkness (Joseph Conrad, 1899) h. Q6 R- T! H/ `7 d/ Q& Z
20. Persuasion (Jane Austen, 1817)
) ?/ e% _3 O) J19. Emma (Jane Austen, 1815)7 M' c0 }( A5 P6 M
18. Remains of the Day (Kazuo Ishiguro, 1989)! N3 F% J. H# q* l1 \( W
17. Howards End (EM Forster, 1910)
; B* r& u/ k1 q9 }" R, R8 P* l2 K16. The Waves (Virginia Woolf, 1931)" B( H1 q" V$ B- ~
15. Atonement (Ian McEwan, 2001)" E* c T& }: d% r# R R& K
14. Clarissa (Samuel Richardson,1748)
+ k' k- z% _3 O. h& u13. The Good Soldier (Ford Madox Ford, 1915)* e5 { U8 O% v7 _9 N4 P4 `
12. Nineteen Eighty-Four (George Orwell, 1949)
1 f0 a) l5 i# i8 S11. Pride and Prejudice (Jane Austen, 1813)9 n- k! E" ~! @4 M
10. Vanity Fair (William Makepeace Thackeray, 1848)
* j) Z4 v+ k' z; r d# x9. Frankenstein (Mary Shelley, 1818)
" U8 A( o$ V* T i( f5 d! Z8. David Copperfield (Charles Dickens, 1850), N# h; U3 y) p- q
7. Wuthering Heights (Emily Brontë, 1847)" Z* t% C$ u- s" l1 M! n7 F0 v
6. Bleak House (Charles Dickens, 1853)9 u4 ~9 C% F8 |1 }* \
5. Jane Eyre (Charlotte Brontë, 1847)
; J- L; G8 k3 X/ U5 G `- O$ b7 ^' t0 U- _4. Great Expectations (Charles Dickens, 1861)! F; _: U& Y, ]4 \+ E
3. Mrs. Dalloway (Virginia Woolf, 1925)4 J$ \. w9 s& R6 c. S) w& b
2. To the Lighthouse (Virginia Woolf, 1927)6 p6 o# }, g0 C& e6 b8 }& x
1. Middlemarch (George Eliot, 1874)6 N# B/ a( \& P( C* u
: W$ t& r/ X( B7 \/ g! @! _" f. X前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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4 ?2 D+ X! e" n. c8 a呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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