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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 {, T: y# J1 B9 C1 @+ F
7 q2 k; @7 G) D4 g1 |4 _) NBBC评出100大英国文学名著
/ x( E* h/ A" f7 g1 y: Shttp://www.bbc.com/culture/story ... test-british-novels
6 r! G5 q9 M; k8 U3 q V; q5 f惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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, u1 c+ j6 A( E8 l8 P100. The Code of the Woosters (PG Wodehouse, 1938); t" C+ W( j; D8 G( ^4 \0 w! Z/ r
99. There but for the (Ali Smith, 2011)
0 n# h% w% K7 {0 A98. Under the Volcano (Malcolm Lowry,1947)
, ^) u7 ?; [: O; M7 o97. The Chronicles of Narnia (CS Lewis, 1949-1954)# L( M2 z: b2 \1 P% D% U- E
96. Memoirs of a Survivor (Doris Lessing, 1974)
. g$ c6 N8 h; S) E95. The Buddha of Suburbia (Hanif Kureishi, 1990)
. m0 e: }5 ?1 f4 Z7 j94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)6 O- n6 E& P7 Q5 G
93. Lord of the Flies (William Golding, 1954)2 D' m& T& s+ V5 H8 H
92. Cold Comfort Farm (Stella Gibbons, 1932)) h- ~) _( F& D4 `1 S9 e
91. The Forsyte Saga (John Galsworthy, 1922)8 u- t L% w8 v
90. The Woman in White (Wilkie Collins, 1859)1 l. _# i. ]6 ^5 J: S3 |
89. The Horse’s Mouth (Joyce Cary, 1944)( g; N. U3 {# g8 G: Y. H* r
88. The Death of the Heart (Elizabeth Bowen, 1938), b% c$ y- n, }, C- r7 [3 `
87. The Old Wives’ Tale (Arnold Bennett,1908)6 q( t- p0 Y* |. g3 x" ~7 d
86. A Legacy (Sybille Bedford, 1956)
0 O1 b( t. J- A% D# R0 M2 }6 m% E85. Regeneration Trilogy (Pat Barker, 1991-1995)
) J9 f* B$ k# \% B- A) `+ A9 M3 J84. Scoop (Evelyn Waugh, 1938)
; t$ x2 k0 Y9 x2 J83. Barchester Towers (Anthony Trollope, 1857)" U; j3 T$ Y, X3 q/ T
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)1 E* S5 F4 a- L& g
81. The Jewel in the Crown (Paul Scott, 1966)
& O+ {% [' F" K80. Excellent Women (Barbara Pym, 1952)
" o) X8 j+ ^; t. L: @79. His Dark Materials (Philip Pullman, 1995-2000)
9 z" s; b. @) @9 t0 U/ J" z$ n78. A House for Mr Biswas (VS Naipaul, 1961)3 ~) e5 O) Z$ ? K1 M
77. Of Human Bondage (W Somerset Maugham, 1915)
L q. \7 T: V5 B \76. Small Island (Andrea Levy, 2004)7 ~5 q4 A. h" W& q& M
75. Women in Love (DH Lawrence, 1920)
! o: q: \; B( @3 T7 B74. The Mayor of Casterbridge (Thomas Hardy, 1886)2 k, w. y# v1 \# J& M F
73. The Blue Flower (Penelope Fitzgerald, 1995)" W3 t" v. |$ [: Z2 r3 D6 b/ l e
72. The Heart of the Matter (Graham Greene, 1948)
2 T4 w3 d* r) _) r" j; c. ^71. Old Filth (Jane Gardam, 2004)
_5 f7 h1 P2 f' _# \7 y. }70. Daniel Deronda (George Eliot, 1876)& [8 A$ Q' N& Y8 x& M- k3 [
69. Nostromo (Joseph Conrad, 1904)
& _; o5 P3 \; n( s8 I; v! a68. A Clockwork Orange (Anthony Burgess, 1962)2 u6 M! K5 G6 ^" z( @& s
67. Crash (JG Ballard 1973)
8 p5 y* G2 T" G66. Sense and Sensibility (Jane Austen, 1811)
% s1 t5 Q+ T' o, t; [4 p" T9 e/ i65. Orlando (Virginia Woolf, 1928)
/ H; M/ t8 M+ p, J- p7 u& l64. The Way We Live Now (Anthony Trollope, 1875)8 [# X- h5 j! Q8 z% I* w' `
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
5 M% g! n/ [, w# q62. Animal Farm (George Orwell, 1945)1 N: O- D" n3 o" b
61. The Sea, The Sea (Iris Murdoch, 1978)6 l2 O6 @- @1 F2 ~7 A% N% s2 ^
60. Sons and Lovers (DH Lawrence, 1913)5 v. A' D D- B) i& u+ ^1 b8 R
59. The Line of Beauty (Alan Hollinghurst, 2004)# p6 I4 g9 m) o/ }( U* s% |. u3 G
58. Loving (Henry Green, 1945)
8 t7 N4 b, w" n' J57. Parade’s End (Ford Madox Ford, 1924-1928)- I0 A4 ^4 s s; ]* T" U8 D
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
* Q# c7 n0 W$ m; ~' G55. Gulliver’s Travels (Jonathan Swift, 1726)
8 m( ~8 J# l, s6 v( y6 S54. NW (Zadie Smith, 2012)
, i" I6 F, l4 w L s53. Wide Sargasso Sea (Jean Rhys, 1966)
7 @2 e" B8 k" q6 O+ D0 c52. New Grub Street (George Gissing, 1891)) B% U4 O0 @1 o w3 X0 L6 P
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
; @/ g' {9 ^: I$ g3 j50. A Passage to India (EM Forster, 1924)1 X' O( }* c- |& Z
49. Possession (AS Byatt, 1990)8 s, z6 ?, p/ E- |* R, a9 T
48. Lucky Jim (Kingsley Amis, 1954) I- |- F$ V) |, X% ~5 U
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
+ H. r* i. d, K1 h7 t46. Midnight’s Children (Salman Rushdie, 1981)! |5 L4 y! Y* E# J" z# f' h
45. The Little Stranger (Sarah Waters, 2009)
9 P7 d: q' t, W0 y44. Wolf Hall (Hilary Mantel, 2009)8 P M7 K" ^, U' R5 C8 R( {2 N$ S) J/ l
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
7 G7 a5 N7 o; X% {9 j42. Brighton Rock (Graham Greene, 1938)5 t7 r: `, K1 z: I" l2 F8 H
41. Dombey and Son (Charles Dickens, 1848)/ [! W! H( q/ G
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865) A' m# d4 ~" _6 Z( X- E
39. The Sense of an Ending (Julian Barnes, 2011)
: z6 C. q& a9 x* z38. The Passion (Jeanette Winterson, 1987). m; s! M9 y0 h" U& } u
37. Decline and Fall (Evelyn Waugh, 1928)' ~& M; [7 l; f# ^) c5 h/ Q
36. A Dance to the Music of Time (Anthony Powell, 1951-1975). {' b4 }! P# K8 I# J
35. Remainder (Tom McCarthy, 2005)2 \& |& s2 E$ [' s0 }9 Y7 [2 n. J+ {
34. Never Let Me Go (Kazuo Ishiguro, 2005)
: B- t W/ l* L* N; \5 k33. The Wind in the Willows (Kenneth Grahame, 1908)/ r- e( v9 U+ W; s& i" s
32. A Room with a View (EM Forster, 1908)" W$ y( x. y7 R; s$ Z, o
31. The End of the Affair (Graham Greene, 1951)
, ?, Q: h8 x3 C V3 S30. Moll Flanders (Daniel Defoe, 1722)3 \2 f8 r; C, O( H
29. Brick Lane (Monica Ali, 2003)5 l5 ^! V+ Q& I3 z; C
28. Villette (Charlotte Brontë, 1853)1 G% ?* J+ V* N* H$ n
27. Robinson Crusoe (Daniel Defoe, 1719)" q- K5 n5 Z4 r4 d
26. The Lord of the Rings (JRR Tolkien, 1954)
8 |3 H& s1 ]5 E+ ]25. White Teeth (Zadie Smith, 2000)
- f" z# Y& s2 H/ Z24. The Golden Notebook (Doris Lessing, 1962)
; P; A" ~5 b0 I2 d3 w23. Jude the Obscure (Thomas Hardy, 1895), c( x$ H& \. q* X9 r7 f! U
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
) k& M3 n, a8 B7 M21. Heart of Darkness (Joseph Conrad, 1899)
, J7 q& t) q- I) ?7 [ _- ]20. Persuasion (Jane Austen, 1817)
0 ?" {) Y3 s- B r9 B7 K19. Emma (Jane Austen, 1815)/ C' U) Y( `5 S, S4 p, u1 ` c+ }
18. Remains of the Day (Kazuo Ishiguro, 1989)
8 M, ?' ?: ~7 ~# I! E17. Howards End (EM Forster, 1910)- d( @" a( Q |3 ?* w
16. The Waves (Virginia Woolf, 1931)
& F9 M: [8 l4 u9 Q15. Atonement (Ian McEwan, 2001)1 y2 o( T: O: B5 b" \
14. Clarissa (Samuel Richardson,1748)# W1 P8 p2 r' w" m* i; `
13. The Good Soldier (Ford Madox Ford, 1915)
* y" j- K; ?8 X" g/ h2 \6 D( f0 ~2 ]12. Nineteen Eighty-Four (George Orwell, 1949)
6 b1 w# W# l, y) G11. Pride and Prejudice (Jane Austen, 1813); l9 R0 j" H! i& X9 L( o
10. Vanity Fair (William Makepeace Thackeray, 1848)
3 g7 b- D8 ~8 R! O: V/ o9. Frankenstein (Mary Shelley, 1818)2 m3 X$ |/ A( j: j
8. David Copperfield (Charles Dickens, 1850)
5 c& J; W0 |; `& q {! }9 K7. Wuthering Heights (Emily Brontë, 1847)" c; D6 [9 E% S! n+ y/ I" J. [
6. Bleak House (Charles Dickens, 1853)
$ v# K( j) g: W' ?* i5. Jane Eyre (Charlotte Brontë, 1847)
0 R/ v- C7 R6 ^7 x3 z' g4. Great Expectations (Charles Dickens, 1861)
% r$ ^4 e# \/ F. i9 s( i3. Mrs. Dalloway (Virginia Woolf, 1925)/ k3 C K$ v ^' W8 u& t$ K1 z
2. To the Lighthouse (Virginia Woolf, 1927)
G0 y* ]4 \$ E1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。! c4 v: x9 }* B, \) {
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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