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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 6 L6 w- t! o; @- d2 Z i0 e
3 G5 j( T% _& L- `9 EBBC评出100大英国文学名著
3 [! s, L. r8 }; |4 d6 Y1 B6 |http://www.bbc.com/culture/story ... test-british-novels6 V4 z$ I* C9 A
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)' u* L% T. B" a4 v+ H6 b
99. There but for the (Ali Smith, 2011)$ j1 Q% D* H B' r
98. Under the Volcano (Malcolm Lowry,1947)
! {; t" j5 B; w. z5 W9 ]97. The Chronicles of Narnia (CS Lewis, 1949-1954)
1 \7 g! F* K2 D' C' A96. Memoirs of a Survivor (Doris Lessing, 1974)" o: e" T9 n2 _8 m- i& H5 W" ~
95. The Buddha of Suburbia (Hanif Kureishi, 1990)) r) }& {; l7 e( _
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
* Z5 T" R% v! {$ b0 g93. Lord of the Flies (William Golding, 1954)+ U$ ?5 i" t7 x! `# v
92. Cold Comfort Farm (Stella Gibbons, 1932)4 @# x4 w. e$ o; b d7 A+ @3 T
91. The Forsyte Saga (John Galsworthy, 1922)
# y: T( C+ [1 g8 }) @! ]90. The Woman in White (Wilkie Collins, 1859)
" X2 a2 ]0 r6 a, f89. The Horse’s Mouth (Joyce Cary, 1944)
, V1 j G: q; Y F" ?/ H88. The Death of the Heart (Elizabeth Bowen, 1938)7 R7 B; s t8 y" _7 ^# u4 L$ n8 H
87. The Old Wives’ Tale (Arnold Bennett,1908)2 @# [- Y x0 f: I: }# ?
86. A Legacy (Sybille Bedford, 1956)0 c8 _' O, o4 k* b) n! Y, p
85. Regeneration Trilogy (Pat Barker, 1991-1995)
# L6 C: i' J3 E) z84. Scoop (Evelyn Waugh, 1938); H3 Z* ?/ d: \) [
83. Barchester Towers (Anthony Trollope, 1857)# i/ H6 m& l9 X7 d& c @
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
2 ?4 U5 L% F2 H" @/ K, Y81. The Jewel in the Crown (Paul Scott, 1966): J" o, h o$ J/ {; E5 x& u9 ?
80. Excellent Women (Barbara Pym, 1952)
" H h" r- T; ^79. His Dark Materials (Philip Pullman, 1995-2000)* M: J/ ^+ e; W- |3 A! B* W; x# f& B
78. A House for Mr Biswas (VS Naipaul, 1961)% B9 Y1 {- e0 X
77. Of Human Bondage (W Somerset Maugham, 1915)
/ ? p7 d1 J- e" \+ y( ?& S; @/ T% O76. Small Island (Andrea Levy, 2004)% a( ]2 f- g2 f& y! ^3 [
75. Women in Love (DH Lawrence, 1920)
$ `( x4 n# G @7 n/ }74. The Mayor of Casterbridge (Thomas Hardy, 1886)
6 b, k" g! u, c: X, s% N73. The Blue Flower (Penelope Fitzgerald, 1995)
! H* ]2 `1 C4 i# n72. The Heart of the Matter (Graham Greene, 1948)' v* A5 G4 V5 I9 k/ q, G4 o
71. Old Filth (Jane Gardam, 2004)& R( B1 q5 j+ v" U* m" I! K
70. Daniel Deronda (George Eliot, 1876)
2 x, N) M9 R) D2 ~7 Q69. Nostromo (Joseph Conrad, 1904)7 Q2 t" M* S) J4 I$ ?- A f3 G
68. A Clockwork Orange (Anthony Burgess, 1962)
" a8 \1 l. \. C67. Crash (JG Ballard 1973)3 w. o" Q% ?; l7 w ]
66. Sense and Sensibility (Jane Austen, 1811)
4 Y' U" l% a2 {& K" `; B8 q65. Orlando (Virginia Woolf, 1928)
( i" p. ?4 e h) w* x& x x64. The Way We Live Now (Anthony Trollope, 1875): K: u* h/ r6 R% W
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)' |7 |4 ^/ I! _. P0 `5 e9 z/ o
62. Animal Farm (George Orwell, 1945)
9 I! [# I* d* {" ]4 _' h7 x61. The Sea, The Sea (Iris Murdoch, 1978)+ R5 V6 e6 J5 E6 U
60. Sons and Lovers (DH Lawrence, 1913)6 ?: J! U: N {* Q* K6 V
59. The Line of Beauty (Alan Hollinghurst, 2004)1 @. c$ E! q3 \# D# d9 Y
58. Loving (Henry Green, 1945)% @* C) _$ {; ?( z
57. Parade’s End (Ford Madox Ford, 1924-1928)
n2 L. g% N( `$ h' ?2 Q56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)& i% ]$ n" B5 g; |
55. Gulliver’s Travels (Jonathan Swift, 1726)
1 g6 ~5 G6 a* A% T1 _$ X: H! _54. NW (Zadie Smith, 2012)
/ m- s* L6 n4 H# W, F53. Wide Sargasso Sea (Jean Rhys, 1966). Q" H, C4 b% I& Z2 ?5 W1 t
52. New Grub Street (George Gissing, 1891): i1 F& n# Q) h! Z5 D3 J
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)% S' f l, G; t- g# m3 \
50. A Passage to India (EM Forster, 1924)* C; o4 V; ?6 K+ p: U5 y
49. Possession (AS Byatt, 1990). O7 Z* {1 j/ C. g
48. Lucky Jim (Kingsley Amis, 1954)
2 W1 g3 e" r' W& v+ k" `6 @0 _' g47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759): K* x: W5 \% Q2 i# _
46. Midnight’s Children (Salman Rushdie, 1981)$ c& q4 V$ U, E2 W, K3 U0 D) Z8 {
45. The Little Stranger (Sarah Waters, 2009)2 i) O9 w( I+ H0 o3 Y) g
44. Wolf Hall (Hilary Mantel, 2009)' n# c8 E' u2 f3 E: J* U/ r
43. The Swimming Pool Library (Alan Hollinghurst, 1988)0 o e) k& h9 ]8 y/ C1 z0 Q
42. Brighton Rock (Graham Greene, 1938)
6 v' U5 z0 x" a G+ n' {' D5 u41. Dombey and Son (Charles Dickens, 1848)
: d J' d: B0 y+ x+ |40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)( ^5 G% B) h! d; C0 y) P, B0 t
39. The Sense of an Ending (Julian Barnes, 2011)! D( ]. O8 g5 \1 o4 T' w
38. The Passion (Jeanette Winterson, 1987). ~. {: M3 ?7 z9 b" g& j
37. Decline and Fall (Evelyn Waugh, 1928)* L! x$ r( k2 N
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)# l1 S5 ^; O- n0 ]
35. Remainder (Tom McCarthy, 2005)/ C. Y. u$ @ \4 N
34. Never Let Me Go (Kazuo Ishiguro, 2005)
" P, D" ^) ^3 I; H33. The Wind in the Willows (Kenneth Grahame, 1908)
7 Y" ?7 L1 G3 d) s4 B0 D" Q8 y9 u32. A Room with a View (EM Forster, 1908)# o- X+ h3 G. `3 s2 I
31. The End of the Affair (Graham Greene, 1951)
) V. V1 ~( H$ u1 d5 ]30. Moll Flanders (Daniel Defoe, 1722)$ }- y* g/ `# A# I" X/ D0 {
29. Brick Lane (Monica Ali, 2003)
' {- [, B, j' M+ F28. Villette (Charlotte Brontë, 1853)' V' W8 k" X# V' ?6 \- y2 }5 L
27. Robinson Crusoe (Daniel Defoe, 1719): e: I, ^# [1 c( x) H
26. The Lord of the Rings (JRR Tolkien, 1954)! \! Q+ ~+ |) X9 C4 @
25. White Teeth (Zadie Smith, 2000): \2 L* ^4 a/ w. Y- g" V
24. The Golden Notebook (Doris Lessing, 1962)0 ^# h, |; J$ }2 P B$ o. _
23. Jude the Obscure (Thomas Hardy, 1895). ?# F: u: O" I9 V- @: s
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
/ H4 k7 \! ]6 q) a3 o21. Heart of Darkness (Joseph Conrad, 1899)
% \9 G0 D2 l( N6 K7 N20. Persuasion (Jane Austen, 1817)
: i7 s( B7 \5 L# ] [19. Emma (Jane Austen, 1815)) E0 c4 m, Y0 \ v6 z( }3 U3 K' m0 e% B
18. Remains of the Day (Kazuo Ishiguro, 1989)
. a, J: e4 M* N: J% A17. Howards End (EM Forster, 1910)* T( K" B! S: n+ s5 u) s' c
16. The Waves (Virginia Woolf, 1931)" B3 O3 j# Y! j
15. Atonement (Ian McEwan, 2001)
8 c5 ]% i% b7 P14. Clarissa (Samuel Richardson,1748)1 ^, j7 o. `3 h4 _$ G
13. The Good Soldier (Ford Madox Ford, 1915)- D% I7 S. z& t+ e
12. Nineteen Eighty-Four (George Orwell, 1949)
% B$ D$ D" Y0 u8 p0 B: {11. Pride and Prejudice (Jane Austen, 1813)
( P4 |4 o1 @+ W) x10. Vanity Fair (William Makepeace Thackeray, 1848)
3 [6 j6 r6 T3 g' Q9. Frankenstein (Mary Shelley, 1818), Q1 x D8 o. U/ |
8. David Copperfield (Charles Dickens, 1850)
- V2 X0 R2 @/ O1 F( }) M7. Wuthering Heights (Emily Brontë, 1847)
+ c3 D7 a" \. p. M. Q/ s9 Z6. Bleak House (Charles Dickens, 1853); d1 e) {. }. y- W
5. Jane Eyre (Charlotte Brontë, 1847)
2 }# d# y0 X4 O4 g0 n4. Great Expectations (Charles Dickens, 1861)7 F w: ^8 Y0 n5 H4 T! P- o' S+ W. I6 `
3. Mrs. Dalloway (Virginia Woolf, 1925)
) c! N, F8 o7 v$ d/ P/ L2. To the Lighthouse (Virginia Woolf, 1927)4 u) v" {( F4 [, `1 N
1. Middlemarch (George Eliot, 1874)' C V. G. a: V* y) h7 n* D. b
2 P# p; K# ?3 X) D5 B5 Z) R1 c前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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) M& H& Z/ j6 l呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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