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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 & I! H1 B8 V4 y0 i
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BBC评出100大英国文学名著7 s! d2 z6 ?: f% y2 Z
http://www.bbc.com/culture/story ... test-british-novels( |% S1 _6 k. x( |7 `# u
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。8 n% U# m s- R7 h' {7 s0 b( o
4 T6 _' b, o& w, a100. The Code of the Woosters (PG Wodehouse, 1938)7 [, f" i& D, _: \8 H' l, a
99. There but for the (Ali Smith, 2011)
d7 a8 U: j! f& K9 q98. Under the Volcano (Malcolm Lowry,1947)
. ~2 `$ t6 P3 [: V7 Y1 ?: X- }; R97. The Chronicles of Narnia (CS Lewis, 1949-1954)) {7 y; ~0 a* H( u) R n: N
96. Memoirs of a Survivor (Doris Lessing, 1974)
( T: b1 N8 D m0 B$ {95. The Buddha of Suburbia (Hanif Kureishi, 1990)
; S/ K# A7 ^8 W94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
8 Z) I9 z6 o8 M' c2 p93. Lord of the Flies (William Golding, 1954)1 T; M4 j7 w& v* h9 |* r% F I: O9 {
92. Cold Comfort Farm (Stella Gibbons, 1932): Q& Z4 [' M" O; K6 |
91. The Forsyte Saga (John Galsworthy, 1922)! Y* v: Z7 v' t3 B, |$ r
90. The Woman in White (Wilkie Collins, 1859)
, ~9 ^) e1 V, F. V% B! H89. The Horse’s Mouth (Joyce Cary, 1944)
% ]( [3 w2 q- `$ s# u88. The Death of the Heart (Elizabeth Bowen, 1938)/ _# I6 `# |0 ?" S/ M8 ^/ }2 |
87. The Old Wives’ Tale (Arnold Bennett,1908)! z# F5 T0 H+ T" C
86. A Legacy (Sybille Bedford, 1956)0 h" y; k/ z. Q% Z, n
85. Regeneration Trilogy (Pat Barker, 1991-1995)- ~% B2 ]' o" M ]
84. Scoop (Evelyn Waugh, 1938). M. n, `+ t: K+ Y" `
83. Barchester Towers (Anthony Trollope, 1857)
- a7 S/ ^" U# ?' |82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
+ ?/ F0 I/ O" `, r( }5 e! P81. The Jewel in the Crown (Paul Scott, 1966). Q, e: o5 U4 ?- D
80. Excellent Women (Barbara Pym, 1952)2 Q& D$ E7 H+ S9 I3 R( {0 U9 _* @
79. His Dark Materials (Philip Pullman, 1995-2000)
3 Z' C$ X! a9 c6 I78. A House for Mr Biswas (VS Naipaul, 1961)
. j; q1 \6 |9 U" k" C77. Of Human Bondage (W Somerset Maugham, 1915)9 V, X/ V2 U- a- v4 C
76. Small Island (Andrea Levy, 2004)5 g g. e) J7 T1 J* Y
75. Women in Love (DH Lawrence, 1920)0 Z. P. r' A" A: _7 n
74. The Mayor of Casterbridge (Thomas Hardy, 1886)( @5 I" i: B+ M% d& _
73. The Blue Flower (Penelope Fitzgerald, 1995)
4 ]& e) i6 m' m6 `+ ?2 b% p6 g72. The Heart of the Matter (Graham Greene, 1948)
( B7 S M0 W" ]# l- T, n# [71. Old Filth (Jane Gardam, 2004)
- ]: J- g; G% C6 [1 D9 V70. Daniel Deronda (George Eliot, 1876)* J) t, w$ C9 d) X
69. Nostromo (Joseph Conrad, 1904)6 P3 [1 _* P+ [0 c! ^1 w: @5 r
68. A Clockwork Orange (Anthony Burgess, 1962)
% ]1 p2 k6 y3 L67. Crash (JG Ballard 1973). }4 s# X2 H X
66. Sense and Sensibility (Jane Austen, 1811)
7 T; j& f- n4 B( p+ Q/ [65. Orlando (Virginia Woolf, 1928)
1 L7 S! \3 Q) X1 U* t4 K64. The Way We Live Now (Anthony Trollope, 1875)
- v+ |6 w" ?4 n- v63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
7 a2 M/ ~! q/ J62. Animal Farm (George Orwell, 1945)
: w0 z2 k' G) Z s3 M61. The Sea, The Sea (Iris Murdoch, 1978)
* F/ a9 I, `( B6 D* g. b% l0 f4 {60. Sons and Lovers (DH Lawrence, 1913)( W6 T1 F6 y' d. G% k
59. The Line of Beauty (Alan Hollinghurst, 2004)& W4 X8 T! }3 X5 d. s8 r0 h
58. Loving (Henry Green, 1945)' F4 T* g' l6 ?/ I5 m
57. Parade’s End (Ford Madox Ford, 1924-1928), J3 I5 |& h" M: J' J. S" |
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
8 `3 j" o/ A1 ^- M: z2 b55. Gulliver’s Travels (Jonathan Swift, 1726)
/ B# I# {8 ^( ?& N F3 d0 a54. NW (Zadie Smith, 2012)
0 w0 u# k; n% }6 O- U2 I. y' b5 Y53. Wide Sargasso Sea (Jean Rhys, 1966)% m& i5 R. J3 ^4 D* T. P
52. New Grub Street (George Gissing, 1891)5 F# R3 X# b6 H5 ~3 T( \& ~
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)' {1 l& \2 N( F
50. A Passage to India (EM Forster, 1924)
0 _6 i. W# |, E49. Possession (AS Byatt, 1990); U; g* x4 V+ c |
48. Lucky Jim (Kingsley Amis, 1954)
, p4 d* H" ?# z- ?47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
/ k' L% n- {1 A b: ~46. Midnight’s Children (Salman Rushdie, 1981): d7 C3 e. Z$ u/ E9 V
45. The Little Stranger (Sarah Waters, 2009)
" `% P; N( K V- ~* j9 n44. Wolf Hall (Hilary Mantel, 2009)1 F7 W" V) G) P8 X$ J# o% x$ P* K7 _
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* r: ^( z8 u. p( ?42. Brighton Rock (Graham Greene, 1938)
$ M0 @! \& W& `* `8 N7 [5 E41. Dombey and Son (Charles Dickens, 1848)$ e; M1 q4 y" M
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)2 `6 z4 q2 O3 I1 N7 P6 q( d% z
39. The Sense of an Ending (Julian Barnes, 2011)3 i2 p1 d% x! _4 R& t: q
38. The Passion (Jeanette Winterson, 1987)5 |# y! J5 _8 [* Q" T) l1 u# k
37. Decline and Fall (Evelyn Waugh, 1928)
, z* K, }: D& g* O* V$ Y0 ]: X36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
( p% i( B1 Z: u; S2 }8 [- }, _. I35. Remainder (Tom McCarthy, 2005)' l9 U" M: _- Y% }; i
34. Never Let Me Go (Kazuo Ishiguro, 2005)6 w( ^# G- n0 W! c- K% s. X3 d
33. The Wind in the Willows (Kenneth Grahame, 1908)- H; l, H* L- s1 e# e. g+ Z2 w2 q9 a
32. A Room with a View (EM Forster, 1908)" |+ b: h! [. S$ f/ g! ]
31. The End of the Affair (Graham Greene, 1951)- |# [( b3 q3 J
30. Moll Flanders (Daniel Defoe, 1722)! E0 Y( A5 V6 _: g
29. Brick Lane (Monica Ali, 2003)4 A; B1 [, q: C3 B- M: O
28. Villette (Charlotte Brontë, 1853)
) q, A6 G" s* [5 y27. Robinson Crusoe (Daniel Defoe, 1719)
3 O/ q) v U7 F! w4 v26. The Lord of the Rings (JRR Tolkien, 1954)
8 X' R2 d O, @( [& _6 W8 a25. White Teeth (Zadie Smith, 2000)
! d5 T9 U& B/ Q I8 F% ?24. The Golden Notebook (Doris Lessing, 1962)
, I% ]; B1 L5 v: h23. Jude the Obscure (Thomas Hardy, 1895)
8 @3 w; N7 v: ?+ f- _1 u' A22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)$ H5 y" k0 f% O. i& r. i
21. Heart of Darkness (Joseph Conrad, 1899)
; O2 l& d# Y7 P) o* w20. Persuasion (Jane Austen, 1817)7 ~7 \6 J; f# n7 _/ |$ m4 F
19. Emma (Jane Austen, 1815)# h" L/ n8 _* S3 V9 H! `, U
18. Remains of the Day (Kazuo Ishiguro, 1989)
' L; m1 e s4 p6 p17. Howards End (EM Forster, 1910)" e5 S6 v0 X+ E- G
16. The Waves (Virginia Woolf, 1931)! y+ V6 B `# Z+ `3 z8 T- ]
15. Atonement (Ian McEwan, 2001)* q' L5 k4 A- n: i, j. Z K" |# w
14. Clarissa (Samuel Richardson,1748)% D/ f* p: V# g# s8 z
13. The Good Soldier (Ford Madox Ford, 1915)
- P8 }( Y! \: Z12. Nineteen Eighty-Four (George Orwell, 1949)
9 i0 G6 [( s6 i- J; A% d W11. Pride and Prejudice (Jane Austen, 1813)
$ u; d8 N7 Z) C3 b- o3 _; m10. Vanity Fair (William Makepeace Thackeray, 1848)
& D, j) i7 [1 J( K6 Y# q9. Frankenstein (Mary Shelley, 1818). |- N+ H1 s- s3 a4 a
8. David Copperfield (Charles Dickens, 1850)
7 ?2 D' S0 W( G O7 F& L* F. m7. Wuthering Heights (Emily Brontë, 1847); A- N! L2 L( ~- ]' K
6. Bleak House (Charles Dickens, 1853)
" [* B6 ?6 O& S$ \9 ]5. Jane Eyre (Charlotte Brontë, 1847)
% c' ? a1 t6 s1 F0 M4 g7 G/ k4. Great Expectations (Charles Dickens, 1861)+ ^9 S- Q9 G4 H- |5 [7 b
3. Mrs. Dalloway (Virginia Woolf, 1925)0 X0 W; _4 [) S' J( d, M9 M& ^
2. To the Lighthouse (Virginia Woolf, 1927)5 g" y- |9 b4 A) S7 ?; s
1. Middlemarch (George Eliot, 1874)
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8 h R# t1 ?* {# W6 a2 P) S( g W" _前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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# {) P" g4 {, p( G9 s2 P5 J呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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