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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著2 P j0 l/ r. u
http://www.bbc.com/culture/story ... test-british-novels
8 d4 s* N) s0 V# M惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。! X2 l4 i8 S+ X* L0 h$ R' T+ o, I" r
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100. The Code of the Woosters (PG Wodehouse, 1938)$ u* t8 a1 b2 c- O/ m
99. There but for the (Ali Smith, 2011)
: ~& W. `2 X |! V98. Under the Volcano (Malcolm Lowry,1947)
0 K0 o: M7 v' G I" s" G8 W97. The Chronicles of Narnia (CS Lewis, 1949-1954)7 h6 P0 H8 [5 _1 i
96. Memoirs of a Survivor (Doris Lessing, 1974)
2 t& H, \+ A1 o# |95. The Buddha of Suburbia (Hanif Kureishi, 1990)
: Y: X- O; k' ?# }2 X* o) e94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
& W; v$ ~8 N6 Y7 D/ w* W }93. Lord of the Flies (William Golding, 1954)
6 q! u3 j0 J5 R& T0 S92. Cold Comfort Farm (Stella Gibbons, 1932)
Z7 C$ }3 F; ^91. The Forsyte Saga (John Galsworthy, 1922). I$ [; p$ r0 ~
90. The Woman in White (Wilkie Collins, 1859)0 S U) ?4 `7 o3 P
89. The Horse’s Mouth (Joyce Cary, 1944)
6 X9 J' s: ~( I2 n3 I$ J: E88. The Death of the Heart (Elizabeth Bowen, 1938)/ B, w% `* U4 J' J1 s8 L: `' g; n+ |2 e
87. The Old Wives’ Tale (Arnold Bennett,1908)
& D/ I, o/ d5 d" o- \6 Z' g86. A Legacy (Sybille Bedford, 1956)
9 K. v( P& P0 v6 V. _/ f" y& H& C" F85. Regeneration Trilogy (Pat Barker, 1991-1995)
* j& O' s, [8 o. m84. Scoop (Evelyn Waugh, 1938)! l' G3 \/ O( Y* [/ ~/ U
83. Barchester Towers (Anthony Trollope, 1857)
9 W( \: y! m/ J9 S82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
% ]0 i4 |' U- {$ J% E81. The Jewel in the Crown (Paul Scott, 1966)9 o% }0 r% U, @+ O
80. Excellent Women (Barbara Pym, 1952)
U+ |0 \9 D9 K1 Q+ s9 y {+ C l79. His Dark Materials (Philip Pullman, 1995-2000)
. _# b ~. i0 c- V% H! l78. A House for Mr Biswas (VS Naipaul, 1961)
: I7 y: [. T. n1 {: A77. Of Human Bondage (W Somerset Maugham, 1915)& M8 p; p& p& T: r
76. Small Island (Andrea Levy, 2004)0 x" J# \8 S4 B4 [8 ]( N! U
75. Women in Love (DH Lawrence, 1920)" U8 x# T& W: d: D# I7 L
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
& V2 f. D% u- _9 e* a73. The Blue Flower (Penelope Fitzgerald, 1995)
, H- E" ^* ?3 D1 ^6 S72. The Heart of the Matter (Graham Greene, 1948)
' A% e! g. b/ d3 Q, \, C+ j0 D y3 d71. Old Filth (Jane Gardam, 2004)
6 v5 X4 V1 M3 Y4 p70. Daniel Deronda (George Eliot, 1876)8 j9 }* h4 G2 X. Y9 N" \" b3 `) e
69. Nostromo (Joseph Conrad, 1904)
9 N G+ m e( X+ X: y* j68. A Clockwork Orange (Anthony Burgess, 1962)
- X* j2 ^) d; L" E67. Crash (JG Ballard 1973)
& B- T2 X6 S/ \5 n$ Y66. Sense and Sensibility (Jane Austen, 1811)) D9 c1 R4 Y& j2 q
65. Orlando (Virginia Woolf, 1928)% B* [1 f( } q% U# w8 t3 S
64. The Way We Live Now (Anthony Trollope, 1875)
# ] m* G% z6 [& D4 Z0 ~63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)' M. x3 a- E- B" l( k
62. Animal Farm (George Orwell, 1945)* U+ d4 g; n5 G" d/ G0 L
61. The Sea, The Sea (Iris Murdoch, 1978)1 z+ m& E- f* J1 t3 [
60. Sons and Lovers (DH Lawrence, 1913)
5 V% p. O) m) M" d- |+ q59. The Line of Beauty (Alan Hollinghurst, 2004)6 q, q W0 ?5 h, ~, q; v
58. Loving (Henry Green, 1945)
' s" [: ?5 H/ C$ I& a+ N57. Parade’s End (Ford Madox Ford, 1924-1928)
! h2 P( I0 z, L. I' z. h56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)9 {, _* P. m) Q; ^+ d5 V: k- u, {
55. Gulliver’s Travels (Jonathan Swift, 1726)
3 b9 C( B2 Q; i- D' W4 ?54. NW (Zadie Smith, 2012)
1 j* T3 F) e" D4 ^. ]+ y53. Wide Sargasso Sea (Jean Rhys, 1966). S U4 J2 H5 Q' F
52. New Grub Street (George Gissing, 1891)
* s0 R2 B0 ^7 V, ^9 z51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
; c% U: k5 M2 q; q50. A Passage to India (EM Forster, 1924)
8 B" o# O. T+ e) U2 y' B- m$ [) n49. Possession (AS Byatt, 1990)! `8 E! ^+ B c
48. Lucky Jim (Kingsley Amis, 1954)
- ]4 }; r5 x8 m0 q( Z9 o( _47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
7 T, |' Y5 ?; S; f5 y46. Midnight’s Children (Salman Rushdie, 1981)
+ @9 L& z. T8 K& H45. The Little Stranger (Sarah Waters, 2009)
- ]) \& \; I1 o1 J; Z y B44. Wolf Hall (Hilary Mantel, 2009)
. c( ]# ?; _' S! O43. The Swimming Pool Library (Alan Hollinghurst, 1988)
( G" C H$ p" G5 O1 _0 q42. Brighton Rock (Graham Greene, 1938)- |7 n' g5 |. M. i
41. Dombey and Son (Charles Dickens, 1848)
' l9 y4 ?) g8 F9 o ?; z: `$ T6 A7 ^( z40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)" |- k( \+ ?7 N2 H2 U
39. The Sense of an Ending (Julian Barnes, 2011)( Z5 B+ P: p( v8 v! H
38. The Passion (Jeanette Winterson, 1987)9 g! O9 K5 Y9 p/ m& ]9 g- H) A
37. Decline and Fall (Evelyn Waugh, 1928)
8 n3 i1 U# S) Z/ ?9 }36. A Dance to the Music of Time (Anthony Powell, 1951-1975)6 Q, Z& X8 ^3 W% t3 A- S
35. Remainder (Tom McCarthy, 2005)
% j! t- v9 d) |9 f6 ?. _34. Never Let Me Go (Kazuo Ishiguro, 2005)
& f( O, e1 D9 Q+ S( D7 S" A33. The Wind in the Willows (Kenneth Grahame, 1908)+ T5 Z% _ n; G
32. A Room with a View (EM Forster, 1908)' g2 A* }% [3 z. f
31. The End of the Affair (Graham Greene, 1951)
- E! x9 C0 z$ _) s. k" c- j- X30. Moll Flanders (Daniel Defoe, 1722)
4 Q6 i9 q# ~6 f( }& r) M29. Brick Lane (Monica Ali, 2003); c) h' T" T. l. H- I. C
28. Villette (Charlotte Brontë, 1853)2 _' J$ y) R# a4 \: g* S0 q" L$ }
27. Robinson Crusoe (Daniel Defoe, 1719)
& `8 B! r* }6 k; }& e26. The Lord of the Rings (JRR Tolkien, 1954)1 y& ~/ _$ _$ U1 r" g; h, w: C4 q
25. White Teeth (Zadie Smith, 2000)
& h, D" ~3 X) |6 y* d% M. i/ J24. The Golden Notebook (Doris Lessing, 1962)+ N3 u* x0 M$ g
23. Jude the Obscure (Thomas Hardy, 1895)* g) q& q$ w7 b8 J& U
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
8 k5 T! L7 x0 d2 d) \4 \21. Heart of Darkness (Joseph Conrad, 1899); {1 F( B7 b% `0 ?2 ?# p$ A" `
20. Persuasion (Jane Austen, 1817)/ Z6 {: L a7 U6 n5 v4 I& j3 O
19. Emma (Jane Austen, 1815)
# ~$ Y9 G2 @2 y18. Remains of the Day (Kazuo Ishiguro, 1989)
4 A5 `: v/ y2 \0 C' C+ O17. Howards End (EM Forster, 1910)
/ b/ U1 k( v; X4 \0 x16. The Waves (Virginia Woolf, 1931), m- A( C, W6 y+ `$ ]; [# {1 A( {- K
15. Atonement (Ian McEwan, 2001)
$ ^( E' B8 i2 x! {: I. D. B14. Clarissa (Samuel Richardson,1748)3 ~9 n0 q( b+ ?* A | t
13. The Good Soldier (Ford Madox Ford, 1915)2 |6 d) Y4 A4 p, P+ n- i+ ]2 n
12. Nineteen Eighty-Four (George Orwell, 1949)* s* E1 S; `( t, _
11. Pride and Prejudice (Jane Austen, 1813)* t& b! D/ \7 J6 y# t5 b; s
10. Vanity Fair (William Makepeace Thackeray, 1848)$ o, u4 [6 r* V a' [6 ] @
9. Frankenstein (Mary Shelley, 1818)
6 e2 q2 }5 M$ @0 l, m% e1 X1 i$ d0 F8. David Copperfield (Charles Dickens, 1850)
! m ^- w# j0 N$ Q# _0 k$ N- `7. Wuthering Heights (Emily Brontë, 1847)
; Z' M: a6 C3 |9 e; Z( e9 z: C6. Bleak House (Charles Dickens, 1853)
F7 f& @! d* {. V# w6 I5. Jane Eyre (Charlotte Brontë, 1847)
) |6 K7 f" z2 e+ Z, C$ p6 L7 Q' h) C4. Great Expectations (Charles Dickens, 1861)
! h7 @' ~4 f# j5 \ p( ^% M3. Mrs. Dalloway (Virginia Woolf, 1925)8 R, J& E3 v, A' T% _* q* z
2. To the Lighthouse (Virginia Woolf, 1927)
% e6 ?2 L, M# g) d, }8 I* l1. Middlemarch (George Eliot, 1874)6 Y- x+ { _6 h: w2 r: F$ ]
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。9 n! k: D; F" |5 |! o( B4 C
7 x; B3 P! s7 i, H呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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