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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 , P9 k6 Y/ A. g$ }# b8 S7 ?
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BBC评出100大英国文学名著
5 x7 t D1 s, Z$ {: ~/ j: ]http://www.bbc.com/culture/story ... test-british-novels5 W: p. K3 K" L/ g6 \, a
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
$ @: c8 W0 i0 }" a) i99. There but for the (Ali Smith, 2011)% y8 p9 E s7 A/ a( U4 X1 g
98. Under the Volcano (Malcolm Lowry,1947)* ~$ S0 P' ^. ?$ v" ^
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
, R7 P4 _( J W2 q) j+ `, X/ ~, w! Z96. Memoirs of a Survivor (Doris Lessing, 1974)
: N* O% p' C* \" V' Z5 H& Q95. The Buddha of Suburbia (Hanif Kureishi, 1990)& }: H8 q7 E2 \
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)$ ~' e I4 O5 D) C v
93. Lord of the Flies (William Golding, 1954)
+ a& {1 _' a# V) u3 q92. Cold Comfort Farm (Stella Gibbons, 1932)+ ~2 p3 P0 u8 O3 i9 Z4 e) F
91. The Forsyte Saga (John Galsworthy, 1922)& D# z, ~3 q2 J: L' E
90. The Woman in White (Wilkie Collins, 1859)& v% ], @3 a& {3 z
89. The Horse’s Mouth (Joyce Cary, 1944)3 v* j% b, a5 C$ t" w
88. The Death of the Heart (Elizabeth Bowen, 1938)
$ x; i F# e) }6 S87. The Old Wives’ Tale (Arnold Bennett,1908)* R U0 `) Y G% } W2 {
86. A Legacy (Sybille Bedford, 1956)
; m( f& c8 l$ ]7 E( X85. Regeneration Trilogy (Pat Barker, 1991-1995)
" E, b1 x. X+ k0 D$ r1 f M84. Scoop (Evelyn Waugh, 1938)7 z3 n* c! C p5 M
83. Barchester Towers (Anthony Trollope, 1857)
1 ^7 s7 X. ^# l& U& e9 V4 V82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)$ Z/ Q" E% D2 H# B* ?( x
81. The Jewel in the Crown (Paul Scott, 1966)' o7 i+ x& C( F
80. Excellent Women (Barbara Pym, 1952)9 A7 h0 `7 [( |, p4 K$ k4 ]
79. His Dark Materials (Philip Pullman, 1995-2000)2 a$ q9 A) X$ O
78. A House for Mr Biswas (VS Naipaul, 1961). j3 O+ E: b2 i. z
77. Of Human Bondage (W Somerset Maugham, 1915)
! v* Y* p5 e( B2 V) y76. Small Island (Andrea Levy, 2004)& q5 G$ }1 `+ u- T. h* _2 y$ U# B
75. Women in Love (DH Lawrence, 1920)0 T" ?- a7 K! w" t% m
74. The Mayor of Casterbridge (Thomas Hardy, 1886)( W6 f% I5 Q( |; m2 @! r4 b
73. The Blue Flower (Penelope Fitzgerald, 1995)
7 b7 e3 m. e4 Z3 n; p72. The Heart of the Matter (Graham Greene, 1948) _4 }' Y& z* C- \$ ?. ^+ D
71. Old Filth (Jane Gardam, 2004)1 {4 W6 A' V) P1 I
70. Daniel Deronda (George Eliot, 1876)( k0 c* a5 r( O. K; [& d5 ~+ L2 o
69. Nostromo (Joseph Conrad, 1904)
6 ^ r9 v1 f9 {$ G9 L68. A Clockwork Orange (Anthony Burgess, 1962)5 B# S; D6 i6 B
67. Crash (JG Ballard 1973)
9 b; R& e2 h9 W0 O7 W$ b66. Sense and Sensibility (Jane Austen, 1811)
Y' p7 k1 `' u& q/ q65. Orlando (Virginia Woolf, 1928)1 C- d, `$ p3 A/ W9 m- ~2 F
64. The Way We Live Now (Anthony Trollope, 1875)
* r% x' L) q$ Q% S4 o: W7 v$ a63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)0 T! Y4 Z g1 [) w: w
62. Animal Farm (George Orwell, 1945)
- h$ l0 u: a& f, [6 V61. The Sea, The Sea (Iris Murdoch, 1978)
' s& S6 |" F2 x3 z; j60. Sons and Lovers (DH Lawrence, 1913)
/ C, p/ W" [5 T59. The Line of Beauty (Alan Hollinghurst, 2004)
8 X" j0 }" k, }6 f L4 n# i- B58. Loving (Henry Green, 1945)
; K2 b. G( @/ p* u57. Parade’s End (Ford Madox Ford, 1924-1928)0 o( o5 e k" l. }* u# ^
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)+ \' G: d: t' v* d! t% d
55. Gulliver’s Travels (Jonathan Swift, 1726); g4 j! s: R9 c. z" h( z
54. NW (Zadie Smith, 2012)
7 U9 ~7 X# }$ ^5 q5 }; `' D6 k7 k0 x53. Wide Sargasso Sea (Jean Rhys, 1966)
! K% Q2 d( R$ _52. New Grub Street (George Gissing, 1891)" @8 P! w: Z" i& M% y; N
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
1 ~+ ^7 z8 V7 ^. M( g8 U50. A Passage to India (EM Forster, 1924)
% p; F2 |" b" ?8 _( N& [. X- V49. Possession (AS Byatt, 1990)
1 w/ [6 A5 e9 u& E& J3 [7 S# a48. Lucky Jim (Kingsley Amis, 1954)7 N Y: \7 ~! d" b% B4 A
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
8 B( F' T0 S1 {/ W' @) t46. Midnight’s Children (Salman Rushdie, 1981)
9 ]- N+ b- s% H& ]45. The Little Stranger (Sarah Waters, 2009)7 u6 |% r2 |3 @4 R. _
44. Wolf Hall (Hilary Mantel, 2009)& U5 L, Q, u+ I9 i- u4 |
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
$ f) p0 w* |# J; L42. Brighton Rock (Graham Greene, 1938)
q5 Z& b# A( J/ N! ^41. Dombey and Son (Charles Dickens, 1848)! m- w, z& m) w \9 ]( q
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
2 U9 j1 D6 U7 U/ B: M4 o39. The Sense of an Ending (Julian Barnes, 2011)% F' A3 E' [0 ?# Y, y/ o- N# g
38. The Passion (Jeanette Winterson, 1987): t6 n1 B) c: ^5 ?! F! @9 ~& h
37. Decline and Fall (Evelyn Waugh, 1928)
) q' }# Q3 I: F9 y# f36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
. v9 x, G7 W- e, t5 J35. Remainder (Tom McCarthy, 2005), s$ P- J- V: Z
34. Never Let Me Go (Kazuo Ishiguro, 2005)
( _* O' D+ n2 F+ {! U! Z! D! i* D8 K33. The Wind in the Willows (Kenneth Grahame, 1908)/ V; b2 |% U# S, X) E3 |1 _4 V% R
32. A Room with a View (EM Forster, 1908) J1 o0 _6 q6 x5 v: Z
31. The End of the Affair (Graham Greene, 1951)) I9 Z# h) I. }
30. Moll Flanders (Daniel Defoe, 1722)9 x& k% G9 S ~$ a
29. Brick Lane (Monica Ali, 2003). S3 P* ^$ O" P& V
28. Villette (Charlotte Brontë, 1853)
. L2 r7 [' [& g# C9 O* b$ K, g27. Robinson Crusoe (Daniel Defoe, 1719)) E) ]4 r' |' C* O8 o5 `
26. The Lord of the Rings (JRR Tolkien, 1954)2 `( }. v+ ?3 {1 X
25. White Teeth (Zadie Smith, 2000)
$ c: o' N% m2 R+ ~, y+ H24. The Golden Notebook (Doris Lessing, 1962)
5 p" _& `" L, ~2 F3 ~23. Jude the Obscure (Thomas Hardy, 1895)7 Z+ K: e/ M) X; H- W0 d
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)! B5 D( z9 b) ~" O \1 Z$ e
21. Heart of Darkness (Joseph Conrad, 1899). o% A2 _2 @1 g0 e1 r0 G3 C
20. Persuasion (Jane Austen, 1817)
2 N5 B- ^+ }: H. M, [) c5 D; H' _19. Emma (Jane Austen, 1815)6 }! P4 W3 v) O% s
18. Remains of the Day (Kazuo Ishiguro, 1989)2 V2 F, r9 N A, p' B- |! Q, d
17. Howards End (EM Forster, 1910)
7 v$ g, F& ^+ M- K16. The Waves (Virginia Woolf, 1931)
+ D6 Z1 Q. w8 X. e( V# ?15. Atonement (Ian McEwan, 2001)
2 G5 N8 B$ X' A& `+ C# r) V14. Clarissa (Samuel Richardson,1748)( C9 ^' d) ^& N
13. The Good Soldier (Ford Madox Ford, 1915)
k, @! L' m$ D) W: P0 G O+ F12. Nineteen Eighty-Four (George Orwell, 1949)
" R+ {, i, t# p11. Pride and Prejudice (Jane Austen, 1813)# Y+ F- a x% s: u% w. O/ P
10. Vanity Fair (William Makepeace Thackeray, 1848)
: u) z- s3 z$ q! |9. Frankenstein (Mary Shelley, 1818)
2 R$ T; q& w. A. V! k0 L) r' V8 G+ G8. David Copperfield (Charles Dickens, 1850)
6 Y. W) ]6 W" V* j7. Wuthering Heights (Emily Brontë, 1847)
2 A9 f9 y j, C- B# F H$ d6. Bleak House (Charles Dickens, 1853)6 Q: s/ _/ [. N) ~7 ^
5. Jane Eyre (Charlotte Brontë, 1847)8 g, S: n% w% L/ k7 z! o
4. Great Expectations (Charles Dickens, 1861), d5 W# B7 Q' U/ i. z/ W' \, r
3. Mrs. Dalloway (Virginia Woolf, 1925): o% c j1 e+ Q, g& r
2. To the Lighthouse (Virginia Woolf, 1927)
7 {' p+ J8 @/ q; I1. Middlemarch (George Eliot, 1874)
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) x7 |, \" A. v. K9 n前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。- e7 D6 ]2 E7 Z# O. X+ u( ]) C. e
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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