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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著/ e2 q7 e3 R0 C, Q
http://www.bbc.com/culture/story ... test-british-novels3 H5 d1 t# G2 d# G8 y9 d4 P$ }, {
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
% O5 A) e7 {3 [99. There but for the (Ali Smith, 2011)
; X, Y- ]# Y$ ]# _+ K98. Under the Volcano (Malcolm Lowry,1947)# k2 D* q& A `
97. The Chronicles of Narnia (CS Lewis, 1949-1954)9 S( J$ r0 Z1 M4 K. V# E0 s) M
96. Memoirs of a Survivor (Doris Lessing, 1974)$ u. q- p1 u; t2 a
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
7 A8 J9 D" w9 \4 z" W) y94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
8 X7 F% E) Z* U" P/ z93. Lord of the Flies (William Golding, 1954)* ]- D$ v! B% c: b
92. Cold Comfort Farm (Stella Gibbons, 1932)
5 S, C* R" e* Z% r1 ], Y) p% X) T91. The Forsyte Saga (John Galsworthy, 1922)
4 r. K. B1 e4 h- c7 f5 h, }5 ~90. The Woman in White (Wilkie Collins, 1859)
# |9 d+ d/ j, z+ y1 x' A89. The Horse’s Mouth (Joyce Cary, 1944); K' Q1 n8 e0 Y$ p5 _1 c! j
88. The Death of the Heart (Elizabeth Bowen, 1938)
! B( y; y9 f% w6 H0 w! Q+ f87. The Old Wives’ Tale (Arnold Bennett,1908)- u7 p5 W( I5 @) k9 ~, j7 U& A) O [
86. A Legacy (Sybille Bedford, 1956)# w3 F# _) u" n1 |% v) u* Y
85. Regeneration Trilogy (Pat Barker, 1991-1995) R& C' @' d' u& K: x- V
84. Scoop (Evelyn Waugh, 1938)1 ]2 f- n- A! c
83. Barchester Towers (Anthony Trollope, 1857)
* @8 {5 s/ g; N Y+ B# K9 A6 M0 @82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
( }) k4 j$ ]5 A& K: n6 T81. The Jewel in the Crown (Paul Scott, 1966)
5 w k5 l0 Y3 e2 X% `% S# T80. Excellent Women (Barbara Pym, 1952)% ^( {0 G6 B1 I1 G3 F
79. His Dark Materials (Philip Pullman, 1995-2000)
8 ]. o. I$ G; z. U1 |" H( j/ n) {78. A House for Mr Biswas (VS Naipaul, 1961)) R V5 C, @* \$ @' P: @% ~
77. Of Human Bondage (W Somerset Maugham, 1915)7 R! u3 e% T& D2 D" G; q
76. Small Island (Andrea Levy, 2004)1 B$ { z7 x7 m8 s m: X
75. Women in Love (DH Lawrence, 1920)
. _( U$ Z1 l: C! K) M! G3 M* M74. The Mayor of Casterbridge (Thomas Hardy, 1886)' Y+ r2 ]; W' _$ o0 b- m% l
73. The Blue Flower (Penelope Fitzgerald, 1995)
& M" J, r4 {- S( D* F. G72. The Heart of the Matter (Graham Greene, 1948)
7 L# Q6 v2 z/ e) g3 a2 C0 [71. Old Filth (Jane Gardam, 2004)5 V7 H2 }( d% V
70. Daniel Deronda (George Eliot, 1876)
4 g+ z% b1 l* k1 f# E( ~# S% P69. Nostromo (Joseph Conrad, 1904)
- w) G+ ] D/ h& V! V: Y! O+ y68. A Clockwork Orange (Anthony Burgess, 1962)
9 N6 C* g& Y, Q; P3 a+ q( v67. Crash (JG Ballard 1973)
1 v V$ p* u% r% m7 _5 g66. Sense and Sensibility (Jane Austen, 1811)
% b6 ]3 s) s4 @! |) I% G+ P4 J65. Orlando (Virginia Woolf, 1928)
! R- F5 F+ e* [' H% U- p64. The Way We Live Now (Anthony Trollope, 1875)
) z; z3 h# S* V* ^, {! Q+ W63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)1 v- }7 J, W" f* i, R. n( E
62. Animal Farm (George Orwell, 1945)
+ B$ P5 _# |0 J% m61. The Sea, The Sea (Iris Murdoch, 1978)( u4 F+ X! E0 ?
60. Sons and Lovers (DH Lawrence, 1913)
5 M# n, e8 ?" ]+ V) H5 n59. The Line of Beauty (Alan Hollinghurst, 2004); A0 d! d' B u* n! P* ?; b
58. Loving (Henry Green, 1945)% V1 P/ S4 n5 D+ ~0 Q# A
57. Parade’s End (Ford Madox Ford, 1924-1928)
" a( O% y# b3 V$ l9 b5 y) b4 W! f56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)! D9 ^/ b; T, Z2 @+ [9 K0 I
55. Gulliver’s Travels (Jonathan Swift, 1726)2 R6 ]: X0 }3 u5 L: n
54. NW (Zadie Smith, 2012)' D, Q1 [( ^5 W. q* [ ^0 t( ^$ C
53. Wide Sargasso Sea (Jean Rhys, 1966)
+ [( m. Y" a- f5 d, ^& q; D52. New Grub Street (George Gissing, 1891)
5 v- ]! ^) T. o) |51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
/ K( N1 m5 D" |50. A Passage to India (EM Forster, 1924)
- B9 ]* h2 y' w# |* ^4 `49. Possession (AS Byatt, 1990)
! I$ A6 B2 N/ U% _% R4 L6 V48. Lucky Jim (Kingsley Amis, 1954)) B$ `( l% h1 J
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
( Q: s- E; H4 L46. Midnight’s Children (Salman Rushdie, 1981)+ |3 d- S! n2 v* B9 ^
45. The Little Stranger (Sarah Waters, 2009)9 V, T; R9 r7 l/ K) u+ R- n! u
44. Wolf Hall (Hilary Mantel, 2009)
0 n/ r2 g4 y* S/ _43. The Swimming Pool Library (Alan Hollinghurst, 1988)
8 x* |$ F& |/ H3 M- u' C42. Brighton Rock (Graham Greene, 1938)
) o5 N+ q/ y* i2 R- W8 @5 _" ?/ Q41. Dombey and Son (Charles Dickens, 1848); V" V, E# W( e: o/ b
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
9 r8 p3 B. i7 p39. The Sense of an Ending (Julian Barnes, 2011)
/ y+ T# G, C, e. w' l: I4 K1 @38. The Passion (Jeanette Winterson, 1987)4 q# m/ S3 }0 g2 L8 [
37. Decline and Fall (Evelyn Waugh, 1928)
4 T- [0 T: V9 U1 X- ]36. A Dance to the Music of Time (Anthony Powell, 1951-1975), |/ y( \8 Q6 P2 M$ k- d7 H
35. Remainder (Tom McCarthy, 2005)
; t+ ?# m2 N+ a7 {$ A& v34. Never Let Me Go (Kazuo Ishiguro, 2005)
; w$ R# T$ Z- ^33. The Wind in the Willows (Kenneth Grahame, 1908)3 W5 L2 K3 u; ?
32. A Room with a View (EM Forster, 1908)4 l6 A; v# I, |/ d# W" d1 f9 N
31. The End of the Affair (Graham Greene, 1951)
: v: T- p+ b; `' r30. Moll Flanders (Daniel Defoe, 1722)! V6 K1 ?" I8 h) m& h/ @
29. Brick Lane (Monica Ali, 2003)
) U* `: G* O# C [28. Villette (Charlotte Brontë, 1853)
4 r) X4 N+ D% x* v- D+ r+ v6 d0 \27. Robinson Crusoe (Daniel Defoe, 1719)
W( U6 y ?; @, P26. The Lord of the Rings (JRR Tolkien, 1954)
! M6 [6 k% h5 z25. White Teeth (Zadie Smith, 2000)
6 G/ b1 z9 o) G24. The Golden Notebook (Doris Lessing, 1962)
4 b4 } Y, S2 }6 ?! _23. Jude the Obscure (Thomas Hardy, 1895). y& l; ]+ u& ?7 r$ m- Y7 W& g
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
h$ P/ {: M) k* S( ?21. Heart of Darkness (Joseph Conrad, 1899). q% R+ g% l1 ?" H
20. Persuasion (Jane Austen, 1817)
* X+ b1 d! l' n6 d) u19. Emma (Jane Austen, 1815)
( C F5 T# N4 L' d O3 N" Z3 `/ g18. Remains of the Day (Kazuo Ishiguro, 1989)7 u z3 m$ u; I7 w9 x- }3 A) H( a, }
17. Howards End (EM Forster, 1910)' y4 P- Z4 c0 g
16. The Waves (Virginia Woolf, 1931)
; Q5 r! C c! E15. Atonement (Ian McEwan, 2001)
4 S3 G w6 G+ k0 g3 b14. Clarissa (Samuel Richardson,1748)( l; U0 g7 T$ l7 P7 y8 O! M& \3 c v
13. The Good Soldier (Ford Madox Ford, 1915)* e v2 K0 p1 q
12. Nineteen Eighty-Four (George Orwell, 1949)
7 I% H' \* l+ D2 k11. Pride and Prejudice (Jane Austen, 1813)
; F: X6 o7 S4 a10. Vanity Fair (William Makepeace Thackeray, 1848): a& ~% `; s! W4 b: O
9. Frankenstein (Mary Shelley, 1818) R1 A( y8 P8 N3 a# ^
8. David Copperfield (Charles Dickens, 1850)
. B% f1 P! w9 G+ z* `7. Wuthering Heights (Emily Brontë, 1847)( L" Z7 m f3 x7 H- @9 G0 @! j
6. Bleak House (Charles Dickens, 1853)3 {$ B$ d# L6 b \! j
5. Jane Eyre (Charlotte Brontë, 1847)8 a1 C$ M4 ]9 {& j* S4 B
4. Great Expectations (Charles Dickens, 1861)9 o3 ` F5 z! B0 e* j: ^: Y
3. Mrs. Dalloway (Virginia Woolf, 1925)
5 a& @" _; ~3 n2. To the Lighthouse (Virginia Woolf, 1927)9 p- G2 ~0 M2 {1 j3 z. z0 Y- |! [
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。' E @, A+ B% u! c
0 f, l- x4 V1 N6 K- `呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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