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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 * M/ S. h1 Q3 @3 [8 M9 k
* N3 ~" w7 M, I4 |0 HBBC评出100大英国文学名著6 C3 z- Q* f. a0 T6 v; ~
http://www.bbc.com/culture/story ... test-british-novels
# d8 c/ V6 T2 S4 d6 R) [3 h G惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。& [1 e! q7 z7 G& C2 _$ u' `& [
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100. The Code of the Woosters (PG Wodehouse, 1938). C8 y* ]+ F5 u" H! m
99. There but for the (Ali Smith, 2011)
# o$ k: g- \/ d98. Under the Volcano (Malcolm Lowry,1947)' r3 X7 v; d+ D- X9 K8 R* c8 b, j
97. The Chronicles of Narnia (CS Lewis, 1949-1954)) p3 z R9 y5 J
96. Memoirs of a Survivor (Doris Lessing, 1974)- G9 Y+ |$ `+ A
95. The Buddha of Suburbia (Hanif Kureishi, 1990)( }5 q) B5 B) Q! F% O
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
0 C, r+ @/ U1 W4 A93. Lord of the Flies (William Golding, 1954)
& c d* I' l4 z2 z: r- z92. Cold Comfort Farm (Stella Gibbons, 1932)- e9 d/ l9 T5 \% `4 D# t
91. The Forsyte Saga (John Galsworthy, 1922)
( x/ y+ K: F4 d" q1 u90. The Woman in White (Wilkie Collins, 1859)8 B$ e& `5 {. B+ |8 G
89. The Horse’s Mouth (Joyce Cary, 1944)
5 I. M, `' \# ^ J- P; W88. The Death of the Heart (Elizabeth Bowen, 1938): a3 Y9 w9 c. P' i
87. The Old Wives’ Tale (Arnold Bennett,1908); ^! W6 a3 v8 N0 P5 M8 `; x
86. A Legacy (Sybille Bedford, 1956)
+ q7 M" H7 i2 N7 A% \85. Regeneration Trilogy (Pat Barker, 1991-1995), i, e7 h; q8 Z+ O4 w* v' ?; C _
84. Scoop (Evelyn Waugh, 1938)
) @7 h- W( g, r S% u83. Barchester Towers (Anthony Trollope, 1857)
- l- c6 ]3 P( f/ K7 _* {% C82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
9 ^* I0 M# R& E2 W: v81. The Jewel in the Crown (Paul Scott, 1966)
" K2 n- B# f, \" }+ U' V- s80. Excellent Women (Barbara Pym, 1952)
7 c2 u- ]# X3 o' Z# U3 m4 Z79. His Dark Materials (Philip Pullman, 1995-2000)6 H5 r1 o" U0 u- m6 e' z
78. A House for Mr Biswas (VS Naipaul, 1961)
* \% l5 i' Y1 P& h' O77. Of Human Bondage (W Somerset Maugham, 1915)/ F" c4 w3 f. \& B" y+ {& N3 }
76. Small Island (Andrea Levy, 2004), K" ^5 P9 |3 d6 ?+ c, s
75. Women in Love (DH Lawrence, 1920)
5 S X! j0 X3 D/ U: N. P; f74. The Mayor of Casterbridge (Thomas Hardy, 1886)
7 W- V/ _3 `' Q73. The Blue Flower (Penelope Fitzgerald, 1995)
) ~9 | z- w5 O: r N7 Z: V72. The Heart of the Matter (Graham Greene, 1948)3 C+ e! m. \6 f/ `
71. Old Filth (Jane Gardam, 2004). ?2 o, v9 O. i/ }, X4 |6 o$ u
70. Daniel Deronda (George Eliot, 1876)4 I. |8 E; \; |2 f8 s ]8 M+ P
69. Nostromo (Joseph Conrad, 1904)" I _4 X) u/ `/ g
68. A Clockwork Orange (Anthony Burgess, 1962)
1 E9 ~; I: x8 D% [; p$ a5 a/ A- o- m67. Crash (JG Ballard 1973)! Q% g+ L, S4 X9 k" P) J7 W* Z5 A
66. Sense and Sensibility (Jane Austen, 1811)
( M8 Q1 x b; r4 {1 B) F a) D9 r5 v; G65. Orlando (Virginia Woolf, 1928)# b9 H8 e4 p3 d% L) o2 t+ t
64. The Way We Live Now (Anthony Trollope, 1875)0 m8 ]6 E" m( [; z/ s
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961), ~. @- q- y7 n9 W% t( ~
62. Animal Farm (George Orwell, 1945)
) W/ p* K, X/ a" @. f61. The Sea, The Sea (Iris Murdoch, 1978)' \) a* ]& ]) o' F9 J/ k
60. Sons and Lovers (DH Lawrence, 1913); p* v+ \, Z, f' E4 c
59. The Line of Beauty (Alan Hollinghurst, 2004)
; v4 r5 k! `* \# f' Y58. Loving (Henry Green, 1945)0 ]1 ]1 ]0 X c3 C9 g) x1 z
57. Parade’s End (Ford Madox Ford, 1924-1928)
/ D2 ^" I& c" d7 o; C t9 G! r56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
3 s& ~! P. x, O1 N; b3 K55. Gulliver’s Travels (Jonathan Swift, 1726)5 n9 r1 t# `# }
54. NW (Zadie Smith, 2012)
2 R D5 U# ?$ S. r6 |53. Wide Sargasso Sea (Jean Rhys, 1966)8 D0 O, Q6 `" N* y
52. New Grub Street (George Gissing, 1891)
) I6 u9 W" ^( j: d' T51. Tess of the d’Urbervilles (Thomas Hardy, 1891)0 j3 Y' A. b/ o3 z6 Y
50. A Passage to India (EM Forster, 1924)& w1 f3 _ x0 P+ ^ {
49. Possession (AS Byatt, 1990)/ R2 O" C; u b" c5 G/ ?
48. Lucky Jim (Kingsley Amis, 1954)% ^/ ~+ f- U5 ~3 o# X8 s
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
6 g" a! \/ V# l4 A46. Midnight’s Children (Salman Rushdie, 1981)
1 H1 l- M4 h: |/ H0 [" K. u45. The Little Stranger (Sarah Waters, 2009)
3 `' K- i% f$ K44. Wolf Hall (Hilary Mantel, 2009)$ O$ w) _( z4 }3 t
43. The Swimming Pool Library (Alan Hollinghurst, 1988)" @8 n$ X: |# K( D
42. Brighton Rock (Graham Greene, 1938)# o- ]( E3 d; H5 l8 ~$ g( W
41. Dombey and Son (Charles Dickens, 1848)
1 b4 N7 s: g: c& m& q40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)$ e C$ w3 x! m& b1 [
39. The Sense of an Ending (Julian Barnes, 2011) B: k! n6 I* v& R3 _
38. The Passion (Jeanette Winterson, 1987)& f- x; b, I' U) [% B* N; u4 ^
37. Decline and Fall (Evelyn Waugh, 1928)" t; N7 l) `' f- I) L [
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
3 X H. R- p5 @35. Remainder (Tom McCarthy, 2005)9 l" g% C5 i' e
34. Never Let Me Go (Kazuo Ishiguro, 2005)8 k$ ` J( E+ H0 m* w2 E) g
33. The Wind in the Willows (Kenneth Grahame, 1908)" o: V0 t6 Q) H& S
32. A Room with a View (EM Forster, 1908) D6 H- Z6 R, R$ c
31. The End of the Affair (Graham Greene, 1951)
' w8 w. m* Y% i, |$ I: I30. Moll Flanders (Daniel Defoe, 1722) c. ^2 a5 Q$ r. x! J
29. Brick Lane (Monica Ali, 2003)3 D* t: i4 ]/ H" k
28. Villette (Charlotte Brontë, 1853)
5 `- G) Z; B3 z9 Z$ F27. Robinson Crusoe (Daniel Defoe, 1719)
. H( k6 f; ?2 n7 W4 K: {! M26. The Lord of the Rings (JRR Tolkien, 1954)
3 A, E: @, p: f0 g9 z0 w. L9 c/ a# X25. White Teeth (Zadie Smith, 2000)
x( [9 \$ ?& s24. The Golden Notebook (Doris Lessing, 1962)
7 ?+ u' K6 m0 b5 p" x4 Y; s5 ~+ @& Z23. Jude the Obscure (Thomas Hardy, 1895)
, j1 z& R4 [) z! E22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
2 z O+ X C# ], D7 H21. Heart of Darkness (Joseph Conrad, 1899)5 Z% T6 s6 q' C1 g+ z
20. Persuasion (Jane Austen, 1817)% Q1 d1 t9 p4 l) ?5 S8 p# g u9 N7 k
19. Emma (Jane Austen, 1815)2 ?9 P+ R8 }: y9 k6 T" C: |
18. Remains of the Day (Kazuo Ishiguro, 1989)
! }1 ]" x* ]: f s$ ~- h; d1 \17. Howards End (EM Forster, 1910)4 j: p, E+ r7 P" `, m+ q2 r
16. The Waves (Virginia Woolf, 1931)' X' i; e3 @- b n4 a( i
15. Atonement (Ian McEwan, 2001)
1 Z* v( E% \! j9 U0 Q14. Clarissa (Samuel Richardson,1748); b, k' V4 O9 n" n# [
13. The Good Soldier (Ford Madox Ford, 1915)( e! K3 c" q5 o. w# ~
12. Nineteen Eighty-Four (George Orwell, 1949)
: `; f: K# Y" a: Y& i11. Pride and Prejudice (Jane Austen, 1813)
& z7 z4 [: V1 N2 y10. Vanity Fair (William Makepeace Thackeray, 1848)
5 P5 t9 a" K0 w5 z- O0 ^" y9. Frankenstein (Mary Shelley, 1818)6 u+ G; m5 Q6 a/ H
8. David Copperfield (Charles Dickens, 1850)% T3 o4 R. Z3 t' p+ w* F; I4 o1 |8 d' y
7. Wuthering Heights (Emily Brontë, 1847), ]5 [9 G% `* k
6. Bleak House (Charles Dickens, 1853) K6 [2 U! x) U4 Z6 {5 w5 w3 K
5. Jane Eyre (Charlotte Brontë, 1847)/ x- y* k1 k' q, g6 e/ ]
4. Great Expectations (Charles Dickens, 1861)
* K4 @. v2 e/ s- j2 v7 h' t- j3. Mrs. Dalloway (Virginia Woolf, 1925)
9 O8 o" Z/ Y. d5 Q2. To the Lighthouse (Virginia Woolf, 1927)
6 t( C1 {4 O7 J. u7 |1. Middlemarch (George Eliot, 1874)
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' c. C8 i4 O' W/ r2 q# i前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。7 z3 v9 O: y3 B/ F0 F
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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