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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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L' c; X0 k8 s8 f( v' UBBC评出100大英国文学名著
2 @" f* ^3 L2 O- N+ y+ v% lhttp://www.bbc.com/culture/story ... test-british-novels- H, {, Y6 Q i) E- x, Z
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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0 J4 c" z% M! L9 t2 ^100. The Code of the Woosters (PG Wodehouse, 1938)
) w& q" K" u# ~# w8 n99. There but for the (Ali Smith, 2011)
5 m2 _! Y ~% P# k( ~9 g98. Under the Volcano (Malcolm Lowry,1947)0 q7 p) ~( a4 h, Z* v9 Q p9 w5 w
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
" d4 G- Z. ^) |- H( ^96. Memoirs of a Survivor (Doris Lessing, 1974)3 A& X8 q( @7 X* x/ h& i' T4 \
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
( s( h. F1 s) e" L94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)5 S0 z, }8 W R4 C3 I* F8 d- K# J( k
93. Lord of the Flies (William Golding, 1954)" E8 ~4 s7 |; [3 G8 t, `: _
92. Cold Comfort Farm (Stella Gibbons, 1932)
0 O8 M* y" o& }3 v! ^- u1 I" _91. The Forsyte Saga (John Galsworthy, 1922)
, Y. p- f0 H8 h, m/ \90. The Woman in White (Wilkie Collins, 1859), u3 ~6 z A' N" _: T! X% h7 x
89. The Horse’s Mouth (Joyce Cary, 1944); `3 U- R+ Z& u/ `* M7 ~) E
88. The Death of the Heart (Elizabeth Bowen, 1938)1 ~( ~) Q2 v5 ?
87. The Old Wives’ Tale (Arnold Bennett,1908)- s6 U% } _3 I$ h; d4 p
86. A Legacy (Sybille Bedford, 1956)
; c/ Z+ z% f8 C9 N( E% \; O85. Regeneration Trilogy (Pat Barker, 1991-1995)( U ^) V/ C' m4 g6 {. n* \) ]) ?' R
84. Scoop (Evelyn Waugh, 1938) b+ @: I- F# b- x. Q* s D
83. Barchester Towers (Anthony Trollope, 1857)9 y1 \7 [/ i* e7 K& P) _
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)7 u6 r; v Z6 X6 Y
81. The Jewel in the Crown (Paul Scott, 1966)
$ _0 e* m0 q3 A80. Excellent Women (Barbara Pym, 1952)5 g: f% P, H1 ]3 L
79. His Dark Materials (Philip Pullman, 1995-2000)/ W4 ?- {5 z2 ?. v! C
78. A House for Mr Biswas (VS Naipaul, 1961)
, ~6 x# p, J/ t! H* `& R77. Of Human Bondage (W Somerset Maugham, 1915)
6 d7 x d8 c, {8 [2 \. `* ?5 S- F76. Small Island (Andrea Levy, 2004)
7 T) S. Q! S* e5 C75. Women in Love (DH Lawrence, 1920)
% I+ c/ y! f1 c9 X/ f74. The Mayor of Casterbridge (Thomas Hardy, 1886)* J2 q. x- `$ U9 C' \: ]3 |
73. The Blue Flower (Penelope Fitzgerald, 1995)
, c+ H G0 C6 p0 B/ j72. The Heart of the Matter (Graham Greene, 1948)- S6 {6 U- A- _# D+ `. d
71. Old Filth (Jane Gardam, 2004)
, e9 }- i0 o7 E: e1 u$ m6 g70. Daniel Deronda (George Eliot, 1876)
$ s0 u4 b) b; Z; W69. Nostromo (Joseph Conrad, 1904)( j( l& ^5 q. @7 R: M
68. A Clockwork Orange (Anthony Burgess, 1962)' @! R) D5 L, u6 o) J0 L
67. Crash (JG Ballard 1973)6 \- m* m3 H7 ^! | u
66. Sense and Sensibility (Jane Austen, 1811)$ B4 q) S$ Y8 E+ Y
65. Orlando (Virginia Woolf, 1928); M1 D h7 n% ^' }9 h& [1 a
64. The Way We Live Now (Anthony Trollope, 1875)
K0 B5 U% ^7 O. r63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
1 S+ u5 R$ e+ ~- p- X3 p9 q% w/ m62. Animal Farm (George Orwell, 1945)# N) w! J! A& y, U7 L* K4 W2 b) _
61. The Sea, The Sea (Iris Murdoch, 1978) j [# Q# r1 g/ u. M/ T
60. Sons and Lovers (DH Lawrence, 1913)
+ b. U6 j/ r4 H2 E59. The Line of Beauty (Alan Hollinghurst, 2004): \; ?6 k. F( B$ ]/ Z# c
58. Loving (Henry Green, 1945)
& u! h: h( E2 [3 T5 U+ Z. ?57. Parade’s End (Ford Madox Ford, 1924-1928)7 E& n Y1 d. H, H/ P( l P0 P% |
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)) t$ I7 S$ s/ N$ L
55. Gulliver’s Travels (Jonathan Swift, 1726)
9 [4 s2 Y l) W( x" j/ A54. NW (Zadie Smith, 2012)
`0 Q8 j- X, ~! d, m% P. N' z/ V2 X) x53. Wide Sargasso Sea (Jean Rhys, 1966). k; M- s2 m( |( u" I; M
52. New Grub Street (George Gissing, 1891)# i0 e6 |) M! d, {
51. Tess of the d’Urbervilles (Thomas Hardy, 1891), u0 y) \! y8 P. r8 |% i
50. A Passage to India (EM Forster, 1924)
# `0 L4 ~& x2 p7 b/ J49. Possession (AS Byatt, 1990)
( }4 E: u/ U& Q. r0 o; k48. Lucky Jim (Kingsley Amis, 1954)
5 j6 t6 ]0 ^) B. Q5 L" F W, b47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
& \, J. T: y( l+ E- A n2 p% l46. Midnight’s Children (Salman Rushdie, 1981)% F `3 P# _ d$ }
45. The Little Stranger (Sarah Waters, 2009)/ i o9 ?: s. h6 L
44. Wolf Hall (Hilary Mantel, 2009)
6 b' |' L7 m j/ {; G- x2 Y! o43. The Swimming Pool Library (Alan Hollinghurst, 1988), `" Y& i. I7 R0 @
42. Brighton Rock (Graham Greene, 1938)
# n/ E2 M9 z3 {, c41. Dombey and Son (Charles Dickens, 1848)
( g/ U& a- j2 o! y6 z0 ~40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)# [7 V$ A4 U2 q# K v: p
39. The Sense of an Ending (Julian Barnes, 2011)0 S+ x. f' k- V9 Z0 w5 Z! J
38. The Passion (Jeanette Winterson, 1987): t' j- R; G$ [# ?( w! g! G
37. Decline and Fall (Evelyn Waugh, 1928)) J0 u2 k- ^ M2 i8 ]' e4 ] T
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)6 C) k, l8 m4 X1 c0 e9 \
35. Remainder (Tom McCarthy, 2005)
% d" e, u* }9 |* r) b9 Y34. Never Let Me Go (Kazuo Ishiguro, 2005)
; w- |+ z; l4 T1 J' u33. The Wind in the Willows (Kenneth Grahame, 1908)8 u1 M" m4 T$ [! w6 ]
32. A Room with a View (EM Forster, 1908). ?" g1 G/ k s: Y J
31. The End of the Affair (Graham Greene, 1951)
; j2 W% G' b- `+ I# \( l30. Moll Flanders (Daniel Defoe, 1722)
* h/ k6 q0 v% h" v& ]( \29. Brick Lane (Monica Ali, 2003)/ K+ R4 p( A0 Q0 H- F9 q$ X9 J
28. Villette (Charlotte Brontë, 1853)% L! k8 |, ?& Q1 r- r7 d
27. Robinson Crusoe (Daniel Defoe, 1719)
# {- J i0 j# f26. The Lord of the Rings (JRR Tolkien, 1954)
! P7 w+ s1 p0 Y9 [25. White Teeth (Zadie Smith, 2000)! m& g) W% h2 @/ _4 L
24. The Golden Notebook (Doris Lessing, 1962)
! L/ A" O. m K23. Jude the Obscure (Thomas Hardy, 1895)6 ?0 O+ d/ p* O* ^1 C8 H2 S
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
- ^" C0 e8 f4 X+ t- `7 d9 K21. Heart of Darkness (Joseph Conrad, 1899)
" r/ I+ ~: h r$ F: z20. Persuasion (Jane Austen, 1817)
' T6 l% Y/ `$ F4 @5 f19. Emma (Jane Austen, 1815)
4 l1 Q) a1 r) L6 w0 D# t: C) j18. Remains of the Day (Kazuo Ishiguro, 1989)/ p6 g; r- H5 C* C+ O4 r2 E
17. Howards End (EM Forster, 1910)' T( k0 f& g. _/ a' G- r! c& U: N
16. The Waves (Virginia Woolf, 1931)) `1 n+ a& a. l# P1 B
15. Atonement (Ian McEwan, 2001)
, |0 {5 c: _ Q& m8 r- Z0 o, W14. Clarissa (Samuel Richardson,1748)
, n% M w+ C! n' a13. The Good Soldier (Ford Madox Ford, 1915)
8 z8 c0 V6 U4 _# v" [- ]9 K12. Nineteen Eighty-Four (George Orwell, 1949), |( l7 T& v5 a4 @( p- N3 B) c7 B
11. Pride and Prejudice (Jane Austen, 1813): h8 j" W9 O, c$ H1 ~# n
10. Vanity Fair (William Makepeace Thackeray, 1848)* l- \" F$ X v [+ {9 e
9. Frankenstein (Mary Shelley, 1818)$ q* |& T2 t S2 v) L: F, @* f4 Z$ b* P
8. David Copperfield (Charles Dickens, 1850)
$ o% b5 x& g1 U" \4 K7. Wuthering Heights (Emily Brontë, 1847)
% i2 b, o) H1 m. Y' v) ^0 E$ Z9 o6. Bleak House (Charles Dickens, 1853)0 P; g) P, J% h! x) q1 B
5. Jane Eyre (Charlotte Brontë, 1847)
: f( O. V# O K$ G6 ~2 n8 m4. Great Expectations (Charles Dickens, 1861)( S" f( v9 o+ w: E! J- \
3. Mrs. Dalloway (Virginia Woolf, 1925)6 z z3 V8 ^2 |* p1 E; B3 Y* O- E+ v
2. To the Lighthouse (Virginia Woolf, 1927)
6 b. ?$ ]" g$ \; i) `. r1. Middlemarch (George Eliot, 1874) X6 D3 x* z# a# N1 u0 ~- ?
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。4 R5 X# ^* Y/ z; ~
: \5 \ v( L8 H7 V呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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