|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑 8 X& E6 r8 t/ Z7 G' k0 E( ?8 X( Y
* L3 ]+ h0 Y4 U, Q' gBBC评出100大英国文学名著
3 F9 j# X, e- J5 ?http://www.bbc.com/culture/story ... test-british-novels% i( R+ m; u1 Z2 _
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
8 W' }5 a3 L$ W5 W# @8 i& s6 O7 Q3 [, ]# Z }6 ~5 w4 X
100. The Code of the Woosters (PG Wodehouse, 1938)9 |* C: V- ? s- o& I# g
99. There but for the (Ali Smith, 2011)5 a7 H1 Z; z( G. g/ S! b# }
98. Under the Volcano (Malcolm Lowry,1947)8 j" \8 H/ U9 `) T1 A9 a* r
97. The Chronicles of Narnia (CS Lewis, 1949-1954)- R/ Q& G; e. Z; r/ ^" b( I& {
96. Memoirs of a Survivor (Doris Lessing, 1974) f, [$ M, v8 Q+ L
95. The Buddha of Suburbia (Hanif Kureishi, 1990): D0 t8 Z: s/ M. ~+ }7 v
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824), j6 f; E2 ~+ w) G" s$ U$ K
93. Lord of the Flies (William Golding, 1954)$ {! Z+ r% k6 D8 n5 z
92. Cold Comfort Farm (Stella Gibbons, 1932)
2 v0 G1 r1 K) p1 x( ~91. The Forsyte Saga (John Galsworthy, 1922)/ {0 B* M9 A6 C/ j
90. The Woman in White (Wilkie Collins, 1859)
$ x# J; Q; e- C* S7 a" P89. The Horse’s Mouth (Joyce Cary, 1944)
' \: K) u6 \: V+ g$ B88. The Death of the Heart (Elizabeth Bowen, 1938)
4 p1 {* W3 s2 n6 u! {* q2 ?87. The Old Wives’ Tale (Arnold Bennett,1908)
: D! C% \+ w/ T6 f/ o! p. G# @ \86. A Legacy (Sybille Bedford, 1956)8 a3 m( H! O1 {# e& I& W7 I
85. Regeneration Trilogy (Pat Barker, 1991-1995)
! @0 V, N. {9 c8 L% _( o84. Scoop (Evelyn Waugh, 1938)" n( V7 `' k% t, _
83. Barchester Towers (Anthony Trollope, 1857)
" O& | q' `$ Y0 U) H! ~82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)/ h$ P( e, V& T: e/ v+ O
81. The Jewel in the Crown (Paul Scott, 1966)* ]2 P6 S) y8 d0 ?: R8 Y$ L* D
80. Excellent Women (Barbara Pym, 1952)" `6 l3 P! I) V- D/ j( d0 a
79. His Dark Materials (Philip Pullman, 1995-2000)
$ N0 U! O8 L6 r9 e0 `7 N78. A House for Mr Biswas (VS Naipaul, 1961)2 T6 c! w2 [" K" E
77. Of Human Bondage (W Somerset Maugham, 1915)
0 o( i: \" _/ L! ^- i+ ?76. Small Island (Andrea Levy, 2004)5 z) }' Y0 }; s3 G# r' U! B( l; w& W
75. Women in Love (DH Lawrence, 1920)
3 z$ _; e6 s9 q: ?) Y74. The Mayor of Casterbridge (Thomas Hardy, 1886)) B# H+ J' O# C; e$ z! q3 N* [" u
73. The Blue Flower (Penelope Fitzgerald, 1995). i* o# M6 [$ D6 k- y6 ]
72. The Heart of the Matter (Graham Greene, 1948)
1 X2 P5 {8 o5 z1 y" z- K0 B71. Old Filth (Jane Gardam, 2004)2 a; v" [0 o1 ?/ d
70. Daniel Deronda (George Eliot, 1876)6 E+ L! M8 p+ F% t% k* n" _( K
69. Nostromo (Joseph Conrad, 1904)' _. b+ |0 h' q; g5 A( _/ _
68. A Clockwork Orange (Anthony Burgess, 1962)
/ }& |' V+ k0 b) y ], ^) }67. Crash (JG Ballard 1973)" i3 V& }7 h' \; o
66. Sense and Sensibility (Jane Austen, 1811)4 J1 U) l/ Z; b: ?- h0 K; |
65. Orlando (Virginia Woolf, 1928)
/ q7 Z. F7 l: m' V$ ~% D: Z! M64. The Way We Live Now (Anthony Trollope, 1875)
/ r# F- _$ }6 H+ W) K63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
2 Z2 ^( H% }) v0 n: M: d4 y62. Animal Farm (George Orwell, 1945)
; l5 f$ ~4 e. U. r61. The Sea, The Sea (Iris Murdoch, 1978)
' q8 N7 J8 i9 I" v/ O, E' o60. Sons and Lovers (DH Lawrence, 1913)
( f- a+ a+ T9 g, K2 [% `2 g9 k59. The Line of Beauty (Alan Hollinghurst, 2004)/ x+ j5 w' s: Z' c- X2 r) t/ L
58. Loving (Henry Green, 1945)& {8 R } Q- k/ b
57. Parade’s End (Ford Madox Ford, 1924-1928): f) J4 q5 i% v2 [' O/ }0 x5 w! @
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)# D, ?/ w2 k: Q8 {1 {4 B9 u; v5 ^
55. Gulliver’s Travels (Jonathan Swift, 1726)
) Q6 ^& G$ [8 `. B7 \( V- C54. NW (Zadie Smith, 2012)
, b0 g$ t, [, m4 J, [2 u& [; U53. Wide Sargasso Sea (Jean Rhys, 1966)' J5 m* {. j' j/ @
52. New Grub Street (George Gissing, 1891)7 K9 m; `. ^' L, p2 u6 K' L( A
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
& E/ j- f5 c: p) O3 T& S( s/ n50. A Passage to India (EM Forster, 1924)$ D, j8 `; @ O) i$ L1 B8 e" O
49. Possession (AS Byatt, 1990)* h- P8 [" D" l f
48. Lucky Jim (Kingsley Amis, 1954)
- b8 G5 | m$ C7 j47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)) h* B5 {6 V g: J$ V2 p* G( a
46. Midnight’s Children (Salman Rushdie, 1981)
3 c7 A4 q' h0 O! G' v45. The Little Stranger (Sarah Waters, 2009); S. c$ p4 O4 o, R0 L: A
44. Wolf Hall (Hilary Mantel, 2009)
* Q" V5 V4 ?, w2 O. d5 m* R0 i- F7 ^43. The Swimming Pool Library (Alan Hollinghurst, 1988)
% J( r: D1 W+ h; x; o42. Brighton Rock (Graham Greene, 1938)& \$ Y. f1 ? f. C' a8 `6 N
41. Dombey and Son (Charles Dickens, 1848). ]! |! J4 \/ [
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)2 m& ~9 f) o6 J2 U8 a# C% _
39. The Sense of an Ending (Julian Barnes, 2011)
+ V3 ] G+ I% T" W1 f38. The Passion (Jeanette Winterson, 1987)
2 t3 |2 Z- |, o4 ^37. Decline and Fall (Evelyn Waugh, 1928)
9 _; x* x0 D0 _7 I7 i% q& o* A36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
2 I2 n3 S |' _& g( }4 |# K35. Remainder (Tom McCarthy, 2005)
4 n7 N" d" b! D1 X4 Y! E( q% d34. Never Let Me Go (Kazuo Ishiguro, 2005)& X8 S4 s. w+ @8 U
33. The Wind in the Willows (Kenneth Grahame, 1908)% X Z& [4 G! Q' A, r
32. A Room with a View (EM Forster, 1908)
3 I! }8 U* u9 T( |: @1 Z31. The End of the Affair (Graham Greene, 1951)) e! o) j7 m- J# E
30. Moll Flanders (Daniel Defoe, 1722)7 {5 B1 z: Y0 v# a$ y; W9 o
29. Brick Lane (Monica Ali, 2003). b, S0 N& ]! l# [1 o
28. Villette (Charlotte Brontë, 1853) `; E* g$ W1 F0 c; ^0 j
27. Robinson Crusoe (Daniel Defoe, 1719): m- Z0 C: [, O0 B! m
26. The Lord of the Rings (JRR Tolkien, 1954)
7 L' d$ ^) K' h2 t. z7 ]! [8 W$ F4 r25. White Teeth (Zadie Smith, 2000)
7 o: ^* r+ f3 t& N6 @3 V% a24. The Golden Notebook (Doris Lessing, 1962): R: @. }4 R% q6 t- m) {
23. Jude the Obscure (Thomas Hardy, 1895)
0 J) N9 W3 Y* Z6 q22. The History of Tom Jones, a Foundling (Henry Fielding, 1749). F9 W* X1 ?, L/ X9 k
21. Heart of Darkness (Joseph Conrad, 1899), i: Y3 w# y" b. @
20. Persuasion (Jane Austen, 1817)4 p: i |/ W6 r( D# _- e
19. Emma (Jane Austen, 1815). f1 P$ w% N6 O1 v
18. Remains of the Day (Kazuo Ishiguro, 1989)9 h6 D1 [$ `# p
17. Howards End (EM Forster, 1910)
3 v/ I9 o' L3 c4 ^# x: S16. The Waves (Virginia Woolf, 1931): d9 H4 U6 `6 i. b
15. Atonement (Ian McEwan, 2001)
0 C4 O. }+ V! K* d' J" y14. Clarissa (Samuel Richardson,1748)
- k( [$ X$ O5 B5 o; j/ [* B13. The Good Soldier (Ford Madox Ford, 1915)
7 p3 S5 o$ z" H! I2 h12. Nineteen Eighty-Four (George Orwell, 1949)
1 H. Y; W; n* a* _11. Pride and Prejudice (Jane Austen, 1813)8 Q( A& s- L1 [5 G; I7 l5 I" ~
10. Vanity Fair (William Makepeace Thackeray, 1848); n1 C3 o; a5 H% P$ _
9. Frankenstein (Mary Shelley, 1818)
: H/ r! U" x/ f# N8. David Copperfield (Charles Dickens, 1850)
z# |7 t4 o9 D$ D7. Wuthering Heights (Emily Brontë, 1847)
, t( y% B3 }3 I! e/ a5 m6. Bleak House (Charles Dickens, 1853)
) C1 f7 G; e# L! P+ ^5. Jane Eyre (Charlotte Brontë, 1847)0 ~! \& u0 U" e- a2 W
4. Great Expectations (Charles Dickens, 1861)+ B. F2 d# X2 I1 T
3. Mrs. Dalloway (Virginia Woolf, 1925)2 e+ Y! B3 ~+ V, s( z
2. To the Lighthouse (Virginia Woolf, 1927)
1 V8 M9 a1 V, p! `) j( v7 ]1. Middlemarch (George Eliot, 1874)5 l0 Z& A- @1 K' Q' N! X h
0 D6 z! u; l- [) n/ b8 D0 f( P前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。 ^; I; e5 g0 O" Q2 d
6 x# d& q/ s2 R1 X4 k( W3 {; L呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
% u( i- z4 p' L, T8 u& }2 {% m) {
