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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
# m( h# A) ?7 {; c8 |http://www.bbc.com/culture/story ... test-british-novels
' d- k4 V, S0 a) y, c! e3 c. e+ [惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
, r& X1 a4 c/ W( j99. There but for the (Ali Smith, 2011)3 r R9 W% Y& q0 x& V2 |' S
98. Under the Volcano (Malcolm Lowry,1947)
# l0 L6 {% i* j2 i97. The Chronicles of Narnia (CS Lewis, 1949-1954): H' q0 z0 J2 j; f/ V: p; a$ E
96. Memoirs of a Survivor (Doris Lessing, 1974)0 I H9 `( n! V& h2 r, J
95. The Buddha of Suburbia (Hanif Kureishi, 1990), A2 J) h5 `; x6 c" D2 D
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! h. k4 W, Z1 k: R+ B93. Lord of the Flies (William Golding, 1954)3 W/ W5 N1 r: X+ L
92. Cold Comfort Farm (Stella Gibbons, 1932)
! ]0 I3 q! x- |1 j6 L91. The Forsyte Saga (John Galsworthy, 1922)' b$ M. {) V0 [) G
90. The Woman in White (Wilkie Collins, 1859)
% u, E$ k( y7 m+ ]2 D89. The Horse’s Mouth (Joyce Cary, 1944)
5 c5 f+ }3 F5 n88. The Death of the Heart (Elizabeth Bowen, 1938)
9 y% W& k* K: e9 ~3 p5 L. b87. The Old Wives’ Tale (Arnold Bennett,1908)
: V- s! c* y: x86. A Legacy (Sybille Bedford, 1956)
8 L6 H& T; I$ G" Y7 Z0 ~: C85. Regeneration Trilogy (Pat Barker, 1991-1995)
9 O2 w& J l* c& X84. Scoop (Evelyn Waugh, 1938)- P# s; V6 g/ r/ Q
83. Barchester Towers (Anthony Trollope, 1857)
& d, N g& G0 Q2 ^& l& F& S82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)$ E! d7 N" v |
81. The Jewel in the Crown (Paul Scott, 1966)6 x2 |+ Y8 _5 f% L. I. z! p! | A, ?
80. Excellent Women (Barbara Pym, 1952)
! Q" T: r; G. } H6 g79. His Dark Materials (Philip Pullman, 1995-2000)
2 s. B2 h# }0 n4 b9 t1 S78. A House for Mr Biswas (VS Naipaul, 1961)
1 ]; m( L: |; w$ s* e1 v77. Of Human Bondage (W Somerset Maugham, 1915)
( E* ]4 Z* z: ~! I8 i4 p* K! Q76. Small Island (Andrea Levy, 2004)8 b$ Z7 m" |) {6 r/ \9 @
75. Women in Love (DH Lawrence, 1920)
* ]! j6 H7 f# a5 e/ b74. The Mayor of Casterbridge (Thomas Hardy, 1886)" T7 w& @' M+ A: i
73. The Blue Flower (Penelope Fitzgerald, 1995)
( Q/ E" w; M. y4 f72. The Heart of the Matter (Graham Greene, 1948)
: c$ W+ A7 v% B3 }5 _& h71. Old Filth (Jane Gardam, 2004)6 J, |# Z+ g8 Z, y
70. Daniel Deronda (George Eliot, 1876)$ I- W4 T' s1 C! x1 k7 ^
69. Nostromo (Joseph Conrad, 1904)
8 u6 R9 p7 i4 }: A: o- `/ J7 T3 J S" U68. A Clockwork Orange (Anthony Burgess, 1962)
- `7 h0 b: u; G# V/ E2 I! n67. Crash (JG Ballard 1973)
% u+ y9 Y: Z8 ~% q$ h66. Sense and Sensibility (Jane Austen, 1811)1 K# C1 `) {- r: {8 H
65. Orlando (Virginia Woolf, 1928)
! o/ [6 N( a; [4 S7 ]64. The Way We Live Now (Anthony Trollope, 1875)
3 L$ _, D) |) N7 ~; }63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
+ o5 f1 O+ O1 {2 R" W1 R/ `$ j62. Animal Farm (George Orwell, 1945)
+ Q9 T, m/ m8 M61. The Sea, The Sea (Iris Murdoch, 1978)
2 \5 k! H. q& A5 |/ G* q \! W: T, `( }60. Sons and Lovers (DH Lawrence, 1913)
3 I4 U* A' I7 { F7 @59. The Line of Beauty (Alan Hollinghurst, 2004)4 w9 Z: r7 V2 ^1 v# W
58. Loving (Henry Green, 1945)" l1 H* a, k& c, `' l% Z/ H
57. Parade’s End (Ford Madox Ford, 1924-1928)- g, Y# K, H& Y A! H! B
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
2 {5 u- Z; |2 ]) c9 E& ^55. Gulliver’s Travels (Jonathan Swift, 1726)
& \0 Y8 T) T- B2 a/ b, O54. NW (Zadie Smith, 2012)
6 D. Z! I/ [) K$ U: Z& |53. Wide Sargasso Sea (Jean Rhys, 1966)
& p& t( [1 N7 R" ?: X" }, Y* e3 s6 O52. New Grub Street (George Gissing, 1891)# n# E2 O% ?* F2 e
51. Tess of the d’Urbervilles (Thomas Hardy, 1891) m2 a! b% h5 D/ W) ^4 u6 H4 U9 o
50. A Passage to India (EM Forster, 1924)0 X- V) d6 a" R$ ~$ N2 ?( _
49. Possession (AS Byatt, 1990)
0 U* Z( U" t" y4 `% ~48. Lucky Jim (Kingsley Amis, 1954)/ Q z+ c# l0 U! v; g% `4 {
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)7 ~5 H5 R1 |. E/ W7 Y! L1 f& P0 i
46. Midnight’s Children (Salman Rushdie, 1981)
w& u& C) l) K45. The Little Stranger (Sarah Waters, 2009)
% O+ s3 ?7 V) T44. Wolf Hall (Hilary Mantel, 2009)
( x P3 ? I8 s; t. M43. The Swimming Pool Library (Alan Hollinghurst, 1988)! ^- u8 _" _/ `% }5 X7 g& u4 T
42. Brighton Rock (Graham Greene, 1938)
+ H# T7 k. I- x* D41. Dombey and Son (Charles Dickens, 1848)
* I" y, K9 O0 X1 z40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)+ C6 s8 j5 F* P7 q/ t# i
39. The Sense of an Ending (Julian Barnes, 2011)4 X8 f6 j1 J' L" P8 ^/ s
38. The Passion (Jeanette Winterson, 1987)
5 }. | g1 r8 y5 p. J Q/ `37. Decline and Fall (Evelyn Waugh, 1928)9 D3 U5 \3 k, _; x- O
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
5 n! I! S% g+ o' m2 ^$ s$ q35. Remainder (Tom McCarthy, 2005)
+ {) C. `' V' v) w9 F34. Never Let Me Go (Kazuo Ishiguro, 2005)
b% I8 B% ~1 D0 u3 i, c; L" L/ D33. The Wind in the Willows (Kenneth Grahame, 1908)
4 a/ ~5 Y9 _- y- W j32. A Room with a View (EM Forster, 1908)
% l+ |7 d* f% V# E; a# M$ F! R31. The End of the Affair (Graham Greene, 1951)* D) t+ @/ C5 I( M% s/ w# U
30. Moll Flanders (Daniel Defoe, 1722)
3 K( a# l) h& l/ X29. Brick Lane (Monica Ali, 2003)9 w; l7 X$ [; q. n9 [$ X m
28. Villette (Charlotte Brontë, 1853)& S3 a- F( v2 S6 e: |6 e0 \2 m
27. Robinson Crusoe (Daniel Defoe, 1719)
5 u) N1 G$ u/ ^1 r26. The Lord of the Rings (JRR Tolkien, 1954)
# ~$ G# w7 X' \9 H25. White Teeth (Zadie Smith, 2000)
- ^& q$ S: X5 p: U. Z24. The Golden Notebook (Doris Lessing, 1962)& M: [3 q4 V9 ~. ]$ f
23. Jude the Obscure (Thomas Hardy, 1895)' Y# M, K, C4 |. A
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
* X4 z1 A$ c1 C, O3 z; L" N* F+ C1 Z21. Heart of Darkness (Joseph Conrad, 1899)
2 M) i/ l/ ]. ^7 S20. Persuasion (Jane Austen, 1817)
- ^4 R! _0 u2 v# C9 e& d) o: T. t6 N8 I19. Emma (Jane Austen, 1815)
$ j1 R1 Y7 b/ P6 @# z0 o: L18. Remains of the Day (Kazuo Ishiguro, 1989); M0 |; |* }$ I: ]" m
17. Howards End (EM Forster, 1910)
2 K! O3 m& a" G H16. The Waves (Virginia Woolf, 1931)
# S# c8 A/ d1 o0 V15. Atonement (Ian McEwan, 2001)4 i1 T2 ?4 u d
14. Clarissa (Samuel Richardson,1748)
7 _( R# [0 w# T* l: b. m6 a13. The Good Soldier (Ford Madox Ford, 1915)4 i6 ?+ n9 y5 ?0 j1 p( M' F
12. Nineteen Eighty-Four (George Orwell, 1949)& ?- R, l1 H% M" s
11. Pride and Prejudice (Jane Austen, 1813)
$ X$ z" R e3 a g( o7 q1 @- f10. Vanity Fair (William Makepeace Thackeray, 1848)
$ @( I3 i! w/ S: h9. Frankenstein (Mary Shelley, 1818)
+ L" b0 c# u* C1 A8. David Copperfield (Charles Dickens, 1850)- A1 M7 _( R, O) W1 X* Y' F( ?' z/ S
7. Wuthering Heights (Emily Brontë, 1847)4 z; p; }1 I9 H( m ~
6. Bleak House (Charles Dickens, 1853)
, ^4 i8 L" E4 ` J5. Jane Eyre (Charlotte Brontë, 1847)$ ^8 ?* t. r3 g- s$ C
4. Great Expectations (Charles Dickens, 1861)5 y V W% O0 X; @! V; |) [
3. Mrs. Dalloway (Virginia Woolf, 1925)
& `! U% N. [" t" l' \2. To the Lighthouse (Virginia Woolf, 1927)
+ H4 B2 Q* n8 N+ I" ?+ h# |& I1. Middlemarch (George Eliot, 1874) y5 E3 I# H) o* V
* d# B) m& w) ]3 [$ m前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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