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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 9 e/ E1 z' }* L& A( N
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BBC评出100大英国文学名著/ G! D/ x$ R" G% a1 h, }
http://www.bbc.com/culture/story ... test-british-novels
9 E! f/ m% R0 E1 P- ^8 i惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938), D" O# |5 h' r/ h$ X
99. There but for the (Ali Smith, 2011)$ m; q' S* B; e3 }5 I" G
98. Under the Volcano (Malcolm Lowry,1947)
+ e( K5 k( F/ U* H97. The Chronicles of Narnia (CS Lewis, 1949-1954)
' {6 S8 d; n6 W( G# y2 U4 K& Y96. Memoirs of a Survivor (Doris Lessing, 1974)
- Y( ]! e- P) N7 x1 ?1 A! x: z2 t95. The Buddha of Suburbia (Hanif Kureishi, 1990)/ f, d! s! c/ d4 G5 @( W
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824); J. M4 [- C( G( l$ w: h. \. i1 ]
93. Lord of the Flies (William Golding, 1954)
- F& e4 M/ R# }, N8 B# N$ r3 T92. Cold Comfort Farm (Stella Gibbons, 1932)8 o( L. [" b: l4 A3 c
91. The Forsyte Saga (John Galsworthy, 1922)
, s6 l, m' y0 G90. The Woman in White (Wilkie Collins, 1859): j) H; @( ?* u, u; v" ^6 J
89. The Horse’s Mouth (Joyce Cary, 1944)+ d# s" ~# p4 t+ k& R1 K+ T
88. The Death of the Heart (Elizabeth Bowen, 1938), ~5 X8 d- {) P; e5 P7 K
87. The Old Wives’ Tale (Arnold Bennett,1908)+ s9 Z: A& Y1 d6 a
86. A Legacy (Sybille Bedford, 1956)
3 e) C: Z+ F3 M7 `. Q. ^2 \85. Regeneration Trilogy (Pat Barker, 1991-1995)
! c2 A9 N0 m) D6 L3 S* T84. Scoop (Evelyn Waugh, 1938)
! }) Z; G, s; q3 M- R8 _8 w83. Barchester Towers (Anthony Trollope, 1857)# k+ i7 C, @/ l% d7 M' h) c9 r0 z( ~, S
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)/ }& V8 n7 x+ I2 _
81. The Jewel in the Crown (Paul Scott, 1966)
5 A, j: r( Z2 _80. Excellent Women (Barbara Pym, 1952) u# y8 K: }8 k! ?) s' r. _
79. His Dark Materials (Philip Pullman, 1995-2000)
, L7 E; V- S* R9 n/ q/ T78. A House for Mr Biswas (VS Naipaul, 1961)
0 f; A8 o+ `$ F [77. Of Human Bondage (W Somerset Maugham, 1915)
& c2 E4 z9 O0 ?2 k76. Small Island (Andrea Levy, 2004)
: a: V2 G5 e9 Q5 y1 g75. Women in Love (DH Lawrence, 1920)
6 ]1 r O7 U# W3 _% ^6 W74. The Mayor of Casterbridge (Thomas Hardy, 1886)' v" x5 T5 J6 T* ^& W$ f C+ D
73. The Blue Flower (Penelope Fitzgerald, 1995)
0 F4 g1 i" ^3 d" o) |72. The Heart of the Matter (Graham Greene, 1948)+ i. I L/ i% l4 [+ \+ G
71. Old Filth (Jane Gardam, 2004)
( s: L& l& r& d. J6 {( ~8 e. ?70. Daniel Deronda (George Eliot, 1876)
+ B3 [2 l$ o: A7 [4 r69. Nostromo (Joseph Conrad, 1904): _( w" E" k( w
68. A Clockwork Orange (Anthony Burgess, 1962)
& s7 `4 |2 q# G3 }67. Crash (JG Ballard 1973)' }& m. X& g# [ D% z* Y6 H
66. Sense and Sensibility (Jane Austen, 1811)( n+ B1 ~% A* c* P9 K% H4 U
65. Orlando (Virginia Woolf, 1928)
9 G0 Q' E5 I$ q64. The Way We Live Now (Anthony Trollope, 1875)
0 u) U8 r% o; v: \1 x7 m+ Z63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
( z& P+ t, |' g: w J62. Animal Farm (George Orwell, 1945)7 W: J0 {: m( w
61. The Sea, The Sea (Iris Murdoch, 1978)
1 |: B1 d4 D, Q& D8 p2 W: y60. Sons and Lovers (DH Lawrence, 1913)
0 b n3 [/ c& z9 N59. The Line of Beauty (Alan Hollinghurst, 2004)
- _5 B( E4 u w7 B) _5 Q2 k7 ^58. Loving (Henry Green, 1945)
V, t" |2 {1 G, w J9 L57. Parade’s End (Ford Madox Ford, 1924-1928)0 i' `7 ]) p" g) f" c
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
" O& |2 { S7 N8 ~+ i( m9 y55. Gulliver’s Travels (Jonathan Swift, 1726)5 t0 w% {, Y3 b% K
54. NW (Zadie Smith, 2012)
& {5 l9 |3 f* e: z$ Z53. Wide Sargasso Sea (Jean Rhys, 1966)
" {0 K2 A7 ^' \" x0 ]52. New Grub Street (George Gissing, 1891)
- C. ^6 B' u" X: ]) ]51. Tess of the d’Urbervilles (Thomas Hardy, 1891)& p* @, P! N* ~. e+ _- w
50. A Passage to India (EM Forster, 1924). |# c. {0 y' t0 x5 [& [& ?1 P0 c3 s
49. Possession (AS Byatt, 1990)
3 O& x- ` M5 `* D48. Lucky Jim (Kingsley Amis, 1954)
- T4 f- _! Y) \% G ^47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)7 l3 V9 q3 o4 ]1 Y! x6 C1 }
46. Midnight’s Children (Salman Rushdie, 1981)
6 V0 A; [" u+ I4 U5 ?! d45. The Little Stranger (Sarah Waters, 2009)" s+ O V7 `$ o0 i; x
44. Wolf Hall (Hilary Mantel, 2009)7 o# q X2 j0 r/ L
43. The Swimming Pool Library (Alan Hollinghurst, 1988)) F/ h. m; N% z7 F5 z! ]1 S+ y
42. Brighton Rock (Graham Greene, 1938)6 V: h2 [. {3 b' |* |- l8 D
41. Dombey and Son (Charles Dickens, 1848)
! H! Y* H+ `$ x- q2 H7 l2 ?40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865): q9 k% L H3 Q) {
39. The Sense of an Ending (Julian Barnes, 2011)0 G: w' r$ ~; F
38. The Passion (Jeanette Winterson, 1987)3 t' d1 s' _0 e
37. Decline and Fall (Evelyn Waugh, 1928)' e) x4 S: C( i+ S, D9 s- i/ j+ T
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)) R h0 _" ?/ x# L, Y* O
35. Remainder (Tom McCarthy, 2005)
$ H. x( Y- D5 E5 |0 W3 m" T34. Never Let Me Go (Kazuo Ishiguro, 2005)
* \4 ?/ L2 H v1 P. j4 g; d8 v) F33. The Wind in the Willows (Kenneth Grahame, 1908)
& K) [6 l9 T# Q* c4 c: b# X5 b32. A Room with a View (EM Forster, 1908)
/ y8 F0 d- t6 C% [* [6 n; J6 ^, c31. The End of the Affair (Graham Greene, 1951)9 _" A) C8 g8 P2 d& F' P# i
30. Moll Flanders (Daniel Defoe, 1722)1 O- C, B1 b) ?2 Q% R, I( _7 }5 a7 |
29. Brick Lane (Monica Ali, 2003)
2 L5 }+ ^7 l! P n0 ?" B28. Villette (Charlotte Brontë, 1853)* r6 S9 U7 \1 G
27. Robinson Crusoe (Daniel Defoe, 1719)
; L) Y2 g, h& d2 {26. The Lord of the Rings (JRR Tolkien, 1954); Z* v% ?% o i% _( d, |% A; E
25. White Teeth (Zadie Smith, 2000)& k) e3 S6 V9 Z0 D5 b$ n+ ~" ^
24. The Golden Notebook (Doris Lessing, 1962)
7 p; @ r! K- o: h4 ?; Q, j23. Jude the Obscure (Thomas Hardy, 1895); o5 ^7 v K( Q1 N/ |# k7 p
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)- N% i$ L$ e r& h# U" @0 Q
21. Heart of Darkness (Joseph Conrad, 1899)
# G; b. _: \. m4 P N+ v20. Persuasion (Jane Austen, 1817)
( X5 z/ V' x4 X$ d' ~19. Emma (Jane Austen, 1815)
) J) d4 [5 B* g18. Remains of the Day (Kazuo Ishiguro, 1989)
1 v9 o$ C- Y \" h: y: X17. Howards End (EM Forster, 1910)( d1 |/ \, a, p2 Z% I4 V
16. The Waves (Virginia Woolf, 1931)
+ ?" h x0 g4 P8 j' E, U: L3 w15. Atonement (Ian McEwan, 2001)! `2 z9 A# S" h
14. Clarissa (Samuel Richardson,1748)* V9 i& y6 X3 u1 j) R- ]& H" A" X
13. The Good Soldier (Ford Madox Ford, 1915)
. ~+ ?- k; g ~2 d12. Nineteen Eighty-Four (George Orwell, 1949)2 t8 y' L) N y" x' X& J" M
11. Pride and Prejudice (Jane Austen, 1813)
% w+ N3 L4 A; ^$ P0 S* Z10. Vanity Fair (William Makepeace Thackeray, 1848)
5 L! v x3 y7 I" J9. Frankenstein (Mary Shelley, 1818)
) V5 {- y7 F# C. M% C8. David Copperfield (Charles Dickens, 1850)
$ c/ x9 O$ a, g) m( `: b6 |7. Wuthering Heights (Emily Brontë, 1847)
: w, V9 x d$ U, t" q6. Bleak House (Charles Dickens, 1853)
! z+ Z0 S+ n% N5. Jane Eyre (Charlotte Brontë, 1847)
4 [! [$ o7 {- B( ?4. Great Expectations (Charles Dickens, 1861)$ @# l" |3 G* s* X( X6 S) F& P* }
3. Mrs. Dalloway (Virginia Woolf, 1925)
" U3 r, }% ]! L2 T) D( g2. To the Lighthouse (Virginia Woolf, 1927)
, e( K( i& r3 K" e9 S/ l1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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, @" E. q/ [6 [$ e, A, C呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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