日志
当年为了这展览麻省教授被中国学生会大骂围攻
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其实本来这个展览就是批判日本人的种族主义的.
俺也觉得是最好的爱国主义教育.
看了展览中国人第一个反应肯定不是中日人民要世世代代友好下去. 
结果麻省理工中国学生会认为是麻省故意侮辱中国人民,要求麻省开除这几个主办的教授
大家觉得尼？
俺看明明是麻省的教育出了问题吗，你看你们都咋教滴人家孩子。咱门加州理工滴没见到这样糊涂地。
麻省理工网上图文展览"脱亚" 展览的总结部分: Because racism in the age of imperialism is most commonly associated with “white supremacism” (and the smug rhetoric of a “white man’s burden”), this explosive outburst of Japanese condescension toward China and the Chinese seems all the more stunning. In the Western hierarchy of race, so-called Orientals or Asiatics or Mongoloids were lumped together—below the superior Caucasians and above the “Negroid.” In their inimitable way, the Japanese promoted these stereotypes where the Chinese were concerned, even while trying to demonstrate their own identity with the Caucasians. What made this even more disconcerting was the intimate overlay of race and culture in the case of Japan and China. No non-Chinese society was more indebted to China. Japan’s written language, its great traditions of Buddhism and Confucianism, vast portions of its finest achievements in art and architecture—all came from China. In an abrupt phrase familiar to all literate Japanese, even in the Meiji period, China and Japan were culturally as close as “lips and teeth.” But that, of course, was the point—and what made this outburst of anti-Chinese sentiment a very peculiar sort of racism on the part of the Japanese. The Chinese were contemptible because they were deemed inept. At the same time, however, “China” was symbolic and self-referential. “China,” that is, stood for “Asia.’ It stood for “the past.” It stood for outmoded “traditional values.” It stood for “weakness” vis-à-vis the Western powers. It stood, coming even closer to home, for “evil customs of the past” that Japanese leaders ever since the Meiji Restoration argued had to be eradicated within Japan itself if their nation—and Asia as a whole—were to survive in a dog-eat-dog modern world. “Old” China was the Anti-West, the Anti-Modern (a notion China’s own Communist leaders would later embrace with a vengeance themselves). As a consequence, while the corpses were unmistakably and brutally Chinese, they stood for a great deal more as well. To return to Fukuzawa’s famous phrase, killing Chinese amounted to “throwing off Asia” in every conceivable way. This was seen to be essential to Japan’s security, its very survival. It was deemed progressive. It amounted, when all was said and done, to embracing a “modern” kind of hybridization. Where the old Japan had been distinguished by enormous indebtedness to traditional Chinese culture, the new Japan would be distinguished by wholesale borrowing from the modern West. |
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发表评论 评论 (13 个评论)
- 回复 寞洑
- 这个要看图片的说明怎么写的，而且图片也要有选择的展示，打个比方，就象现在我们可以展示纳粹毒气室周围的万人坑，但是不能用纳粹画家的眼光展示一群“猥琐的犹太佬”被“正义阳光的帝国士兵”推进毒气室一样。
- 回复 河蚌
- 知耻而后勇。
寞洑: 这个要看图片的说明怎么写的，而且图片也要有选择的展示，打个比方，就象现在我们可以展示纳粹毒气室周围的万人坑，但是不能用纳粹画家的眼光展示一群“猥琐的犹 ...
我们自己不也说那时的国人愚昧、懦弱，而这种评价正是中国这—百年来前进的动力。
反而是最近几年，开始有人发明真相，说＂我大清＂英明神武，李中堂持重谋国，老佛爷睿智果断。我不知道这样的人是何居心。
- 回复 gordon
- 你把那一场战争想的简单了。
河蚌: 知耻而后勇。
我们自己不也说那时的国人愚昧、懦弱，而这种评价正是中国这—百年来前进的动力。
反而是最近几年，开始有人发明真相，说＂我大清＂英明神武，李中 ...
那是日俄战争的预演，是拿破仑战争后，英俄两位欧洲霸主对世界势力范围划分的体现。克里木战争正是甲午战争的导火索。
当时美国还只是一个配角，而俄罗斯在木帆船时代就是海洋的霸主之一，最好的造船木料，都出自波罗的海地区，（这个看风帆时代的海军）
是到了蒸汽机时代，英国才对俄罗斯保持优势的。也就是说日俄战争把俄罗斯从全球霸主地位上打落了下来。
取而代之的是德国的崛起，因为煤和铁。
鲁尔区煤炭储量为2190亿吨，占全国总 储量的3/4，其中经济可开采量约220亿吨， 占全国的90%。 露天煤矿开采 运送煤炭的大型卡车 从海外进口瑞 典、俄罗斯等国的 铁矿石到荷兰鹿特 丹，再经过莱茵河 运到鲁尔区。 通过陆上交通 就近从法国洛林铁 矿区进口。 区内有莱茵 河、鲁尔河、 利珀河及4条 运河，提供了 充沛的水源。 莱茵河 利珀河 鲁尔河 内河交织成网，且与海洋相通，水运便利； 有德国最稠密的铁路网，高速公路四通八达。
- 回复 coo
- 分清两点：
寞洑: 这个要看图片的说明怎么写的，而且图片也要有选择的展示，打个比方，就象现在我们可以展示纳粹毒气室周围的万人坑，但是不能用纳粹画家的眼光展示一群“猥琐的犹 ...
１。画本身是日本人用来宣扬军功的，这是贬低当时的中国军队的-无视这点，那作为中国人来讲，就是个NC。
２。组办方不会扯谁是谁非的，它只是展示历史上的宣传。你不可能因为它展示曾经的你不喜欢的记录而弹喝举办方面。至于展示的用意，本来就是个不可推测的量－就算它是恶意的，你也无法直接指证。