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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
' K H0 l, I' i; ?http://www.bbc.com/culture/story ... test-british-novels
: U z) a% m% _4 u) [' \惭愧得很,听说过一小半名字,读过听说过的一小半,最惭愧的是,前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)) y V# q+ O' s! B% j6 c
99. There but for the (Ali Smith, 2011)% s3 }; {0 M# S5 R3 Q+ F F* I+ O
98. Under the Volcano (Malcolm Lowry,1947)
6 N" O4 C! m* Z. m) }: D97. The Chronicles of Narnia (CS Lewis, 1949-1954)
- v) W" O D3 ^0 J Z$ p' w96. Memoirs of a Survivor (Doris Lessing, 1974)
& ]; u' _/ r _7 l! [95. The Buddha of Suburbia (Hanif Kureishi, 1990)
. _8 J! Q( t4 f. ^+ p94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
/ `) z9 v7 p) {& C$ Q93. Lord of the Flies (William Golding, 1954)( ?- T& l9 H8 n. t# _- B1 q+ n
92. Cold Comfort Farm (Stella Gibbons, 1932)- Q2 O+ d" k z+ Y% q3 P$ ~7 \
91. The Forsyte Saga (John Galsworthy, 1922)0 r+ [& d+ {. X
90. The Woman in White (Wilkie Collins, 1859)$ d. R ~% @6 G' ]; s9 I
89. The Horse’s Mouth (Joyce Cary, 1944)6 |% a( T* L2 q9 v8 H H4 v1 ]
88. The Death of the Heart (Elizabeth Bowen, 1938), S" f( S# B ` n" g
87. The Old Wives’ Tale (Arnold Bennett,1908)
+ F/ {# J4 l9 N3 I0 u86. A Legacy (Sybille Bedford, 1956)
! m/ J' _! q l. B, n85. Regeneration Trilogy (Pat Barker, 1991-1995); ]0 V& e& w' K
84. Scoop (Evelyn Waugh, 1938)
; p) r6 K& t3 F5 z8 J2 s83. Barchester Towers (Anthony Trollope, 1857)
# W, W+ T9 s- w( N x6 N82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
* I Q- ]& L9 `) D: a1 b81. The Jewel in the Crown (Paul Scott, 1966)5 S5 C' Y( g6 c$ {. K) C+ |8 h
80. Excellent Women (Barbara Pym, 1952), z5 s1 b9 x3 x' @# t4 [
79. His Dark Materials (Philip Pullman, 1995-2000)2 v2 g& y5 V* U8 U7 ?- ?/ O" ^2 i
78. A House for Mr Biswas (VS Naipaul, 1961)- P$ E+ y4 u, i8 E$ T6 T0 L( Z
77. Of Human Bondage (W Somerset Maugham, 1915) x7 J. H7 P# H( e4 G1 `: F
76. Small Island (Andrea Levy, 2004)
0 I1 G/ q |/ H1 i75. Women in Love (DH Lawrence, 1920)
4 @+ ]) c: p8 s' T+ x4 c74. The Mayor of Casterbridge (Thomas Hardy, 1886)
6 F, w# ]) }1 t* ?) Z( Z73. The Blue Flower (Penelope Fitzgerald, 1995)0 O# v3 S8 _# x0 V! {+ p" y
72. The Heart of the Matter (Graham Greene, 1948)
* l* X3 y! D+ q: [; Z! v71. Old Filth (Jane Gardam, 2004)
6 g3 K ?5 r5 m+ N$ x$ F70. Daniel Deronda (George Eliot, 1876)
0 [, Q, O) X9 N: a* W* F69. Nostromo (Joseph Conrad, 1904)
* T2 M! P, u7 H/ n# x% T68. A Clockwork Orange (Anthony Burgess, 1962)
. _. p: K4 F# Z67. Crash (JG Ballard 1973)& `! |; F i% z2 y" `" O# @
66. Sense and Sensibility (Jane Austen, 1811)( F! d8 S. U* {8 Z
65. Orlando (Virginia Woolf, 1928)$ R& j" h! d. x; X
64. The Way We Live Now (Anthony Trollope, 1875)) {( c ]$ K9 @5 F8 M3 b8 ~$ K6 M
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)" W- v5 }8 ?4 i4 Q+ C. x- A; t1 i
62. Animal Farm (George Orwell, 1945), b7 ?' X' K7 O+ V( u, b
61. The Sea, The Sea (Iris Murdoch, 1978)& f4 s: x9 ]! Z, q
60. Sons and Lovers (DH Lawrence, 1913) M1 p+ f0 q& A- X
59. The Line of Beauty (Alan Hollinghurst, 2004)
7 o5 O! b$ b8 E; p( S& g/ Q" M58. Loving (Henry Green, 1945)
3 B6 a6 k H, E! ^& O% t57. Parade’s End (Ford Madox Ford, 1924-1928)
/ F' L) f( O$ H56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
9 b8 w. G4 N1 ^ _8 \7 a& s55. Gulliver’s Travels (Jonathan Swift, 1726)! |4 G( p+ o1 `2 i* X9 B; E
54. NW (Zadie Smith, 2012)4 T# i" H3 J7 ?% M. o
53. Wide Sargasso Sea (Jean Rhys, 1966)$ v& r/ ?( x5 ^& E7 C
52. New Grub Street (George Gissing, 1891)( n6 d" k2 w, f7 g* r
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)0 w; ^4 S# D/ K3 E& }5 Q$ o
50. A Passage to India (EM Forster, 1924)+ \: L" G8 g$ e6 q* r3 P
49. Possession (AS Byatt, 1990)
) R8 [$ {& S" s5 [$ h$ J48. Lucky Jim (Kingsley Amis, 1954)3 m. F0 ?" L9 ?6 Y
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)$ [; a7 [8 s8 q3 G7 B/ f! Y
46. Midnight’s Children (Salman Rushdie, 1981)
) G8 A" O, ~: D45. The Little Stranger (Sarah Waters, 2009)
9 Y% n+ u" _) W5 G44. Wolf Hall (Hilary Mantel, 2009)
4 g: V$ I! ~4 Q% m43. The Swimming Pool Library (Alan Hollinghurst, 1988)
1 |8 T- c0 O, C42. Brighton Rock (Graham Greene, 1938) o6 s1 I# K% A) I3 N; c
41. Dombey and Son (Charles Dickens, 1848)# v! w- D% a. g( I0 `
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)( |" i3 D) t5 z6 P0 m+ W1 p
39. The Sense of an Ending (Julian Barnes, 2011)
0 Q4 i% t' e* r+ J3 K. ^2 G+ K38. The Passion (Jeanette Winterson, 1987)" R$ P* ~' Y" n& o0 E4 V2 R
37. Decline and Fall (Evelyn Waugh, 1928)
8 v& Y ~9 c: B$ b36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 V( l( q. q& y$ p0 J3 G( W- S
35. Remainder (Tom McCarthy, 2005); U. B/ K: j. C* [. R6 w& r
34. Never Let Me Go (Kazuo Ishiguro, 2005)
% H$ A4 f! ~+ Q8 u# Q7 x, w( R' g33. The Wind in the Willows (Kenneth Grahame, 1908)& |6 O& W" s S& p; u) J; r
32. A Room with a View (EM Forster, 1908)
: \3 i* k" @9 o: S( w/ j7 ^31. The End of the Affair (Graham Greene, 1951)
/ ]3 m8 P' K0 C. H4 S, f; m+ v30. Moll Flanders (Daniel Defoe, 1722)
, }' G I/ {" n: s& g+ p29. Brick Lane (Monica Ali, 2003)
& O% _3 Z2 w) H0 }7 E0 ~5 b28. Villette (Charlotte Brontë, 1853)8 S# E$ W' ?; ?( H0 t
27. Robinson Crusoe (Daniel Defoe, 1719)% j$ T- x+ f. }# H+ K
26. The Lord of the Rings (JRR Tolkien, 1954)4 ~1 a: A; \8 o) Z9 a
25. White Teeth (Zadie Smith, 2000)
1 W Y( _$ g6 h. o: @3 H. h24. The Golden Notebook (Doris Lessing, 1962)( u) k+ h$ N6 K
23. Jude the Obscure (Thomas Hardy, 1895)
7 W4 Y0 L4 P+ {- Q- C* w22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)) e. b+ W4 i* y9 M: U# H* U7 m; Z& T
21. Heart of Darkness (Joseph Conrad, 1899)
& V* d0 k* {2 x1 q; J. U20. Persuasion (Jane Austen, 1817)2 U# z" E. O# f, G
19. Emma (Jane Austen, 1815). c: ~* x9 a5 E5 p) a6 ?3 y3 ]5 G
18. Remains of the Day (Kazuo Ishiguro, 1989)
, Y( {9 v' s% L17. Howards End (EM Forster, 1910)$ ^4 m+ Z3 @, {1 s% V
16. The Waves (Virginia Woolf, 1931)& n4 N, o3 {. \1 p6 o+ \# S J `0 Y) G
15. Atonement (Ian McEwan, 2001)
- U$ @& b4 f$ w* i14. Clarissa (Samuel Richardson,1748), t( v+ W' @3 K0 `8 E" l
13. The Good Soldier (Ford Madox Ford, 1915)
( H" V3 a! ?$ X12. Nineteen Eighty-Four (George Orwell, 1949)
8 T$ }9 d0 { h- V3 l0 `, N2 g8 D11. Pride and Prejudice (Jane Austen, 1813): H- ~# j$ {9 g1 G- W; Q' |* O8 s
10. Vanity Fair (William Makepeace Thackeray, 1848)$ y8 D' G( @7 X* S
9. Frankenstein (Mary Shelley, 1818)
/ p5 b0 ?+ R! C8. David Copperfield (Charles Dickens, 1850)
! x1 f R4 [4 k) T# v7. Wuthering Heights (Emily Brontë, 1847)
1 H& x- N' {* F9 n% a7 |6. Bleak House (Charles Dickens, 1853)/ @1 |+ g7 n" U" `4 L
5. Jane Eyre (Charlotte Brontë, 1847)
! R9 Q0 t7 l) B2 [; p: z4. Great Expectations (Charles Dickens, 1861). D8 `, m% O1 }- F- d% d
3. Mrs. Dalloway (Virginia Woolf, 1925)" M- M' B; e3 l3 E& c) Z& L* m
2. To the Lighthouse (Virginia Woolf, 1927), A/ o: u1 Z4 l$ L# x3 B
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯(远大前程、Bleak House(中文译名是什么?)、大卫·科波菲尔)和萨克雷(名利场)是男作家,其他都是女的:乔治·艾略特(本名Mary Ann Evans,用男性化的笔名)、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话,也有一半是女作家的作品,加上简·奥斯汀。全部100部作品中,也有40%是女作家的作品。只有狄更斯(远大前程、Bleak House)、大卫·科波菲尔、Dombey and Son)、奥斯汀(傲慢与偏见、爱玛、Persuasion、感觉与情感)、沃尔芙(To The Lighthouse、Mrs Dalloway、The Waves、Orlando)有四部作品入选,又是两个女作家。这是相当高的女作家比例。
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呃,这里全部是英国作家的作品,而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的,其中没有英国人,纯粹是从外国人(美国、加拿大、澳大利亚、丹麦、印度)的角度来评的。很有意思的评比法。 |
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