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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 : H" [" V/ U1 x$ I- {0 R. x+ O4 h
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BBC评出100大英国文学名著
1 l" g' o: T- x. p, [# j, ~2 `6 Y5 Khttp://www.bbc.com/culture/story ... test-british-novels
" F# F# E( t/ x+ r惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。: C' C. E \1 U, @/ A" h( K
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100. The Code of the Woosters (PG Wodehouse, 1938)
4 r' x$ ~8 m3 a" P' @! A99. There but for the (Ali Smith, 2011); g9 G7 o" W# {! z& ^! J# V
98. Under the Volcano (Malcolm Lowry,1947)
& U& x1 c6 v9 S* h) F97. The Chronicles of Narnia (CS Lewis, 1949-1954)
, R/ f8 K6 v& n1 z: G2 H- ~96. Memoirs of a Survivor (Doris Lessing, 1974)$ g2 n: H% l8 h# p; E! [
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
( X5 C8 T0 L, s1 G0 D# _94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)5 f0 k4 c$ k* p; r- y; z& A; z
93. Lord of the Flies (William Golding, 1954)
. x# Y2 j, q+ Q2 s$ S8 F' {92. Cold Comfort Farm (Stella Gibbons, 1932)' M3 C/ W. U% b1 y
91. The Forsyte Saga (John Galsworthy, 1922)
" A4 B( @/ q* Q5 e90. The Woman in White (Wilkie Collins, 1859)& g. h V" W8 Z+ w6 X$ J) |
89. The Horse’s Mouth (Joyce Cary, 1944); r) b7 P8 J3 ~: e. @ ]5 a0 z) h
88. The Death of the Heart (Elizabeth Bowen, 1938)' B: t/ X% L* l& D: O3 P
87. The Old Wives’ Tale (Arnold Bennett,1908)
: S9 m& W! \1 i0 \+ j& I86. A Legacy (Sybille Bedford, 1956)/ J" L ]( q) S$ V. ^: _" T0 J( y
85. Regeneration Trilogy (Pat Barker, 1991-1995)% O5 V) I% K1 j: R! l5 }
84. Scoop (Evelyn Waugh, 1938)
- Q8 N2 h1 L, v6 @' I3 G& O7 [1 u83. Barchester Towers (Anthony Trollope, 1857)! S1 e& v8 s" ~: U; c' I
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
! Q5 x" C' f7 N! \; R81. The Jewel in the Crown (Paul Scott, 1966)
2 o; I% T2 N2 |* i# `6 [* s* |2 @80. Excellent Women (Barbara Pym, 1952)# C4 O" W- f: L! E* q$ f
79. His Dark Materials (Philip Pullman, 1995-2000)
% J; E% a& v/ ` ]# z78. A House for Mr Biswas (VS Naipaul, 1961)
2 r2 K2 k0 k4 `77. Of Human Bondage (W Somerset Maugham, 1915). i+ }* R) u: U* x" _: `& n# X
76. Small Island (Andrea Levy, 2004)
; s5 D8 j7 r+ @) q75. Women in Love (DH Lawrence, 1920); d* Q/ ?4 Q4 o2 I. v
74. The Mayor of Casterbridge (Thomas Hardy, 1886)4 |, c6 X8 ^1 v$ D( d6 d
73. The Blue Flower (Penelope Fitzgerald, 1995)- X7 r3 [1 P% s' L' l8 E
72. The Heart of the Matter (Graham Greene, 1948)& r; }. c4 N Q7 J5 C7 y$ @
71. Old Filth (Jane Gardam, 2004)
J" T" x' G- D3 B9 e70. Daniel Deronda (George Eliot, 1876)! J' V8 x' A" Y. L& n4 [
69. Nostromo (Joseph Conrad, 1904)
. ~; D: S$ d x( X$ ^0 d* Y68. A Clockwork Orange (Anthony Burgess, 1962)- c9 O+ r. L) O9 h+ {; u
67. Crash (JG Ballard 1973)1 ]* d1 k9 J( d- c' I- J# y; U
66. Sense and Sensibility (Jane Austen, 1811)) t: Z" _5 x- e% `, `$ R! I
65. Orlando (Virginia Woolf, 1928)
6 Q4 `& s t* f$ U2 {1 }5 ?6 ]+ L0 e% @- n64. The Way We Live Now (Anthony Trollope, 1875) V- j, |. w, Z( W) x" G( E2 {
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)/ H" }6 K) o! ^2 |, g
62. Animal Farm (George Orwell, 1945)
' ^; {9 \6 g+ |. y9 L61. The Sea, The Sea (Iris Murdoch, 1978)
" E( ?4 P& s3 g' v" k9 \) k9 f60. Sons and Lovers (DH Lawrence, 1913)
$ o" ~& `7 @" P3 Q# R- X59. The Line of Beauty (Alan Hollinghurst, 2004)
& Z: W# M- d; k. a58. Loving (Henry Green, 1945)
* x" G0 U! r3 R) b; ^57. Parade’s End (Ford Madox Ford, 1924-1928)- Y0 X. l) x9 h+ o
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)4 L; h+ f/ D; b9 K
55. Gulliver’s Travels (Jonathan Swift, 1726)3 Z0 g5 g7 W& i! S$ T
54. NW (Zadie Smith, 2012)/ T& |' g3 q" S H4 N
53. Wide Sargasso Sea (Jean Rhys, 1966)
- D1 o/ `) h" s! _- c! r52. New Grub Street (George Gissing, 1891)( M5 S5 k' z+ S& w7 L
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
& D! f# |$ F, G50. A Passage to India (EM Forster, 1924)
9 `, B0 ]) s1 L7 A) H6 Y& A49. Possession (AS Byatt, 1990)
' M0 [, t1 B, Z! m Y48. Lucky Jim (Kingsley Amis, 1954)
Y+ X2 n" r! A6 ^( F' k5 `47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
" V: |2 [* B9 b# `3 N% Z/ W46. Midnight’s Children (Salman Rushdie, 1981). C2 |# `! I6 l5 ?; P& V& R$ Q
45. The Little Stranger (Sarah Waters, 2009)! r# U. l: s6 h3 b+ f5 B' e
44. Wolf Hall (Hilary Mantel, 2009)
4 e6 p' k! F! \' a9 y43. The Swimming Pool Library (Alan Hollinghurst, 1988) t$ I! x" n# Q& \
42. Brighton Rock (Graham Greene, 1938)$ {) n6 S: `% d$ V( i' p
41. Dombey and Son (Charles Dickens, 1848)
: _) N% K* q. R+ V40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
2 {2 J, g. v$ a0 v/ J39. The Sense of an Ending (Julian Barnes, 2011)
( B7 {5 `# V; y2 P38. The Passion (Jeanette Winterson, 1987)& K* x+ ~1 \. y; h8 V1 ]; S! S- J0 f
37. Decline and Fall (Evelyn Waugh, 1928)
7 f& {. r1 o+ }+ h' a36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
& Q- }9 m7 P7 X% g; @; |9 p/ y35. Remainder (Tom McCarthy, 2005)9 s, g8 @1 n" |1 ~6 L0 m. e
34. Never Let Me Go (Kazuo Ishiguro, 2005)6 o3 D5 H* k7 I, ^
33. The Wind in the Willows (Kenneth Grahame, 1908)9 B' D2 n. {+ e. [% D9 R
32. A Room with a View (EM Forster, 1908)
: C! n9 ^$ b( m0 F1 w31. The End of the Affair (Graham Greene, 1951)
, t4 D7 _0 c0 o% X! P30. Moll Flanders (Daniel Defoe, 1722)
$ ?; |4 h5 ^' v8 d29. Brick Lane (Monica Ali, 2003)7 Q$ Z0 u* A* a G! w
28. Villette (Charlotte Brontë, 1853)
' u# b2 ~5 C6 D1 Z3 S# o27. Robinson Crusoe (Daniel Defoe, 1719)
/ a7 c3 {& N7 I; h, ]26. The Lord of the Rings (JRR Tolkien, 1954)
}* S% t& B, B( {$ \25. White Teeth (Zadie Smith, 2000)! U0 }# w1 w6 u9 ]
24. The Golden Notebook (Doris Lessing, 1962): i7 b& L: J0 q* c. i! v% k4 E0 k
23. Jude the Obscure (Thomas Hardy, 1895)# |# \3 S' x& A1 @# h% w
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)/ x) K ^1 B- w2 F6 A% \& o
21. Heart of Darkness (Joseph Conrad, 1899)+ Y2 p8 H, z; x0 r: Y
20. Persuasion (Jane Austen, 1817)1 Z) M. y! l* G# o+ O* K# [
19. Emma (Jane Austen, 1815)
$ D- H. C' I- d8 y' z7 Z18. Remains of the Day (Kazuo Ishiguro, 1989) X I( L: W; ?* Z" {
17. Howards End (EM Forster, 1910); g) p1 l. Y" z4 g, X! y* \: c
16. The Waves (Virginia Woolf, 1931)
% s' }3 l2 t. I }0 ~ |15. Atonement (Ian McEwan, 2001)/ o4 f% ~# n+ [7 c- ?2 A H
14. Clarissa (Samuel Richardson,1748)4 x! U# B5 M0 \( v2 g8 \0 [! d' V3 Y
13. The Good Soldier (Ford Madox Ford, 1915)
2 E4 B4 o. k. P/ L$ r12. Nineteen Eighty-Four (George Orwell, 1949)" o' ~5 }2 x3 i9 L
11. Pride and Prejudice (Jane Austen, 1813)9 ~8 Z0 q! r* V$ D
10. Vanity Fair (William Makepeace Thackeray, 1848)
, b# Y2 Y" B: T1 {, T9. Frankenstein (Mary Shelley, 1818)( X& e# Q z. e+ G- x7 \
8. David Copperfield (Charles Dickens, 1850)) @# v. b# ?/ `& y+ w, ]2 g& E
7. Wuthering Heights (Emily Brontë, 1847); w+ c5 Z% n. ^5 u
6. Bleak House (Charles Dickens, 1853)) @. x% B& H, Q0 N# a% L) |- z" u- s# y
5. Jane Eyre (Charlotte Brontë, 1847)
1 r8 `6 k$ x# g' u4. Great Expectations (Charles Dickens, 1861)- ~1 A! g: A# c# ]5 k
3. Mrs. Dalloway (Virginia Woolf, 1925)
8 \6 Y, Z: z0 ~2. To the Lighthouse (Virginia Woolf, 1927) K- p" z& W% U: U
1. Middlemarch (George Eliot, 1874): C+ B M1 ^9 x" |9 n6 g3 W0 _
, q6 U5 o4 c7 y+ A" a' K! ] k: _' i0 v前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。! P0 c0 L: N+ L0 a' t+ x( i; e- i" F
2 }9 z4 i, s7 T4 j呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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